New Releases for the Week of September 2, 2016


MorganMORGAN

(20th Century Fox) Kate Mara, Anya Taylor-Joy, Toby Jones, Paul Giamatti, Boyd Holbrook, Jennifer Jason Leigh, Michelle Yeoh, Brian Cox. Directed by Luke Scott

A corporate troubleshooter is sent to a remote lab to investigate a recent accident and to evaluate whether the program being conducted there should be continued. When she arrives, it soon seems that the culprit behind the chaos is a seemingly innocent whose facade hides enormous potential – and incredible danger.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for brutal violence and some language)

Don’t Think Twice

(The Film Arcade) Mike Birbiglia, Gillian Jacobs, Kate Micucci, Keegan-Michael Key. When the member of a popular New York City improv troupe gets a big break on an SNL-like late night sketch show, the others in the group – all friends – begin to realize that the odds are that not all of them are going to make it after all. And maybe, none of them will.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for language and some drug use)

Kickboxer: Vengeance

(RLJ) Alain Moussi, Georges St-Pierre, Dave Bautista, Jean-Claude van Damme. After his brother is killed in the ring by a brutal fighter, a young man swears vengeance upon the man that killed him but in order to beat him, he’ll have to get training from the best of the best – a kickboxer by the name of Durand.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Martial Arts
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: NR

The Light Between Oceans

(DreamWorks) Michael Fassbender, Alicia Vikander, Rachel Weisz, Jack Thompson. Just after the First World War, an army vet takes a job as a lighthouse keeper on the rugged, isolated Australian coast, two days ride from anywhere and only seeing a supply boat once a season. Here he brings his strong-willed wife and here they try to bring a baby into the world, but meet with miscarriages and a stillbirth. One day she hears a baby’s cries on the wind and finds a baby in a lifeboat with a dead man. Believing this to be a sign from God she keeps the baby for her own against her husband’s better judgment. However, when they return to the mainland, they discover that their choice may have been devastating for someone else – a woman who may well be the true mother of the child.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material and some sexual content)

The Ninth Life of Louis Drax

(Miramax/Summit) Jamie Dornan, Sarah Gadon, Aaron Paul, Oliver Platt. After surviving eight near-death experiences, a little boy plunges off a cliff – and miraculously survives, but is left in a coma. In order to find out what really happened, an acclaimed neurologist tries an experimental procedure to get inside the boy’s mind – and finds something sinister lurking there.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Supernatural Thriller
Now Playing: Wide Release

Rating: R (for some disturbing images and brief strong language)

No manches Frida

(Pantelion) Omar Chaparro, Martha Higareda, Monica Dionne, Rocio Garcia. After a bank robber is released from prison, he goes to recover his stolen money which he’d buried in a schoolyard. Unfortunately, while he was inside the school built a gymnasium on top of where he buried the loot. In order to get into the gym and dig for his cash, he must masquerade as a substitute teacher at the school – which quickly escalates into chaos.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, AMC The Loop, Epic Theaters at Lee Vista

Rating: PG-13 (for crude sexual content, drug material, teen smoking and drinking, brief strong language and gestures and thematic elements)

The Sea of Trees

(A24) Matthew McConaughey, Naomi Watts, Ken Watanabe, Katie Aselton. A suicidal American enters a Japanese forest at the base of Mt. Fuji to finish himself off. While there he finds a Japanese man lost in the impenetrable woods and the two become friends. Finding the way out of the forest however turns out to be a lot more difficult than finding their way in. This is the latest from director Gus Van Sant.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG-13 (for mature thematic material, some disturbing images and brief strong language)

Yoga Hosers

(Invincible) Johnny Depp, Lily-Rose Depp, Harley Quinn Smith, Adam Brody. A pair of comely convenience store clerks in Winnipeg, Manitoba is chagrined to discover they’ll have to be working when they could be at the party of the year. To make matters worse, their store is ground zero for an interdimensional invasion of…Nazi sausages. I couldn’t make this stuff up if I tried. Thankfully, director Kevin Smith can.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard (playing Friday night at midnight only)
Genre: Action
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references, some violence and brief drug material)

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New Releases for the Week of December 4, 2015


KrampusKRAMPUS

(Universal/Legendary) Adam Scott, Toni Collette, David Koechner, Allison Tolman, Conchata Ferrell, Emjay Anthony, Stefania LaVie Owen, Krista Stadler. Directed by Michael Dougherty

Holidays are the time for families to come together, but some families should remain far apart. Young Max has such a family and tired of the squabbling and the dysfunction, he finally reaches his breaking point and turns his back on Christmas. Little does he know that his anti-Christmas behavior has awakened a demonic presence, hell-bent on punishing those who don’t believe in the Christmas spirit. Now this fractured family must truly come together if they are to survive the night.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Holiday Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for sequences of horror violence/terror, language and some drug material)

A Royal Night Out

(Ketchup) Sarah Gadon, Bel Powley, Emily Watson, Rupert Everett. As Europe celebrates the fall of Nazi Germany in 1945, Princesses Margaret and Elizabeth are allowed outside the walls of Buckingham Palace to join the festivities. However, the two headstrong ladies ditch their military escort and find the first flush of romance and intrigue.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Disney Springs, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for some sexual content and brief drug elements)

Chi-Raq

(Roadside Attractions) Teyonah Parris, Nick Cannon, Samuel L. Jackson, Wesley Snipes. As the murder rate in Chicago skyrockets above the military casualties in Iraq, the death of a child caught in the crossfire of a murderous gang war sparks the women of Chicago to stand up and say enough. They vow to withhold sex from all men in Chicago until there is peace. Spike Lee’s latest joint is based on the classic Greek play Lysistrata. Catch the Cinema365 review of the film right here tomorrow.

See the trailer, clips  and a Q&A with Spike Lee here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for strong sexual content including dialogue, nudity, language, some violence and drug use)

Jack of the Red Hearts

(ARC Entertainment) Famke Janssen, AnnaSophia Robb, Taylor Richardson, Sophia Anne Caruso. A streetwise teenage girl is desperate to get her younger sister out of the foster care system. Conning her way into a suburban home as a live-in helper for an autistic 11-year-old girl, she finds herself able to communicate with the child in ways nobody else can. She also finds a mother figure in the girl’s mom. But when the law finally catches up with her, she’ll have to choose between saving her own hide and saving someone else.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family Drama
Now Playing: AMC Disney Springs

Rating: NR

Janis: Little Girl Blue

(FilmRise) Janis Joplin, Cat Powers, Juliette Lewis, Dick Cavett. Janis Joplin remains a cultural icon, one of the first women to become a rock star (as opposed to a pop star which most women were relegated to prior to Joplin). Her gigantic voice was augmented by her reputation as a free spirit. Her death at 27 insured her status as a legend. This Amy Berg-directed documentary was given unprecedented access to the Joplin family and shows a side to the singer that few have ever gotten to see.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

The Letters

(Freestyle) Juliet Stevenson, Max von Sydow, Rutger Hauer, Priya Darshini. Some have characterized Mother Teresa of Calcutta as a modern day saint and indeed the Vatican is looking into canonizing her even as we speak. However, the woman behind the selfless commitment to the poor and forgotten of the Calcutta slums revealed in her letters reveal a troubled and lonely woman who actively questioned her faith and even whether or not she’d been abandoned by God.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cinemark Artegon Marketplace, Cobb Plaza Cinema Cafe, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for thematic material including some images of human suffering)

The Second Mother

(Oscilloscope Laboratories) Regina Casé, Michel Joelsas, Camila Márdila, Karine Teles. This frothy Brazilian concoction considers a hard-working domestic whose daughter comes to live with her in her employer’s estate. Her arrival puts the class distinctions in the household which mirror those set in place for generations into complete disarray.

See the trailer and stream the full movie from Amazon here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: R (for some language and brief drug use)

Maps to the Stars


Mia Wasikowska communes with the grime.

Mia Wasikowska communes with the grime.

(2015) Thriller (Focus) Julianne Moore, Mia Wasikowska, John Cusack, Robert Pattinson, Evan Bird, Olivia Williams, Sarah Gadon, Klara Glasco, Dawn Greenhaigh, Jonathan Watton, Jennifer Gibson, Gord Rand, Justin Kelly, Niamh Wilson, Clara Pasieka, Emilia McCarthy, Allegra Fulton, Dominic Ricci, Jayne Heitmeier, Carrie Fisher, Amanda Brugel. Directed by David Cronenberg

Hollywood is a seductive cocktail. You can hear it whispering “Drink me” in a throaty voice, promising fame, wealth, glamour and the opportunity to be beloved by minions. What you don’t hear it whisper is that it rarely bestows those things on anyone and when it does, the cost is unbearably high.

On a bus to Hollywood there is a young woman named Agatha (Wasikowska). She is, we find out later, hideously burned, wearing gloves and a body stocking to hide them, as well as long bangs to hide those on her face. She is coming at the behest of Carrie Fisher (whom she met on Twitter), she says (and it turns out to be true) to help her co-author a novel or maybe a project for HBO. She also has a bit of an obsession for the actress Clarice Taggart (Gadon), a beautiful and troubled soul who died tragically young in a house fire.

As it turns out, Clarice was the mother of Havana Segrand (Moore) who has had a lengthy career as an actress. Unfortunately, she didn’t have the good fortune to die young and beautiful in a fire and as she is getting older she is getting more and more invisible to casting agents. She is desperate to get a role in the remake of her mother’s most famous movie, Strange Waters  – and not just any role but the role her mother played. Alas, it seems destined for a younger actress named Azita Wachtel (Heitmeier). Nevertheless, Havana needs a new assistant and her close friend Carrie Fisher is happy to recommend the newcomer Agatha for the job.

Havana sees pop culture psychotherapist and self-help guru Dr. Stanford Weiss (Cusack) to help her deal with her mommy issues, which are severe. Havana has claimed to have been abused physically and sexually by her mom, a charge her mom vehemently denies – or rather the ghost of her mom who haunts Havana.

Dr. Weiss has issues of his own. His young son Benjie (Bird) is a child star whose career took a tumble when he went to rehab. Now clean and sober, he’s making a sequel to his best-known role, Bad News Babysitter with another young actor who seems to be stealing all the scenes, which irritates Benjie no end. Of course, everything irritates Benjie no end and he is bringing cruelty and all-around dickishness to a new art form. His mother Christina (Williams) is wrapped around his little finger but she’s been through a lot; a fire caused by Benjie’s sister took the life of a younger brother and caused the sister to be locked away in a mental institution.

As events begin to shift and roil, with Agatha striking up a relationship with a limo driver (Pattinson) who yearns to be an actor/writer and tragic circumstances awarding the coveted role to Havana, the tenuous connections between all these characters become much clearer and darker as things begin to move towards a horrifying conclusion. But then again, this is Hollywood, baby.

Cronenberg has had a career that is iconoclastic. While his output has been uneven, his films are generally interesting even if they haven’t always succeeded in resonating with audiences. This particular movie is as dark as they come with a cast of characters that is unlikable from top to bottom; from the self-centered therapist to the narcissistic child actor to the troubled assistant to the egotistic actress, this is the nightmare Hollywood in which self-serving lies are a kind of currency and kindness a mark of weakness – unless done very visibly in order to garner favorable publicity.

Moore, who recently was awarded the Oscar for her work in Still Alice is definitely on a role; she could easily have been nominated for this performance as well and may well have had the studio elected to release this last year. It may well be too early in the year for Academy voters to remember her work come the fall when ballots are mailed out but she deserves to have her name written down on at least a few of them.

Most of the rest of the cast does solid work as well, although special note should be made of Bird who is not well-known yet but may well be after his performance here. He makes Draco Malfoy look like a sweetheart, and made the character’s nastiness so palpable that Da Queen wanted to kick him in the genitals several times. My lovely wife doesn’t like spoiled brats overly much, particularly of the Hollywood sort.

There are a good number of insider references and those who are fascinated by that kind of thing will be in hog heaven here. However, this isn’t a movie that is going to have mass appeal; things get more and more twisted and perverse as the movie goes on with a dog getting shot (usually a deal killer for me) and even worse as things spiral towards their conclusion.

Cronenberg has always worked outside the Hollywood system which is a little bit easier when you’re Canadian (this movie marks the first time he’s even shot in the United States in a career approaching 50 years and that only for essentially a week) and this isn’t likely to get him any new invitations to parties, not that he would accept any. I will say that as bleak a characterization of Hollywood life as this is (and there is some truth to it), the reality is not quite so extreme as reality often is. There are plenty of people in Hollywood who are genuine and kind but that kind of thing is less interesting; we’d rather see the rich and famous be absolute bastards because it makes us feel better about ourselves, as in “they got rich and famous but they had to sell their souls to get it which I’m not willing to do, hence the reason I’m not rich and famous.”

This isn’t for everyone, nor should it be. There are plenty who will be put off by the pervasive self-worship and the skewed outlook on life by those who live the Hollywood dream. There’s nothing wholesome about it. However, I will point out that the trailers imply that this is something of a horror movie; yes there are apparitions and horrible things happen but this isn’t a horror movie per se, so be aware of that going in.

This isn’t Cronenberg’s best film, nor is it his most typical but this is a very good piece of filmmaking indeed. I was really drawn in, wondering what was going to happen next and that’s all you can ask of any movie. It may not have been a pleasant experience (and those looking for one can always go see McFarland) but it was an edifying one and that gets points in my book.

REASONS TO GO: Searing performances by Moore and Bird. Lots of Hollywood insider goodness. Some moments of genuine pathos and genuine hilarity.
REASONS TO STAY: Dark, dark, dark. Intrinsically shallow with characters you’re not going to like very much.
FAMILY VALUES: There is some unsettling violence and bloody images, graphic nudity, sexuality, foul language and some drug use.
TRIVIAL PURSUIT: Moore and Wasikowska previously appeared together in The Kids Are All Right in which they played mother-daughter.
CRITICAL MASS: As of 3/5/15: Rotten Tomatoes: 63% positive reviews. Metacritic: 67/100.
COMPARISON SHOPPING: The Day of the Locust
FINAL RATING: 8/10
NEXT: Leviathan

Dracula Untold


Enter the dragon.

Enter the dragon.

(2014) Horror (Universal/Legendary) Luke Evans, Sarah Gadon, Dominic Cooper, Art Parkinson, Charles Dance, Diarmaid Murtagh, Paul Kaye, William Houston, Noah Huntley, Ronan Vibert, Zach McGowan, Ferdinand Kingsley, Joseph Long, Thor Kristjansson, Jakub Gierszal, Joe Benjamin, Paul Bullion, Mish Boyko, Dilan Gwyn, Louise Parker. Directed by Gary Shore

You may think you know the story of Dracula but most of us only know his Victorian-age story as told by Bram Stoker. However, even by that point the infamous vampire was centuries old, the undead creature once known as Vlad the Impaler, a 15th century Transylvanian prince who was already a bit of a monster while he was still alive. Of course, history is often a different tale than what those who were there might have narrated.

Vlad who as a boy was sent to live with the Turks as a sort of tribute (and also to keep the numerically superior Turkish army from annihilating the Transylvanians) wants nothing more than to live in peace with his people and his family – his wife Mirena (Gadon) and son Ingeras (Parkinson).

But that is not to be. A Turkish delegation arrives, demanding that the Transylvanians supply them with a thousand boys to serve in the Sultan’s army – including Vlad’s own son. Vlad tries to reason with them, but the envoy won’t hear of it. When a small party of Turks comes to take Ingeras, Vlad kills all of them.

Knowing they can never defeat the massive Turkish army who are well-armed and well-trained, Vlad turns desperate to protect his family at all costs. He ascends a forbidding mountain and there meets the Master Vampire (Dance), a creature half of myth and legend but certainly real enough. He cautions Vlad that the price for power is staggeringly high. If Vlad drinks of the vampire’s blood, he will have most of the vampire’s powers for three days. If he can keep from drinking human blood in that three day period, he will return to his human form. Should Vlad drink any human blood during those three days, a vampire he’ll remain for eternity and the Master Vampire will be freed from his prison and be allowed to walk the world again after centuries of imprisonment.

At first it seems like Vlad made a great bargain; he defeats a Turkish battalion by himself, able to change into bats, control the creatures of the night and possessed of the strength of a hundred men. However, the thirst is proving to be more difficult to resist than he might have thought possible. He also discovers that this was just a diversionary tactic by the Turks and they are coming with an army of hundreds of thousands to wipe out the Transylvanians, led by the Sultan (Cooper) himself, once a boyhood friend of Vlad’s. Can he find a way to defeat the Turks and keep his humanity at the same time?

This is one of those movies that mixes in fact and fiction together to create a different kind of brew, although the “facts” are somewhat fast and loose. In fact, just about the only thing the writers got right was that Dracula which translates depending on who you ask as the Son of the Dragon, or the Son of the Devil, was a prince of Transylvania who would impale his enemies as a means of intimidation. There the distinctions stop. There were no Turks in the 15th century; back then it was known as the Ottoman Empire and the Turks were but one ethnic group in the Empire. Also, his wife’s name was Ilona, not Mirena. He had a daughter named Mircea and a son named Mihnea but no child named Ingeras. Nor was Vlad all that popular among his nobles who were angered by his usurping of what they thought were their rights. Vlad wanted autocratic authority.

All that could have been forgiven if we’d been given a dynamic Vlad but Evans doesn’t deliver one. We get a fairly bland portrayal of the legendary nobleman, one that lacks force or charisma. We never get much of a sense as to what Vlad is like other than that he’s a devoted family man. That’s all well and good but we get a sense of his cruelty only by reputation; Vlad the Impaler might as well have been nicknamed Vlad the Doting Dad. There are a couple of scenes of stakes with Vlad watching them in anguish but that seems pretty at odds with the kind of guy who had no problems letting his enemies die horribly painful deaths. Evans seems distracted, like his mind is on a different movie than the one he’s shooting.

Mirena’s role isn’t well-defined. One gets a sense she’s supposed to be fiercely devoted to her son and husband and that she was strong enough to stand up to her sometimes hot-tempered husband but then at other times she seems uncharacteristically meek and submissive. Thus we are unable to get a real handle on who the true Mirena is.

The special effects are nifty, particularly Dracula transforming into a flock of bats, or controlling the storm near the end of the film. By and large though this isn’t as effects-driven as you might think; mostly this is a costumed action-adventure film in horror sheep’s clothing. The sets are extravagant looking and the cinematography of Ireland (subbing for the Carpathian Mountains) is lovely.

It can be said that this is lovely packaging for essentially an empty box. The suspense element is by the boards because we all know that Vlad is destined to be an immortal vampire so we know that he is going to consume the blood within those three days; it’s just a matter of how and when. So we’re left with mindlessly entertaining,,merely a trifle that will be forgotten the moment you leave the theater.

REASONS TO GO: Some nifty effects sequences. Lush cinematography and nice sets and costumes.
REASONS TO STAY: Evans is a bit wooden. Bloated and stodgy in places. Some historical inaccuracies.
FAMILY VALUES: There is war violence, scenes of bloody vampire attacks, some disturbing images and a little sensuality.
TRIVIAL PURSUIT: Sam Worthington was originally set to star until he had to drop out and was replaced by Evans.
CRITICAL MASS: As of 10/25/14: Rotten Tomatoes: 24% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Van Helsing
FINAL RATING: 5.5/10
NEXT: Six Days of Darkness begins!

New Releases for the Week of October 10, 2014


Dracula UntoldDRACULA UNTOLD

(Universal/Legendary) Luke Evans, Sarah Gadon, Dominic Cooper, Diarmaid Murtagh, Samantha Barks, Charles Dance, Noah Huntley. Directed by Gary Shore

The historical figure of Vlad Tsepes, also known as Dracula, is mixed with fantasy as his origin story is given a re-imagining. A Transylvanian warlord attempts to protect his family and his people from an Ottoman sultan who threatens them. He is willing to go to any lengths to save them, including making the ultimate sacrifice – his soul. This has been announced to be the first movie in the shared Movie Monster cinematic universe that Universal is undertaking.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday)

Genre: Horror Action

Rating: PG-13 (for intense sequences of warfare, vampire attacks, disturbing images and some sensuality)

Addicted

(Lionsgate/CODEBLACK) Sharon Leal, Boris Kodjoe, Tyson Beckford, William Levy. Zoe seems to have the perfect life; a handsome and loving husband, great kids and a business that she has built into a big success. However, Zoe hides a dark secret – a compulsion for sex that threatens to destroy everything she’s built. Based on the novel by Zane.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Drama

Rating: R (for strong sexual content, nudity, language and brief drug use)

Alexander and the Terrible, Horrible, No Good, Very Bad Day

(Disney) Steve Carell, Jennifer Garner, Dylan Minnette, Megan Mullally. 11-year-old Alexander wakes up with gum in his hair and things go downhill from there. Getting little sympathy from the rest of the family, he begins to wonder if terrible, horrible, no good, very bad things happen only to him until they begin to experience their own terrible, horrible…oh, you get the idea.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Family Comedy

Rating: PG (for rude humor including some reckless behavior and language)

The Devil’s Hand

(Roadside Attractions) Jennifer Carpenter, Rufus Sewell, Alycia Debnam Carey, Adelaide Kane. Six girls are born to six different mothers on June 6th in a small, devout Amish-like town thereby setting in motion an ancient prophecy that on their 18th birthday, one of these girls will become the Devil’s Hand. As the day approaches and the girls begin to disappear, the town lives in terror that the prophecy might just be coming true.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: PG-13 (for disturbing and violent material, some partial nudity and thematic content)

The Guest

(Picturehouse) Dan Stevens, Maika Monroe, Leland Orser, Sheila Kelley. The grieving family of a soldier killed in action in Afghanistan welcome one of his friends from his unit into their home. The teenage sister of the dead soldier starts to get suspicious when people in town start turning up dead and she believes that their seemingly polite and perfect guest might be responsible.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for strong violence, language, some drug use and a scene of sexuality) 

The Judge

(Warner Brothers) Robert Downey Jr., Robert Duvall, Billy Bob Thornton, Vera Farmiga. Returning home for his mother’s funeral, a high-priced defense lawyer discovers his estranged father, in the early stages of dementia, has been accused of murder. He decides to represent him even though the two don’t get along at all in a last ditch effort to repair the breach that separates them both.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama (opens Thursday)

Rating: R (for language including some sexual references)

Kill the Messenger

(Focus) Jeremy Renner, Rosemarie DeWitt, Ray Liotta, Andy Garcia. San Jose Mercury News reporter Gary Webb digs into a story that links the epidemic of crack cocaine, the CIA and arm sales to Contra rebels. He would ultimately win a Pulitzer Prize for the story but would also put his own reputation, his career, his family and his safety on the line to do it.

See the trailer, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: R  (for language and drug content)

The Man on Her Mind

(Paladin) Amy McAllister, Georgia Mackenzie, Shane Attwooll, Samuel James. A girl dreams about the perfect man. A boy dreams about the perfect woman. But when those dreams begin to become reality, what will it really mean for the two of them?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Romantic Comedy

Rating: NR

Meet the Mormons

(Purdie) Jeffrey R. Holland, Gail Halvorsen, Bishnu Adhikari, David Archuleta. A look at the people and the tenets of the Mormon faith, which some believe has been given a raw deal by the mainstream media.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: PG (for some thematic elements)

Pride

(CBS) Bill Nighy, Imelda Staunton, Dominic West, Paddy Considine. In the era of Margaret Thatcher, the National Union of Mineworkers goes on strike, prompting a showdown in the corridors of power between the working class and the upper class. In London, a group of gay and lesbian advocates, seeing the struggle of the mineworkers, decides to support the strike. At first the mineworkers don’t want their aid but eventually come to see that together they are far stronger and can accomplish far more.

See the trailer, clips, interviews, featurettes and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: R (for language and brief sexual content)

Tracks

(Weinstein) Mia Wasikowska, Adam Driver, Jessica Tovey, Emma Booth. An Australian city girl decides to make a 2,000 mile trek across the Australian desert accompanied only by her dog and four somewhat unpredictable camels. Along the way she meets a National Geographic photographer who decides to document her epic journey.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: PG-13 (for thematic elements, some partial nudity, disturbing images and brief strong language)