The Business of Birth Control

Reproductive autonomy or a death sentence?

(2021) Documentary (Bobb) Holly Grigg-Spall, Joe Malone, Lisa Hendrickson Jack, Karen Langhart, Rick Ammon, Sara Gottfried, Emily Moonbeam Varnam, John O’Dea, Rick Langhart, Kelsey Knight, Aviva Romm, Jolene Bright, Lara Bridon, Alisa Vitti, Vicki Spratt, Ørvind Lidegaard, Chelsea Vonchaz, Sara Hill, Julie Holland, Gessie Thomson, Erika Schwartz, Ashley Malone. Directed by Abby Epstein

 

One of the things that turned out to be an epochal turn of events for women was the availability of hormonal birth control. With birth control, it gave women the freedom to determine when and if they got pregnant. It allowed them to have careers and plan their families around finances rather than the other way around. Most feminists look at birth control as a watershed development in feminism.

Doctors prescribe birth control to women for many non-reproductive issues; painful and/or irregular menstruation, skin issues, PCOS and endometriosis, among other things. But is it the panacea that it is made out to be? Studies are beginning to show that it is not, linking hormonal birth control with increased susceptibility to depression (even leading up to suicide), autoimmune disease, cervical cancer and potentially fatal blood clots.

With reproductive rights under fire threatening to turn back the clock on women’s bodily autonomy, it might be misconstrued to release a documentary on the dangers of birth control at this moment, but according to director Abby Epstein and producer Ricki Lake (the former talk show host), the movie is not meant to fill a political agenda but to give women potentially life-saving information.

The side effects of hormonal birth control is not something that is really being discussed. Most women on the left are afraid that the right could end up hijacking the conversation about reproductive rights and using the facts in this documentary to say “See?!? Birth control is BAD!!!” And folks, that isn’t the case, nor are the filmmakers saying that hormonal birth control is the ONLY option for women. In the final act of the film they actually list several other methods that are currently available that are less potentially harmful.

One of the film’s talking points is that Big Pharma has made a fortune on birth control and continues to; in fact, the companies that developed hormonal birth control were aware of the potentially fatal side effects going back to when they were testing the product back in the Fifties (they tested in Puerto Rico because they didn’t want to test the product on white women). The Nelson pill hearings, back in the early ‘70s, uncovered some of these abuses but have been mainly swept under the rug until now.

The filmmakers talk to body literacy advocates, the bereaved parents of young, healthy women who died due to the side effects of the pill, and feminist activists who want women to have safe choices for birth prevention. The testimony is sobering and compelling. Particularly heart wrenching is the testimony of Joe and Dana Malone, and their  daughters Ashley and Morgan, discussing the death of Brittany Malone, a healthy, vivacious young woman who collapsed while at a nightclub with her sisters. Blooc clots in her lungs had gotten into her heart, causing her to have a number of heart attacks. Put on life support, she was eventually pronounced brain dead.

The film also portrays the FDA as an agency that is less interested in protecting consumers than it is in expediting the process of getting products into the marketplace. When Malone and fellow parents of women whose lives were cut short by their use of birth control advocated black label warnings on birth control packages to warn women about the porentially fatal side effects, they were fought tooth and nail by the drug industry. It is interesting to note that the potentially fatal side effect for Viagra – long-term erections – have always been well-publicized by the drug industry.

This is an eye-opening film and should be viewed by every woman and every parent with a daughter who is becoming of an age when sexual activity is a possibility. It isn’t enough to just accept what your doctor has to say – a large percentage of women feel their doctors don’t listen to them about their own reproductive health according to studies – but they need to understand what their options are and insist on them. It is always a good idea to know what you are putting into your body and what it can potentially do to you. It can literally be a matter of life or death.

REASONS TO SEE: Tackles a subject rarely talked about. A sobering gut punch. More damnation for Big Pharma, knowing the potentially fatal side effects and not adequately warning anybody. The family of Brittany Malone give particularly compelling testimony.
REASONS TO AVOID: A little talking-head centric.
FAMILY VALUES: There is adult subject matter, sexual content and some profanity.
TRIVIAL PURSUIT: Nearly 50% of all women who start hormonal birth control from an early age will face increased incidents of depression.
BEYOND THE THEATERS: Doc NYC online (until November 28)
CRITICAL MASS: As of 11/15/21: Rotten Tomatoes: No score yet; Metacritic: No score yet.
COMPARISON SHOPPING: The Business of Being Born
FINAL RATING: 10/10
NEXT: Objects

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Hugh Hefner: Playboy, Activist and Rebel

Sex in the early '60s: Hef and the Bunnies.

(2009) Documentary (Metaphor) Hugh Hefner, Bill Maher, Tony Bennett, George Lucas, Joan Baez, Jim Brown, James Caan, Jesse Jackson, Jenny McCarthy, Gene Simmons, Shannon Tweed, Pete Seeger, Mike Wallace, David Steinberg, Dick Cavett, Tony Curtis. Directed by Brigitte Berman

There have been many polarizing figures in the 20th century. Ronald Reagan, for example; conservatives look at him as a great president, one whose economic philosophy have shaped our economy for the past thirty years and have led us to unprecedented prosperity. Liberals look at him as the architect for our greed-dominated society and see his presidency as an American tragedy.

Hugh Hefner gets the same sort of reception. The publisher of Playboy magazine is responsible for the popularization of the centerfold. To the minds of the radical feminists, he has led to the objectification of women and is indirectly or directly responsible for the rape and abuse of women by men who have bought in to his philosophy. To conservatives, he is an immoral man, dedicated to the destruction of American society and the corruption of American morality.

Most people see the swinging lifestyle; the pajamas, the pipe, the smile and the 20-something women cavorting at the Shangri La-esque Playboy mansion. They see an octogenarian with seven girlfriends young enough to be his great-great granddaughters and yes, there is an element of the ridiculous to it. Overkill at the very least.

But there is more to Hef than meets the eye, and those who have followed his career will know that. Hef has been a crusader for First Amendment rights through his magazine, supporting the legal defense of those rights (often with cash donations) and during the Blacklisting era, printing pieces by Dalton Trumbo and other writers who could get no work elsewhere.

He has also been a champion for civil rights. His Playboy clubs and “Playboy After Dark” television show gave exposure to African-American performers who might never have gotten an audience. Sammy Davis Jr., Dizzy Gillespie and Dick Gregory all regularly worked in Hefner’s establishments. He supported Martin Luther King’s agenda both editorially and with contributions to his cause.

And he has also defended women’s reproductive rights as well as their civil rights as well. He has supported the “Equal Pay for Equal Work” theory as well as nurturing the careers of women into executive positions at his own company. He works tirelessly for the environment as well as for the preservation of jazz, an art form he’s passionate about.

Berman was given unprecedented access to the magazine’s archives and to Hefner’s own personal collection of letters and documents; she also was able to get her hands on footage from Hefner’s television shows which are some of the most fascinating moments of the film.

Hefner is often simply thought of as a pornographer and a fairly mild one at that; his pictorials tend to be much more artistic and less hardcore than those of, say, Larry Flynt or Bob Guccione. In some ways, he’s rather archaic – Playboy is essentially less of a factor in publishing the pictures of naked women than the Internet is. His legacy, however is far more complicated.

Hef didn’t invent sex but he brought it out of the recesses of puritanical dogma. He didn’t make it okay for women to like sex, but he supported the concept and helped popularize it. He didn’t objectify women – that’s been around far longer than Playboy – but he did help develop what the male ideal was for women physically (can we all say big boobs?) and make being a centerfold an aspiration for many women.

There is nothing wrong with sex. There is nothing wrong with being sexual. Pleasure doesn’t have to be a dirty word. But sex goes arm in arm with responsibility and Hef knew that. He used the prurient interest in his magazine to fund his social causes and there is some irony in that.

Tarring Hefner with the brush of a pornographer misses the point of what he’s done, and is rather simplistic and naive. I don’t always agree with his lifestyle and I wonder why he has rarely gone for women closer to his own age – I also wonder if there is too much emphasis on sex in his philosophy. Sex is, after all, only a part of life and while it is an important part, it’s not the most important part.

But that’s once again not all there is to Hefner. He has championed causes that have needed a champion, and has stood up for things that were unpopular back in the day. Most importantly, he has helped usher in a change of American values and hopefully, not all of it has to do with sex. Some of it has to do with compassion and the dignity of all people. Hugh Hefner may not be a hero to most, but in all honesty he deserves to be and this movie captures that largely unremarked upon aspect of him.

WHY RENT THIS: A fascinating look inside the legend. Some great footage from the old “Playboy After Dark” television show. 

WHY RENT SOMETHING ELSE: Doesn’t really challenge much. Presents Hef as a bit of a saint.

FAMILY VALUES: There is some nudity (of the Playboy centerfold variety) and a bit of sexual content as you might imagine.

TRIVIAL PURSUIT: Berman’s previous documentary was about big band leader Artie Shaw.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $10,000 on an unreported production budget; I suspect the movie was unprofitable.

FINAL RATING: 7/10

TOMORROW: J.Edgar