(2018) Documentary (The Orchard) Bob Lazar, Mickey Rourke (narrator), Jeremy Kenyon Lockyer Corbell, Mario Santa Cruz, George Knapp, Layne Keek, Phyllis Tucker, Zack Slizewski, Joy White. Directed by Jeremy Kenyon Lockyer Corbell
For those who believe that there is life on other worlds, the truth is out there. For those who don’t, often there is no out there when it comes to truth. Some are more agnostic about it; the odds favor life developing elsewhere but until an alien spacecraft lands on the White House lawn, it is only theory. Many believe that aliens have already landed here and much of that belief is centered around two places; Roswell, New Mexico and Groom Lake, Nevada – the latter better known as Area 51. It’s not hard to figure out why Roswell is in the picture but why Area 51?
Most people are unaware of Bob Lazar but to those true believers who accept that aliens have visited our plant he is revered. In 1989, his voice disguised and his identity hidden, he “came out” to TV news journalist George Knapp of Las Vegas that he was an engineer working at building “S-4” in the Groom Lake complex tasked with reverse engineering propulsion systems of alien spacecraft. He asserted that the U.S. government is in possession of nine of them, and that there are alien bodies as well (although he only thinks he’s seen one, a claim walked back from his initial interviews in which he claimed he’d seen them). He later followed up that interview with one in which he revealed his identity.
The scientific community initially pooh-poohed his claims and Lazar became something of a pariah in the scientific community; these days he runs an electronics manufacturing firm. However in the thirty years since he made his startling claims he hasn’t changed his story overly much except as noted. Many of his friends and family have supported him, telling anyone who will listen that Bob Lazar isn’t the type of guy to lie. They point out he hasn’t profited a dime from his claims; why commit professional suicide in that case?
Corbell apparently aspires to make this film part of a series of paranormal investigations and in some ways he’s starting off with a bang. Lazar has been notoriously press-shy for more than a decade now, rarely granting interviews. There is some interest here for those who want to learn where some of these UFO theories got started and how they accelerated into the mainstream. It’s truly an interesting story.
Unfortunately, Corbell busies up the documentary with a barrage of images of atomic age archival footage and such that after awhile make the movie seem more like a collage than a film. There is also the psychobabble narration that is mumbled by Mickey Rourke; at times poetic, at times it comes off like comic relief. It’s distracting and unnecessary.
Corbell would have been better off going the “simple is better” route. He has a compelling story and an opportunity to really develop it. However he falls into the trap of not only trying to come off as an artist but also of getting too close to the subject and ends up making a manifesto more than a documentary. There’s nothing wrong with making a film with a point of view, but you have to take your audience into account; true believers may require some corroboration but we hear about FBI raids and assassination attempts with absolutely no evidence. Corbell and Lazar claim that much of Lazar’s past has been systematically erased – his work records at Los Alamos expunged (although he does appear on a phone guide there) and his education at Cal Tech and MIT also gone. The latter claim is a little dicier; none of his professors remember him although a couple of students do. It isn’t enough to make much of a case.
This is definitely a missed opportunity that has more to do with a tyro filmmaker trying to make a splash than it does with the subject matter. Had Corbell dispensed with the pretentious narration and the onslaught of unnecessary images, this would have been a more palatable film. As it is the movie seems to be directed only at true believers and at the end of the day fails to convince anyone who isn’t already of that mindset that the truth indeed may be out there.
REASONS TO GO: There is some really interesting material here.
REASONS TO STAY: There is far too much visual input to the point that the film gets annoying after a little while. Little proof is offered to substantiate anything.
FAMILY VALUES: There is some mild profanity.
TRIVIAL PURSUIT: As of this writing Baker is in pre-production on his second feature film.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vimeo, Vudu, YouTube
CRITICAL MASS: As of 12/26/18: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Inside Area 51: Secrets and Conspiracies
FINAL RATING: 4.5/10
NEXT: Bleed Out