(2018) Documentary (Hulu/Magnolia) Zach Milligan, Keire Johnson, Nina Bowgren, Kent Abernathy, Bing Liu, Mingyue Bolen, Roberta Johnson, Rory Mulligan, Kyle, Eric, Vickie. Directed by Bing Liu
Sometimes a film presents itself in such a way that you expect one thing (and those expectations are might low) but are delivered another which is so much more than you thought it might be. Those are the moments of discovery when you realize that you have seen a movie that isn’t just entertaining or enlightening but life-changing.
The movie begins as a suburban skateboarding documentary and to be honest, I’ve seen enough of those. The main protagonists are shredding around Rockford, Illinois and during interviews talk about how they just want to skate, they’re not interested in being a traditional part of society and that they don’t want to be put into any sort of box. These are all things about skate culture that I found repelling, a kind of entitlement that is unearned. As it turned out I was wrong.
We see the last three years of the lives of these skaters, essentially, as Zach – the leader of this group of friends, wrestles with fatherhood as his girlfriend Nina gives birth. Keire, the lone African-American member of the group, feels a sense of belonging with his friends that he doesn’t have with his family and Asian-American Liu – who initially was planning to only be behind the camera – begins to realize that documenting his friends’ lives is opening up some of the rougher parts of his own.
All three of these boys (and Nina as well) are on the cusp of adulthood and they are being dragged into it kicking and screaming. They don’t always act responsibly and they don’t always say or do the right thing. In other words, they are just like all of us at that age. Some of the things they do are destructive, some of the things they do are sweet but in every instance there is a sense of being unsure that they are doing the right thing. Like all of us as we move from childhood to adulthood, they are flailing around in the dark and hoping that they’ll find something to hold onto.
The relationship between Zach and Nina begins to deteriorate. They fight all the time, leading to a screaming match in which Nina threatens to kill Zach. We sympathize with Zach as he seems to be doing his best – working long hours as a roofer – but then we hear Nina’s side of things. Zach, as it turns out, is not the guy we thought he was.
All three of the boys have issues with fatherhood – in the cases of Keire and Bing dealing with abusive fathers. As Keire wryly says early on, “Back then it was called discipline but what it’s called now is child abuse.” Their moms are interviewed as we see the toll that abusive fathers took on them as well and as the movie goes on, how the dysfunctional relationship between Zach and Nina takes a toll on her as well. Everyone in this movie undergoes big changes in maturity as the movie goes on; some for the better, others not so much.
There are a lot of scenes of the guys skateboarding, maybe a few too many but one thing you begin to realize is that skateboarding is not a hobby or even a passion; it’s a release for them. It’s a way for them to deal with their pain and it’s as necessary to their well-being as eating and breathing. The issues I had with skater culture suddenly evaporated as I watched this. Their need for non-conformity made sense now to me. I can’t always condone someone who believes that their way of living is superior to anyone else’s, but I can see why the lifestyle is chosen. In a lot of ways, surfer culture is similar.
This is a movie you should see. You might think “oh, another skateboarding film” but it’s not that. It’s a coming of age film, not in the traditional Hollywood state of mind but as it really happens to all of us. Nobody looks forward to responsibility and stress but nevertheless we want the opportunity to make our own decisions and live life on our own terms. That’s not always possible; circumstances often dictate what our actions must be, but that need for autonomy and to be ourselves remains with us even when you’re as old as I am.
REASONS TO GO: The film goes from being a skate kid doc to an unexpected treasure. I ended up getting a better understanding of skate culture. It’s very powerful in places.
REASONS TO STAY: The movie is a bit on the raw side.
FAMILY VALUES: There is a bit of profanity, some brief drug use and adult themes.
TRIVIAL PURSUIT: Liu has been filming his friends since they were all teenagers (and in Keire Johnson’s case, 11 years old) and has incorporated some of that home footage into the film.
BEYOND THE THEATERS: Hulu
CRITICAL MASS: As of 8/18/18: Rotten Tomatoes: 100% positive reviews: Metacritic: 91/100.
COMPARISON SHOPPING: Street Kids
FINAL RATING: 8.5/10