Papillon (2017)


A couple of cons on the beach.

(2017) Drama (Bleecker StreetCharlie Hunnam, Rami Malek, Eve Hewson, Yorick van Wageningen, Roland Møller, Andre Flynn, Antonio de la Cruz, Michael Adams, Louisa Pili, Brian Vernel, Mark Phelan, Luke Peros, Joel Basman, Nenad Herakovic, Michael Socha, Lorena Andrea, Poppy Mehendra, Demetri Goritsas, Juan-Leonardo Solari, Veronica Quilligan, Mirjana Novak. Directed by Michael Noer

The purported autobiography of French safecracker Henri Charriére was notable for its gritty adventure tone that made the man, who was nicknamed Papillon after the tattoo of a butterfly on his chest, an almost heroic figure. It was also notable for a laissez-faire attitude towards the facts; much of what Charriére described either didn’t happen to him or didn’t happen at all.

That didn’t stop a classic 1973 movie starring Steve McQueen and Dustin Hoffman from garnering acclaim and affection. This remake takes a grittier tone than the original; in many ways, the brutality of the French penal system is sanitized for audiences of that era. Here, we see bloody beatings, prison sexual assaults and people being gutted for the money they swallowed to help them survive prison.

Wrongfully convicted of a crime he didn’t commit, Charriére (Hunnam) is sentenced to life in the French penal colony in Guiana. Once there, he meets wealthy forger Louis Dega (Malek) and takes on the role of his protector, mainly to utilize the cash he brought in to finance his escape attempts to get back to his girlfriend (Hewson) and live the life the two of them dreamed of. Standing in the way is a brutal warden (van Wageningen) and deadly terrain.

It’s not a fair comparison to pit Hunnam and Malek up against McQueen and Hoffman, although Malek does an outstanding job and Hunnam a credible one. The friendship that develops between the two in the original becomes less conspicuous in the remake and the chemistry between Malek and Hunnam is less scintillating than that of McQueen and Hoffman.

As adventure tales go, this isn’t a bad one although I found it to be a bit of a drag near the middle and by the end, I was checking my watch. Definitely, of the two, I would strongly recommend the 1973 version which is a triumph of the human spirit but if you’re unwilling to check that one out, this isn’t a bad version of the story. It’s just not as good as the movie it is based on.

REASONS TO SEE: Very gritty and realistic.
REASONS TO AVOID: Doesn’t hold a candle to the original.
FAMILY VALUES: There is plenty of violence including some bloody images, brief nudity, profanity and some sexual content.
TRIVIAL PURSUIT: Although the film is set in French Guiana (on the Northeast coast of South America), the entire movie was filmed in Europe.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 1/9/20: Rotten Tomatoes: 52% positive reviews: Metacritic: 51/100.
COMPARISON SHOPPING: The Great Escape
FINAL RATING: 6/10
NEXT:
A Simple Favor

Tower Heist


Tower Heist

Ben Stiller brings up the Nutty Professor movies even though it's in Eddie Murphy's contract that nobody mentions them.

(2011) Caper Comedy (Universal) Ben Stiller, Eddie Murphy, Tea Leoni, Casey Affleck, Alan Alda, Matthew Broderick, Gabourey Sidibe, Judd Hirsch, Michael Pena, Stephen McKinley Henderson, Nina Arianda, Marcia Jean Kurtz, Juan Carlos Hernandez, Zeljko Ivanek, Peter Van Wagner. Directed by Brett Ratner

It goes without saying that the new villains in the movies, reflecting our perilous economic times, are financiers. Most of us hold them responsible to a large degree for the woes we find ourselves in. Wall street is the new mad scientist.

Josh Kovacs (Stiller) works as the building manager for one of the most exclusive residences in Manhattan and thus one of the most expensive pieces of real estate in the world. It is the home of the hoi polloi, the high and mighty – the movers and shakers of New York. He heads a staff that is renowned for their attentiveness and attention to detail.

Among the residents in the building one of the most famous is Arthur Shaw (Alda), a man who has managed the portfolios of nations. He is one of the world’s most respected financial minds, someone who understands the markets better than anyone alive. When doorman Lester (Henderson) opens the door for him, there’s just a little bit more deferential treatment for Mr. Shaw who is as down to earth as they come – playing online chess with Josh, who went to the same public school in Astoria that Shaw did.

A sharp-eyed Josh notices, while in security chief Manuel’s (Hernandez) office what appears to be a kidnap attempt on Mr. Shaw. He makes a heroic effort to rescue him only to be clotheslined by an attractive woman, who turns out to be FBI agent Claire Denham (Leoni). It also turns out that the kidnapping is actually Shaw trying to escape arrest. It turns out that Shaw has swindled all of his clients out of the money they gave him to invest and that money is all gone. It turns out that Josh had given the employees of the Tower’s pension fund over to Shaw to manage and that money is all gone too.

This is devastating for some. Charlie (Affleck) the concierge is about to have a baby. Miss Iovenko (Arianda) is studying to pass the bar. Enrique (Pena) just started working there. But it is most devastating for Lester, who was about ready to retire and also had given his life savings – about $70K – to Mr. Shaw to invest and was left with nothing, meaning retirement wasn’t going to happen anytime soon. Disconsolate, he attempts to walk out in front of a train and is saved by off-duty police officers.

Josh doesn’t want to believe that his friend Mr. Shaw is a crook, but when he visits him to tell the house-arrested Shaw what has befallen Lester, it becomes clear that Shaw’s friendly man-of-the-people front was a facade. It also becomes just as clear that the money that the employees of the Tower have all been counting on is gone forever. However, Agent Denham lets slip that guys like Shaw always have a cash safety net available for emergencies and that they haven’t found Shaw’s yet. Maybe Josh can steal back what was stolen from he and his associates.

However, Josh isn’t a thief, as Charlie correctly points out. However, Josh knows someone who is – streetwise Slide (Murphy), a career criminal who lives down the street from Josh. Add the recently evicted Mr. Fitzhugh (Broderick) and Jamaican maid (and daughter of a safecracker) Odessa (Sidibe) and you’ve got yourself a gang. However can these amateurs make their way past the most sophisticated security system in New York and the ever-watchful eye of the FBI to get themselves a little payback?

It will probably not surprise anyone who sees this movie to know that it shares a writer with the Oceans 11 series. It has that element of camaraderie among thieves, the same kind of snappy dialogue. It does have some star power but after Stiller and Murphy it falls off somewhat, although there are some pretty good performances here.

The main one is Murphy, who after decades of doing forgettable family comedies finally goes back to the kind of role that made him a star, one that channels Axel Foley, Billy Ray Valentine and Reggie Hammond. This is not quite up to those standards, but it is his best role in years. He nails it as well, giving it that fast-talking con-artist veneer as well as that kind of bad boy ladies man that Murphy perfected 20 years ago and that comedians like Martin Lawrence, Chris Rock and Chris Tucker have all been channeling since then.

Alda, who was playing Hawkeye Pierce in “MASH” at about the same time plays maybe the nastiest villain of his career. Shaw is an arrogant, smug bastard who while obviously modeled on Bernie Madoff has a little bit of Leona Helmsley thrown in for good measure. It’s a delicious role and should go down as one of the most memorable movie villains of 2011.

Stiller is a bit of a cipher. He is likable enough but I think that the part would have been better with someone for whom larcenous behavior might have been more easily acceptable. Stiller seems better suited for characters who need less charisma.

Ratner excels in making mindless entertainment pieces and he does so here. There’s nothing much to think about and veteran moviegoers are for sure going to be able to figure out important plot twists (such as where Shaw’s money is actually hidden) well before the reveals. However, the cast is enormously appealing (the sight of Broderick reaching out of an open window to pull in their loot but afraid to move is one of the better moments in the movie) and the plot easy enough to follow. Don’t try to think too much about some of the plot holes and you’ll find this a pleasant enough movie, not a game changer by any means but a solidly entertaining diversion. Some critics will make it seem like that’s a failure but for my money that’s a big win for the audience.

REASONS TO GO: Fine entertainment. Eddie Murphy returns to form and Alda is a fine villain.

REASONS TO STAY: A little too predictable in the plot points. Nothing really new here.

FAMILY VALUES: There’s a bit of foul language and a smidge of sexual content.

TRIVIAL PURSUIT: Trump Tower in Manhattan was used as the stand-in for the Tower in the film.

HOME OR THEATER: The New York City vistas and the parade segment should be seen on the big screen.

FINAL RATING: 6/10

TOMORROW: Due Date