Gut


Jason Vail likes to watch.

Jason Vail likes to watch.

(2012) Horror (Gut Productions) Jason Vail, Nicholas Wilder, Sarah Schoofs, Kirstianna Mueller, Kaitlyn Mueller, Angie Bullaro, Ria Burns-Wilder, Leisa Haddad, Misty Gonzalez, Miles Joris-Peyrafitte, Karl Pfeiffer, Jordan Sariego, Christine Kadets, Deborah J. Atuk, J. Brett Rose, Heather Lattuca Ferrari, Frank Pelligra, Antonia Roman. Directed by Elias. 

There are things in our personality that we aren’t proud of. It might be a quick temper, or a tendency towards procrastination. Sometimes they are dark sides of our nature, something that we can’t share with anyone but a select few.

Tom (Vail) has a pretty decent life all things considered. He has a job albeit not a very good one, but his closest friend Dan (Wilder) works with him. The two have a shared love for horror flicks, the darker the better. But since Tom got married he and Dan have been drifting apart.

And why wouldn’t Tom start drifting away? His wife Lily (Schoofs) is amazing, very into sex and supportive. Their daughter Katie (the Mueller twins) loves her daddy very much. It’s a pretty good life, with a better one in their sights; Katie and Tom are thinking of moving away where they can get a better home and a better job for Tom. Besides, Dan has gotten a bit…clingy.

The two have lunch together nearly every day at a local diner. Not because the food is so great but Dan is sweet on Sally (Bullaro), a waitress there. Dan whines about Tom paying less attention to him and eventually Tom agrees to drop by and watch a video with him.

So one night Tom goes over to hang out with Dan in his apartment and Dan pulls out this DVD he’s purchased from the Internet and it’s freaking creepy. It’s a naked woman strapped to a table. Her cries are muffled.  A pair of hands in surgical gloves rubs up and down her torso before producing a wicked looking knife and cutting her open. Her cries slowly fade away as she bleeds out….after which those surgically gloved hands go inside her body, rooting away in an almost erotic, loving fashion.

So is the tape real? Both Tom and Dan seem to think it is. Tom is at first appalled and tells Dan not to order any more of those sorts of DVDs anymore. But despite his protests, Tom is secretly mesmerized by the images. And turned on by them. Sex with Lily has become less exciting and no matter what she does he finds himself unable to be stimulated unless he is thinking about those images.

As you can expect Dan gets more tapes of similar types and it is plain both men have become obsessed. Dan is missing work and Tom, well Tom and Lily are beginning to have problems. Even roughhousing with Katie is bringing images of blood on her bare torso to Tom’s mind. He can’t seem to get those images out of his head, even though he knows its wrong.

But as they inevitably do, things spiral out of control and both men begin to suspect that each of them may be the one taking these movies. Who is behind it? And what was Tom doing at the beginning of the film?

This is a disturbing psychological horror film. While there is some blood, there isn’t an overabundance of it. The theme is more about obsession with death than it is about actual death, and about the eroticism of horror.

The movie is very starkly filmed. Possibly that’s because of the low budget but I think it might also be intentional. The feel is almost clinical in some ways, which makes the horror even more intense. Adding to that sterility is the flat performances of the actors who at times seem to lack any emotion. Is it a commentary on how numb our society has gotten? I like to think it is.

This is both social commentary and horror – the eroticism of death and the general desensitized populace that is modern Western society. The problem with horror films in 2013 is that they have a hard time competing with the real horrors that we see every day – gunmen opening fire on schools, whack jobs planting bombs at popular and prestigious events, planes full of gasoline being flown deliberately into buildings full of people, terrorists strapping bombs to their chest and setting them off on city buses. How is a vampire or a werewolf compete with that when there are monsters everywhere with human faces?

Gut actually explores that a little bit and modestly at that. I found it to be disturbing and provocative and, if you’ll pardon the pun, a cut above most horror films that are out there.

NOTE: Gut is being released on DVD on May 28. Click on the photo above to go to their home page and find out a little bit more about it, or to stream the movie from several online sources.

REASONS TO GO: Unnerving. Clinical view of horror makes it more intense.

REASONS TO STAY: A curious emotional flatness to nearly all the characters.

FAMILY VALUES:  There’s some gore, quite a bit of graphic nudity and sexuality and a bit of bad language.

TRIVIAL PURSUIT: Played last year’s Orlando Film Festival.

CRITICAL MASS: As of 5/6/13: Rotten Tomatoes: 17% positive reviews. Metacritic: no score yet; while not a lot of mainstream critics have seen this (and those who have didn’t like it much), the underground horror press has been raving about this one for some time.

COMPARISON SHOPPING: Videodrome

FINAL RATING: 7/10

NEXT: Pain & Gain

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