Lean on Pete


We all need somebody we can lean on.

(2017) Coming of Age Drama (A24) Charlie Plummer, Steve Buscemi, Travis Fimmel, Amy Seimetz, Steve Zahn, Chloë Sevigny, Rachel Perrell Fosket, Alison Elliott, Jason Rouse, Lewis Pullman, Justin Rain, Frank Gallegos, Teyah Hartley, Kurt Conroyd, Dennis Fitzpatrick, Jason Beem, Rusty Tennant, Tolo Tuttele, Francisco Garcia, Joseph Bertot, Dana Millican, Julia Prud’homme. Directed by Andrew Haigh

When we are desperate, it’s like we’re drowning; we reach out for whatever might be at hand in order to save ourselves. Often what we find is the most unlikely of life preservers.

Charley (Plummer) is a typical teen; he’s not high on high school but he is a decent football player and enjoys the camaraderie of the team. He lives with his dad (Fimmel) on the wrong side of the tracks in Portland – his mom has been out of the picture for some time now – and his Aunt Margy (Elliott) has had a huge argument with his dad and the two don’t speak to each other anymore although Charley still remembers Margy with some fondness.

Dad is a bit of a ne’er-do-well who has trouble hanging on to jobs but not, as it turns out, to the bottle. He’s initiated a romance with a married (but separated) woman who is kind to Charley. Charley is more focused on getting ready for the football season – it is the middle of summer after all – and while out running he stumbles into a world he never knew existed.

Del (Buscemi) raises quarter horses for racing on the independent circuit which means fairs and carnivals and on tracks that the English with their peculiar sense of understatement might term “dodgy.” He does so with a mixture of gruff charm and world-weary irascibility. Charley is quite taken with him and manages to get a job mucking out stables, walking the horses and doing whatever menial task Del needs done. Charley becomes enamored with a horse named Lean on Pete who is nearing the end of his usefulness to Del which means the equine is one step away from being ground into pet food in Mexico. Charley doesn’t know that though.

However, things change as they inevitably do and not for the better which Is usually the case for people like Charley. He ends up taking a journey with Pete that will take him to unexpected places as he vaguely searches for his Aunt and some sort of normal life that seems to be completely out of reach for him. This might be his only chance to get one.

This looks on the surface very much like “a boy and his horse” kind of movie in which the horse teaches the boy something about courage and determination and helps the boy turn his life around. This isn’t that kind of movie at all, however. Based on a novel by Oregon-based writer Willy Vlautin, the film has a number of unexpected turns of events that in at least one instance caused a startled “Oh!” to pass my lips That’s not easy to do, I can tell you.

Buscemi who remains an independent film icon has been on a bit of a hot streak for the past several years following Boardwalk Empire. His performances have become less quirky and more grounded and as a result he’s become more relatable as a performer. He in fact has become an actor whose films I will see just by the virtue that he’s in them. He’s absolutely magnificent as a tough guy who quite clearly does not have a heart of gold and is not a father figure; he is a survivor who has gotten that way by not getting too attached to people or horses He’s not a bad guy but he isn’t above cheating to win a race. Del exits the movie fairly early on and when he does, the movie isn’t as good.

Plummer though plays Charley so low-key as to be almost comatose. For good or for ill much of the movie’s success rests on his young shoulders and at the moment, at least for me, he’s not up to the job. I don’t feel drawn to Charley and I was indifferent as to what happens to him. In a lot of ways, I felt like I was marking time while viewing the film which is certainly not the reaction any filmmaker wants but quite frankly there are entire sequences that could have been easily cut without effecting the integrity of the film.The truth is that this is a 90 minute movie in a two hour time slot.

Plummer does get the bond between Charley and Pete just right to be fair, and that might be enough to draw horse lovers into the film and that’s an audience that quite rightly will probably appreciate the movie more than someone like me who is more of an admirer of horses than a lover of them. The movie has gotten some fairly praiseworthy reviews from critics I normally trust but I have to say that I didn’t connect with the film as much as they obviously did. Perhaps it’s just me after all.

REASONS TO GO: Buscemi is outstanding in his role. Horse lovers will be drawn to this film without a doubt.
REASONS TO STAY: Plummer plays this way too low-key. The movie is way too long by about half; there are entire sequences that could have been cut without harming the movie.
FAMILY VALUES: There is a fair amount of profanity, brief violence and a disturbing image.
TRIVIAL PURSUIT: The film was shot in chronological order.
CRITICAL MASS: As of 5/17/18: Rotten Tomatoes: 92% positive reviews: Metacritic: 80/100.
COMPARISON SHOPPING: Flicka
FINAL RATING: 5.5/10
NEXT:
Back to Burgundy

Blackthorn


Butch Cassidy wants to make a withdrawal.

Butch Cassidy wants to make a withdrawal.

(2011) Western (Magnolia) Sam Shepard, Eduardo Noriega, Stephen Rea, Magaly Solier, Nikolaj Coster-Waldau, Padraic Delaney, Dominique McElligott, Luis Bredow, Christian Mercado, Daniel Aguirre, Martin Proctor, Maria Luque, Raul Beltran, Luis Aduviri, Claudia Coronel, Erika Andia, Shirley Torres, Jorge Hidalgo, Daniel Acre, Fernando Gamarra, Delia Fabian. Directed by Mateo Gil

Westerns have been an important part of the movies ever since Thomas Edison invented the damn things. They have been iconic representations of America and the rugged individualism of Americans in general. They have fallen out of favor lately as we have changed as a nation and for better or for worse, our values are different now.

James Blackthorn (Shepard) is an American expatriate living in Bolivia, raising championship race horses. It is 1922 and he is an old man now although the name James Blackthorn is an invention and most people know him by a different name: Butch Cassidy. Yes, James Blackthorn is the famous outlaw who didn’t die in that notorious shoot-out but survived, although he is content to let the world think that Butch Cassidy is a corpse.

However when he receives word that his former lover Etta Place (McElligott) has passed away, he yearns to return home and visit her son Ryan who may or may not be his. He sells his horses and is returning back to his village, he is ambushed by Eduardo (Noriega), a Spanish mining engineer who insists he is shooting at men who are pursuing him, thinking that James was one. Unfortunately in the fracas, James’ horse Cinco bolts off with the money. Eduardo offers to share part of the $50,000 he stole from the mine owner Simon Patino, a Bolivian industrialist and mine operator (who actually existed, by the way) if Blackthorn can get him to the abandoned mine where the money is hidden. Needing the cash to get home, Blackthorn agrees.

The journey will take the two men across the high plains of Bolivia where they will be pursued by Patino’s relentless posse. Blackthorn will come face to face with old enemies and new lovers and more to the point, will be faced with a choice that will cut to the heart of who he always has been – and may change who he has become.

This is the English language debut of Spanish director Gil and it is somewhat fitting that he has chosen a Western to do it in. Westerns, many of which were shot in Spain during the 60s and 70s, have remained a favorite there more than here. Using one that has roots in the real American West is a note of gracia that those with Spanish souls will appreciate.

Shepard is perfectly cast as the grizzled, battle-hardened outlaw who wants nothing more than to live out the rest of his life in peace. He has the kind of face that hints at hard days and harder nights and Shepard uses his own persona as a kind of a springboard here. The ghost of Paul Newman and Butch Cassidy and the Sundance Kid hangs heavily over the production but while this is in a sense a sequel, it also is a completely different movie. This is kind of a what-if and I suppose that the original George Roy Hill movie was a little bit like that but while that movie was a product of a different time, so too is this movie a product of this time. It has kind of a somber disposition which some may find leaning too much in that direction. Caveat emptor.

Rea, who plays a former Pinkerton detective who always believed Butch was still alive, also is fine in support. Noriega is a decent enough actor but his chemistry with Shepard is a bit constrained; in many ways his character was a bit superfluous and while his robbery of the mine money is the catalyst of the events here, I can’t help but wonder if the filmmakers had concentrated on Butch/Blackthorn that this wouldn’t have been a better movie. It definitely would have been better if they’d eliminated the flashbacks to a younger Butch and Sundance which do nothing for the film other than interrupt what momentum it does achieve.

Mostly filmed in Bolivia, the scenery is absolutely gorgeous and for anyone thinking of traveling to Bolivia or who have fond memories of it, this is going to be a must-see. In fact, for those who just like Westerns or movies with magnificent scenery, this is one to keep an eye out for in general.

WHY RENT THIS: Shepard is terrific and perfectly cast. Rea is fine in support. Lovely Bolivian scenery.
WHY RENT SOMETHING ELSE: Flashbacks bring the film to a grinding halt. Chemistry between Shepard and Noriega not up to snuff. A little too somber in places.
FAMILY VALUES: There’s some rootin’, some tootin’ and some shootin’. There’s also a fair amount of cussin’.
TRIVIAL PURSUIT: The survival of Cassidy in the Bolivian shoot-out is based on actual rumors. The details on the supposed shoot-out are very vague and much of the evidence conflicts so it is entirely possible that the notorious outlaw survived.
NOTABLE DVD EXTRAS: There are a couple of short films from Gil as well as an HD-Net special on the film.
BOX OFFICE PERFORMANCE: $623,528 on an unknown production budget.
SITES TO SEE:
Netflix (DVD/Blu-Ray Rental/Streaming), Amazon (stream only), Vudu (rent/buy),  iTunes (rent/buy), Target Ticket (rent/buy)
COMPARISON SHOPPING: The Shootist
FINAL RATING: 6/10
NEXT: Inherent Vice