Mickey and the Bear


The obligatory uncomfortable car ride shot.

(2019) Drama (UtopiaCamila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield, Rebecca Henderson, Rob Grabow, Gabriel Vega, Katee Ferguson. Directed by Annabelle Attanasio

 

Recently, director Martin Scorsese stirred up an Internet hornet’s nest when he disparaged Marvel films (and their like). He spoke about the films he grew up watching and quite frankly, this one from first-time director Attanasio would be the sort of film that he would dig.

Mickey (Morrone) lives in the small Big Sky town of Anaconda, Montana. Her mother has recently passed away due to cancer; the toxic waste from mining operations there have decimated the population of the town. Mickey’s dad Hank (Dale) is an ex-Marine who came home with a drinking problem, a severe case of PTSD and wild mood swings that his medication isn’t really regulating anymore. Mickey is his sole caregiver and support; she works after school in a taxidermy shop and supplements his veterans benefits with the little income she can make. Hank is chronically unemployed, and an object of pity in the town; he is not only a vet but a widower. He is essentially given a pass for his bad behavior, which is growing steadily worse.

Mickey has a boyfriend, Aron (Rosenfield) who professes undying love for Mickey, but steals her father’s Oxycontin and seems most interested in her female parts than in any other part of her. Mickey is trapped in the small town, unable to leave because her father couldn’t survive without her, but sees any sort of hope for a life of her own slipping away from her.

But there are some bright spots. New kid at school, Wyatt (Demba) – a transfer from the UK – sees potential in her and encourages her to go out and seek it. VA psychiatrist Leslee Watkins (Henderson) takes an interest in her and sees that the situation she’s in is not likely to improve…ever. Mickey is beginning to take tentative steps out of her situation but then her father drags her right back into the nest.

Attanasio is one of the new breed of female directors who not only has something to say but knows how to say it in a compelling manner. It’s hard to believe this is her first feature; it’s even harder to believe that she was only 25 years old when she made this. It’s directed with such assurance that you would think that the person behind the camera had decades of experience in the director’s chair. I’m excited for the future of this young woman.

It doesn’t hurt that she has a pair of actors giving career-defining performances. Dale, a veteran character actor, has never been better. He walks a tightrope between portraying Hank as an utter bastard and an object of pity. Hank is neither; he is prideful and his mood swings can lead to violence. At the same time, there’s just enough charm to allow us to see what he must have been like before he went off to war. This isn’t a textbook PTSD performance; it’s more true to life.

The revelation, however, is Morrone. With a limited resume behind her, there was no reason to believe she had this kind of performance inside her but quite frankly, it’s Oscar-worthy. Mickey is strong and vulnerable; making a terrible decision one moment and standing up for herself the next. She is, in short, a young woman who has seen far too much of life for a girl her age; it has caused her to grow up way too fast, but she is still at the end of the day only 18 years old.

Most of the other performances are strong as well, although Demba looks way too old to be a high school student. The Montana landscape is shown off nicely while the town is basically the working-class kind of place that has been hit particularly hard by the economic hardships that have caused them to embrace outsiders in politics. There’s a quiet desperation in the town that is heartbreaking; elitist liberals would do well to take notice.

Attanasio keeps the mood tense; one never knows when Hank is going to erupt. It’s a slow burn rather than an explosive conclusion. At the end of the day, the only flaw here is that the ending feels a bit more cliché than the rest of the film. Even though the final image of Mickey is hopeful and inspiring, it doesn’t really jive with the tone of the film.

The movie is currently playing in New York and opening in Los Angeles later this week; at the end of the month, it will start playing nationwide. Keep an eye out for it; this is a very strong movie that cinephiles should want to experience for themselves.

REASONS TO SEE: While Badge does a good job, Morrone is incredible. Gritty Americana at its finest.
REASONS TO AVOID: The ending is a little too pat, too predictable.
FAMILY VALUES: There’s a good deal of profanity, scenes of drug abuse, some sexual situations and violence.
TRIVIAL PURSUIT: Attanasio is best known as an actress on the CBS drama Bull; she left the show following the third season in order to shoot this movie, her directorial debut.
CRITICAL MASS: As of 11/19/19: Rotten Tomatoes: 100% positive reviews: Metacritic: 76/100.
COMPARISON SHOPPING: Princess of the Row
FINAL RATING: 7.5/10
NEXT:
Jim and Andy: The Great Beyond

New Releases for the Week of September 4, 2015


Best of EnemiesBEST OF ENEMIES

(Magnolia) William F. Buckley Jr. Gore Vidal, Kelsey Grammer (voice), John Lithgow (voice), Dick Cavett, Christopher Hitchens, Noam Chomsky. Directed by Robert Gordon and Morgan Neville

In 1968, the Vietnam War was raging and LBJ had announced that he would not run for President. The counterculture was beginning to make its presence felt and there was a great deal of anger directed towards the American government for the first time. Richard Nixon, who would eventually win the presidency, was running against Vice-President Hubert Humphrey with Alabama governor George Wallace running on an independent ticket, and the election was as vitriolic as it had ever been. Trying to make sense of everything, a series of televised debates was set up – not between the candidates, but between conservative commentator/essayist William F. Buckley Jr. and liberal author Gore Vidal. Both men were urbane, charming and literate and both absolutely loathed one  another with a passion. These debates would change the way television covers politics.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for some sexual content/nudity and language)

Chloe and Theo

(ARC Entertainment) Dakota Johnson, Theo Ikummaq, Mira Sorvino, Andre De Shields. Elders of the Inuit Eskimos, disturbed by the effects of climate change on the polar ice cap, send Theo to New York City to speak to the United Nations. He meets and befriends a young homeless woman who becomes inspired by his gentle wisdom. With the help of a kind lawyer, they will get the opportunity to present their message to the world; change our destructive ways before we are destroyed by them.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks
Rating: PG-13  (for brief violence)

Mistress America

(Fox Searchlight) Greta Gerwig, Lola Kirke, Michael Chernus, Rebecca Henderson. A lonely college freshman in New York City is compelled by her mother to look up the daughter of the man mom is about to marry, a kind of soon-to-be stepsister. The two hit it off and the freshman begins to accept her proto-sister as a role model. However, as she is seduced by the energy and madcap schemes of her friend, things take an abrupt change. An early review for the film can be found here.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Downtown Disney, AMC West Oaks, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for language including some sexual references)

Tangerine

(Magnolia) Kitana Kiki Rodriguez, Mya Taylor, James Ransone, Clu Gulager. Christmas Eve in El Lay is like nowhere else, and even on Christmas Eve there can be prodigious drama. Sin-Dee, just released from jail after doing 28 days for soliciting and when the volatile working girl finds out that her pimp slash boyfriend has been cheating on her while she was cooling her heels, the proverbial ca-ca is going to hit the fan.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: R (for strong and disturbing sexual content, graphic nudity, language throughout and drug use)

The Transporter Refueled

(EuropaCorp) Ed Skrein, Ray Stevenson, Loan Chabanol, Gabriella Wright. The franchise is rebooted with Ed Skrein taking over for Jason Statham as Frank Martin, a dapper, fastidious sort who has a complicated set of rules for his vocation of transporting sensitive cargo for questionable people. A father-son bonding weekend is interrupted when he takes a job for a client, a quartet of lovely femme fatales who orchestrate a daring bank robbery. Unfortunately, they have stolen from the Russian mob and Frank is caught reluctantly but squarely in the middle.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Action
Now Playing: Wide Release (opens Thursday)
Rating: PG-13 (for scenes of violence and action, sexual material, some language, a drug reference and thematic elements)

Un gallo con muchos huevos

(Pantelion)  Starring the voices of Bruno Bechir, Carlos Espejel, Angelica Vale, Omar Chaparro. Amongst Mexican children, Huevo Cartoon is king and the animated television series makes it to the big screen and for the first time, to El Norte. A small, timid young chicken must find his inner rooster if he and his friends are going to save his family and his home from an evil rancher.

See the trailer, interviews and a clip here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal The Loop
Rating: NR

A Walk in the Woods

(Broad Green) Robert Redford, Nick Nolte, Emma Thompson, Mary Steenburgen. A travel writer rather than retiring to his beautiful wife and large family, decides to push himself one last time and hike the length of the Appalachian Trail. He can only find one friend to accompany him however; the irascible and womanizing Katz, who is more interested in sneaking out of town to avoid paying a debt. The peace and tranquility that the writer longs for goes right out the window with that decision.

See the trailer, clips, interviews, promos and a featurette here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Adventure
Now Playing: Wide Release
Rating: R (for language and some sexual references)

Mistress America


Just two broke girls talkin'.

Just two broke girls talkin’.

(2015) Comedy (Fox Searchlight) Greta Gerwig, Lola Kirke, Michael Chernus, Rebecca Henderson, Matthew Shear, Jasmine Cephas Jones, Heather Lind, Cindy Cheung, Charlie Gillette, Shelby Rebecca Wong, Joel Marsh Garland, Andrea Chen, Seth Barrish, Shana Dowdeswell, Dean Wareham, Amy Warren, Shoba Narayanan, Morgan Lynch, Adrea Teasdale. Directed by Noah Baumbach

There is New York, and then there is everywhere else. I suppose that those who live there have every right to feel a kind of smug superiority about where they live; after all, they have world class museums, world class concert halls, world class nightclubs, world class restaurants…hell, anyone who is bored in New York isn’t trying very hard.

Tracy (Kirke) is becoming a New Yorker. Well, she’s becoming a college student at Barnard. Keen to be a writer, she’s not the sort that fits in easily. That’s especially true lately, as her mom (Henderson) is getting ready to re-marry. Tracy yearns to become a member of the literary society at Barnard, who celebrate publication of a new author by sneaking into their room at night and throwing a pie in their face while they sleep. Rad, eh? However, she meets rejection even here. Tracy realizes to get in with the literary crowd she’s going to need something special to write about.

As part of her mom’s new marriage, she is going to have a new stepsister, so upon her mom’s insistence she arranges to meet her soon-to-be-sister, Brooke (Gerwig). Tracy takes an immediate liking to Brooke. She’s almost ten years older and established in the city; she’s getting ready to open a fabulous new restaurant and has some really cool ideas. She hangs out with cool people and lives in a loft that’s zoned for commercial use. She’s full of energy and life and talks a mile a minute, sometimes about deep things but sometimes just idle chatter.

When one of the investors in her restaurant – the one who happens to be her boyfriend – pulls out, Brooke is left dangling in the wind. She has no choice but to go to the home of her arch-nemesis Mamie-Claire (Lind) in the Godforsaken wilderness of Greenwich, Connecticut and demand her due. You see, years ago, Mamie-Claire stole an idea of Brooke’s and made a fortune out of it. That wasn’t the only thing she stole though – she took two of Brooke’s cats and her boyfriend at the time Dylan (Chernus) who was himself independently wealthy but is now Mamie-Claire’s somewhat henpecked husband. Oh, how the mighty have fallen.

But things go from bad to worse as the discovery is made that Tracy has been writing a story with Brooke as the lead character – and not everything is complimentary. Brooke is feeling betrayed and everybody around her – even Mamie-Claire – think that was a dick move. But was it?

I do think Baumbach and Gerwig, who co-wrote this thing, were out to make a modern screwball comedy. The rhythms of the dialogue are very similar and the patter is snappy, although not in a retro way. I’m thinking that this is a brilliant move on their part because in many ways Gerwig is a modern Carole Lombard.

But as smart an idea it is, the ambitions here are a bit more than the pair can chew. The trouble with screwball comedies is that they are a bitch to pull off right, and there are so many examples of great films in that genre out there that unless you’re damn near perfect from screenplay to final film, your movie is just going to suffer by comparison.

The movie here isn’t perfect. It starts out with a couple of very annoying characters whose dialogue is so unrealistic, whose attitudes are just so smug and self-important that it’s incredibly hard to do anything but despise them. If I ran into Brooke and Tracy at a cocktail party, I’d quickly find other people to chat with – they’re way too pretentious for my taste. When I think of indie films that Baumbach and Gerwig have collaborated on previously, the first half of the movie has the worst characteristics of their worst efforts. I really was ready to write this one off before I was halfway through the movie.

Fortunately it gets better. In fact, it improves a hell of a lot and the scenes set in Greenwich are inspired. Gerwig always seems to do better in large ensembles than in smaller groups; when it’s essentially just her and Tracy with Tracy being a shadowy image of Brooke, the movie is just annoying. When Brooke has a lot of people to bounce off of, the movie is enjoyable. I think that Gerwig is one of those actresses who needs to be diluted a little bit and the more people she has to interact with, the better she is. Da Queen has said that she can only take Gerwig in small doses and I can see why she has that effect on her; there is a bit of a narcissistic quality to the characters Gerwig plays in Baumbach films and those types of characters tend to rub Da Queen the wrong way.

I was very torn with this movie. The first part is excruciating but the second part I really liked. So how does one rate a movie like this? Straight down the middle; a zero for the first half of the film, a ten for the second for a cumulative score of five. Be warned that the first part of the movie is hard to sit through but the second half makes the first half almost worth it.

REASONS TO GO: Gets better as it goes along. Gerwig is always charming.
REASONS TO STAY: Horrible first half. Characters act and speak like they’re in a 21st century screwball comedy.
FAMILY VALUES: A fair amount of foul language and some sexual references.
TRIVIAL PURSUIT: In Lola Versus Gerwig played a character named Lola. In Gone Girl Kirke played a character named Greta.
CRITICAL MASS: As of 8/31/15: Rotten Tomatoes 83% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: :Frances Ha
FINAL RATING: 5/10
NEXT: Digging for Fire