Repo Men


Repo Men

Jude Law is knocked for a loop.

(Universal) Jude Law, Forrest Whitaker, Liev Schreiber, Alice Braga, Carice van Houten, Chandler Canterbury, RZA, Joe Pingue, Liza Lapira, Tiffany Espensen, Yvette Nicole Brown, Wayne Ward, Tanya Clarke, Max Turnbull. Directed by Miguel Sapochnik

In the modern capitalist society, if you fail to pay for a purchase it gets repossessed, whether it is a car, a computer or a home. In the future, that also might extend to artificial organs that are keeping you alive.

Remy (Law) is a repo man working for The Union, the worlds largest broker of artificial organs. Prohibitively expensive, generous credit plans are available so that people can purchase a chance at an extended life – at an exorbitant interest rate of course. When people start missing their payments, people like Remy and his best friend Jake (Whitaker) will find you, stun you into unconsciousness with a tazer and remove the artificial organ (which are called “artiforgs”) quickly and efficiently via home surgery. The patient usually doesn’t survive the procedure.

Business is pretty good and Remy is the best there is, a fact that hasn’t gone unnoticed by his boss Frank (Schreiber). However, it is taking a toll on his marriage to Carol (van Houten) who wants him to get a job that involves regular hours so that he might spend more time with their son Peter (Canterbury). A sales job pays much less than repo and as Jake points out, Remy is far more suited to the repo life than to sales which they both regard as weak.

However, after Jake executes a repo in their front yard during a barbecue, she gives Remy an ultimatum; make a change or get out. Remy decides to do one last job, to take the artificial heart from T-Bone (RZA), a producer of soul music that Remy admires. Remy allows him to complete mixing one last song, but when he goes to stop the artificial heart with a faulty defibrillator, the resulting shock about kills him.

He wakes up with a top-of-the-line artificial heart inside of him and is absolutely terrified. There is no way he can continue making payments on the expensive piece of equipment, especially now that the experience of being a client himself has led him to lose his nerve as a repo man, now seeing the clients as human beings with names…and wives. While his own wife has left him, furious that he went on that last job, Remy prepares to go on the run with Beth (Braga), a lounge singer he’s taken under his wing and a girl with more artificial parts than a Chevy. However, in a society where it is impossible to hide from barcode scanners and bioscan devices, how can they possibly beat a system that is so stacked against them?

This is director Sapochnik’s first feature, and as first efforts go, it’s not too bad. The action sequences are nicely directed with a nod towards the Matrix school of stunts and the overall look of the film is gritty and believable. Whitaker and Law have good chemistry in the leads and while Braga is a bit colorless as the romantic interest, she fulfills her function pretty nicely.

There is a lot of blood here. A whole lot of it. You’re gonna feel like you need a shower after jumping elbow deep into this mutha. Those who get squeamish at surgical films are going to be making a bee-line to the bathroom watching this, so my advice to those with weak stomachs is to go in forewarned.

One of the big problems of the movie is the transformation of Remy from repo man to rebel. He goes from being derisive of clients, sneering throughout “a job’s a job” in a thick cockney accent to being heroic. I understand he went through a life-changing trauma (and to be fair, it seems to me that the period in which the change takes place is probably a period of several months to a year, although it seems very quick onscreen) but there’s no transition. One moment he’s vicious and uncaring and the next he’s a saint. That lack of evolution is the biggest drawback to the movie. I think that they could have used an additional ten minutes or so of illustrating the character’s changeover. If you don’t believe his change of heart, you can’t believe the movie.

In all honesty, this is another movie in which the concept is better than the execution. There’s an interesting parable to be had here about public health care I think, and that may have been what the filmmakers were going for all along. Unfortunately, because they made the decision to accentuate the action over the character development, I think the movie ultimately misses the mark. It’s worth seeing, but just barely so.

REASONS TO GO: Decent action, decently photographed, decently acted. An interesting parable for the health care debate.

REASONS TO STAY: Law’s changeover from violent and amoral to caring and concerned is a bit abrupt and unbelievable.

FAMILY VALUES: A good deal of violence and plenty of gore, lots of foul language and a little bit of sexuality – put it all together and it adds up to not for kids!!!

TRIVIAL PURSUIT: Jake teases Remy about the title of the book that he writes as being weak, but it’s the actual title of the novel the movie is based on.

HOME OR THEATER: A very mild nod towards the big screen for some of the effects shots, but you could go either way with this one.

FINAL RATING: 6/10

TOMORROW: Stranger Than Fiction

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New Releases for the Week of March 19, 2010


The Bounty Hunter

Gerard Butler & Jennifer Aniston wonder why the critics are shooting at them.

THE BOUNTY HUNTER

(Columbia) Gerard Butler, Jennifer Aniston, Jason Sudeikis, Christine Baranski, Dorian Missick, Joel Marsh Garland. Directed by Andy Tennant

Life is good for bounty hunter Milo Boyd. He’s finally getting a few breaks his way after years of being down and out and to top it all off, he gets the assignment of a lifetime – to bring his ex-wife to jail after she skips out on her bail. Nothing could make his heart gladder, until he discovers that she is on the run for her life after blowing the lid off of a murder cover-up and now he’s embroiled in her mess too. Ain’t love grand?

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG-13 (for sexual content including suggestive comments, language and some violence)

Diary of a Wimpy Kid

(20th Century Fox) Zachary Gordon, Chloe Moretz, Steve Zahn, Devon Bostick. Of all the dangerous situations that humans can face, there is nothing more deadly, more soul-crushing, more demoralizing than…middle school. At least, that’s the way it seems to Greg Heffley, an imaginative and bright young boy who is trying to navigate the treacherous waters of that institution. This family comedy is based on the first book from the series of illustrated novels by Jeff Kinney.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG (for some rude humor and language)

Repo Men

(Universal) Jude Law, Forrest Whitaker, Liev Schreiber, RZA. In the near future, prosthetic organs are widely available…if you an afford them. For those that can’t, there are payment plans but God help you if you miss your payments because the corporate bean counters will send the repo men after you to take back their property, and trust me you won’t find any mercy in them. Not even for one of their own, who finds himself on the run from his own co-workers – including his best friend since childhood who knows him better than anyone. He will have to use all his wits to take down the corporation…before his heart is repossessed.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for strong bloody violence, grisly images, language and some sexuality/nudity)

Saint John of Las Vegas

(IndieVest) Steve Buscemi, Sarah Silverman, Romany Malco, Peter Dinklage. A compulsive gambler escapes the clutches of his disease and finds work as a claims adjustor for an auto insurance company in Albuquerque, salving his demons with lotto scratchers. When he is assigned to accompany the top fraud debunker for the company to investigate a dubious accident near Las Vegas, he sees an opportunity for promotion despite his misgivings about being so close to Sin City once again. With a romance developing into something potentially lasting and an assortment of freaks and geeks to navigate through, this may be a lot more than a tarnished saint could have bargained for.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for language, and some nudity)