New Releases for the Week of March 3, 2017


LoganLOGAN

(20th Century Fox/Marvel) Hugh Jackman, Sir Patrick Stewart, Dafne Keen, Boyd Holbrook, Elizabeth Rodriguez, Richard E. Grant, Eriq La Salle, Stephen Merchant. Directed by James Mangold

It is the near future and humans are winning the war against mutants. Logan, bone-weary and battle scarred, is hiding out on the Mexican border where he is caring for an ailing Charles Xavier. Everything changes however when a young mutant with a very personal connection to Wolverine finds them – a young girl who is also being pursued by some very bad men. The legendary mutant may have to do battle for one last time to save a young girl and perhaps, to save the mutants that are left.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Superhero
Now Playing: Wide Release

Rating: R (for strong brutal violence and language throughout, and for brief nudity)

A United Kingdom

(Fox Searchlight) David Oyelowo, Rosamund Pike, Tom Felton, Jack Davenport. In 1947 Seretse Khama, heir to the throne of Botswana, is attending university in England when he meets a young and beautiful office worker named Ruth Williams. They fall deeply in love and Khama intends to take her as his bride but both the British and South African governments object. South Africa is just implementing their apartheid policy and don’t want a neighboring country to have a black King with a white bride and since Britain needs the resources from South Africa they choose to side with him. Since Botswana is a British colony, they order that Seretse be exiled and parted from his bride. The two must overcome incredible odds to return to the country they have both come to love and that Seretse yearns to rule.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Historical Romance
Now Playing: Regal Winter Park Village
Rating: R (for violence and disturbing images

Before I Fall

(Open Road) Zoey Deutch, Liv Hewson, Jennifer Beals, Logan Miller. A pretty high school senior has it all; cute boys, great friends and is invited to all the right parties. All that changes though when she is forced to relive the worst day of her life over and over and over again. Think Groundhog’s Day for young adults – without the comedy.

See the trailer, clips and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Teen Fantasy
Now Playing: Wide Release

Rating: PG-13 (for mature thematic content involving drinking, sexuality, bullying, some violent images and language – all involving teens)

The Shack

(Summit) Sam Worthington, Octavia Spencer, Radha Mitchell, Alice Braga. A family vacation turns into tragedy for a young family. The father is particularly devastated, pushing away those who love him. His crisis of faith will lead him to an isolated cabin deep in the Oregon woods and face to face with a woman named Papa who may have the answers to those questions that are tearing him apart.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: Wide Release

Rating: PG-13 (for fantasy action violence, some suggestive content, rude humor and thematic elements)

Table 19

(Fox Searchlight) Anna Kendrick, Steven Merchant, Margo Martindale, Lisa Kudrow. Once upon a time the maid of honor at her longtime best friend’s wedding, Eloise is dumped via text by the jerkwad of a best man. Determined to be at the wedding of her friend, she is exiled to the table in the back with all the other people who were not expected to show up – but were expected to get a gift. Unexpectedly, these complete strangers bond over their mutual unsuitability and end up having the time of their lives.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for thematic elements, sexual content, drug use, language and some brief nudity)

XX

(Magnet) Natalie Brown, Melanie Lynskey, Casey Adams, Christina Kirk. Here is a different look at the horror anthology as four respected directors – all of whom are women – take on four distinctly out of the box (pun intended) points of view on four bewitching tales of terror.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Anthology
Now Playing: Enzian Theater (Friday and Saturday midnight showings only)

Rating: R (for horror violence, language and brief drug use)

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London Has Fallen


Gerard Butler is sick and tired of poor reviews.

Gerard Butler is sick and tired of poor reviews.

(2016) Action (Gramercy) Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Robert Forster, Jackie Earle Haley, Melissa Leo, Radha Mitchell, Colin Salmon, Alon Aboutboul, Waleed Zuaiter, Adel Bencherif, Mehdi Dehbi, Shivani Ghai, Penny Downie, Deborah Grant, Nigel Whitmey, Andrew Pleavin, Julia Montgomery Brown, Elsa Mollien. Directed by Babak Najafi

What do you do when you’ve already foiled a hostile takeover of the White House? Why, for most of us it would be resting on our laurels. For any action hero worth his salt, that’s just the beginning.

But Mike Banning (Butler) has had enough. Despite the fact that he has the world’s best tough-guy name (just say it out loud over and over again – you’ll get what I mean), his wife (Mitchell) is having a rug rat and is due any day now. He wants to settle down and be a dad and a husband. He’s even writing out his resignation letter.

But when you’re a Secret Service Agent with a Special Forces background who goes jogging with the President every morning that’s not such an easy task. When the Prime Minister of Great Britain has a fatal heart attack, the world is coming to London to attend the funeral, and President Benjamin Asher (Eckhart) is not one to miss the funeral of a world leader. So with Banning’s boss (Bassett) breathing down his neck to be in charge of the President’s security while he’s in London, he can’t really say no.

It’s a good thing he decides to go because bingo bango bongo five world leaders are assassinated and the President’s chopper is shot down by terrorists. Like most terrorists, they have an axe to grind with the United States, but unlike most terrorists they seem to be well organized, infiltrating nearly every stratum of security in Britain. Getting the President to the U.S. Embassy is job number one for Banning but he’ll have to negotiate the streets of London which are now overrun with bad guys impersonating cops, soldiers and Central Casting.

While I liked the predecessor Olympus Has Fallen just fine, this is a step backward from its predecessor. The first film was a wild ride in the vein of Die Hard; this one just dies hard. The action is on the pedantic side, never a good thing. Action junkies may end up yawning which is always a bad thing – there is a definite been there-done that feel to the action. I don’t expect them to reinvent the wheel but there needs to be a lot more passion invested than apparently was put in here.

The shame is that I have always really liked Gerard Butler as an actor and you can tell he’s really doing his best with a subpar script. Butler is one of those guys that you’d probably have a great time sharing a beer with and telling tall tales to in a pub. He’s what I call a working class actor; he’s not  the sort of guy who gets offered roles that win Oscars, but he gets the job done day in and day out and in the end comes off as a likable guy, even when he’s playing a real douchebag (as in Gods of Egypt). I think he doesn’t get the respect he deserves, either from critics or casting agents but that’s just me talking.

He has a decent supporting cast, but many of them are wasted in roles that feel like they mostly ended on the cutting room floor – Leo and Forster have both got Oscar nominations on their resumes but barely get a line or two in here. Morgan Freeman, maybe one of the most respected actors of this generation, has a little bit more to do but not by much; his role is essentially display dismay, frustration and once in awhile deliver a “we’re gonna kick your ass” zinger as is necessary in most action films. Like the previous one, there is a bit of a right wing dick swing vibe here as the President gets tough on terrorism directly – with a machine gun. Go, POTUS, Go!

I get that with most action movies you really don’t want to think about the plot too closely as there are often logical holes in them but there has to be at least a LITTLE bit of logic; most people understand that the President is protected by a virtual army and when he goes to a foreign country, he is literally surrounded at all times by Secret Service agents and if his helicopter was shot down in a friendly country like England, there would be a rescue operation already in place and scrambled even before the chopper hit the ground.

Still, even as mindless entertainment goes, there is a bit too much disbelief to suspend here. I’m one of those people who thinks that there is something noble about creating a vehicle for people to forget about their troubles for a couple of hours but this movie could have used a serious rewrite (and it got several, judging from the number of screenwriters credited) or more likely scrapping the project altogether. While I wouldn’t mind seeing the character Mike Banning again, I would rather see him in a much better movie than this. Check it out if mediocrity is your thing, but don’t make too much of an effort to do so.

REASONS TO GO: Some nifty action sequences. Butler is excessively likable.
REASONS TO STAY: Really hokey script. Lacks any sort of credibility and any sort of logic.
FAMILY VALUES: A ton of action, mayhem and violence and a smattering of profanity.
TRIVIAL PURSUIT: Fredrick Bond was set to direct but dropped out due to creative differences.
CRITICAL MASS: As of 4/25/16: Rotten Tomatoes: 24% positive reviews. Metacritic: 28/100.
COMPARISON SHOPPING: White House Down
FINAL RATING: 5/10
NEXT: TBA

Silent Hill: Revelation


Videogame or bondage fantasy?

Videogame or bondage fantasy?

(2012) Horror (Open Road) Adelaide Clemens, Kit Harrington, Carrie-Anne Moss, Sean Bean, Radha Mitchell, Malcolm McDowell, Martin Donovan, Deborah Cara Unger, Roberto Campanella, Erin Pitt, Peter Outerbridge, Jefferson Brown, Milton Barnes, Heather Marks, Rachel Sellan, Michel C. Foucault, Arlene Duncan, Jason Best, Jacky Lai. Directed by Michael J. Bassett

6 Days of Darkness 2015

Videogame adaptations have a history of being lousy movies. There have been some exceptions to be sure, but for the most part they have been awful cinematic experiences. Many gamers say that it is impossible for videogames – a truly interactive medium – to translate to movies which is a fully passive medium. Occasionally they are proven wrong, like in the case of the Silent Hill movie. Would the sequel be as good?

Heather Mason (Clemens) has, along with her father Harry (Bean) been on the run for as long as she can remember from dark forces that she doesn’t fully understand. Her mother Rose (Mitchell) is gone, taken in a car accident. As Heather approaches her 18th birthday, she is plagued by terrible, horrific visions. When Harry disappears, she discovers that nothing she knows is as she believes it to be.

The truth is that she is being chased by the Order of Valtiel, a cult that inhabits the damned town of Silent Hill which burns eternally. Years ago, a young girl named Alessa Gillespie (Pitt) was burned alive by the Order and its leader Claudia Wolf (Moss). The reason they are chasing them is that Heather, whose real name is Sharon Da Silva and who was once part of Alessa whose agony caused her to create the shifting dimensions that plagues Silent Hill.

Assisted by her boyfriend Vincent (Harrington), Heather decides to go to Silent Hill to find her father. Tormented by hideous, disturbing monsters that appear as dimensions shift in the blasted town which burns endlessly. There, she will confront the monsters of her past, present and future as she discovers betrayals that will rock her to the core and secrets that will change everything.

Christophe Gans directed the first Silent Hill but was unable to direct its sequel. Bassett, who directed Solomon Kane was instead hired and in all fairness to Bassett he was given a terribly convoluted script to work with. The problem is, he wrote it. There is a ton of exposition here and even that isn’t enough to really adequately explain what’s going on. The movie careens from scene to scene and often even with all the exposition it is incredibly confusing to the audience. The characters don’t have much going in the way of personality, particularly Vincent – and Heather, Harry and the rest aren’t much better.

The movie gets much better when it shows the monsters that are kind of a combination of Clive Barker bondage demons and H.R. Giger’s nightmares. Some, like the Red Pyramid or the cleaver-wheeling Nurses, are likely to haunt more than a few dreams. The blasted landscapes of Silent Hill and the other dimensions therein are also compelling.

The main problem though is not just that the movie is difficult to follow; the gravest sin the film commits is of being bland. There are plenty of flames but no fire; lots of shadows but no depth. Silent Hill: Revelation may have been originally filmed in 3D but the movie is flat as a pancake. The monsters, demons and landscapes are cool without a doubt but the movie left me actually bored and if there is one cardinal offense that a movie can commit it’s that.

I don’t know that gamers are correct in saying that their medium can’t be translated to one that is less interactive; after all, books and films are completely different mediums and there have been some great movies based on books. I think the problem lies in that Hollywood doesn’t really respect videogames or gamers and doesn’t understand the mindset; they basically throw videogame-based movies together without much regard to building a universe in the same way that they have for comic books. Videogames are inherently cinematic; there is absolutely no reason that they can’t translate to the multiplex. The fact is that a crap movie is a crap movie regardless of its source.

And Silent Hill: Revelation is far from being a crap movie. The videogame franchise has a rich background and is a good looking movie. Yes, it is terribly flawed – something tells me that Bassett didn’t really get the franchise or maybe he didn’t care to. This could have been a much better movie but it is at its core deeply unsettling and atmospheric. I would have liked a less convoluted story but from a simply visual point of view could admire the film on that basis alone.

WHY RENT THIS: Awesome demonic creatures. Bleak landscapes.
WHY RENT SOMETHING ELSE: Bland characters and performances. Lacks force or fire.
FAMILY VALUES: Plenty of violence and foul language, disturbing images and some brief nudity.
TRIVIAL PURSUIT: Bean and Harington played father and son in Game of Thrones; Harrington went on to work with Moss again in Pompeii.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $52.3M on a $20M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray Rental only). Amazon, iTunes, Flixster
COMPARISON SHOPPING: Resident Evil
FINAL RATING: 5/10
NEXT: Six Days of Darkness continues!

New Releases for the Week of July 19, 2013


The Conjuring

THE CONJURING

(New Line) Vera Farmiga, Patrick Wilson, Lily Taylor, Ron Livingston, Joey King, Mackenzie Foy, Shanley Caswell, Hayley McFarland, Kyla Deaver. Directed by James Wan

When a family is terrorized by unexplainable phenomenon in an isolated Pennsylvania farmhouse, they call in world-renowned husband-wife paranormal investigators Ed and Leslie Warren who made their bones on the Amityville house. What they discover there is something so frightening and violent that they’ve kept that case secret…until now.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (Opens Thursday)

Genre: Supernatural Horror

Rating: R (for sequences of disturbing violence and terror)

The East

(Fox Searchlight) Brit Marling, Alexander Skarsgard, Ellen Page, Patricia Clarkson. An ambitious young operative for a private security firm goes undercover in an anarchist group that’s targeting major corporations that it finds guilty of covering up criminal activity. The deeper she gets, the more she finds her own moral compass beginning to point East.

See the trailer, clips and featurettes here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for thematic elements, violence, some disturbing images, sexual content and partial nudity)

Evidence

(RLJ/Image) Stephen Moyer, Radha Mitchell, Torrey DeVitto, Caitlin Stasey. Detectives investigating a massacre find a number of recording devices found at the crime scene. The footage reveals survivors of a bus crash fighting for their lives after a mysterious killer picks them off one by one.

See the trailer and stream the full movie on Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: NR

Girl Most Likely

(Roadside Attractions) Kristen Wiig, Annette Bening, Matt Dillon, Natasha Lyonne. When a New York playwright finds her career swirling down the toilet bowl after a crisis in confidence, she fakes a suicide attempt to win back her boyfriend who is dumping her. However, things don’t turn out as planned when she is put in the custody of her estranged mother, a gambling and drug addict, and leaving her Manhattan society circle for the Jersey Shore.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for sexual content and language) 

R.I.P.D.

(Universal) Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker. When a tough-as-nails cop is killed in the line of duty, he discovers that his duty doesn’t end with his mortal life; instead he is brought aboard the R.I.P.D., a next-life law enforcement team that tracks monstrous spirits on Earth who aren’t supposed to be there. Teamed up with a cynical Wild West lawman, the rookie is about to come face-to-face with a threat that could mean Armageddon…or at the very least Hell on Earth.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D (Opens Thursday)

Genre: Supernatural Comedy

Rating: PG-13 (for violence, sci-fi/fantasy action, some sensuality, and language including sex references)

Ramaiya Vastavaiya

(Tips Industries) Girish Taurani, Shruti K. Haasan, Randhir Kapoor, Vinod Khanna. A young man, Indian of descent but raised in Australia and a young woman from a beautiful village in the north of India. They meet at his cousin’s wedding and become instant friends, which deepens into an intense love. Circumstances force them to return to their homes. The man wants to woo his lady love but her protective family want him to prove himself. Will love triumph over all?

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

RED 2

(Summit) Bruce Willis, John Malkovich, Helen Mirren, Anthony Hopkins. After re-retiring, the AARP superspies are called back to active duty to thwart a plot to detonate a nuclear device in Russia. The guy who created the device is crazy as a loon however and only one guy can actually get him to fork over the information they need – and I can bet you can guess who that is!

See the trailer, clips, promos and a featurette here.

For more on the movie this is the website.

Release formats: Standard (Opens Thursday)

Genre: Action Comedy

Rating: PG-13 (for pervasive action and violence including frenetic gunplay, and for some language and drug material)

Turbo

(DreamWorks) Starring the voices of Ryan Reynolds, Paul Giamatti, Samuel L. Jackson, Maya Rudolph. What could be more ridiculous than a snail that dreams of going fast. I’m not talking about crossing the sidewalk in five hours fast, I’m talking Indy 500 fast. Yeah, right…but this is an animated feature so anything is possible. Heck if snails can talk, why not have them go 200 MPH?

See the trailer, featurettes and clips here.

For more on the movie this is the website.

Release formats: Standard, 3D (Opened Wednesday)

Genre: Animated Feature

Rating: PG (for mild action and thematic elements)

The Way, Way Back

(Fox Searchlight) Steve Carell, Toni Collette, Sam Rockwell, Liam James.  A 14-year-old boy’s summer is being ruined by his mom’s overbearing boyfriend. Retreating into a shell, he finds an unlikely friend in the owner of a water park. As he is coaxed into a less introverted state, he finds his own two feet to stand on – and a sense of who he is becoming in the summer of his life.

See the trailer, a promo, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Coming of Age Dramedy

Rating: PG-13 (for thematic elements, language, some sexual content and brief drug material)  

Olympus Has Fallen


BFFs.

BFFs.

(2013) Action (FilmDistrict) Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Rick Yune, Dylan McDermott, Finley Jacobsen, Melissa Leo, Radha Mitchell, Cole Hauser, Phil Austin, Robert Forster, Ashley Judd, James Ingersoll, Freddy Bosche, Lance Broadway, Malana Lee. Directed by Antoine Fuqua 

We’re pretty fat and happy here in the U.S., economic hardships notwithstanding. We’ve rarely felt the ravages of war and terrorism on our own soil. But as 9/11 proved, that can change in a heartbeat.

Mike Banning (Butler) is a Secret Service agent with a Special Forces. He’s also a favorite of President Asher (Eckhart) and his family – First Lady Margaret (Judd) and son Colin (Jacobsen).  But a trip on a snowy road leaving Camp David would change that forever

Now Mike toils in the Treasury Department at a desk job he hates. His wife Leah (Mitchell) can’t understand why he seems so distant; she goes to her job as a nurse as he goes to work somewhat like an automaton. Meanwhile the world keeps on spinning; the North Koreans are gathering troops on the edge of the Demilitarized Zone and the Prime Minister of South Korea is coming to the White House to elicit support from the President.

Then all Hell breaks loose. A transport plane outfitted with advanced machine guns and countermeasures to keep it from getting shot down shoots up the Washington Mall, eventually getting hit by a missile from the White House. At length it crashes but not before taking out the top of the Washington Monument. But that was more or less just a diversionary tactic as the President is hustled down into a bunker below the White House itself and the storied residence at 1600 Pennsylvania Avenue comes under attack from crack troops superbly trained and brandishing state of the art weapons. The Secret Service and Marine detachment are decimated and to the horror and astonishment of the World, the White House is taken.

With the President, the Vice-President (Austin) and the Secretary of Defense (Leo) all in the bunker, the Speaker of the House Trumbull (Freeman) assumes de facto control of the Presidency. Not a moment too soon either because the President is betrayed from within, and now he is a hostage along with all those in the bunker with him.

Kang (Yune), leader of the terrorists, is demanding that the U.S. withdraw all its troops from the DMZ and its warships from the Sea of China. But like everything before it, this is a diversionary tactic from his real objective which is far more sinister and horrible than anyone could imagine. But now that the White House is taken by a hostile force, can the President and his family and fellow hostages be rescued before Kang can carry out his nefarious plan?

Well, duh. You see, nobody counted on Banning making his way into the White House during the chaos. And nobody counted on Banning being the badass he was. But is he enough to save the day?

Well, duh. You’d better believe it. But this is one of those action movies that even though you know deep down in your bones how it’s going to come out, you still sit on the edge of your seat throughout because it’s so skillfully set up and directed.

Butler has already earned his action hero spurs in 300. He cements his status here, showing capable fighting skills and doing some pretty impressive badassery in general. Unfortunately, the writers try to turn him into John McClane a little in the second half of the film which really doesn’t work. Butler is no Bruce Willis and frankly we don’t need another one – we’ve got the original after all. That minor complaint aside, Butler carries the movie nicely.

That the movie resembles Die Hard in DC has been commented upon pretty much by every critic who’s commented at all; I won’t go any further with it except to say that if they’re going to choose an action movie to resemble, they couldn’t have done better.

Fuqua is a capable director (see Training Day if you don’t believe me) but the writing doesn’t measure up to his skills. There are a lot of things that had Da Queen and I staring at each other in disbelief – I find it hard to believe that the government of this country would endanger millions of Korean and U.S. citizens to rescue the President, particularly if the Speaker was in charge (and I can only imagine how quickly Jim Boehner would throw President Obama under the bus if he were in the same situation – probably as quickly as Nancy Pelosi would have done so for President Bush). It is my impression that once the transfer of power has been completed, the President becomes an ordinary citizen. It’s the office of the President that is protected, not the person.

The movie is also hellaciously manipulative. I will admit I felt a pang when the White House is taken; it’s not unlike seeing your favorite pet kicked by someone from another neighborhood. You feel outrage not to mention plain old rage. I was surprised how much the scene effected me. Of course, at the end of the movie the Red Staters I live with were cheering loudly. When times are tough, it’s comforting to know that America still kicks ass in the movies, folks.

REASONS TO GO: Solid action film with a nice premise (although this is the first of two movies this year with the same basic plot). Butler is a terrific action hero.

REASONS TO STAY: Predictable in places. Save the kid subplot bogs down the middle third. Extremely manipulative ending.

FAMILY VALUES:  There is a good deal of violence and pretty foul language as well.

TRIVIAL PURSUIT: Cole Hauser and Radha Mitchell previously worked together in Pitch Black. They share no screen time together here however, although Hauser is once again playing a “federal agent” (he played a Marshall in the earlier film).

CRITICAL MASS: As of 3/26/13: Rotten Tomatoes: 50% positive reviews. Metacritic: 41/100; the critics can’t make up their mind about this one.

COMPARISON SHOPPING: Air Force One

FINAL RATING: 7/10

NEXT: Ceremony

Pitch Black


Even the landscape is giving Vin Diesel the finger.

Even the landscape is giving Vin Diesel the finger.

(2000) Science Fiction (Universal) Radha Mitchell, Vin Diesel, Cole Hauser, Keith David, Claudia Black, Lewis Fitz-Gerald, Rhiana Griffith, John Moore, Simon Burke, Les Chantery, Sam Sari, Firass Dirani, Ric Anderson, Vic Wilson, Angela Moore. Directed by David Twohy

Most of us are scared of the dark in one way or another. We are scared by what we can’t see. We are scared by what we don’t know. And those strange noises that could be claws and fangs….those can be terrifying without a doubt. We are frightened by the things that lurk just beyond the shadowline.

With good reason, it turns out. Especially on this planet. A transport carrying Muslim settlers bound for New Mecca and Riddick (Diesel), a prisoner with surgically enhanced eyesight bound, is holed by space debris, killing the captain and sending the ship crashing to the surface of a barren world with three suns.

The situation seems pretty bleak; the surviving senior officer is Fry, the docking pilot (Radha Mitchell) and she’s a bit shall we say prone to panic. What’s worse is that there is no water to be found, and Riddick has managed to escape. That doesn’t please Johns (Hauser), the marshal escorting Riddick to prison (and a guy with a few secrets of his own rattling around in his brain).

It looks like they may have lucked out in finding an abandoned mining operation with a working well and what seems to be a serviceable transport vehicle that only needs power cells in order to get off the ground. That’s when they find out that they aren’t alone on the planet. There are things lurking in the darkness, things with teeth and insatiable hunger. And those miners didn’t just leave. Unless of course you’re talking about leaving this life.

But the crash survivors be OK as long as they stay in the light. Light hurts these creatures, after all. But don’t you just hate it when you land on a planet with nocturnal carnivores just before a total eclipse? So do these guys.

There is a great deal of suspense of the gut-wrenching variety. There is also more than a little gore, so the squeamish need not view this one. Still, this movie is less about viscera than it is about keeping you on the edge of your seat, and sending some genuine shivers up and down your spine. The various creatures, which are rarely seen well due to the darkness, are really amazing CGI creations. Not only do they LOOK lethal, they look plausible as well.

Diesel is excellent in this movie. As the amoral Riddick, he can be intimidating, creepy even – but he retains a rather dry sense of humor. He is a mess of contradictions, with the devils of his worse nature winning out over the angels of his better nature, but he is not entirely unredeemable or evil. He is a man of shades of gray; mainly dark gray, I grant you, but not entirely without light. He turns Riddick into a human being instead of a cartoon, which movies of this nature tend to do. The character was so fascinating that a second movie, less successful, was later made – and a third is due out this September. While Mitchell and Hauser do passable jobs, they are simply blown out of the water by the character and performance of Riddick. Fans of Farscape will get a big kick out of seeing Claudia Black in a small role here prior to appearing in that groundbreaking sci-fi series. David has a role that adds a bit of gravitas and is the moral crux of the film, which believe it or not it possesses.

Fans who liked Aliens will probably revel in this one. Fear and redemption are the underlying themes here, and horror is the vehicle for facing those themes. Shakespeare it isn’t, but Pitch Black manages to look at human nature at the same time as giving us a hell of a ride. Check it out – but be warned, it IS nightmare-inducing even if you’re not terribly sensitive.

WHY RENT THIS: Diesel creates an iconic anti-hero in Riddick. Great monsters and a fabulous premise well-executed.

WHY RENT SOMETHING ELSE: Exceedingly nightmare-inducing. Some of the initial crash effects are pretty weak, even by the standards of the time. Some of the support performances don’t measure up.

FAMILY MATTERS: There is quite a bit of violence and gore, some nightmarish creatures and a goodly amount of language. There’s also some drug use which isn’t for the squeamish.

TRIVIAL PURSUITS: Riddick was initially written as a female character and was to have been killed off in the end until Universal decided that the character would prove popular enough to warrant a sequel.

NOTABLE HOME VIDEO FEATURES: The initial DVD release includes footage from rave parties used to promote Pitch Black. The Director’s Edition has an introduction to the Video Game prequel Escape From Butcher’s Bay and the animated Dark Fury which connects Pitch Black to The Chronicles of Riddick. There’s also a visual encyclopedia of the universe of Riddick as well as a “Johns Chase Log” in which actor Cole Hauser narrates his version of events that led to the capture of Riddick. The Blu-Ray also has a featurette in which the sequel’s connections to the original are explored.

BOX OFFICE PERFORMANCE: $53.2M on a $23M production budget; the movie didn’t make a huge profit via it’s USA Films theatrical release but has been a big seller on the home video market.

COMPARISON SHOPPING: Aliens

FINAL RATING: 9.5/10

NEXT: The Silver Linings Playbook

New Releases for the Week of October 26, 2012


October 26, 2012

CLOUD ATLAS

(Warner Brothers) Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, Xun Zhou, James D’Arcy, Keith David, Susan Sarandon, Hugh Grant. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowski

Based on the bestselling novel by David Mitchell, six stories through various eras from the 19th century to the distant future. Events in all eras ripple through time in ways both directly and subtly to effect characters who have much more to do with one another than a startling resemblance to one another.

See the trailer, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Science Fiction/Fantasy/Drama

Rating: R (for violence, language, sexuality/nudity and some drug use)

Ajab Gazabb Love

(Puja) Arjun Rampal, Jakky Bhagnani, Nidhi Subbiah, Arshad Warsi. The heir to a worldwide automobile empire falls in love with a girl who’s only interested in social justice and could never have anything to do with a rich guy. The young man convinces his family to play “poor” so that the girl of his dreams will accept him. This is a remake of the Telugu film Seema Tapakai.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Chakravyuh

(Eros International) Arjun Rampal, Abhay Deol, Manoj Bajpai, Om Puri. The very real Naxalite rebellion in India is examined as young activists battle extreme poverty and social injustice. Pushed into a corner, it seems that a violent uprising may be the only way to achieve justice for the poor and defenseless.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Chasing Mavericks

(20th Century Fox) Gerard Butler, Elisabeth Shue, Abigail Spencer, Jonny Weston. A young man yearns to surf the most dangerous waves in the world.  A local legend takes him under his wing and that young man would become Jay Moriarty, one of the most beloved of the big wave surfers.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Biography

Rating: PG (for thematic elements and some perilous action)

Dhenikaina Ready

(24 Frames) Vishnu Manchu, Hansika Motwani, Brahmanandam, Kota Srinivasa Rao. When a couple from Hindi and Muslim families elope, the two families enter open hostilities. When a court case ends the dispute, the couple tries to mend fences between the two families.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Fun Size

(Paramount) Victoria Justice, Thomas Mann, Chelsea Handler, Jane Levy. A pretty high school senior with attitude to spare gets invited to the biggest, most important Halloween party…like, ever in the history of the universe. But there’s just one thing – her skanky mom is going to her own dress-like-a-slut Halloween party leaving the senior to babysit his little brother. And when her little brother gets lost she’ll have to rely on, like, geeks to save her night and set her on the path to awesomeness.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for crude and suggestive material, partying and language)

Silent Hill: Revelation

(Open Road) Adelaide Clemens, Sean Bean, Radha Mitchell, Carrie-Anne Moss.  A father and his daughter are on the run from powerful supernatural forces. As she approaches her 18th birthday, disturbing nightmares plague her and when her father disappears she will have to go to Silent Hill to rescue him and come face to face with the truth of who she really is.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Horror

Rating: R (for violence and disturbing images, some language and brief nudity)

Sleepwalk With Me

(IFC) Mike Birbiglia, Lauren Ambrose, James Rebhorn, Carol Kane. A stand-up comedian deals with a stalled career, disapproving parents, a deteriorating relationship and a sleepwalking habit increasing in length and severity. Did we mention this is a comedy?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some sexual content and brief language)

V/H/S

(Magnet) Joe Swanberg, Adam Wingard, Sophia Takal, Calvin Reeder. A group of thieves hired to find a specific VHS tape in an abandoned house finds a whole stack of them, each one more morbid and horrifying than the last. As they continue to watch it soon becomes terrifyingly apparent that these tapes are much more than they seem to be.

See the trailer or stream the full movie from Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Anthology

Rating: R (for blood violence, strong sexuality, graphic nudity, pervasive language and some drug use)