(2017) Thriller (Century Fortune) Yihong Duan, Yiyan Jiang, Yuan Du, Chuyi Zheng, Wei Zheng, Lin Zhang, Xianliong Li, Yan Qu, Yujie Su, Chao Sun, Chaofun Fu, Shuo Du, Gi Song, Shaodong Jiang, Qiao Cho. Directed by Yue Dong
1997 was a red letter year for China, no pun intended. It was the year Den Xiaoping, then the president, passed away and a more reform-oriented government went into effect. It was of course also the year Hong Kong was returned to Chinese control after having been in the purview of the United Kingdom for a century.
In that year Yu Guowei (Duan) was the security chief in Smelting Plant #4 in an industrial town in rural China. He has just been given the model employee award for going a year without allowing any petty theft in the plant. Respected by management, liked by his fellow employees, Yu fancies himself something of a detective and when a trio of women turn up murdered in town, he is eager to help the weary Captain Zhang (Du) who doesn’t want Yu’s help at all.
But Yu sees himself as a superior police officer to Zhang and the contemptuous Officer Li (C. Zheng) and believes that solving this case will win him a spot on an actual police force. With his fawning assistant Xiao Lu (W. Zheng) – who insists on referring to his box as “Maestro” – at his side, Yu makes like Sam Spade and looks for the usual suspects or at least the unusual ones. Based on his own instincts – which aren’t that bad – he starts looking for someone taking an unusual interest in female factory workers.
He finds one in a hooded man who has is apparently keeping an eye on the various factories in town. After a foot chase with the hooded man ends badly, Yu resolves to take down his prey and uses former prostitute Yanzi (Jiang) as bait. He sets up the girl, whose aim in life is to open up a salon in Hong Kong, with a salon in the center of town. This despite the fact that Yu, along with almost all of the smelting factory’s workforce has been laid off; the State is getting ready to close the factory as part of China’s modernization and move towards globalization. Yanzi is genuinely very grateful but doesn’t understand why Yu refuses physical affection. There is a palpable air of something tragic building and when the climax finally unfolds, it’s not what we would expect – but tragic nonetheless.
Dong sets the film in an unnamed town in the middle of muddy moors in a place where the sun never ever shines and it rains almost non-stop. This gives the film a noir-ish feel and while there are other elements of noir as well, this isn’t strictly that kind of film. There is a good deal of social commentary going on in the subtle way that Chinese filmmakers insert commentary into their movies.
Duan has the perfect hangdog look that belies his eager beaver attitude although once it becomes evident that he isn’t as good a detective as he thinks he is and his world begins to fall apart the expression becomes a source of pathos. Likewise, Jiang is bright and lively, an absolute refreshing respite from the overwhelming oppressive atmosphere of the film – although that atmosphere is part of what sets this movie apart. This is truly a place where nothing good ever happens and it is evident in the way the residents trudge through the muddy streets, not even bothering to protect themselves from the rain any longer. China is changing and these are the people getting left behind. Like Yu, they all have the certainty in mind that life is nothing but a perpetual disappointment and is something that is to be endured rather than enjoyed. That’s not as rare a mindset as I think we’d all like.
The movie is a little long (nearly two hours) and the ending very drawn out but for all that the pacing, while slow, isn’t necessarily a drawback; I remained enthralled by the story all the way through. This was another of the standout films at this year’s New York Asian Film Festival; it might be a bit dreary in tone but it won’t leave you feeling waterlogged.
REASONS TO GO: While the pace is slow the story is so fascinating you never lose interest. Yihong Duan has the perfect hangdog look. The dreary setting fits the mood perfectly.
REASONS TO STAY: The ending drags on a little bit.
FAMILY VALUES: There are some disturbing images, violence, profanity and sexual content.
TRIVIAL PURSUIT: Yue Dong has been a cinematographer for most of his career; this is his first foray into directing a full-length feature.
CRITICAL MASS: As of 7/13/18: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Se7en
FINAL RATING: 8.5/10