(2012) Horror Action (Screen Gems) Kate Beckinsale, Stephen Rea, Michael Ealy, Theo James, India Eisley, Charles Dance, Sandrine Holt, Kris Holden-Ried, Jacob Blair, Catlin Adams, Wes Bentley, Adam Greydon Reid, Robert Lawrenson. Directed by Mans Marlind and Bjorn Stein
Things change, especially in a movie universe. The vampires and the Lycans (Underworld-speak for werewolves) are no longer existing in a vacuum where the humans are oblivious to their presence. The secret is out, and as humans will do when confronted with new things a genocidal war is in full swing and the humans are winning.
Selene and her half-vampire half-Lycan lover Michael (Scott Speedman in archival footage but he doesn’t actually appear in the new film – an uncredited stand-in took his spot for several scenes in the movie) see the graffiti on the wall and figure to get out of Dodge but it doesn’t work out quite the way it’s supposed to and she is captured by humans and put into cryo-stasis.
Twelve years pass and an unknown party rescues Selene from her frozen sleep. The former Death Dealer is out in a world she doesn’t know, and not particularly well-liked by the vampire coven that finds her, as leader Thomas (Dance) says, to be someone untrustworthy, who has chosen humans over her own kind every time. However his son David (James) is a bit more supportive and a bit more aggressive than dear old dad.
Selene has a lot to deal with. Not only is she in a brand new world with a dead lover, she also has a daughter who is known as Eve (Eisley) but is also known as Subject 2 at Anti-gen, the mega-corporation that held Selene in stasis. It seems that Dr. Jacob Lane (Lea), the head honcho over at Anti-gen, was experimenting on finding a cure for vampirism and lycanthropy, or at least that’s the story. It turns out he has a much different agenda in mind, one which Eve figures in quite a bit. The icy Selene has never particularly had a ton of maternal instincts but her hybrid daughter seems to be stirring those to life – and the fact that rescuing Eve will piss off her enemies mightily is just an added bonus.
Beckinsale is actually an accomplished actress (if you haven’t seen her in Snow Angels by all means do) who is also an accomplished action heroine. The fact that she’s pretty hot in her catsuit, bustier and long leather coat doesn’t hurt either. She kind of goes through the motions here, but with the digitally-enhanced cobalt blue eyes she looks pretty good at least.
James makes for a pretty decent hunkazoid and gives the film a certain flair. He is coming into an established film universe that is actually pretty well drawn out, four films in. We kind of know what to expect more or less. That works for and against the movie; there’s a certain comfort in that but there’s also a certain amount of “been there done that.”
Still, the action works although the CGI Lycans tend to look like CGI Lycans. It’s a fun universe to play in and it’s good to see Beckinsale in it again (she missed the 3rd movie which was more of a prequel). Not the best action movie you’ll see this year – it’s not even the best movie in the series, but it’s adequate for the needs of most action fans – fun and not too complicated.
REASONS TO GO: Beckinsale is a terrific action heroine. The Lycan/Vampire world is well-drawn.
REASONS TO STAY: Plot is confusing and the suspense is non-existent.
FAMILY VALUES: There is a lot of violence, a bit of gore, some horrific images and a few choice words here and there.
TRIVIAL PURSUIT: This is the first film in the series in which either Bill Nighy, Michael Sheen or both weren’t in the cast.
CRITICAL MASS: As of 1/26/12: Rotten Tomatoes: 30% positive reviews. Metacritic: 39/100. The reviews are pretty bad.
COMPARISON SHOPPING: Resident Evil
CATSUIT LOVERS: Kate Beckinsale still looks plenty awesome in one.
FINAL RATING: 6/10
TOMORROW: Gangs of New York