Instant Family


Mark Wahlberg and Rose Byrne get a little cuddle time in.

(2018) Family Comedy (ParamountMark Wahlberg, Rose Byrne, Isabela Moner, Gustavo Quiroz, Julianna Gamiz, Octavia Spencer, Tig Notaro, Tom Segura, Allyn Rachel, Brittney Rentschler, Jody Thompson, Margo Martindale, Julie Hagerty, Michael O’Keefe, Joan Cusack, Edson Gary Weeks, Kenneth Israel, Hampton Fluker, Randy Havens, Iliza Schlesinger. Directed by Sean Anders

 

Having been an instant Dad, coming into a family in which there were already children, I imagine I have a bit of a leg up on the adoption comedy Instant Family. In some ways, the movie tackles some serious issues with the foster care system and of dealing with kids who have been through the ringer. It also has some humor which can be charitably described as weak; on top of it you have an awful lot of cursing, a fair amount of which is done by the kids themselves. This is a movie that isn’t quite sure what it wants to be.

Which is weird because writer-director Anders based the film on his own experiences adopting three Hispanic children, which is what childless Yuppie couple Pete (Wahlberg) and Ellie (Byrne) do. They end up with problematic teen Lizzy (Moner) who still harbors hope of reuniting with her birth mother, her little brother Juan (Quiroz) who is as clumsy as any anxious kid is and whose first instinct is to always apologize profusely whether he’s responsible or not, and finally little Lita (Gamiz) who is a bundle of need and a volcano when she doesn’t get what she wants.

Trying to guide these prospective parents through the process are agency workers Karen (Spencer) and Sharon (Notaro), as well as Ellie’s introspective mom (Hagerty) and Pete’s bulldozer of a mom (Martindale). When the birth mom of the kids, who has a history of drug addiction, decides she wants her kids back, Pete and Ellie, who have at times regretted their decision, suddenly realize that they need these kids as much or more than they need them.

It’s definitely a movie with all the feels, the kind of thing that infuriates a whole lot of movie critics who hate being emotionally manipulated, but in all honesty, I think Instant Family comes to its emotional high and lows honestly. Wahlberg is at his most charming here, and he has a solid cast to back him up including Oscar winner Spencer, Notaro (one of the finest comedians of our time) and particularly Martindale who over the past decade has become one of the most reliable and interesting character actresses in Hollywood.

It’s a shame that there’s so much here that doesn’t work, from Isabelle Moner doing her best to channel Selena Gomez, to the somewhat lame humor which never quite hits the mark, to the script that doesn’t really rise above its own limitations. I think the movie would have been better served to try less to be light comedy and harder to be a bit more realistic about the pitfalls – and joys – of being a foster parent can be. It’s not quite a Hallmark Channel movie, but it needed a little more firm direction in terms of what it wanted to be.

REASONS TO SEE: Reasonably heartwarming.
REASONS TO AVOID: Plays it safe by following established formulas and really doesn’t know what kind of movie it wants to be.
FAMILY VALUES: There is some profanity, some sexual material, adult thematic material and some drug references.
TRIVIAL PURSUIT: The film is loosely based on the real-life experiences of director Sean Anders, who adopted three Hispanic kids.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Epix, Fandango Now, Google Play, Hulu, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/12/20: Rotten Tomatoes: 81% positive reviews, Metacritic: 57/100
COMPARISON SHOPPING: Blended
FINAL RATING: 6/10
NEXT:
Liz & Ray

New Releases for the Week of January 10, 2020


1917

(Universal) George Mackay, Dean Charles Chapman, Mark Strong, Benedict Cumberbatch, Colin Firth, Richard Madden, Andrew Scott, Pip Carter. Directed by Sam Mendes

Two young British soldiers during the height of the First World War are given a nearly-impossible task; in a race against time, they must cross enemy territory to deliver a message to a battalion of soldiers who are walking into a trap – one of them the brother of one of the messengers. This won the Best Dramatic Movie at last weekend’s Golden Globes and is almost certain to be a major contender for the upcoming Oscars.

See the trailer here
For more on the movie this is the website
Genre: War
Now Playing: Wide Release
Rating: R (for violence, some disturbing images, and language)

Chhapaak

(Rising Star) Deepika Padukone, Vikrant Massey, Madhurjeet Sarghi, Ankit Bisht. The story of a woman in India who had acid hurled into her face, causing irreparable damage. Her refusal to accept an indifferent legal and medical system proved to be an inspiration to women all over India.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Cinemark Universal Citywalk
Rating: NR

Just Mercy

(Warner Brothers) Michael B. Jordan, Jamie Foxx, Brie Larson, Tim Blake Nelson. A young lawyer just out of Harvard takes on a case in Alabama of an African-American man wrongly accused of a murder – and convicted of it, despite a preponderance of evidence to the contrary. The lawyer refuses to give up however and continues to defend his client despite an array of political power against him. Foxx’s name has come up in discussion for the Best Supporting Actor nominations.

See the trailer here
For more on the movie this is the website  
Genre: Legal Drama
Now Playing: Wide Release
Rating: PG-13 (for thematic content including some racial epithets)

Like a Boss

(Paramount) Tiffany Haddish, Rose Byrne, Salma Hayek, Jennifer Coolidge. Two best friends who have built a cosmetics company from the ground up find themselves in over their heads financially. A buyout from a legendary industry maven seems to be the solution, but it’s only the beginning of their problems.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release
Rating: R (for language crude sexual material, and drug use)

Tanhaji: The Unsung Warrior

(Viva) Ajay Devgn, Saif Ali Khan, Kajol, Sharad Kelkar. The story of a legendary 17th century Marantha warrior who fought for his king and his people and led them to a dazzling victory at Kondana Fort, leaving behind a legacy that illuminated the Indian imagination for centuries.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: AMC West Oaks
Rating: NR

Underwater

(20th Century Fox) Kristen Stewart, T.J. Miller, Vincent Cassel, Jessica Henwick. A group of underwater researchers find themselves facing a dire situation when an underwater earthquake devastates their facility and in their quest to reach safety they find themselves being stalked by something from their worst nightmares.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for sci-fi action and terror, and brief strong language)

ALSO OPENING IN ORLANDO/DAYTONA:

3Pol Trobol
Ala Vaikunthapurramuloo
The Corrupted
Darbar
Reality Queen!
Sarileru Neekewaru
Three Christs

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

3Pol Trobol
Ala Vaikunthapurramuloo
Darbar
Dawn
Diving Deep: The Life and Times of Mike DeGruy
Inherit the Viper
Sarileru Neekewaru
The Sonata
The Song of Names
Three Christs

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

3Pol Trobol
Ala Vaikunthapurramuloo
Because of Sam
Darbar
Sarileru Neekewaru

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ala Vaikunthapurramuloo
Darbar
Sarileru Neekewaru

SCHEDULED FOR REVIEW:

1917
Just Mercy
Like a Boss
The Sonata
Underwater

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Dunedin International Film Festival, Dunedin FL
Miami Jewish Film Festival, Aventura FL
Sunshine City Film Festival, St. Petersburg FL

New Releases for the Week of October 11, 2019


GEMINI MAN

(Paramount) Will Smith, Clive Owen, Mary Elizabeth Winstead, Benedict Wong, Ralph Brown, Douglas Hodge, Linda Emond. Directed by Ang Lee

An elite assassin finds himself targeted by a younger man who seems in all ways to be his equal. It turns out, there’s a very good reason for that.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for violence and action throughout, and brief strong language)

The Addams Family

(United Artists) Starring the voices of Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Bette Midler. Although better known as an iconic television series, the Addams’ originally started off as a series of cartoons by illustrator Charles Addams. Now they come full circle in this animated feature about the creepy and kooky family.

See the trailer, clips, interviews and video featurettes here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for macabre and suggestive humor, and some action)

Fronteras

(Vertical) Steven Sean Garland, Wade Everett, Cortez Chappell, Larry Coulter. A Hispanic border patrol agent must confront his own sense of morality when a task force arrives to contain a deadly narcotic that is beginning to sweep through the Southwest.

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: Touchstar Southchase
Rating: NR

Jexi

(CBS) Adam DeVine, Alexandra Shipp, Michael Peña. Rose Byrne. A millennial addicted to his phone and with no appreciable life gets an upgrade which includes Jexi, a kind of cyber-life coach and cheerleader who helps him develop a better life. Unfortunately the A.I. begins to get jealous of her human’s new-found friends and wants to keep him all to itself.

See the trailer, clips and interviews here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release
Rating: R (for strong/crude sexual content and language throughout, some drug use and graphic nudity)

Miles Davis: Birth of the Cool

(Abramorama) Miles Davis, Carl Lumbly, Quincy Jones, Herbie Hancock. Davis was one of the greatest innovators in the history of jazz. This is his story.

See the trailer here
For more on the movie this is the website  
Genre: Music Documentary
Now Playing: Enzian Theater
Rating: NR

Polaroid

(Vertical) Kathryn Prescott, Mitch Pileggi, Grace Zabriskie, Tyler Young. A high school student discovers a vintage Polaroid camera and begins to take photos of her friends until she discovers the horrifying truth; that those whose pictures are taken by the camera meet grisly ends.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Touchstar Southchase
Rating: PG-13 (for violence/terror, thematic elements, brief strong language, some teen drinking and drug material)

The Sky is Pink

(Gravitas) Priyanka Chopra, Farhan Akhtar, Zaira Wasim, Ronit Saraf.  The relationship of an Indian couple is seen through the eyes of their teenage daughter who is battling a lethal disease.

See the trailer, clips and a video featurette here
For more on the movie this is the website  
Genre: Family Drama
Now Playing: AMC West Oaks
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Adhya Rathiri
Cuck
Dilili in Paris
Family History
Indian Horse
Lucky Day
The Parts You Lose
Semper Fi

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Adhya Rathiri
The Dead Center
Durj
El Camino: A Breaking Bad Movie
First Love
High Strung Free Dance
Lucy in the Sky
Where’s My Roy Cohn?

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

El Camino: A Breaking Bad Movie
Family History
Raise Hell: The Life and Times of Molly Ivins

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Adhya Rathiri
El Camino: A Breaking Bad Movie

SCHEDULED FOR REVIEW:

El Camino: A Breaking Bad Movie
Gemini Man

FILM FESTIVALS TAKING PLACE IN FLORIDA:

South Asian Film Festival, Maitland
Tampa Bay International Gay & Lesbian Film Festival, Tampa

New Releases for the Week of November 16, 2018


FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD

(Warner Brothers) Eddie Redmayne, Johnny Depp, Jude Law, Katherine Waterston, Ezra Miller, Dan Fogler, Zoë Kravitz, Carmen Ejogo. Directed by David Yates

When outlaw wizard Grindelwald escapes custody, he plans to create an army of wizards to make war on the world of Muggles. Standing in his way are Newt Scamander, No-Mag Jacob Kowalsky, Tina Goldstein and an instructor at Hogwart’s by the name of Albus Dumbledore.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, RPX, RPX 3D, XD
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for some sequences of fantasy action)

A Private War

(Aviron) Rosamund Pike, Tom Hollander, Jamie Dornan, Stanley Tucci. This is the story of Marie Colvin, one of the most respected and admired war correspondents of the 21st century thus far, a woman whose compassion and passion entwined to tell the story of those most affected by war – those caught in the middle. Colvin would go to places few other journalists would dare to tread, including a Syrian town called Homs where she would find a story that would eventually define her.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for disturbing images, language throughout, and brief sexuality/nudity)

Boy Erased

(Focus) Lucas Hedges, Nicole Kidman, Russell Crowe, Madelyn Cline. After a Baptist pastor’s son is outed, the community leader in a small conservative town feels that the boy’s only hope of salvation is conversion therapy. Based on a gripping true story, the young man fights to establish his own identity in an environment where he’s told that being the person that he is becoming is a sin.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Springs, Cinemark Artegon Marketplace, Cobb Plaza Cinema Café, Regal Winter Springs Village, Rialto Spanish Springs Square

Rating: R (for sexual content including an assault, some language and brief drug use)

Instant Family

(Paramount) Mark Wahlberg, Rose Byrne, Octavia Spencer, Margo Martindale. A couple, exploring foster care adoption, discovers three siblings that they decide to take on. Going from no children to three without any parenting experience is a daunting task at best but throw in a rebellious 15-year-old girl into the mix and they are in over their heads. This is based on writer-director Sean Anders’ own experiences.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, sexual material, language and some drug references)

The Public Image is Rotten

(Abramorama) John Lydon, Jah Wobble, Martin Atkins, Lu Edmonds. Johnny Rotten was once the face of punk rock until his band, the Sex Pistols, imploded. Lawsuits and legal chicanery kept him from moving on with his stage name so he adopted the name he was born with and founded Public Image Ltd., a band decidedly different than the one he left. Forty years later it is still a band. This was recently reviewed here on Cinema365 (see link below) and may be the best music documentary you attend this year.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Widows

(20th Century Fox) Viola Davis, Liam Neeson, Michelle Rodriguez, Elizabeth Debicki. When their criminal husbands are killed during a job, their widows are left with the debt their late spouses incurred with people you really don’t want to owe money to. Resolved to get out of the situation, they decide to pull off the heist their husbands couldn’t. This is Oscar winning director Steve McQueen’s first film since his masterwork 12 Years a Slave.

See the trailer, clips, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Crime Drama
Now Playing: Wide Release

Rating: R (for violence, language throughout, and some sexual content/nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Amar Akbar Anthony
The Clovehitch Killer
Speed Kills
Taxiwaala

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Sniper’s War
Amar Akbar Anthony
El Angel
The Front Runner
Green Book
Taxiwaala

ALSO OPENING IN TAMPA/ST. PETERSBURG:

55 Steps
Amar Akbar Anthony
The Children Act
Johny Johny Yes Appa
Sarkar
Taxiwaala

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amar Akbar Anthony
Taxiwaala

SCHEDULED FOR REVIEW:

The Children Act
Fantastic Beasts: The Crimes of Grindlewald
The Front Runner
Green Book
Instant Family
The Public Image is Rotten
Widows

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale

Juliet, Naked


Love triangles are inherently awkwward.

(2018) Romantic Comedy (Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang, Megan Dodds, Lily Newmark, Azhy Robertson, Ayoola Smart, Lily Brazier, Johanna Thea, Georgina Bevan, Paul Blackwell, Janine Catterwall, Michael Chapman, Ko Iwagami, Karol Steele, Steve Barnett, Lee Byford, Florence Keith-Roach. Directed by Jesse Peretz

 

Sometimes to make a relationship work, we go along to get along. That’s all well and good but it can leave us in a rut that is anything but comfortable but we accept that it’s the way that things are and we just accept our situation. What do we do then when that which put us in that rut in the first place kicks us out violently?

Annie (Byrne) is in one of those ruts. She is certainly a go along to get along kind of gal; she curates a local museum in an English seaside town because her father left it to her to do. She lives with her boyfriend Duncan (O’Dowd) essentially because she’s used to him; they’ve been together for eight years in a kind of stagnant inertia-free relationship. He works as a professor of Film and TV studies at a local college when he’s not taking Annie for granted or ignoring her needs.

In fact it can be said that he has more passion for a forgotten indie rock musician named Tucker Crowe (Hawke) than he does for Annie. Crowe was a singer-songwriter of enormous potential having released a well-regarded album called Juliet chock full of loved-and-lost songs that bespoke a soul that had something to say when he exited a tour mid-set and dropped out of sight. The blog that Duncan runs endlessly discusses with other Crowe fans the minutiae of the few songs released to the public and reviews bootleg tapes of live Crowe performances from back in the day. There are some who believe that Crowe is in fact dead and gone

It turns out he’s alive and well. A demo tape of Crowe’s original album titled Juliet, Naked makes its way to Duncan but is intercepted by Annie who gives it a listen. She sees it as a naked cash grab by someone trying to live off of past glory and posts it in response to Duncan’s worshipful review of the piece. As it turns out the real Tucker Crowe reads the review and Annie’s stark response and he appreciates the honesty. It turns out he is coming to England to visit an estranged daughter, one of several progeny from a variety of post-rock star lovers, most of whom he hasn’t had much contact with. The only child of his that he spends any time with is Jackson (Robertson), possibly because Jackson’s mom (who has a new beau) allows Tucker to live rent-free in her garage.

It turns out that Crowe has struck up an e-mail correspondence with Annie and the two are developing a relationship. It also turns out that Duncan has messed up big time and Annie has asked him to leave. And it turns out that Duncan has difficulty believing that the other man in Annie’s life is the object of his obsession.

If you guessed that this sounds like something Nick Hornby would write, give yourself a pat on the back – it’s based on a novel by the prolific English writer. If the plot doesn’t give it away, then the terrific soundtrack that includes songs by Red House Painters and Hawke himself covering the Kinks criminally overlooked “Waterloo Sunset” should seal the deal.

Hawke has been on something of a roll for the past five years, turning in one outstanding performance after another. In fact, ever since Boyhood I can’t think of any movie he’s been in that he hasn’t been outstanding in. He is a fair enough singer as well, performing original songs written by luminaries like Connor Oberst for the soundtrack.

Byrne isn’t really well-suited to play dowdy but she does a credible job of it. However, the real revelation (sort of) is O’Dowd who essentially steals the movie. His hangdog look and oblivious demeanor is perfect for Duncan. O’Dowd strikes the right notes as the comic relief and has moments of actual pathos during the course of the movie which he proves quite adept at. Duncan isn’t the most likable of characters but O’Dowd imbues him with enough charm that we don’t end up loathing him, although we end up cringing at his actions.

The movie can be a bit talky in places and there are rom-com clichés in abundance. However, the movie finds humor in the ordinary (despite the extraordinary premise) and those moments really are the best ones in the film. It seems to me that rom-coms are making a bit of a comeback after a few off years following a period when we were inundated by cookie cutter romantic comedies that led to a bit of a pushback by the moviegoing public who demanded (and got) better romantic comedies. This isn’t a game changer by any standard but it is a solid and entertaining entry into the genre which in 2018 isn’t a bad thing at all.

REASONS TO GO: O’Dowd steals the show. The soundtrack is terrific.
REASONS TO STAY: There are a few rom-com clichés.
FAMILY VALUES: There is some profanity.
TRIVIAL PURSUIT: Byrne was six months pregnant during shooting. Her condition was covered up using shots medium shots and close-ups and strategically placed props.
CRITICAL MASS: As of 8/31/18: Rotten Tomatoes: 80% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Song to Song
FINAL RATING: 7/10
NEXT:
Blood Fest

New Releases for the Week of August 31, 2018


KIN

(Summit) Myles Truitt, Jack Raynor, Dennis Quaid, Zoë Kravitz, James Franco, Carrie Coon, Ian Matthews, Gavin Fox. Directed by Jonathan and Josh Baker

An adopted African-American teen finds an otherworldly weapon in an abandoned factory and takes it home where his brother has just returned home after a stint in jail. Soon the two are being chased by the feds, the alien soldiers whose weapon it is and a vengeful criminal who has a beef with the ex-con.

See the trailer, interviews, clips, a video featurette and B-roll footage here
For more on the movie this is the website

Release Formats: Standard, DBOX, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating>: PG-13 (for gun violence and intense action, suggestive material, language, thematic elements and drinking)

Juliet, Naked

(Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang. A museum curator in a small British seaside town has put up for years with her boyfriend’s obsession over an American indie rocker who made one album and essentially disappeared. Now that there is new material out there, she impulsively writes a nasty review on her boyfriend’s website and to her surprise, gets a response from the musician in question. To her even greater surprise, she begins to develop a romantic relationship with the faded ex-rocker.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Waterford Lakes, Rialto Spanish Springs Square

Rating: R (for language)

The Little Stranger

(Focus) Domhnall Gleeson, Ruth Wilson, Charlotte Rampling, Will Poulter. In 1948, an English country doctor visits a patient on an estate where his mother once worked. The crumbling manor disguises some terrifying events that will draw the doctor into an exploration of the history of the family that has lived there for more than two centuries – and even more disquietingly, his own.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some disturbing bloody images)

Operation Finale

(MGM) Oscar Isaac, Ben Kingsley, Mélanie Laurent, Nick Kroll. This is the incredible but true story of the capture of Nazi war criminal Adolph Eichmann in a daring raid in Buenos Aires by a combined force of Mossad and Shin Bet.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release (opened on Wednesday)

Rating: PG-13 (for disturbing thematic content and related violent images, and for some language)

Searching

(Screen Gems) John Cho, Debra Messing, Michelle La, Sara Sohn. When his sixteen-year-old daughter disappears and with time ticking away, a desperate father searches his daughter’s laptop for clues that might lead him to his baby girl, and instead gets a lot more than he bargained for.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some drug and sexual references, and for language)

Yo Veremos

(Pantelion) Mauricio Ochmann, Fernanda Castillo, Emiliano Aramayo, Erik Hayser. A young boy preparing for sight-saving surgery puts together a bucket list of things he wants to do with both of his estranged parents.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: AMC Disney Springs, Epic Lee Vista, Regal The Loop, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

An Actor Prepares
The Bookshop
Nartanasala
Reprisal
Support the Girls

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Bookshop
Imaiikka Nodigal
John McEnroe: In the Realm of Perfection
Madeline’s Madeline
Nartanasala
Nico, 1988
The Night is Short, Walk on Girl
Reprisal
Stree
The Wife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Blood Fest
Boarding School
The Bookshop
Imaiikka Nodigal
Reprisal
Snow Queen 3: Fire and Ice
Stree
 

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Nartanasala
Summer 1993

SCHEDULED FOR REVIEW:

Blood Fest
Juliet, Naked
Kin
The Little Stranger
Operation Finale
Searching
Support the Girls

New Releases for the Week of February 9, 2018


50 SHADES FREED

(Focus) Dakota Johnson, Jamie Dornan, Luke Grimes, Arielle Kebbel, Jennifer Ehle, Victor Rasuk, Max Martini, Marcia Gay Harden, Bruce Altman, Callum Keith Rennie. Directed by James Foley

This poorly-written BDSM bodice-ripper trilogy comes to a merciful end. There’s a story I think here somewhere but I’m not interested enough to figure it out.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, Dolby Atmos, GDX, IMAX, RPX, XD
Genre: Romance (loosely)
Now Playing: Wide Release

Rating: R (for strong sexual content, nudity, and language)

The 15:17 to Paris

(Warner Brothers) Alex Skarlatos, Anthony Sadler, Spencer Stone, Jenna Fischer. Three young American military man are vacationing in Europe, taking a train to Paris when they uncover a terrorist plot. Their actions would make them heroes around the globe. Clint Eastwood directs this using the actual young men playing themselves.

See the trailer and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG-13 (for bloody images,, violence, some suggestive material, drug references and language)

Becks

(Blue Fox) Lena Hall, Christine Lahti, Dan Fogler, Mena Suvari. A Brooklyn musician, reeling from the break-up with her girlfriend, moves back in with her ultra-Catholic mom back in the Midwest. Struggling to re-connect with her past and move on in her present, she begins performing in a local tavern where she meets the wife of an old nemesis. This is loosely based on the life of singer Alyssa Robbins.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex

Rating: NR

The Insult

(Cohen Media Group) Adel Karam, Kamel El Basha, Camille Salameh, Diamand Bou Abboud.  This is the Oscar nominee for Best Foreign Film from Lebanon and one of the five finalists. In it, a Palestinian refugee and a Lebanese Christian end up in court over a verbal confrontation that gets blown terribly out of proportion. With the eyes of the entire country on the legal proceedings, the fragile balance between religions in Lebanon could be a victim of the court case if things continue to spiral out of control.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: NR  

La Boda de Valentina

(Pantelion) Kate Vernon, Ryan Carnes, Omar Chaparro, Marimar Vega. Valentina is the daughter of a politically connected family in Mexico. She has moved to America to make her own way out of their shadow. When her American boyfriend proposes, she is thrown for a loop; her family isn’t the easiest to get along with and she’s uncertain what they will think about an American husband. Throw into the mix a handsome ex-boyfriend and you’ve got a recipe for disaster.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Regal the Loop

Rating: R (for language)

Pad Man

(Sony International) Akshay Kumar, Amitabh Bachchan, Radhika Apte, Sonam Kapoor. This is a fictional biography of the real life Padmashri Arunachalam Muruganatham, a man who was shocked that his wife used unsanitary cloth to clean herself during her period. He spearheaded a movement to create low-cost sanitary pads for women throughout rural India, even though the subject of menstruation is very much taboo in that country…and it isn’t exactly a topic of polite conversation here either.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

Peter Rabbit

(Columbia) James Corden (voice), Margot Robbie (voice), Domhnall Gleeson, Rose Byrne. The beloved tales of Beatrix Potter come to live action combined with CGI life. A rebellious rabbit leads his friends in an attempt to access a farmer’s vegetable garden but the farmer has other ideas.

See the trailer and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for some rude humor and action)

ALSO OPENING IN ORLANDO/DAYTONA:

Aadhi
Colao
Gayatri
In the Fade
Intelligent
Toliprema

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Fantastic Woman
Basmati Blues
Colao
Demons 2
Film Stars Don’t Die in Liverpool
Gayatri
Intelligent
Toliprema

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Aadhi
Colao
Gayatri
Humble Politician Nograj
Intelligent
Toliprema

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Gayatri
Intelligent
Toliprema

SCHEDULED FOR REVIEW:

The 15:17 to Paris
A Fantastic Woman
Film Stars Don’t Die in Liverpool
Peter Rabbit

The Immortal Life of Henrietta Lacks


Raindrops keep falling on our heads.

(2017) Biographical Drama (HBO) Oprah Winfrey, Rose Byrne, Renée Elise Goldsberry, Rocky Carroll, Reg E. Cathey, Leslie Uggams, Courtney B. Vance, Ellen Barkin, Peter Gerety, Adriane Lenox, Roger Robinson, John Douglas Thompson, Karen Reynolds, Sylvia Grace Crim, Ruben Santiago-Hudson, Jaedon Godley, Kyanna Simone, Jane Rumbaua. Directed by George C. Wolfe

 

In the past half a century there have been some amazing medical advances. Some of these breakthroughs have come as a result of a strain of cells known as HeLa, which have helped find, among other things, the polio vaccine. So what’s the story behind those cells?

In 1951, Henrietta Lacks (Goldsberry) was diagnosed with cervical cancer. She was taken to Johns Hopkins Hospital in Baltimore where she fought hard but eventually succumbed. While she was alive some of her cells were harvested without her knowledge and researchers were amazed to discover that the cells remained alive and were reproducing and would be indefinitely. The cells became well-known throughout the medical research community but few people knew where they came from.

Eventually word got out that the cells had been taken from Henrietta Lacks. Her daughter Deborah (Winfrey), or Dale as she is called by friends and family, never knew her mother being only two years old when she passed away. In time her brothers Sonny (Carroll), Day (Robinson), Zakkariya (Cathey) and Lawrence (Thompson) as well as sister Barbara (Lenox) and her mother’s friend Sadie (Uggams) – who have discovered that their mom was the source of these wonder cells that have made pharmaceutical and medical research companies millions upon millions of dollars – give up on getting any reparations, particularly when charlatans like the colorfully named Sir Lord Keenan Kester Cofield (Vance) put them through hell.

When freelance journalist Rebecca Skloot (Byrne) wants to write a book about Henrietta she is met with resistance and outright hostility by the Lacks family and understandably so, considering how they’ve been exploited and condescended to over the years. Rebecca is patient and persistent and eventually she wins over Dale, the most wary of the group. As Dale and Rebecca go on a journey to find out who Henrietta was the two begin to bond unexpectedly especially as that journey yields far more than the women expected.

I’ve noticed that whenever Oprah Winfrey gets involved in a project, it behooves me to set the bar high. It’s a very rare occasion that movies she is part of aren’t the highest of quality. Once again, she shows that she’s not just a talk show host, losing herself in the role of the embittered and troubled Dale – whose sexual assault as a teen is part of what informs her paranoia and violent mood swings – so much so that you forget it’s Oprah. That’s an accomplishment when you consider how much her personality has become part of her brand.

But she’s not the only reason to see this movie either. She is surrounded by a strong cast, including Vance as the oily con man, Cathey as a severely troubled ex-con and Byrne as the sweet but strong-willed journalist who may come off as a bit of a sorority girl but can give back as well as she gets when push comes to shove. It was wonderful as well to see Uggams – a fixture in African-American movies and TV back in the day – onscreen, but she’s not there as a token Name. The girl can still bring it.

Cinematographer Sofian El Fani – best known for the wonderful Blue is the Warmest Color – brings an autumnal beauty to both urban Baltimore and rural Virginia, adding a sepia-toned hue to the flashbacks involving Henrietta (a scene on a Ferris Wheel is particularly delightful). Branford Marsalis adds a jazz-infused score that captures the vibe of the era, both the 50s during Henrietta’s story and in the 90s during Dale’s.

Wolfe plays this as part character study and part detective story and the two elements mesh very well. The family’s pain is evident throughout, having lost their mother at so young an age (she was just 31 when she passed away) and her loss has resonated throughout their lives in very tangible ways. For Deborah, it meant being moved in with an aunt and uncle, the latter of which ended up sexually abusing her. That is part of Henrietta’s immortality, the loss that those who loved her still felt. However, there was joy as well, as Dale and Zakkariya see their mother’s living cells through a microscope and realize that a part of her is still alive and with them. It’s a powerful moment in a movie that is full of them.

The filmmaking is efficient as Wolfe essentially sets up the whole story in an opening montage of animation and graphics that set the stage for the film in about two and a half minutes. It’s an impressive feat, one that young filmmakers should take note of. This could easily have been a three hour movie but Wolfe utilizes his time wisely.

Yes there will be waterworks and tissue paper should be kept on hand if you intend to fire up HBO and watch this puppy. While the race card is definitely in the deck, the filmmakers choose not to play it which I think makes the movie even stronger. Of course racism played a part in the exploitation of Henrietta Lacks but you’re not hit over the head with it. The filmmakers assume that the viewer understands that and move forward with the story which is not so much about Henrietta but about Dale. What could be more powerful a story than a daughter mourning the loss of a mother she never truly knew?

REASONS TO GO: There are some very strong performances, particularly from Winfrey and Uggams. The story is very moving, the family’s pain palpable throughout. The film possesses great cinematography and a great score.
REASONS TO STAY: There is a bit of cinematic shorthand going on here.
FAMILY VALUES: There is a scene of rape, some violence and a bit of profanity.
TRIVIAL PURSUIT: In an interview on NPR, Rebecca Skloot said that the real Deborah Lacks predicted that the book would be a best seller, that Oprah would produce a movie based on the book and that Oprah would play her. Although Deborah died in 2009 just before the book came out, all of her predictions came to pass.
BEYOND THE THEATERS: Google Play, HBO, YouTube (please note that Google Play and YouTube will not be available for purchase until after initial HBO run is complete)
CRITICAL MASS: As of 5/26/17: Rotten Tomatoes: 63% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: Loving
FINAL RATING: 8/10
NEXT: Chuck

X-Men: Apocalypse


Oscar Isaac strikes a dramatic pose.

Oscar Isaac strikes a dramatic pose.

(2016) Superhero (20th Century Fox) James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Oscar Isaac, Rose Byrne, Evan Peters, Josh Helman, Sophie Turner, Tye Sheridan, Lucas Till, Kodi Smit-McPhee, Ben Hardy, Alexandra Shipp, Lana Condor, Olivia Munn, Warren Scherer, Hugh Jackman, Monique Ganderton, Rochelle Kooky, Ally Sheedy. Directed by Bryan Singer

 

Human history is full of the strong oppressing the weak. Sometimes the strong are that in name only; they have strength only in the will to seize power and wield it. Other times they have the strength of numbers. Power can come from many different sources.

In the world of X-Men: Apocalypse the oppressed are feared by the oppressors. Mutants are powerful but they are few in numbers; it is the non-mutants who fear what they can potentially do. Professor Charles Xavier (McAvoy), once the most powerful telepathic mind in the world, sees things differently. He sees a world in which mutants and normals live harmoniously, in which mutants use their powers to protect those who have none. He’s established a school to teach young mutants to fulfill exactly that purpose.

It is a different world than what Magneto (Fassbender) sees but with good reason. The Master of Magnetism is powerful, but was unable to prevent the deaths of his parents at Auschwitz, nor could he protect his wife and daughter while he lived in anonymous exile in Poland (methinks Magneto should stay away from Poland, where Auschwitz is also located, because horrible things seem to happen to him there). He is ripe for being swayed over to the dark side of things.

Enter Apocalypse (Isaac). He may or may not have been the first Mutant, but he is certainly among the most powerful. In his day, he had been worshipped as a God and in fact ruled Egypt as a living God, a despotic tyrant who was eventually ambushed by those who opposed his rule and buried under the rubble of a collapsed pyramid, knocked unconscious before he could change his psyche to the body of a younger man (which is how he remains immortal). His long slumber has been interrupted by misguided followers of his cult and now he’s back in the world, and he doesn’t like what he sees.

In his day, the mutants ruled the normals but that’s not what is happening in the 1980s. It is the height of the cold war and new wave, an era in which the mutants are regarded with suspicion after what happened in the events of X-Men: Days of Future Past. Apocalypse always has a personal guard of four powerful mutants whose powers are enhanced and in this case he chooses Storm (Shipp) with powers over the weather, Psylocke (Munn) who can hurl telepathic daggers and Angel (Hardy) with wings of steel that can hurl steel projectiles.

In the meantime, Mystique (Lawrence) has chosen to remain in her human form and is recruiting new mutants to the Xavier School, including the telepath Jean Grey (Turner) who has the potential to be even more powerful than Xavier himself, Nightcrawler (Smit-McPhee) who can teleport and Scott Summers (Sheridan) who can shoot incredibly strong force bolts from his eyes. Along with Hank McCoy (Hoult) – the ever-loving Beast and resident scientist for the group – and Havok (Till), Summers’ brother whose force beams come out of his chest, and Quicksilver (Peters), a super-speedster, the school is full of very powerful and dangerous kids which attracts the attention of Col. Stryker (Helman) who has a mutant experiment of his own going at Alkili Lake.

Now we’re setting up a potential battle – Apocalypse who wants to destroy the world and repopulate it with mutants who would be the only ones strong enough to withstand the destruction, and Xavier who wants to save the world. Each has their own team; Apocalypse with the Four Horsemen, Xavier with the X-Men and they will duke it out with the fate of the world hanging in the balance.

Of course, the plot is fairly endemic to most superhero movies especially this year when it is the third of three different movies from three different studios all with superheroes battling one another. While critics have been decrying the similarity of the plots, there are subtle differences in each that for my money make them all different takes on a similar but not identical theme.

Here the theme has to do with the oppression of minorities and whether it is the responsibility of those with power to protect their own at the expense of everyone else, or to protect those who need it. The latter is a crucial question in the four color world of superheroes and one which does get repeated fairly regularly in the cinematic world of superheroes as well; as was said in a certain webslinger’s movie, with great power comes great responsibility.

As summer blockbusters go, it has plenty of spectacular action and amazing visuals which is what one looks for in a hot weather diversion. Unfortunately, the movie also has what has proven to be a superhero movie killer on many occasions recently; too many characters. I only touched on the main characters here and there were many others involved in the film, like Wolverine (Jackman) who shows up in a memorable cameo appearance in Jackman’s penultimate appearance as the character.

This is based on a classic comic story arc which is one I was actually familiar with as it was written while I was still collecting comics. The Apocalypse of the comic books was, in my opinion, much more of a villain than he is here and certainly much more dangerous, even though Isaac turns in a pretty strong performance despite the layers and layers of make-up. The Apocalypse of the comics was simply evil and didn’t really have an agenda beyond ruling the world; here, he has a philosophy which is supposed to give him motivation but ends up as unnecessary clutter. There’s a lot of that here, including the Wolverine appearance.

The producers of the X-Men franchise have said that this will conclude the trilogy started in X-Men: First Class in 2011. They have established several new young versions of some of the more beloved characters in the franchise. Where they will go with them is anybody’s guess but you can be sure there will be plenty more X-Men action coming in the future from Fox, for whom this franchise has been a gold mine.

This isn’t the weakest entry in the X-Men franchise but it’s certainly not the strongest. I think some judicious trimming of the number of characters as well as the plot itself (the movie clocks in at well over two hours) might have been beneficial to the final product. Singer has always had the best grip on the X-Men universe of any of the directors who have tackled it. Hopefully whomever inherits the reins will improve on this film which is merely decent.

REASONS TO GO: Some of the visuals are spectacular. It does give the First Class trilogy a nice definite conclusion.
REASONS TO STAY: Feels bloated and overpopulated with characters. Apocalypse felt far more dangerous in the comic book edition than he did here.
FAMILY VALUES: Plenty of superhero action and destruction, some brief strong language and a scene that is sexually suggestive.
TRIVIAL PURSUIT:  Oscar Isaac’s voice was recorded with three different types of microphones, and then melded together to create the voice of Apocalypse.
CRITICAL MASS: As of 7/10/16: Rotten Tomatoes: 48% positive reviews. Metacritic: 52/100.
COMPARISON SHOPPING: The Fantastic Four
FINAL RATING: 6/10
NEXT: Keeper of Darkness

Spy


Fish out of water.

Fish out of water.

(2015) Spy Comedy (20th Century Fox) Melissa McCarthy, Jason Statham, Rose Byrne, Jude Law, Bobby Cannavale, Allison Janney, Jessica Chaffin, Miranda Hart, Morena Baccarin, Will Yun Lee, Carlos Ponce, Richard Brake, Raad Rawi, Michael McDonald, Peter Serafinowicz, Nargis Fakhri, 50 Cent, Ben Falcone, Katie Dippold, Jamie Denbo. Directed by Paul Feig

We are, as a moviegoing public, fascinated by spies. Of course, there’s the glamour – playing baccarat in Monte Carlo, wearing designer suits and dresses, using sophisticated gadgets that look like ordinary items, only deadly. Who wouldn’t want that kind of life?

Certainly Susan Cooper (McCarthy) does, to the point that she works for the Central Intelligence Agency. She is this close to getting an assignment in the field, but she winds up being a kind of handler/assistant to debonair field agent Bradley Fine (Law). She’s also quite smitten with the devilishly handsome spy, but he won’t give her a second look. In fact, nobody gives her much respect, not even the deputy chief (Janney) who supervises the team.

Unfortunately, while trying to discover the location of a nuclear bomb that is up for sale to the highest terrorist bidder, things go horribly, terribly awry. It turns out that the bomb seller, Reyna Boyanov (Byrne), has somehow identified every one of the CIA field agents. With a nuclear bomb in play and crippled by the fact that every agent she sends up against the bitchy Boyanov is sure to be spotted, the harried deputy chief is forced to send in someone that Reyna doesn’t know – Susan Cooper is finally getting her chance to be a field agent.

She is aided in her quest by gawky fellow basement dweller Nancy (Hart) and over-the-top touchy-feely Italian agent Aldo (Serafinowicz). She’ll also be hindered by egotistical, braggadocios agent Rick Ford (Statham) who, like about everyone else in the CIA, thinks that Susan doesn’t have a chance out in the field and will only mess things up. Susan, however, has a few surprises in store and is determined to complete her first mission. Will it be however, the last thing she does?

I’ve always blown hot and cold about McCarthy; she shows flashes of comic brilliance but Hollywood seems interested in casting her only as a boorish slob or an overbearing bully. One gets the sense that Hollywood can’t see past her weight, which coincidentally is Susan Cooper’s problem. One person who does see more in McCarthy is Feig, who has been at the helm for her three best performances yet – Bridesmaids, The Heat and now this.

McCarthy has always been adept at physical comedy, although it has often been to her detriment (having to do with her size) but here she outdoes herself. That’s not what makes McCarthy’s performance so memorable though; it’s that she portrays Susan as intelligent, capable and dare I say it, pretty. She turns all of our prejudices about overweight women on their ear, and for that alone one should applaud this movie, and Feig and McCarthy specifically.

What holds this movie back is that the story is really kind of generic spy stuff. We’ve seen the plot in movies and on television many times before. However, it is executed very well  here, with some cool high-tech sets in the CIA and lovely exotic (to American eyes anyway) locations. I would also have liked to see the villains be less bitchy and more evil. A spy movie is only as good as its villain and while Byrne is delicious as Reyna, one doesn’t get the kind of threat from her as one might from Auric Goldfinger, Ernst Blofeld or even Siegfried of KAOS.

Still, McCarthy gets to be James Bond and how cool is that for her? You can tell that she’s having the time of her life in this role, and it translates onto the screen and audiences are picking up on that, judging from the box office and audience test scores. It is said that Fox intended this all along to be a new franchise for them and quite likely it will be and I for one can’t wait for a sequel if McCarthy wants to do one.

REASONS TO GO: Statham plays against type and McCarthy is at her best. Some nifty sets and locations.
REASONS TO STAY: Doesn’t really explore new territory. Villains not villainous enough.
FAMILY VALUES: Foul language, some violence, a little bit of sexual content and a brief scene of nudity.
TRIVIAL PURSUIT: Feig is a huge fan of Jason Statham and wrote the part of Rick Ford specifically for him.
CRITICAL MASS: As of 6/23/15: Rotten Tomatoes: 95% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: This Means War
FINAL RATING: 6.5/10
NEXT: The Departed