Happy Feet Two


It still sucks to be a penguin.

It still sucks to be a penguin.

(2011) Animated Feature (Warner Brothers) Starring the voices of Robin Williams, Elijah Wood, Hank Azaria, Alicia Moore “Pink”, Sofia Vergara, Common, Hugo Weaving, Brad Pitt, Anthony LaPaglia, Matt Damon, Ava Acres, Carlos Alazraqui, Magda Szubanski, Benjamin Flores Jr., Jeff Garcia, Johnny Sanchez III, Lombardo Boyar, Meibh Campbell, Richard Carter, E.G. Daly. Directed by George Miller.

The first Happy Feet, directed by George (Mad Max and sequels) Miller held some interest despite a message shift from being yourself and overcoming obstacles to a global warming warning which led to a half billion dollar box office take and an Oscar for Best Animated Feature, one of the few non-Pixar movies to have won one. The bar was obviously set pretty high for the sequel.

The hero of the first move, Mumble (Wood) has married his sweetheart Gloria (Pink) and they’ve had a son of their own, Erik (Acres). In the land of Emperor Penguins, dance has take over from singing as the means of expression of one’s heart but there’s a lot of both. It’s like an unholy cross between March of the Penguins and Glee. Erik, who can do neither and disgraces himself by wedging himself into a hole in the ice headfirst, urinates on himself in embarrassment and winds up running away.

He makes his way to Adelie Land where his dad’s old friend Ramon (Williams) is from and is now ruled over by Sven (Azaria), a penguin whose people had been forced to leave when their fishing grounds were overfished. He had escaped only by learning to fly – but he’s not actually a penguin but a puffin, although nobody notices the difference. Sven sends Erik home with his dad but not before Erik has fallen under Sven’s spell of “if you can believe it, you can make it happen” philosophy.

However, the climate change issue is being felt most here in the Antarctic as Emperor Land calves away and becomes a gigantic bowl with no way in and no way out. Mumble and the boys are unable to return home and their family and friends are facing starvation. They do all they can to feed them but it will take a lot more than the four of them can provide to save the Emperors.

The plot is actually much more convoluted than that, with a side plot of a pair of krill named Will (Pitt) and Bill (Damon) who have ambitions of being more than a snack for whales and break away from their swarm, as well as one involving Bryan the Beachmaster (Carter), a seal whom Mumble saves.

Certainly the ecological message of climate change and its consequences remains here although the original message of self-reliance and being your own person seems to have fallen by the wayside to be replaced by a “we’re all in this together” theme with a side of “when we work together we can do anything.”

The animation, as with the first film, is nifty and colorful; your kids will love it, as well as the cuddly penguins who are as in the first movie, adorable. However if you are setting this up on the Blu-Ray player, you might want to leave the room; as I said the story is pretty confusing and frustrating. There really isn’t anything here that will persuade you that your time with the kids kind of out of the way won’t be better spent taking care of things around the house or better yet, having a bit of me time.

Sadly, this is unoriginal and uninspiring, a combination that non-discerning kids might be able to get past but most adults are going to wind up fidgeting like a four-year-old at a Merchant-Ivory screening. With the abundance of really quality kid-friendly animated features that appeals to adults as well, there isn’t a good reason to put this on your list unless you either love listening to Robin Williams do his thing (and admittedly he does it very well) or if you just like the pretty pictures.

WHY RENT THIS: Nicely animated. Very kid-friendly.

WHY RENT SOMETHING ELSE: A jumbled mess. Lacks originality and adults will be squirming throughout.

FAMILY VALUES:  There is some rude humor and a bit of peril which might upset the really young but otherwise suitable for everyone.

TRIVIAL PURSUIT: Pink, who sang a song (“Tell Me Something Good”) during the opening credits of the first film, replaces the late Brittany Murphy who voiced Gloria in the first movie. The film is dedicated to Murphy and to Steve Irwin, both of whom voiced characters in Happy Feet but had since passed away.

NOTABLE HOME VIDEO EXTRAS: Includes the Looney Toons short I Tawt I Saw a Puddy Tat which preceded the theatrical showings of Happy Feet Two. There are also four (count ’em) music videos including Pink’s latest single (at the time), as well as three sing-a-long tunes from the film. Finally there is an app which you can download on your iPad Touch or iPad which allows you to view additional content while the film is playing.

BOX OFFICE PERFORMANCE: $150.4M on a $135M production budget; the box office performance was disappointing.

COMPARISON SHOPPING: Journey to the Center of the Earth

FINAL RATING: 4/10

NEXT: Last Holiday

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Happy Feet


Happy Feet

Mumble (the big penguin, center) and friends get a glimpse of a whole new world, except that phrase is owned by Disney so they can't use it. They can't use "circle of life" for the same reason. Damn that mouse!

(2006) (Warner Brothers) Starring the voices of Robin Williams, Elijah Wood, Nicole Kidman, Brittany Murphy, Hugh Jackman, Hugo Weaving, Magda Szubanski, Miriam Margolyes, Anthony LaPaglia, Chrissie Hynde, Steve Irwin, E.G. Daily.  Directed by George Miller

If there’s anything I learned from the documentary March of the Penguins is that it sucks to be a penguin. I’m not sure after seeing this that director George Miller didn’t get the same impression that I did.

It is said that emperor penguins have a heartsong, something that comes from so deep inside them that it conveys the essence of who they are. They use their heartsong to find a mate whose heartsong resonates with their own, creating a brand new harmony that is timeless and eternal.

Norma Jean (Kidman) is searching for the penguin with the right heartsong. While there are plenty of suitors for the gorgeous young female, only one – the somewhat unique Memphis (Jackman) catches her ear. Together they make a baby. Well, they lay an egg anyway.

The cardinal rule of antarctic egg-siting is “don’t drop the egg.” While Norma Jean is off gathering fish for her husband and unhatched child, Memphis does just that. It’s just a quick little thing and immediately picked up and set back where it belongs, but Memphis is worried that he has killed the life inside the egg with his own clumsiness.

Hatching day comes and eggs all over the ice floe are releasing cute, fuzzy little chicks, but not the egg of Memphis and Norma Jean. Memphis is just about to give up when there is some movement. First one foot pokes out, then the other. At last, a cute little ball of fluff emerges, but to the horror of Memphis, he does this shaky-foot dance. “Stop that son,” he says in his best Elvis drawl, “that’s not penguin!”

However, as his son, named Mumble (Daily) grows up and goes to chick school, the happy feet dance continues. And, to the horror of everyone in his class, Mumble can’t sing a note. All he can do is shriek. His affronted teacher, Miss Viola (Szubanski) sends him to the best vocal teacher in Antarctica, the matronly Mrs. Astrakhan (Margolyes). She has never failed to develop a chick’s voice yet, but Mumble’s proves to be the first. He becomes an object of ridicule and scorn, although his kind heart and generous spirit catches the notice of Gloria (Murphy) and as he grows up into a young man (Wood), her beauty and song (she’s the best singer in the great white South) catches his notice as well.

He is prevented from graduating with the rest of his class by the elder of the tribe, Noah (Weaving) but he goes out fishing with them anyway. After all, fish is becoming more and more scarce and with all the predators out there – bull seals, killer whales and such – it’s awfully tough for a penguin to find a good meal. Still, Mumble proves to be a good fishcatcher, despite the best efforts of slovenly skua (a seabird) Boss (LaPaglia) to steal Mumble’s fish away. However, seeing that Gloria didn’t catch one, he gives her his. 

However, more and more he is finding it easier to communicate with his feet rather than with his song, and as his moves begin to catch on, the elders – fearing that his blasphemy has caused the Great Provider from giving them fish – cast him out. He hooks up with Ramon (Williams), a homeboy of the adelie penguins and leader of the Adelie Amigos, who admires his moves. For the first time, Mumble has found someone who thinks he’s cool. 

Mumble decides to seek the advice of the great oracle Lovelace, who has a plastic six-pack ring around his neck, to discover why the fish are growing more scarce, but Lovelace has no answer. Eventually, it turns out that Lovelace is slowly choking to death because of the plastic ring. Mumble determines to go to the Forbidden Coast to find the answers and save Lovelace as well as the rest of the penguins. 

With CGI animated features becoming more and more commonplace, it requires much more than spectacular animation to get me to recommend one, and frankly, while this is as well-animated as the Pixar movies, it just doesn’t have the heart, the soul or the story to compete with the creme de la creme of CGI filmmakers. This is very standard stuff about an outcast who finds his own individuality and through his/her courage gains acceptance from the rest of his/her community. While there are certainly ecologically sound subtexts to be found here, that is not the main focus of the story, and perhaps it should have been. 

I have no quibble with the voice acting jobs – there is a stellar cast here, and they wisely lean on genre veteran Williams for three seperate roles, all of which are entertaining and completely different from one another. However, the characters are essentially bland types who don’t really add any freshness to the genre. Let’s face it – we’ve seen about all of the outcasts I can handle in CGI movies, from Boog and Elliott in Open Season to D.J. and Chowder in Monster House.

We’ve seen the traditional animation go the way of the silent movie and watched as CGI movies take over. One of the things that killed traditional animation (along with the prohibitive cost and time-intensive labor and creating them) is that the studios – particularly Disney – stopped paying attention to story and became more concerned with creating characters that were marketable for their theme parks and merchandise. Pixar, on the other hand, gets it – to create timeless classic animation, you must first start with a timeless, classic story. Once they find a good story to tell, the animation comes afterwards. Audiences respond to this and that’s why they create hit after hit.

Yes, Happy Feet did great box office, but honestly, who will remember it five years from now, or even two hours after you leave the theater. There is more to animated movies than this and while there are enough good features to give this a mild recommendation, quite frankly I’m beginning to get a bit burned out on the genre.

WHY RENT THIS: Excellent vocal cast and some standout animation, nearly as good as Pixar’s best.

WHY RENT SOMETHING ELSE: A standard animated feature plotline about outsiders banding together to make good. *yawn*

FAMILY VALUES: Some mildly rude humor and a bit of peril but nothing too difficult except for the littlest of kids.

TRIVIAL PURSUITS: Naturalist Steve Irwin provided the voice of an elephant seal shortly before his untimely death. He had also provided the voice of an albatross for a scene that was cut from the film before it was animated; the scene was animated afterwards for the DVD release as a tribute to Irwin.

NOTABLE DVD FEATURES: In addition to the aforementioned Irwin scene, there is also a classic Warner Brothrs animated short whose plot is alarmingly similar to this movie and a couple of music videos. There is also a featurette showing Savion Glover’s tap dance routine being recorded on motion capture for use in the film.

BOX OFFICE PERFORMANCE: $384.3M on a $100 production budget; the film was a hit.

FINAL RATING: 5/10

TOMORROW: The Miracle Match