The Bank Job (2008)


Would you buy a used car from this man?

Would you buy a used car from this man?

(2008) True Crime Drama (Lionsgate) Jason Statham, Saffron Burrows, David Suchet, Stephen Campbell Moore, Daniel Mays, James Faulkner, Alki David, Michael Jibson, Richard Lintern, Peter de Jersey, Keeley Hawes, Hattie Morahan, Craig Fairbrass, Gerard Moran, Colin Salmon, Georgia Taylor, Peter Bowles, Alastair Petrie, Julian Lewis Jones, Andrew Brooke, Sharon Maughan. Directed by Roger Donaldson

We’re all out to simply survive in a world that isn’t always conducive to survival. We occasionally take risks, hoping to better ourselves but sometimes those risks can be devastating simply because we don’t always know the whole story behind them.

Terry Leather (Statham) is a small-time crook who has been trying his damnedest to lead a life on the straight and narrow, but he just can’t get a break. He is in debt to the sort of people who send out big guys with small intellects and crowbars to make their collections at his used car dealership. Eddie (Jibson), one of his long-time mates and employees, is getting married and most of his close friends who have lived life on the dodgy side – Dave (Mays) and Kevin (Moore) – are there. So is his wife Wendy (Hawes) with whom Terry is deeply in love, and it’s for her he’s trying to tread the path of the righteous.

Enter Martine Love (Burrows), a former flame of Kevin’s and, as we find out later, of Terry’s as well, with an offer that sounds too good to be true. There’s a little neighborhood bank that is getting its security system upgrade, but during the upgrade apparently the vault alarm has been getting tripped by tremors caused by the nearby underground, so until things get squared away the alarm has been turned off. The safety deposit boxes are completely vulnerable, a little-known fact that she’d found out from her boyfriend, ostensibly the contractor doing the security upgrade. Naturally, she thought of her old pal Terry to do the job which could be the big score he and his circle have been dreaming about all their lives.

However, things aren’t necessarily what they seem. Love’s strings are being pulled by an ambitious MI-5 agent (Lintern) who is out to get some potentially catastrophic photos from one of the safety deposit boxes in the bank, this one owned by Michael X (de Jersey), a would-be Black Power revolutionary who is in fact a drug dealer and a criminal who is blackmailing the government with those photos. There is also a pornographer (Suchet) whose ledger of payoffs to crooked cops have not only the straight-and-narrow police looking for the thieves, but also every corrupt cop in London as well. Terry is entering waters infested by sharks in a leaky boat, and doesn’t know it. The action here is all the more incredible because it is based on actual events.

Ever since I saw Statham in Lock Stock and Two Smoking Barrels and The Italian Job I thought he was destined to be a big star. At this point in his career, he was more of a B-level star, making mainly European action films although a couple of American films like Crank were on his resume as well. He remains to this day one of the most sought-after action stars in the business but this movie gave us notice that he could be much more.

Most of the rest of the cast are for the most part not well known to Americans, although Burrows has starred in Boston Legal and Deep Blue Sea and Suchet has been seen as Hercule Poirot in the PBS series. I did love the characterizations here; there is guilelessness to most of the blokes in the gang that is charming. When contrasted with the sophistication of those in the government and in the underground. It makes for an interesting juxtaposition.

Director Donaldson keeps the pace moving along; the nearly two hours of the movie went by very quickly for me. He doesn’t resort to using the fashionable hand-held camera or slo-mo action sequences which seem to dominate action movies these days, but prefers to allow the characters and their actions to tell the story, a very refreshing touch if you ask me.

Statham plays Terry as a devoted family man and far from a criminal mastermind, but street-smart, clever and tough enough to make it all work. As you watch events unfold, there is a certain inevitability that things are going to get very bad for the gang of thieves and that creates a good kind of tension as they spiral into an unavoidable morass that is not of their own making but are the unwitting catalysts for.

The villains here are absolutely hateful and are clearly not messing about; during an interrogation scene, there isn’t a lot of chit-chat or cliché, just a brutality that you would expect from desperate men. The story is compelling and keeps our interest throughout, and while the lines are clearly drawn, the motivations for everyone concerned are equally as clear, which makes this movie work as a rich tapestry. There is enough comedy here to give the movie a kind of light touch, but Donaldson never lets it get away from the action-driven tone. He understands what side of his bread is buttered.

Although the movie is set in the early 1970s, the filmmakers don’t really set the period as well as other movies have, so at times you’re almost fooled into thinking the movie is set in a modern time frame. Also, the coda is a little bit unfulfilling; you want to know what became of some of these characters you’ve been rooting for, as well as perhaps wanting to know more about the actual robbery itself but to be fair, much of the details of the actual crime have been suppressed by British authorities and while the filmmakers claim to have information detailing why that is (which is revealed here), their sources have never been revealed and as far as the truth goes this may merely be clever marketing on the part of the producers.

This is a well-made heist movie that moves at a comfortably quick pace without being so frenetic it makes you dizzy. The twists and turns are nicely done and Statham does a terrific job. You may wind up comparing it to The Italian Job or the Oceans movies, but I think you might rule favorably for this movie as opposed to the others I’ve mentioned.

WHY RENT THIS: Statham stakes his place as a big star. A real sense of impending tragedy. Nicely paced, keeping you on the edge of your seat throughout.
WHY RENT SOMETHING ELSE: Doesn’t set period as well as it might have. Ending is a bit unfulfilling.
FAMILY MATTERS: There is a great deal of nudity, sexual innuendo and a gruesome and disturbing torture scene.
TRIVIAL PURSUITS: If you look carefully, you can catch a cameo by Mick Jagger as a bank employee.
NOTABLE HOME VIDEO FEATURES: There is a featurette on the actual 1971 Baker Street heist.
BOX OFFICE PERFORMANCE: $64.8M on a $20M production budget.
SITES TO SEE: Netflix, iTunes, Google Play, M-Go
COMPARISON SHOPPING: Goodfellas
FINAL RATING: 7.5/10
NEXT: Lamb

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The November Man


One Bond reference too many.

One Bond reference too many.

(2014) Spy Action (Relativity) Pierce Brosnan, Luke Bracey, Olga Kurylenko, Bill Smitrovich, Amila Terzimehic, Lazar Ristovski, Mediha Musliovic, Eliza Taylor, Caterina Scorsone, Akie Kotabe, Will Patton, Patrick Kennedy, Dragan Marinkovic, Ben Willens, Milos Timotijevic, Dragan Dvojakovic, Tara Jervrosimovic, Nina Mrdja, Milutin Milosevic, Lena Milan. Directed by Roger Donaldson

In a recent interview, Liam Neeson, in describing his character from the film A Walk Among the Tombstones, declared that people need a hero who is a bit of a loner; one who has one foot on the side for justice and one foot on the side that is lawless. Our heroes can’t be completely pure, otherwise we have trouble relating to them.

Peter Devereaux (Brosnan) is an operative for the CIA, a veteran and crafty one at that. His partner and protégé is David Mason (Bracey), a brash and arrogant sort who doesn’t always listen to those with years of experience on him. When on a mission to protect an American ambassador targeted for assassination, Mason’s inability to follow orders ends up with an innocent child getting killed in the crossfire. Devereaux takes early retirement soon after that.

He is running a small bar and cafe in Lausanne, Switzerland when his old friend and handler for the CIA Ray Hanley (Smitrovich) turns up, telling him that a double agent buried deep in the employ of Arkady Federov (Ristovski), a war hero from the Chechnyan civil war and favored to become the next Russian president, has discovered something big and needs to be pulled out. However, Peter is the only agent she trusts to get her out of Russia.

So, reluctantly, Devereaux heads to Moscow to pull out the secretary Natalia Ulanova (Musliovic) and get the flash drive with her information on it. However, things go sideways quickly and Russian security is hot on their tails. A CIA higher-up, Perry Weinstein (Patton) gives the order to terminate the asset. The woman is then shot by a company sniper.

Furious, Devereaux gives chase to the assassins and takes out most of the team. When he discovers who the trigger man is, he is momentarily shocked and walks away. The man who killed the asset – David Mason.

Now, Devereaux and the CIA are in a race to find the one connection that can take down Federov – a girl named Mira Filipova (Mrdja). The girl however seems to have completely disappeared off the face of the Earth – the only link to her is Alice Fournier (Kurylenko), the director of a refugee agency. Luckily, Devereaux gets to her first. However, now the race becomes a game of cat and mouse between Devereaux and the CIA. Just who the cat is and who the mouse is in the equation is anyone’s guess.

Based on the seventh in a series of novels by Bill Granger written back in 1979 in this specific case, the movie combines the action of a Bond film, the realistic spycraft of Le Carre and even elements of the Bourne series. That kind of leaves one with a been there-done that feel pretty much throughout.

The saving grace is Brosnan who steps into the shoes of a superspy and finds them a comfortable fit. He is just as suave and sophistication as he was in his heyday as Bond nearly twenty years ago. He dominates the screen and adds a hint of sadness and weariness to the character that was absent from Bond. Brosnan has done some really good acting jobs in films like The Ghost Writer since hanging up his Walther PPK and there is a level of depth here that wasn’t really necessary in the Bond films but adds additional flavor to the role. It might be the best action hero performance of the year. Devereaux is also far more ruthless, willing to slice open the femoral artery on an innocent girl in order to get in the head of Mason.

The action itself is pretty old school with plenty of car chases and Devereaux being chased by dozens of lethal, highly trained agents but getting away with some ease. He has survived as long as he has by always being a step ahead of his quarry or his pursuers and that aspect of the character looms large throughout the film.

The movie seems anachronistic at times, with modern cutting-edge technology on the one hand, but cell phones with flip cases – which have been out of style for almost a decade now – are everywhere. I’m wondering if that is what is new and cutting edge in Belgrade, where this was mostly filmed. I think not however and no mention is ever made of the action taking place in 2005 or thereabouts which it sometimes seems to be.

There are plenty of twists and turns as you’d expect in an espionage thriller, a little too many for my taste. While I understand the need to keep your audience guessing and as off-balance as the filmmakers can make them, the movie seems overly complicated which it really doesn’t need to be. A story like this can be told without quite so many moving parts and still be quite effective.

As action and espionage thriller material goes, well, it’s what you’d expect to find in the dregs of summer. It’s not anything that is going to make you want to run right out to the theater, but it isn’t anything that will make you regret being there either. It is nice to see Brosnan in the type of role that is right in his wheelhouse and I can’t help hope that there are more roles like it in his future, although he is getting on a bit. Still, while the Devereaux series doesn’t seem to be likely to be continuing any further given the anemic box office for this film, the acclaim for Brosnan makes me think that there may be other producers perhaps ready to hand over to Brosnan the types of roles that Neeson has been getting for the past decade now.

REASONS TO GO: Brosnan is an old pro at these sorts of movies. Some fairly nifty old school action scenes.
REASONS TO STAY: Seems oddly dated. Plot unnecessarily over-complicated.
FAMILY VALUES:  There is plenty of violence, some of it brutal, as well as a sexual assault. There’s a good deal of foul language, some sexuality, brief nudity and one scene in which drugs are used.
TRIVIAL PURSUIT: When we glimpse Devereaux’s file, the birthday given for Devereaux is the same as Brosnan’s actual birth date. Also, along with Brosnan, Kurylenko also has Bond experience in Quantum of Solace.
CRITICAL MASS: As of 9/21/14: Rotten Tomatoes: 35% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: Goldeneye
FINAL RATING: 5.5/10
NEXT: Life After Beth