Office Christmas Party


Party on!

Party on!

(2016) Holiday Comedy (Paramount) Jason Bateman, Olivia Munn, T.J. Miller, Jennifer Aniston, Kate MacKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Vanessa Bayer, Randall Park, Sam Richardson, Karan Soni, Jamie Chung, Abbey Lee, Da’Vine Joy Randolph, Andrew Leeds, Oliver Cooper, Chloe Wepper, Matt Walsh, Ben Falcone, Adrian Martinez, Lynne Ashe. Directed by Josh Gordon and Will Speck

 

Holiday parties are a tradition for workers around the country. Some parties are staid and somewhat dull, others are raucous – generally in proportion to how much alcohol is consumed. Careers can be wiped out – or once in a great while – made by someone’s performance at an office Christmas party.

Josh Parker (Bateman) is the recently divorced head of I.T. at the Chicago branch office of Zenotek, a firm that manufactures data storage devices. The branch manager is Clay Vanstone (Miller), son of the founder. However Clay’s big sister Carol (Aniston) is the acting CEO who is engaging in cost-cutting measures to keep the bottom line looking sharp so the temporary position becomes permanent.

One way of cutting costs would be to close down the Chicago office which hasn’t been performing up to standards, which Carol has conveniently raised. Carol and Clay have had a sibling rivalry that goes back to childhood and Carol is taking absolute delight in shutting down Chicago, despite the fact that it was the office that their father ran. However, there is one glimmer of hope; there’s a multi-million dollar account that Clay and his IT team have been pursuing. If they can get Walter Davis (Vance), a representative of that company, to sign on the dotted line the Chicago office and all the jobs there will be saved.

Unfortunately, Walter is looking at other options and in a last-ditch effort he is invited by Clay to the office Christmas party that night, one which Carol has already canceled. However the thought is if they can show Walter a good time, he might be impressed enough with the corporate culture of Zenotek to go with them instead.

Therefore, Clay prepares for the party of the century with an ungodly amount of alcohol, a living nativity scene, an ice luge, a DJ straight out of 1997 and enough oversexed techies to fill up a bad porn film. Paranoid tech whiz Tracey (Munn) may have a program that might bring the company to the next level – assuming she gets the self-confidence to finish it – hooks up with Josh, while Nate (Soni) hires a prostitute (Lee) to pose as a supermodel girlfriend he’s been bragging about. Mary (MacKinnon) is the uptight H.R. rep who may be the party pooper – or the life of the party. And it looks like they have a real shot at getting Walter Davis to get on the right page. Still, it will take a Christmas miracle to keep the doors open in the Chicago branch.

This is essentially a raunchy ensemble sex comedy revolving around a party as the crux of the film and let’s face it; this is neither a new idea nor an uncommon one. Generally there are a couple of movies with this basic plot released every year – this one having a holiday theme to differentiate it (most of these sorts of films are set at high school graduation parties). This has a better-than-average cast which helps elevate the film above the B-movie these types of films tend to be.

Most of these types of movies can’t boast the likes of Bateman, one of the most likable actors in Hollywood. Nor can they boast the likes of Aniston, who is as versatile an actress as there is working today. With a cast that includes Miller, MacKinnon, Bell, Corddry and Park – some of the funniest comic actors in America – there is plenty of potential here and certainly from time to time the movie lives up to it.

But then again, the movie has a very pedestrian, predictable plot that leaves you feeling like somebody took a rough outline of elements cribbed from other movies and then stuck the actors in to ad-lib their own lines. That can work under the right circumstances but not here, sadly. It feels a bit tired overall, like something one has experienced time and time again without much variation. The jokes are fairly predictable and like a lot of comedies these days, thinks the farther that the raunchiness is pushed the funnier the film. I’m no prude but I need a little bit more than crude visual jokes to hit my guffaw button.

This isn’t a bad movie by any stretch, but it isn’t a particularly good movie. It’s just kinda there, and if that’s all you need, this will fit the bill. If you’re looking for something a little more daring, a little more outrageous, keep looking.

REASONS TO GO: There’s nothing particularly off-putting here.
REASONS TO STAY: There’s nothing particularly noteworthy here.
FAMILY VALUES:  Lots of sexual humor, nudity, profanity, drug use and adult themes.
TRIVIAL PURSUIT:  This is the fifth film to star both Jason Bateman and Jennifer Aniston.
CRITICAL MASS: As of 12/26/16: Rotten Tomatoes: 43% positive reviews. Metacritic: 42/100.
COMPARISON SHOPPING: Project X
FINAL RATING: 5/10
NEXT: Into the Inferno

New Releases for the Week of December 9, 2016


Office Christmas PartyOFFICE CHRISTMAS PARTY

(Paramount) Jennifer Aniston, Jason Bateman, Olivia Munn, T.J. Miller, Kate McKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Jamie Chung. Directed by Josh Gordon and Will Speck

The CEO of a large company wants nothing better than to close down the branch that her hard-partying screw-up of a brother manages. The Chief Technical Officer wants to save the jobs of the people there. The only way to do it is to close a big sale and the only way to do that is with a Christmas party of epic proportions.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, drug use and graphic nudity)

All We Had

(Gravitas) Katie Holmes, Stefania Owen, Richard Kind, Luke Wilson. A young mother of a teenage daughter flees yet another ill-advised boyfriend and heads out on the road. When the money runs out and the car breaks down, they are stranded in a small town where a kind-hearted diner owner gives her a waitressing job and the two find out that the world may not be as bad a place as they thought it was. Look for a review for this here on Cinema365 shortly.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

The Bounce Back

(Viva) Shemar Moore, Nadine Velazquez, Matthew Willig, Kali Hawk. A relationship expert appears on a talk show whose host is convinced he is a charlatan. Of course, you know he’s going to fall in love with her and in doing so must confront the painful truth of his past relationships.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: PG-13 (for sexual content, language and brief drug use)

Frank and Lola

(Paladin) Michael Shannon, Imogen Poots, Justin Long, Rosanna Arquette. An up-and-coming chef and an aspiring fashion designer have a torrid affair. It seems to be everything he ever wanted – until a man from her past appears on the scene, calling into question everything he thinks he knows about her – and himself.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Premiere Fashion Square Cinemas

Rating: R (for some disturbing violence and language throughout)

Manchester by the Sea

(Roadside Attractions/Amazon) Casey Affleck, Michelle Williams, Lucas Hedges, Kyle Chandler. A janitor living in Boston is shocked to discover that he has been named guardian of his teenage nephew after his older brother dies. Moving to his hometown – a quaint New England fishing village – his life is transformed by the experience.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for language throughout and some sexual content)

Miss Sloane

(EuropaCorp) Jessica Chastain, Sam Waterston, John Lithgow, Allison Pill.  Elizabeth Sloane is one of the most formidable and successful lobbyists in Washington. She is known for doing whatever it takes to win but when she takes on the most powerful opponent of her career, she must choose whether winning is worth the price she must pay for it.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language and some sexuality)

Hot Tub Time Machine 2


The requisite non-drug user accidental drug ingestion sequence.

The requisite non-drug user accidental drug ingestion sequence.

(2015) Sci-Fi Comedy (Paramount/MGM) Rob Corddry, Craig Robinson, Clark Duke, Adam Scott, Gillian Jacobs, Chevy Chase, Collette Wolfe, Bianca Haase, Jason Jones, Kumail Nanjiani, Kellee Stewart, Josh Heald, Gretchen Koerner, Lisa Loeb, Jessica Williams, Bruce Buffer, Mariana Paola Vicente, Adam Herschman, Kisha Sierra, Olivia Jordan. Directed by Steve Pink

Second chances don’t come easily or often. We generally have one shot at making the right choice. Being human, we don’t always make the right choice, which is where the need for second chances come in.

After having gone back in time and in the process changing their lives for the better, the three buddies are beginning to get a little, well, bored. Lou (Corddry) is a former metal God and tech mogul who’s search engine “Lougle” has slowly been losing market share and is in danger of going under, although Lou – hopelessly coked out, drunk and hooked on whatever drugs he can get his hands on – stays the blissfully ignorant course.

Nick (Robinson) has become one of the biggest recording artist/producers in the world using songs other people wrote – before they wrote them, such as the Lisa Loeb hit “Stay (I Missed You)” (the bespectacled singer makes a cameo as a cat wrangler who confides to Nick that every time she hears his version of the song she feels oddly violated). However, he continues to be somewhat henpecked by his wife Courtney (Stewart).

Jacob (Duke) is essentially Lou’s butler as well as his son and is headed down a similar road as Lou has taken. The relationship between the two continues to be strained.

Then at a party, a mysterious figure shoots Lou in the crotch. Jacob has somehow managed to secret the hot tub time machine in a hidden room in the house. Figuring out that someone had used the time machine in the future to come back and assassinate Lou, they head to the future to try and discover who – among many suspects – would want to murder Lou.

In 2025 they meet Adam (Scott), the son of their fourth member who has apparently disappeared into a dimension all his own. In an era where the loser of a high school classmate Gary Winkle (Jones) has become wealthy because Lou was a dick to him in 2015, where reality TV game shows include virtual anal rape, where smart cars can be homicidal, and where masturbation has gotten the ultimate high tech aid, the crew bumbles through trying to locate the man who shot Lou and stop him from carrying out the plan, leaving Lou to wink out of existence.

The first Hot Tub Time Machine was an example of a movie in which I had low expectations for and was pleasantly surprised; the sequel is an example of a movie in which I had high expectations for and was sadly disappointed. This is nowhere near as funny as the first movie and definitely suffers for the lack of John Cusack who was essentially the anchor of the first film. Corddry, Robinson and Duke were more or less supporting characters and now have to take center stage. Corddry, who was especially good in the first movie, really doesn’t have anywhere to go with his one-dimensional character other than performing the same kind of actions. It’s not as good the second time around.

There are some laughs to be sure, but the movie needs an anchor. A lead character who the action swirls around. Instead we have hear a selection of supporting characters waiting for a straight man. Having Adam Scott – a very talented comic actor – in the mix is a good move, but he doesn’t really have a story line and in the end is essentially another supporting character. Corddry is the ostensible lead but his character functions better on the outside.

I was hoping this would be hilarious (it was originally slated for a Christmas release) but it simply isn’t funny enough. It’s decently entertaining but little more which I suppose is fine for this time of year but definitely makes me yearn for a few months hence when we’ll start to see a better caliber of movie from the studios. For now, this will have to do.

REASONS TO GO: Some sly time travel movie in-jokes. Funny in places.
REASONS TO STAY: Not funny enough. Doesn’t really build on the first movie. Needed a lead character; more of a collection of supporting characters.
FAMILY VALUES: The humor is fairly crude throughout with plenty of sexual references. There’s also some graphic nudity, drug use and foul language as well.
TRIVIAL PURSUIT: John Cusack, who starred in the first film, has said in interviews that he was never approached or received an offer to appear in this film; there are photographs of him that appear in one scene.
CRITICAL MASS: As of 2/24/15: Rotten Tomatoes: 13% positive reviews. Metacritic: 30/100.
COMPARISON SHOPPING: Click
FINAL RATING: 5/10
NEXT: Wish Me Away

New Releases for the Week of February 20, 2015


The DUFFTHE DUFF

(CBS) Mae Whitman, Robbie Amell, Bella Thorne, Bianca A. Santos, Skyler Samuels, Romany Malco, Nick Eversman, Ken Jeong, Allison Janney. Directed by Ari Sandel

A young high school senior who is pretty content about her position in the school’s social hierarchy is shocked to discover that she’s better known around campus as the DUFF – Designated Ugly Fat Friend. Working to rehabilitate her image with a slick but charming football player, she takes on the school’s official designator of labels (doesn’t every school have one?) to find that the only label that’s important is the one you give yourself. Or something along those lines.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Teen Comedy
Now Playing: Wide Release
Rating: PG-13 (for crude and sexual material throughout, some language and teen partying)

Hot Tub Time Machine 2

(Paramount/MGM) Rob Corddry, Adam Scott, Chevy Chase, Craig Robinson. Having used the Hot Tub Time Machine to make their lives better, the three buddies find that using the time machine for their own purposes has a cost of its own.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Wide Release
Rating: R (for crude sexual content and language throughout, graphic nudity, drug use and some violence)

McFarland USA

(Disney) Kevin Costner, Maria Bello, Morgan Saylor, Vincent Martella. In a Central California high school mostly made up of the children of Hispanic farm workers, school and work in the fields are all any of them have to look forward to. However, some of them are fast – that attracts the attention of new PE coach Jim White who proposes to establish a cross country team. The group’s devotion to family, incredible work ethic and belief in one another will take a little known farming community high school and transform it into a place of champions.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: True Sports Drama
Now Playing: Wide Release
Rating: PG (for thematic material, some violence and language)

Sex Tape


Beauty and the Beast.

Beauty and the Beast.

(2014) Romantic Comedy (Columbia) Cameron Diaz, Jason Segel, Rob Corddry, Ellie Kemper, Rob Lowe, Nat Faxon, Nancy Lenehan, Giselle Eisenberg, Harrison Holzer, Sebastian Hedges Thomas, Timothy Brennen, Krisztina Koltai, Randall Park, Joe Stapleton, James Wilcox, Jack Black, Dave Allen, Melissa Paulo, Erin Brehm, Jolene Blalock. Directed by Jake Kasdan

In America, we really have some very odd reactions to sex. Our attitudes towards it are pretty puritanical compared to the rest of the world, and yet it is such a large part of our culture; we use it to advertise, to promote and to entice. We consume enormous amounts of pornography and send dick pics and boob pics to one another with abandon, yet we keep all that compartmentalized and safely hidden from view. Even discussing sex can bring a flush of embarrassment to our faces.

Annie (Diaz) and Jay (Segel) have been a couple since college. At first their attraction was nearly 100% physical – they went at it like proverbial rabbits. Eventually the lust grew into something deeper and the two eventually married and had a set of kids.

Once Annie had given birth and Jay had seen a baby crowning during the process, the magic fled screaming into the night. Exhaustion – both of them working and raising babies into kids – left them no time for themselves or each other. Soon sex came more as an afterthought when it came at all, and even though on the outside this was a happy loving couple, both of them felt that uncomfortable feeling that there was something missing in their relationship, something important.

Frustrated, Annie arranges to have her mother (Lenehan) watch the kids and turn the night into a sex fest. Dressing up as a slutty car hop, she roller skates into Jay’s home office. Naturally, he’s all for the idea but the two of them are woefully out of practice and they grow stressed out the more that their attempts for shagging are unsuccessful. At last Annie comes up with the brilliant idea of taping the proceedings. She even comes up with the idea of the two of them performing every position listed in The Joy of Sex

The idea works and three hours of non-stop exertions later, the two lay satisfied in the arms of the other. Sleepily, Annie asks Jay to erase the tape and Jay agrees. However, he decides not to do it without telling her – he wants a memento of the occasion.

 

That’s all well and good but when you use your iPad to record something, there’s always the danger of it automatically uploading to your cloud and if you have your cloud synched to other iPads you’ve given away – to virtually everybody since your job entails that you regularly get new iPads – suddenly your sex tape has the opportunity to go viral. When Jay gets an instant message thanking him for sharing the video, he realizes he’s in deep doo-doo.

I can see why the studios greenlit this. Prurient interest is a big motivator – who doesn’t want to see a sex tape with Cameron Diaz in it, after all – to audiences in theaters. Certainly the studio was counting on a big young male audience; after all, when you think about it, the business of essentially watching sex tapes on the Internet generates billions and billions of dollars. Which is not how Carl Sagan ever imagined that term would be used.

I have to give Diaz credit where credit is due. For whatever reason, I’ve never been a huge fan. Not that she’s a terrible actress – she’s done some very impressive work in her time. I just haven’t connected with her. However, this is a role that calls for extraordinary bravery on her part. She literally bares herself for the part – from the back – but also emotionally speaking. Americans and American women in particular sometimes have a difficulty talking about sexual issues and of things not going well in the bedroom, but Diaz gives Americans – and American women in particular – a starting point to conversations that are healthy and necessary. There’s a lot to be said for that.

 

She also has been a terrific comedienne for years and this is some of her best work in that department. There’s a scene in which in order to distract her boss (Lowe) in whose house Jay is searching for a wayward iPad for in which she snorts cocaine in order to appease him and give Jay more time to find the iPad (which is interrupted by the appearance of a belligerent dog) and her reaction to the drug is priceless, one of the funnier sequences of any film so far this year.

Segel, who paired with Diaz and director Kasdan in the black comedy Bad Teacher a few years ago, has lost a bunch of pounds and looks fit. His low-key demeanor counterpoints Diaz’ manic behavior very nicely and the two play off of each other well. That they have the great Rob Corddry and Ellie Kemper from The Office supporting them as their best friends (who use their tape to spice up their own married life) is definitely an added bonus. You also get Jack Black making a cameo as the owner of an amateur porn clip host site called YouPorn as he gives relationship advice to Jay and Annie which is normally not a bad thing but I got the sense that even Black thought the platitudes he was vocalizing were beneath him.

There are, sadly, too many shark-jumping moments. When you find out who is blackmailing Jay threatening to release the tape onto the Internet, you may well kick the seat in front of you regardless if its occupied or not. A lot of the jokes are of the immature variety and this never really rises above the level of a sophomoric frat house snigger-fest.

I do think that a truly great sex comedy has yet to be made, one that can be funny and sexy and prurient but smart all at once. Just because we’re talking sex doesn’t mean we have to dumb down the conversation. In short, I’d love to see a sex comedy for adults instead of the usual ones we get for teens, of which this one appears to be. It’s a sad waste of a performance by Cameron Diaz that deserved a better movie for it.

REASONS TO GO: Cameron Diaz.

REASONS TO STAY: Giggly-naughty in a puritan sort of way.

FAMILY VALUES:  A goodly amount of sexual content and some nudity, brief drug use and a whole lot of foul language, much of it sexually-oriented.

TRIVIAL PURSUIT: These are Cameron Diaz’ first official nude scenes.

CRITICAL MASS: As of 8/11/14: Rotten Tomatoes: 18% positive reviews. Metacritic: 36/100.

COMPARISON SHOPPING: Porky’s

FINAL RATING: 5/10

NEXT: Hercules

New Releases for the Week of July 18, 2014


The Purge: AnarchyTHE PURGE: ANARCHY

(Universal) Frank Grillo, Michael K. Williams, Carmen Ejogo, Zach Gilford, Kiele Sanchez, Keith Stanfield, Edwin Hodge. Directed by James DeMonaco

Has it been a year already? Oh, right, it’s time for the annual purge, a single night where the New Founding Fathers allow the people of the United States to run wild in the streets, where all crime is legal including murder and sensible people lock themselves in their fortress-like homes in order to survive the night. Not that it will help you if you aren’t wealthy enough to afford the very best protection, or if your car breaks down on the way home…or if you have some purging of your own to do. Happy purging, people.

 

See the trailer, clips, interviews, a featurette and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for strong disturbing violence, and language)

Aftermath

(Image) Edward Furlong, Monica Keena, William Baldwin, Andre Royo. Nine survivors of a nuclear holocaust as World War III rages gather at a farmhouse in rural Texas to await their fate. Radiation sickness, hunger, desperate refugees and their own bickering threaten to do them all in.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: NR

Le Chef

(Cohen Media Group) Jean Reno, Michael Youn, Raphaelle Agogue, Julien Boisselier. A great French chef who has become a brand name in France has found inspiration lacking as of late. The capital partner who essentially owns his restaurants is threatening to install a new chef in his own restaurant. Salvation may come in the form of a mule-headed, opinionated young chef who is brilliant and creative but impossible to get along with. A favorite at this year’s Florida Film Festival, you can read my review of the movie here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for brief strong language)

Planes: Fire and Rescue

(Disney) Starring the voices of Dane Cook, Julie Bowen, Ed Harris, Hal Holbrook. After a damaged engine puts Dusty Crophopper’s racing career in jeopardy, he decides to put his talents to good use. He joins the aerial firefighting unit guarding historic Piston Peak National Park. However, he soon finds that it isn’t all that he imagined it would be.

See the trailer, interviews, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Thursday)

Genre: Animated Feature

Rating: PG (for action and some peril)

Sex Tape

(Columbia) Cameron Diaz, Jason Segel, Rob Corddry, Rob Lowe. A couple whose marriage has been in the doldrums for some time decide to liven things up by making a sex tape. It works and they find their relationship clicking on all cylinders for the first time in years. However, the video – which was supposed to have been erased – ends up on their cloud which is connected to a bunch of devices they’ve given out as presents. Getting those devices back will be the easy part – keeping their sanity and their marriage together will be harder.

See the trailer, interviews, clips, premiere footage and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Comedy

Rating: R (for strong sexual content, nudity, language and some drug use)

Wish I Was Here

(Focus) Zach Braff, Kate Hudson, Mandy Patinkin, Josh Gad. A 30-something husband and father comes to a point in his life where he realizes that he needs to get serious about his responsibilities and grow up but that’s not an easy proposition in his family.

See the trailer, interviews, a featurette, a clip and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for language and some sexual content)

What Happens in Vegas


Ashton Kutcher doesn't quite believe Cameron Diaz got a bigger paycheck than he did.

Ashton Kutcher doesn’t quite believe Cameron Diaz got a bigger paycheck than he did.

(2008) Comedy (20th Century Fox) Cameron Diaz, Ashton Kutcher, Rob Corddry, Treat Williams, Dennis Farina, Jason Sudeikis, Lake Bell, Queen Latifah, Deirdre O’Connell, Michelle Krusiec, Zach Galifianakis, Krysten Ritter, Ricky Garcia, Andrew Daly, Benita Robledo, Dennis Miller, Amanda Setton, Toni Busker, Jessica McKee, Anna Kendrick. Directed by Tom Vaughan

Some slogans are associated with cities pretty much forever. Chicago will always be my kind of town. You will always love New York. And what happens in Vegas…well, you know the rest.

Jack Fuller (Kutcher) has been fired from his job. What hurts the most is that it’s his dad who fired him. Jack is one of those young 20-somethings who is still trying to find himself but doesn’t mind taking his time about it. He’s not boyfriend material by any means. To help him get through his blues, his best friend Hater (Corddry), the most aptly named lawyer in history, decides to take him to Vegas.

Joy McNally (Diaz) is an ambitious floor trader on the New York Mercantile Exchange. She is engaged to Mason (Sudeikis) and has her perfect life already lined up ahead of them. Unfortunately, Mason isn’t quite on board – he dumps her in front of the door to their apartment, not realizing that Joy has invited all of their friends over for a surprise birthday party for him. Awk-ward! Her acerbic best friend Tipper (Bell), who longs to loosen the stick that has been up her tush for some time, decides to help her get over her depression by taking her to Sin City.

As always happens in Vegas – all right it never does but we’ll humor the writers – the two are booked into the same room. Instead of getting another room they decide to share and drown their sorrows in alcohol and baby, there’s plenty of alcohol in Vegas. Jack and Joy get themselves good and sloshed and wake up with rings on their fingers – the wedding kind.

As sobriety sets in the morning after, they make plans to get an annulment and head down to the brunch buffet to show there are no hard feelings. Joy even lends Jack a quarter to put in a slot machine. But when the machine pays out three million dollars, all bets are off.

And so is the annulment. Jack and Joy want it all – the money and the freedom. A fed-up Judge (Miller) tells them that he is freezing the winnings for six months while the couple makes a real effort with a marriage counselor (Latifah) guiding them. Joy moves into Jack’s apartment and of course both of them do the best they can to make the other want to give up the cash and get out. Hilarity technically ensues.

If this sounds like a plot you’ve heard before, you pretty much have. Typical of romantic comedies, it’s “I hate you I hate you no I love you” and there is nothing here that is going to catch any regular moviegoer off-guard. Well, maybe the chemistry between Kutcher and Diaz – two actors who have never really floated my boat much. Diaz can be a gifted comic actress (see There’s Something About Mary and The Mask) and Kutcher is more of a gut actor, but they make sparks pretty nicely together. They are actually better together than they are separately, although lots of critics disagree with me on that one.

It’s actually the second bananas who are the most fun to watch. Corddry has always been an underrated actor who when he gets a great role as in Hot Tub Time Machine can be absolutely scene-stealing. Lake Bell, who I think finally showed how great she can be in this year’s In a World showed glimmers of that talent here in a very different role.

The comedy here is mostly of the physical kind and the jokes are a bit tired and there are more groaners than not. Those who love lowbrow humor will be in hog heaven – there’s plenty of it here. It’s raunchy in places but not overly so, at least not like the Apatow comedies have set the standard for. As romantic comedies go this is pretty middle of the road and makes for decent entertainment for those moments when you want a few laughs but don’t want to put too much effort into the plot.

WHY RENT THIS: Nice chemistry with Kutcher and Diaz. Corddry and Bell nearly steal the show.

WHY RENT SOMETHING ELSE: Been there done that premise. Too much lowbrow comedy.

FAMILY VALUES:  There’s plenty of sexual innuendo and crude remarks, some foul language and a scene of drug use.

TRIVIAL PURSUIT: The party trick performed by Joy was the same one that Cameron Diaz also performed in Charlie’s Angels: Full Throttle.

NOTABLE HOME VIDEO EXTRAS: There’s a gag reel and a faux commercial for Corddry’s law firm. The Extended Jackpot edition includes an unrated version of the film that is (get this) two minutes longer than the original. Not. Worth. It.

BOX OFFICE PERFORMANCE: $219.4M on a $35M production budget.

COMPARISON SHOPPING: Green Card

FINAL RATING: 6/10

NEXT: So I Married an Ax Murderer

In a World…


Fred Marino offers a skeptical Lake Bell the world.

Fred Marino offers a skeptical Lake Bell the world.

(2013) Comedy (Roadside Attractions) Lake Bell, Rob Corddry, Alexandra Holden, Eva Longoria, Ken Marino, Demetri Martin, Fred Melamed, Tig Notaro, Nick Offerman, Michaela Watkins, Geena Davis, Stephanie Allynne, Melissa Disney, Olya Milova, Corsica Wilson, Yelena Protsenko, Charly Chaikin, Janicza Bravo, Jason O’Mara, Talulah Riley, Don La Fontaine, Jeff Garlin, Amy Vorpahl. Directed by Lake Bell

If you’re reading this, chances are you like movies enough to pay attention to the trailers. One of the most notable phrases in a trailer is “In a world…” which actually was the trademark of a single man – Don La Fontaine, who essentially for 20 years was the voice of movie trailers. Although there were certainly other voice over artists who worked major studio releases, La Fontaine was The Man pretty much up to his death in 2008.

However, it is true that nearly all the voices you hear shilling movies in their trailers are men – the lone exception being Melissa Disney (who in a nice bit of gracia is given a small role here by Bell) whose voice was once heard extolling the virtues of Gone in 60 Seconds. Carol Solomon (Bell) would like to be the next Big Voice. She is pretty talented too, able to switch to just about any sort of vocal style you can name. In order to better emulate them she likes to record people, sometimes surreptitiously sometimes not to the point where she has been barred from the high end hotel where her sister Dani (Watkins) works as a concierge. However, it’s a nearly impossible field to break in to for a woman so Carol makes due with gigs as a vocal coach helping celebrities like Eva Longoria speak with a believable accent.

What makes it doubly hard is that her father, Sam Sotto (Melamed) is one of the bigwigs in the industry and due to receive a lifetime achievement award. He’s not a candidate for father of the year by any stretch of the imagination – his voice may be sonorous but his soul is not. Carol has been sleeping in his spare room for awhile but Sam kicks her out so that his girlfriend Jamie (Holden) – whom Carol and Dani deride as a groupie – can move in. Carol moves in with Dani and her husband Moe (Corddry).

The “In a world” trailer line is going to be brought back for Hollywood’s hottest property – a quadrilogy called The Amazon Games and while the producers want Sam to do it, Sam magnanimously steps aside so that his good friend and protégé Gustav Warner (Marino) can get the gig but Gustav – whose ego may be even greater than Sam’s – contracts laryngitis and is unable to make the recording session for a temporary track to show the executive producer. Carol is helping Longoria re-record her dialogue in a nearby studio and the engineer, Louis (Martin) suggests that Carol do the temp track.

It turns out that the executive producer is so taken by Carol’s performance that she wants to use Carol for the final track and based on that Carol begins to get work on other trailers as well. Gustav is throwing a party for Sam and his impending award so Carol kind of has to go. Louis is eager to go with her as her date but is too shy to ask her. At the party Gustav hooks up with Carol, not realizing who she is.

Will Carol end up with the selfish Gustav or the shy Louis? Will Moe and Dani be able to overcome their marital problems? And who will be the one to warble the immortal words “In a world”?

This is one of those movies that earns the laughs that it gets. This isn’t one of those “throw everything and the kitchen sink at the screen and see what sticks.” The humor is carefully crafted and a collaboration between Bell, the writer and director of the film and her actors, taking advantage of their strengths as comic actors as well as of their physical appearances.

Bell’s ability with accents and mimicry is part of what stands out about her performance on the surface but if you look a little deeper you’ll find that this is a very layered character who can be selfish and oblivious to the needs of others – obviously the apple doesn’t fall far from the tree – and also there’s a great deal of insecurity there as well. She desperately wants to be part of the elite of the industry whose voice is instantly recognizable even if her face isn’t. Somehow, I think the ladies of 20 Feet from Stardom might understand her pretty well.

Bell also shows some skills behind the camera as well, shooting this more in the style of a drama rather than a comedy – Woody Allen is a master of this and Bell delivers a movie that Allen would likely be proud of. However, I think that as a writer she might be most talented of all – this is a smart script that allows each character enough time and space to develop a real personality. They’re not perfect and they’re just flawed enough to be realistic without being annoying. She doesn’t fall into the indie “quirkier-than-thou” trap which a lot of independents tend to do, mistaking neuroses for personality.

Melamed is perfectly cast as the unctuous Sam, full of fake bonhomie and ego but even so there is love in him. Even Gustav, the erstwhile villain, has some redeeming and interesting features. Corddry gets a somewhat different kind of role to play – Moe is less sure of himself and much nicer than what we usually see out of Corddry.

This is really a very good movie, worth seeking out. Bell has always been one of those actresses who does solid but not really noticeable work mainly in second banana roles. Here she is front and center and shows that she is worthy of consideration for higher profile parts – like this one. In a world where the worthy are rewarded for their toil, it would be sure to happen. Seeing as this is planet Hollywood, that is far from a sure thing.

REASONS TO GO: Deceptively funny. Bell is magnificent in front of and behind the camera.

REASONS TO STAY: A little bit too Hollywood of an ending.

FAMILY VALUES:  There’s a bit of foul language including some sexual references and some sexual situations.

TRIVIAL PURSUIT: Was the winner of the award for Best Screenplay at this year’s Sundance Film Festival.

CRITICAL MASS: As of 10/3/13: Rotten Tomatoes: 91% positive reviews. Metacritic: 79/100.

COMPARISON SHOPPING: All the Light in the Sky

FINAL RATING: 7.5/10

NEXT: The Twilight Saga: Breaking Dawn Part 1

New Releases for the Week of September 27, 2013


Cloudy with a Chance of Meatballs 2

CLOUDY WITH A CHANCE OF MEATBALLS 2

(Columbia) Starring the voices of Bill Hader, Anna Faris, James Caan, Will Forte, Andy Samberg, Benjamin Bratt, Terry Crews, Neil Patrick Harris. Directed by Cody Cameron and Chris Pearn

Flint Lockwood returns to Swallow Falls to find that his machine which converted rain into food has begun to evolve. Now the food is alive and in short order will be breaking out and making its way to the mainland. Flint and his crew of intrepid explorers must shut down the machine for good or the world will face an apopcornlypse of epic proporridgetions.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for mild rude humor)

Baggage Claim

(Fox Searchlight) Paula Patton, Derek Luke, Taye Diggs, Boris Kodjoe.  A beautiful flight attendant is less than thrilled at the prospect of her younger sister’s wedding. Competitive to a fault, she determines that she is going to be engaged by the wedding date 30 days away and she’ll use all her connections to land Mr. Right.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Romantic Comedy

Rating: PG-13 (for sexual content and some language)

Don Jon

(Relativity) Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza. Jon has the good life Southie style; he’s got a great ride, a wicked cool pad, all the women he can handle, a family that would die for him and buddies that would kill for him. He’s also got a computer where he can watch porn night and day. Who could want anything more? Then when he meets the right girl, he discovers that there’s one part of his equation that she can’t tolerate.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: PG-13 (for thematic material and brief strong language) 

Enough Said

(Fox Searchlight) Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette. Dreading her daughter’s impending departure for college, a single mom develops a romance with a sweet and charming single dad likewise facing an empty nest. At the same time, a friendship with one of her clients grows and as it does, her friend constantly rags about her ex-husband to the point where it begins to affect her new romantic relationship until she discovers the truth about her friend’s ex.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for crude and sexual content, comic violence, language and partial nudity)

In a World

(Roadside Attractions) Lake Bell, Rob Corddry, Fred Melamed, Geena Davis. A young woman working as a vocal coach secretly yearns to follow in her father’s footstep and become the best voice-over actor in Hollywood. When a huge break comes her way unexpectedly, she runs smack into a wall of sexism, egotism, pride and dysfunction.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language including some sexual references)

Metallica: Through the Never

(Picturehouse) Dane DeHaan, James Hetfield, Lars Ulrich, Kirk Hammett. As Metallica, perhaps the most respected and beloved metal band on Earth are performing one of their epic concerts, a roadie is sent on a quest to retrieve an object that the band desperately needs for their show. As he makes his way through the city, he discovers that the landscape has become a surreal reflection of the band’s music.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: IMAX 3D (opening in Standard format October 4)

Genre: Concert Film/Fantasy

Rating: R (for some violent content and language)

Rush

(Universal) Chris Hemsworth, Daniel Bruhl, Olivia Wilde, Alexandra Maria Lara. The rivalry between Formula One racers James Hunt and Niki Lauda in the 1970s was legendary, one which is still talked about by racing fans even today. But beyond the public perception was a private story that few other than those who knew the two men ever knew – until now. Oscar-winning director Ron Howard is at the helm for this high octane drama.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Biographical Sports Drama

Rating: R (for sexual content, nudity, language, some disturbing images and brief drug use)

Pain and Gain


Mark Wahlberg is surrounded by chaos.

Mark Wahlberg is surrounded by chaos.

(2013) Action Comedy (Paramount) Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Ed Harris, Tony Shalhoub, Rebel Wilson, Rob Corddry, Bar Paly, Ken Jeong, Michael Rispoli, Keili Lefkovitz, Emily Rutherfurd, Larry Hankin, Tony Plana, Peter Stormare, Vivi Pineda, Ken Clement, Yolanthe Cabau, Persi Caputo. Directed by Michael Bay.

We all have some sort of version of the American dream – success, and the rewards that come with it. Not all of us have the tools to achieve it on our own, however – particular in these rough times when achievement is seemingly less attainable than it’s ever been.

Daniel Lugo (Wahlberg), a body builder in Miami, is a big believer in physical fitness. In fact, the only thing he believes in more than keeping in shape is the aforementioned American dream. He believes that he deserves it. But working at it isn’t always easy. He’s charming and is able to draw lots of new customers – younger customers – to Sun Gym, which pleases owner John Mese (Corddry).

But Lugo isn’t pleased. He’s frankly tired of building up the bodies of wealthy douchebags like Victor Kershaw (Shalhoub), one of the most unlikable people…well, ever (see below). His protégé Adrian Doorbal (Mackie) concurs. Adrian has to work at a taco joint in addition to his full-time job at the gym in order to make ends meet. Adrian also has erectile dysfunction, which requires some expensive treatments. A sympathetic nurse (Wilson) at the clinic hits it off with Adrian.

Lugo wants his share and he thinks Kershaw has too much as it is. In fact, he despises Kershaw. He decides that he is going to take everything Kershaw has. His plan? Kidnap him, torture him and get him to sign his assets over to Lugo and his crew. But they’re going to need a third partner and they find it in Paul Doyle (Johnson), an ex-con who found Jesus and is trying to stay on the straight and narrow but soon finds that he can’t afford the straight and narrow.

So these three knuckleheads, roughly on the same intellectual level as the Three Stooges, go about pulling off their crime of the century. They kidnap Kershaw who’s so unlikable and such a horrible human being that nobody reports him missing even though he’s gone for weeks.

They finally get him to sign but typically they mess things up. Adrian blows all of his share on a house which he pays for in cash (the realtor, when asked about the unusualness of this snaps “He’s black. I figured he was a rapper, an athlete”), leaving him with an operation to get his erectile issues resolved to pay for. Paul falls off the wagon like it was the Brooklyn Bridge and puts almost all of his share up his nose. They decide to go for one more score.

Meanwhile, Kershaw has seen the police who react with absolute disbelief. Nobody believes him – except retired cop and private eye Ed DuBois (Harris). DuBois knows what he’s doing and it won’t be long before these ee-dyots will mess up but he is concerned that others will get hurt before then. He doesn’t realize just how right he is.

This is one of those stories that is so bizarre that it has to be true, and it is – and apparently pretty dang close to the truth. There is one scene so outrageous, so unbelievably dumb near the end of the movie that Bay feels compelled to remind you that this is a true story, even though it is announced early on and often.

Bay is often criticized for his big overblown productions, and with a $20M budget (actually it’s a bit less than that) that won’t be the case here. In fact, I think this might be his best movie to date. It’s snappy, has a real terrific sense of humor. I laughed out loud as much here as I have at some of the better-known and better-received comedies in recent months.

Wahlberg and Johnson are two of the most engaging stars in Hollywood and both are quite willing to poke fun at themselves. They can utilize their huge likable personalities to offset the fact that they’re playing some truly despicable people who do way despicable things.

It doesn’t hurt that they have a particularly engaging cast. Shalhoub, best known for his portrayal of the neurotic Monk gets to play a real jerk and he does so with great relish. Harris, one of the steadiest and strongest actors in the business, plays it pretty straight but every so often you catch an expression that lets you know that DuBois is ready to bang his head against whatever wall might be available that these clowns might actually get away with it (although they didn’t in the end).

The crimes that are depicted here are horrible. I understand that some of the family members of those involved are somewhat upset that the story was essentially a comedy. In all fairness however I think that the tale is well-served by humor and it should be remembered that while the movie is funny, the suffering depicted is not and that the victims aren’t being made fun of. At least, I never got the sense they were – mostly the ineptness of the criminals is what is being held to scrutiny.

And that’s kind of the point here. Criminals by and large aren’t a bright lot – all Hollywood romanticizing to the contrary. For the most part, they’re effin’ dumb. Criminal jobs rarely are pulled off smoothly and more often than not, they wind up imprisoned. Pain & Gain isn’t really a cautionary tale so much as it is a reminder that while any idiot can get lucky, generally speaking their luck runs out pretty darn quickly.

REASONS TO GO: Surprisingly funny. Terrific performances from all the leads.

REASONS TO STAY: Maybe a bit too gruesome in spots. As things spiral out of control for the main characters towards the end of the movie, the sense of the surreal becomes a bit too much.

FAMILY VALUES:  There’s a lot of violence, some of it quite brutal and graphic. There’s also some nudity and sexual content, a fair amount of drug use and pretty much non-stop foul language.

TRIVIAL PURSUIT: Wahlberg bulked up to 213 lbs. for the film, essentially using his own body building supplements to do it. While his sons loved their new muscular dad, his daughters reportedly hated his over-the-top physique.

CRITICAL MASS: As of 5/7/13: Rotten Tomatoes: 46% positive reviews. Metacritic: 43/100; fairly mixed but trending towards the negative.

COMPARISON SHOPPING: The Bank Job

FINAL RATING: 7/10

NEXT: Informant