(2006) Western (Goldwyn) Pierce Brosnan, Liam Neeson, Michael Wincott, Anjelica Huston, Xander Berkeley, Ed Lauter, Tom Noonan, Kevin J. O’Connor, John Robinson, Angie Harmon, Wes Studi. Directed by David von Ancken
There are things that can’t be left alone, cheeks that cannot be turned. There are crimes so heinous that they cannot stand and if we can’t get justice in the conventional way, we must find a way of seeking it ourselves.
Gideon (Brosnan) is a trapper in the Ruby Mountains of Nevada roasting his dinner over the fire when a shot rings out. Gideon is shot in the shoulder. Not knowing where his assailants are, he tumbles down the mountain, taking as many of his things as he can. He flees to a secluded spot and builds a fire, digging out the bullet from his shoulder with a hunting knife and then heating up the blade to cauterize the wound.
We find out that the pursuer is Carver (Neeson), who has with him a posse of four grim men. While some of his company thinks Gideon is dead, Carver knows he isn’t. They spread out to try and find him – which turns out to be a mistake as Gideon jumps one of the posse and kills him.
Gideon escapes from the mountains and attempts to steal a horse from a homesteader. He is discovered but his wound prompts the family to give him shelter. Realizing that the posse is on its way, Gideon steals a horse anyway. He makes it to a railroad camp where the foreman, recognizing the horse, detains him. He manages to get away and steal another horse and rides into the desert. There he will have his final reckoning with his pursuers. Who will emerge alive?
Westerns are not the most popular of genres these days and quite frankly, the problem with them has been that a lot of the stories are somewhat derivative. This one smells a lot like The Outlaw Josie Wales in construction, and that bothered me a bit. As the film progresses, we get to see why Carver is chasing Gideon (and to be fair, the reason is pretty compelling) and your sympathies begin to shift from Gideon to Carver – but this film is much less successful at making the vengeance seeker seem sympathetic as we were for Josie Wales.
But you can’t really complain all that much when you have an Oscar-winning cinematographer like John Toll at your disposal and he doesn’t disappoint, giving us vistas of snowy mountains, dusty railroad camps and dry, barren deserts. It is as beautiful-looking a film as you’re likely to see.
There are also some close-ups of hideous wounds that will turn the stomach of the squeamish, so be warned about that. However, even the squeamish will enjoy the acting performances here. Brosnan is guttural in his speech resembling Clint Eastwood crossed with Brando in a way, his face careworn and grizzled. The deeds of his past are apparent in his eyes. Brosnan has always had the reputation of being more of a pretty face than a good actor, but since leaving his former job as Bond he has become a pretty decent actor.
Neeson, on the other hand, has always had a good reputation since day one; only lately has he become an action hero. He broods with the best of them and as a wronged man there are few better at inspiring sympathy, although strangely enough he is so brutal early on it is hard to get behind him when the reason for his pursuit is revealed.
The two are supported by a surprisingly solid group of character actors, including Lauter and Wincott as members of Carver’s posse, Studi as a fast-talking Indian trader, Huston as a snake-oil saleswoman and Harmon in a brief appearance as a loyal wife. Von Ancken, who has extensive television experience in his background, does a decent job with the movie but at the end of the day, doesn’t really add anything to a story that’s already been done before.
Part of the problem with filming westerns is that there are fewer and fewer locations to shoot them in. That is sad in a big way – westerns have a lot to offer and it’s a pity that more of them aren’t made. While the movie is set shortly after the Civil War (which figures heavily into the plot), this is definitely a movie about the West and not the war, although the director has stated that this is an anti-war film with parallels in our current Iraqi conflict.
In all honesty, I couldn’t see those parallels except in a very broad, very general sense. I tended to prefer the first half of the movie which was action-packed and featured Gideon getting out of one situation after another, over the second part where there was more of a 70s acid western feel to the film. If either of those scenarios suit you, by all means rent away. If not, keep on riding cowboy.
WHY RENT THIS: Awesome cinematography and nice performances from Brosnan and Neeson, as well as the fine character actors in the supporting cast.
WHY RENT SOMETHING ELSE: Odd near-hallucinatory sequences near the end of the movie detract from it.
FAMILY VALUES: There is plenty of violence and some brief language.
TRIVIAL PURSUIT: This was the first Western for both Brosnan and Neeson who in separate interviews said they really loved shooting this film because of their mutual love for the genre as kids.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $1.2M on an unreported production budget; I’m betting this probably lost money.
FINAL RATING: 5/10
TOMORROW: Bad Teacher