Rebound


Gag me with a gag.

Gag me with a gag.

(2014) Horror (Look At Me) Ashley James, Mark Scheibmeir, Julia Beth Stern, Kevin Bulla, Wes O’Lee, Brett Johnston, Bruce Cole-Edwards, Dan Sutter, Liz Bauer, Ali Williams. Directed by Megan Freels

One of the worst things that can happen to you in a relationship is being cheated upon. The feeling of betrayal is overwhelming; it attacks your sense of self-worth and makes you question yourself – what did I do wrong? – as opposed to blaming the person who made the decision to cheat in the first place. It hurts everyone it happens to, but some people take it harder than others.

Claire (James) has felt the sting. An aspiring actress struggling to find roles in Los Angeles, she comes home one afternoon to find her boyfriend of three years (Johnston) in the throes of passion with a co-worker (Williams) who will go down in film history as having the bitchiest smile ever recorded.

Claire is quite naturally devastated. After some soul searching (and tearful showers), she decides that it is time to cut her losses and go back home to Chicago. She talks things over with her best friend Shannon (Stern) who wonders if she’s not just running away from her problems and advises her to think of it more as a vacation and less as a permanent move, but Claire is adamant. A road trip back to Chicago it is and the opportunity to take stock of her life and begin anew.

Even with the best of intentions things can go devastatingly wrong and in Claire’s case, they turn from bad to worse. An encounter with a homeless woman (Bauer) leaves Claire shaken; she also manages to lose her cell phone. And of course when she’s in the middle of nowhere later that evening, her car breaks down. A sympathetic driver (O’Lee) picks her up and takes her to the local mechanic, Eddie (Scheibmeir) who diagnoses the problem as a timing belt. The bill is more than Claire can afford, so she manages to talk the handsome but shy mechanic down to a little less by using her natural charm. The part won’t be available until the next day, so Claire will need to spend the night in the flea speck of a town.

Eddie drops her off at the local bar where she gets something to eat and drink, courtesy of a none-too-friendly bartender (Bulla) and samples the less than savory citizenry. That’s when her eyesight begins to blur and before long Claire is in a nightmarish situation that makes being cheated on look like good news.

Freels who also wrote the movie takes a very simple concept and makes it compelling. There aren’t a lot of bells and whistles here – this is what is called in the industry a micro-budgeted film – and they really aren’t needed. Everything revolves around Claire’s emotional breakdown and Murphy’s Law made horror film high concept.

On the negative side, the dialogue can be a bit clunky; particularly the conversation between Claire and Shannon which at times didn’t sound like the way two people naturally talk. There is also a bit of overacting in a melodramatic sense, and the music kind of underscores it; Freels’ approach of “less is more” would have done the movie good in the music department. The good news is that the film gets a lot better once Claire hits the road which is pretty early on.

This might be classified by some as torture porn but there is kind of a film noir vibe which is unexpected and welcome. Not a noir of the Bogart kind mind you, but more of a Robert Mitchum sort. This isn’t Cape Fear but it’s a distant cousin.

And now, a few words about the film’s ending. One of my big problems with indie films in general is that often the ending is a disappointment. Not so here. The ending is strong and unexpected, but logical. It’s what makes me think that Freels has a great deal of promise as a filmmaker and writer.

This isn’t for the faint of heart and there are some fairly gruesome scenes here, but all in all this is a solid debut feature for Freels, who has been a producer of films for a few years now. Her first stint in the director’s chair is flawed as you might expect, but promising. I have a feeling a lot of people are going to be checking out this movie after she makes one that hits it big.

WHY RENT THIS: Uncomfortable but delicious ending.
WHY RENT SOMETHING ELSE: Melodramatic acting. Clunky dialogue.
FAMILY VALUES: Violence (some gruesome), sexuality and profanity.
TRIVIAL PURSUIT: Freels is the granddaughter of the legendary writer Elmore Leonard.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
SITES TO SEE: Amazon, VimeoGoogle Play
COMPARISON SHOPPING: Hostel
FINAL RATING: 4.5/10
NEXT: Straight Outta Compton

Advertisements

Due Date


Due Date

Apparently these guys got no further than "speak no evil."

(2010) Comedy (Warner Brothers) Robert Downey Jr., Zach Galifianakis, Michelle Monaghan, Jamie Foxx, Juliet Lewis, RZA, Danny McBride, Matt Walsh, Brody Stevens, Marco Rodriguez, Paul Renteria, Mimi Kennedy, Charlie Sheen, Jon Cryer. Directed by Todd Phillips

The best part of any trip is coming home. There comes a point when the weary traveler just wants to get back to their own bed, by any means necessary. Sometimes fate intervenes in this worthy endeavor however.

Peter Highman (Downey) has more reason than most to want to get back. His wife Sarah (Monaghan) is due to give birth and a date has been set to give her a Caesarian. He is leaving Atlanta in plenty of time…until he meets Ethan Tremblay (Galifianakis).

Actually he pretty much literally runs into him, Ethan does and in the confusion, Ethan and Peter pick up each other’s similar-looking bags. It turns out that Ethan is sitting behind Peter in first class. It turns out Ethan gets Peter shot by an Air Marshal. Both men are tossed off the plane, with Peter leaving his wallet on board. Worse, he’s on a no-fly list now because of the incident.

Without a wallet, Peter has no way of renting a car but Ethan does and reluctantly Peter agrees to accompany Ethan on his way to Los Angeles; Ethan is an aspiring actor, bringing along with him on his journey his dog and his father’s ashes in a coffee can. Does that man know how to travel or what?

Of course, the eccentric Ethan gets the uptight Peter into all sorts of trouble, from getting them into an accident when he falls asleep at the wheel to abandoning Peter to get arrested for possession of marijuana at a border crossing. With the clock ticking and Sarah’s due date nearing, can Peter and Ethan manage to make it across the country in time or will Peter miss the birth of his first child?

If you thought “Wasn’t there a movie a lot like that?” you’d probably agree with the critics who dissed this movie for being too similar to Planes, Trains and Automobiles, the 1987 John Hughes film with Steve Martin and John Candy in a more or less similar plot. They aren’t exactly alike and there are no trains in this movie but the spirit is pretty much the same.

Peter is ramrod straight here and that’s supposed to be the joke, but that becomes a double edged sword because the movie then isn’t able to make use of Downey’s comic skills which are considerable. He becomes a glorified straight man to Galifianakis’ antics and quite frankly, the movie would have been better served to allow Peter to be not quite so uptight.

Galifianakis is one of the most popular comic actors today but this seems to be more or less a parody of his role in the two Hangover movies. He was far better in those, as well as his more serious role in It’s Kind of a Funny Story. Here, he is eccentric for its own sake. The real trick to making a role of this sort funny is that it kind of has to be believable. There’s nothing believable about Ethan. He does things no rational human being would ever do. And as for Peter, there’s no way anybody sticks around Ethan after he causes Peter multiple injuries.

There are some good gags here and a enough laughs that I can at least promise a certain amount of entertainment if you choose to rent this. However, while it did good box office, it isn’t really the kind of movie you’re going to remember with a great deal of fondness, nor is it one you’re going to want to watch over and over again. It’s just diversion enough to make you smile and maybe laugh a little bit for an hour and a half, which is a pretty noble result in and of itself.

WHY RENT THIS: There are enough funny moments to make this worth your while.

WHY RENT SOMETHING ELSE: There are not enough funny moments to make this a classic.

FAMILY VALUES: There is a bit of foul language, a teensy bit of drug use and some comic violence.

TRIVIAL PURSUIT: Alan Arkin filmed some scenes as Peter’s father but these were left on the cutting room floor.

NOTABLE DVD EXTRAS: There’s a gag reel and the full scene shown at the end of the movie of “Two and a Half Men.”

BOX OFFICE PERFORMANCE: $211.8M on a $65M production budget; the movie was a genuine hit.

FINAL RATING: 6/10

TOMORROW: Martha Marcy May Marlene