The Hunt for Red October


The Hunt for Red October

Sean Connery lights up the screen.

(1990) Thriller (Paramount) Sean Connery, Alec Baldwin, Sam Neill, Scott Glenn, James Earl Jones, Joss Ackland, Richard Jordan, Peter Firth, Tim Curry, Courtney B. Vance, Stellan Skarsgard, Jeffrey Jones, Fred Dalton Thompson, Tomas Arana, Gates McFadden. Directed by John McTiernan

 

There are weapons of war – planes, ships, tanks, subs – that we all know about and each side keeps tabs on and has whatever countermeasures that are available to combat them. All sides have them and it keeps things honest. What if there was a weapon of war that only one side had, one which avoided the whole Mutually Assured Destruction doctrine and gave one side a critical advantage, one which in order to have would have to be used without the knowledge of the other side?

In this classic Naval thriller set during the Cold War the Soviets have done just that. The Red October is a submarine with a propulsion system that allows it to run virtually undetected by sonar (who might mistake it for whales). This is bad news for the Americans who would never know if the sub parked itself off the Atlantic seaboard and start lobbing nukes into New York City, Washington, Boston, Philadelphia…hell all over the northeast with virtually no warning.

Captain Marko Ramius (Connery) realizes that this is the only use a sub such as this would have; the Red October has nearly zero maneuvering skills and  isn’t particularly fast. He knows that the vessel he has been tasked with taking on a trial run could mean the end of everything. Therefore he enters into a pact with his senior officers, including his second-in-command Borodin (Neill) to do the unthinkable.

In the meantime the CIA is frantic. They’ve monitored a new sub leaving the shipyards and then disappearing as monitored by the USS Dallas’ crack sonar operator Jones (Vance). His captain, Bart Mancuso (Glenn) is mystified. So is the CIA. Admiral Greer (J.E. Jones) has never heard of this kind of vessel. His expert in Soviet subs is Jack Ryan (Baldwin), an analyst who is currently living in London. They put him on the first flight to DC where he is shown some pictures of a sub with an odd pair of openings in stern. Ryan takes the pictures to a sub builder (Jeff Jones) who realizes what it could mean.

Soon it becomes apparent that something extraordinary is going on. The entire Soviet fleet is scrambled, apparently searching for something. Ryan reports his findings to the President’s defense counsel, including his most senior advisor Jeffrey Pelt (Jordan). While the military men think that this signals that an attack on the U.S. is imminent, Ryan – who wrote the C.I.A.’s analysis on Ramius suddenly realizes that Ramius might be intending to defect.

Nobody really thinks Ryan is for real but Pelt wants to hedge his bets; if he can get his hands on a piece of Soviet hardware this advanced, the opportunity has to be at least explored. He sends Ryan – who is not a field agent – to the Dallas (which is by no means an easy feat) to intercept the Red October and determine his intentions – while trying to keep out of the way of the entire Soviet and U.S. Fleet which are trying to sink her.

Jack Ryan is the creation of former insurance agent and now bestselling author Tom Clancy who has made his career out of these political thrillers with military overtones. Clancy knows his military hardware and while even at this date nothing like the Red October exists (at least to the knowledge of the general public), it certainly is within the realm of possibility.  This was the first Jack Ryan novel to make it to the screen and its success both critically and commercially paved the way for three other movies to make the transition (with a fourth scheduled for Christmas 2013).

A large reason for this is Connery. He brings dignity and gravitas to the part of Ramius. Though this is a Jack Ryan film it is Ramius you will remember and it is in many ways his show. The relationship between Ramius and Borodin is crucial in the film and Connery has some pretty believable chemistry with Neill.

The sub chase sequences are as good as any you’re likely to see with the possible exception of Das Boot. I also found the political intrigue that goes on during the movie to be second to none; you get the sense that everyone is playing a game that is unique to themselves, from the ship commanders on up to the President himself. That may well be how it is in real life.

There are some who have criticized Baldwin’s low-key performance as Ryan; certainly I think Harrison Ford nailed the part better in later versions of Jack, but I don’t think Baldwin is that bad. He plays it more intellectual and less action than Ford but that’s all right – his performance is well-suited for the film, which really makes most of its action bones with the sub duels rather than individuals. In that sense it’s the captains of the various vessels involved who make the action heroes here.

There is definitely an 80s film sensibility here (it was shot in 1989) although it would open the door for the 90s political film ethos. In a very real way this is one of the movies that transitioned the 1980s action film into the 1990s special effects film. As such it’s a classic and to my mind one of a kind. I do not necessarily agree with Clancy’s political beliefs, but the man can write an excellent story and he has done so here; I’m not entirely sure if he likes the movie that came of his imagination but I know that I do.

WHY RENT THIS: Quite realistic. Details are superb. Connery, Baldwin, Jones and Glenn are amazing. Great sets and breathtaking story.

WHY RENT SOMETHING ELSE: Something of a throwback to cold war attitudes.

FAMILY VALUES:  Some violence, a few adult themes and a bit of swearing.

TRIVIAL PURSUIT: When the film was released on VHS, the tape was colored red.

NOTABLE HOME VIDEO EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $200.5M on a $30M production budget; this was a blockbuster.

COMPARISON SHOPPING: Das Boot

FINAL RATING: 9.5/10

NEXT: Uncertainty

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