(IFC) Tim Daly, Tom Arnold, Zoe Saldana, Edward Herrmann, Robert Prosky, Andrea Roth, Bruce Altman, Lea Coco, Sarah Weaver. Directed by Tennyson Bardwell
We all believe in something; some believe in the spiritual, others in the rational. Some believe in nothing at all, but even that is believing in something.
Bryan Beckett (Daly) falls into that category. Then again, he’s a lawyer so I suppose that goes along with the territory. He believes only in what he can see, what he can touch and what he can hear, and even those things he doesn’t necessarily trust. His wife Robin (Roth) has begun to suspect that he doesn’t believe in marriage either, so she asks him to leave so he can maybe get a handle on whether he believes they should continue in their relationship or not.
He kind of wants to but then again, what is marriage anyway but a contrivance of the ecclesiastical and secular authorities to put an intangible relationship into some kind of quantifiable box and quite frankly, Bryan is all about the tangible baby and those who think otherwise are nutcases and idiots.
His aunt certainly qualifies as a nutcase. As she has come to the end of her life, she has come to believe in the supernatural to a great extent. When she dies suddenly, she leaves Bryan her house. Bryan sees it as an investment opportunity, but when Robin kicks him out, he uses it as a cheap bed for the night.
As you can guess, he begins to experience things he can’t quite explain. He hears people whispering but there isn’t anyone there. He sees fleeting images of a mysterious woman but again, he is alone. His partner and best friend Sully (Arnold) thinks he’s cracking up and needs a vacation. Eventually Bryan contacts the founder (Altman) of a paranormal investigative group that his loony tunes aunt had been involved with and is surprised to find him as skeptical as he. However, he does introduce Bryan to a sexy psychic (Saldana) who believes there is something malevolent in that house. Bryan thinks its hogwash. Is he right and just imagining these things, or is she right in which case he’s in mortal danger?
This is a movie that tries very hard not to pander to the baser instincts of the horror genre and in general it succeeds. Director Bardwell is out to create a mood of tension and spine tingling creepiness and when he succeeds, the movie is at its best. However, he necessarily has to temper the chills with the cold water splash of reality and the juxtaposition of the two is a very difficult tightrope to walk and he doesn’t always succeed completely.
Daly who was such a promising lead in “Wings” has had a checkered film career. He does a reasonably good job of playing the rational lawyer who’s more than a little bit of a cold fish. Unfortunately, his character as written tends to make it difficult for the audience to identify with him and root for him; he’s so good at portraying the unemotional, detached part of the character that at the end of the day there’s no emotional bond for the audience to hang onto. The central premise of the movie makes it nearly impossible for you to really root for the main character.
The end is a bit of a letdown and one that you can see coming early on. After watching The Skeptic I found myself not really caring that I’d seen it; it has some things going for it, enough that I can recommend it for those who like supernatural horror movies as well as psychological thrillers. However, I don’t see general audiences caring enough about the main character to make this movie a must-see.
WHY RENT THIS: A traditional haunted house movie that doesn’t involve teenagers is quite refreshing. Bardwell delivers a very creepy atmosphere in places
WHY RENT SOMETHING ELSE: This lacks in visual frights compared to more extravagant fair like The Haunting in Connecticut. The ending is a bit of a letdown.
FAMILY VALUES: There are some disturbing and frightening images, as well as some sexuality and a whole lot of bad language.
TRIVIAL PURSUIT: This was the final film role for veteran character actor Robert Prosky.
NOTABLE DVD EXTRAS: None listed.
FINAL RATING: 6/10
TOMORROW: Grown Ups