(2014) Documentary (Killer Bunny) Yau King Eng, Kenneth Eng. Directed by Kenneth Eng
Everyone comes from somewhere and nowhere is that more true than the United States. Even the Native Americans migrated over the land bridge from Asia to get here. All of us have a history that begins somewhere else.
Yau King Eng’s story began in China where he grew up under a repressive communist regime. In 1966, he made the decision to leave his impoverished village, his beloved family and everything familiar in his life to make a new and better life for himself in America. The journey was a dangerous one, involving a swim from the mainland to Macau and avoiding Chinese soldiers who weren’t above killing anyone who had the gall to want to leave.
But leave he did and to Boston he did go. At first, finding work was difficult but like many Chinese immigrants he found work in Chinese restaurants, washing dishes and sweeping floors. He worked two and sometimes more jobs, trying to make a better life for his family, eventually saving up enough to buy a restaurant of his own.
Unfortunately, the American dream didn’t work out the way he thought it would. The restaurant business is a capricious one and a difficult one to find success in. He didn’t find that success, and the restaurant went bankrupt. To this day he continues to work for others in the restaurant business, but deep down he considers himself a failure because his restaurant didn’t make it.
In the meantime, China has prospered and the economic situation there is in many ways better than it is here. Yau decided that he would live the rest of his life out in the land where he was born, but first he would pay it a visit to make sure that this decision was a sound one. His visit back home, to the places that mattered to him, would be chronicled by his son Kenneth, a documentary filmmaker. The two of them together would experience modern China – Kenneth through fresh eyes, his father through the eyes of 1966. Their varying perspectives don’t really constitute the subject here; rather, it is more a journey of discovery for Kenneth as the tales of his father’s struggles in his homeland come to life and he develops a new perspective – and a new respect – for his dad.
Some of the film is quite heartwarming as we witness father and son develop new and stronger bonds between them. Some of the film is a bit harrowing as we are treated to the story of Yau King Eng’s defection and the courage and perseverance it took for him to make the journey. Much of the film, however, is a bit like watching home movies as we see relatives and friends gather, some of whom have found success and even wealth at home, another dagger in the heart of the prodigal son who left. The old men, smoking in kitchens while the women prepare feasts of welcoming, the elders reminiscing about times gone by. In short, very much what happens in YOUR living room when an out-of-town relative visits.
The home movie feel I think is deliberate as Eng not only makes his father’s story an individual one, but connects his family’s story with our own. Yes, ostensibly Eng is trying to tell a singular story but what makes this film successful is that he is able to relate much of it to our own situations, our own families, our own lives.
This isn’t the kind of movie that trumpets thunderous anthems from mountaintops (although the music in the film is quite beautiful), but rather quietly works its way into our hearts and finds the common ground that binds us all. Every family has stories; watching this movie prompting me to ask my mom about hers. Yes, I’m a child of immigrants as well so the movie hit home a lot closer than it might those who are farther removed from their own family’s immigrant experience. Even so, it is the stories of our mothers and fathers that are part of our own stories; understanding those stories help us understand who we are and where we’re from. For that alone, this is must-see viewing. While the movie is just starting to show up on the festival circuit, hopefully it’ll soon play at a film festival near you, or eventually make it onto a broadcast medium. I sure hope so; I’d love to see this movie again.
REASONS TO GO: Nicely illustrates the dichotomy of culture in China. Tells a moving and compelling story. Heartwarming.
REASONS TO STAY: Has a bit of a home movie feel to it, although I think that’s appropriate.
FAMILY VALUES: Suitable for all members of the family.
TRIVIAL PURSUIT: Eng’s last feature-length film, Kokoyaku: High School Baseball received an airing on PBS’ POV series.
CRITICAL MASS: As of 5/17/15: Rotten Tomatoes: no score yet. Metacritic: no score yet.
COMPARISON SHOPPING: Romantico
FINAL RATING: 8.5/10