New Releases for the Week of August 31, 2018


KIN

(Summit) Myles Truitt, Jack Raynor, Dennis Quaid, Zoë Kravitz, James Franco, Carrie Coon, Ian Matthews, Gavin Fox. Directed by Jonathan and Josh Baker

An adopted African-American teen finds an otherworldly weapon in an abandoned factory and takes it home where his brother has just returned home after a stint in jail. Soon the two are being chased by the feds, the alien soldiers whose weapon it is and a vengeful criminal who has a beef with the ex-con.

See the trailer, interviews, clips, a video featurette and B-roll footage here
For more on the movie this is the website

Release Formats: Standard, DBOX, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating>: PG-13 (for gun violence and intense action, suggestive material, language, thematic elements and drinking)

Juliet, Naked

(Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang. A museum curator in a small British seaside town has put up for years with her boyfriend’s obsession over an American indie rocker who made one album and essentially disappeared. Now that there is new material out there, she impulsively writes a nasty review on her boyfriend’s website and to her surprise, gets a response from the musician in question. To her even greater surprise, she begins to develop a romantic relationship with the faded ex-rocker.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Waterford Lakes, Rialto Spanish Springs Square

Rating: R (for language)

The Little Stranger

(Focus) Domhnall Gleeson, Ruth Wilson, Charlotte Rampling, Will Poulter. In 1948, an English country doctor visits a patient on an estate where his mother once worked. The crumbling manor disguises some terrifying events that will draw the doctor into an exploration of the history of the family that has lived there for more than two centuries – and even more disquietingly, his own.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some disturbing bloody images)

Operation Finale

(MGM) Oscar Isaac, Ben Kingsley, Mélanie Laurent, Nick Kroll. This is the incredible but true story of the capture of Nazi war criminal Adolph Eichmann in a daring raid in Buenos Aires by a combined force of Mossad and Shin Bet.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release (opened on Wednesday)

Rating: PG-13 (for disturbing thematic content and related violent images, and for some language)

Searching

(Screen Gems) John Cho, Debra Messing, Michelle La, Sara Sohn. When his sixteen-year-old daughter disappears and with time ticking away, a desperate father searches his daughter’s laptop for clues that might lead him to his baby girl, and instead gets a lot more than he bargained for.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some drug and sexual references, and for language)

Yo Veremos

(Pantelion) Mauricio Ochmann, Fernanda Castillo, Emiliano Aramayo, Erik Hayser. A young boy preparing for sight-saving surgery puts together a bucket list of things he wants to do with both of his estranged parents.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: AMC Disney Springs, Epic Lee Vista, Regal The Loop, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

An Actor Prepares
The Bookshop
Nartanasala
Reprisal
Support the Girls

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Bookshop
Imaiikka Nodigal
John McEnroe: In the Realm of Perfection
Madeline’s Madeline
Nartanasala
Nico, 1988
The Night is Short, Walk on Girl
Reprisal
Stree
The Wife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Blood Fest
Boarding School
The Bookshop
Imaiikka Nodigal
Reprisal
Snow Queen 3: Fire and Ice
Stree
 

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Nartanasala
Summer 1993

SCHEDULED FOR REVIEW:

Blood Fest
Juliet, Naked
Kin
The Little Stranger
Operation Finale
Searching
Support the Girls

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In Her Skin (I Am You)


In Your Skin

Ruth Bradley literally leads Kate Bell down the garden path.

(2009) True Crime Drama (IFC) Guy Pearce, Miranda Otto, Ruth Bradley, Sam Neill, Kate Bell, Khan Chittenden, Graeme Blundell, John Butler, Justine Clarke, Diane Craig, Jack Finsterer, Rebecca Gibney, Eugene Gilfedder, Jeremy Sims, Steven Vidler. Directed by Simone North

 

Very few of us are genuinely happy with who we are. Some of us long to change certain things about ourselves, be it our physical appearance or our own natures. Sometimes this self-loathing leads to a hatred for everyone who at least on the surface appears to have everything we want.

Rachel Barber (Bell) is one of those that looks to have everything anyone could want. Beautiful and graceful, training to become a ballet dancer who one day will dance for a world class company, happy and well-adjusted, she has parents (Pearce, Otto) who adore her and a handsome boyfriend named Manni (Chittenden) who is head over heels for her.

Caroline Reid (Bradley), who was once Rachel’s babysitter, is in the other class. She isn’t conventionally pretty, struggles with her weight, and has less of a bright future before her. Her parents’ divorce really affected her deeply and from that arose anger issues that have given her a hair-trigger temper, prone to rages that are truly terrifying. Her father (Neill) is wealthy and distant, tending to be more critical than loving although he does love her in his own way.

When Rachel fails to return home after dance practice, her parents are alarmed. This just isn’t like their daughter at all. The police seem disinterested in finding their girl; they chalk it up as a runaway situation, which mystifies Manni who tells her everything but didn’t tell her that she had any idea about running off. Even Caroline, surly at best, expresses concern. The Barbers, desperate to find their daughter, decide to search on their own with the police scarcely willing to help.

Tragically, the Barbers are searching in vain. Their dearest Rachel is already gone, brutally murdered at the hands of her trusted friend and former babysitter Caroline. The deed was done as part of a twisted, psychotic attempt of Caroline to transform herself into Rachel, the only way the girl thought she had of ever having the things she wanted.

The movie is told from three differing points of view; that of the Barbers, of Caroline and of Rachel herself. North, in an attempt I suppose to take some artistic license, jumps wildly between time frames which is often confusing. Still, North gets the benefit of some riveting performances.

Bradley, an Irish actress, was someone I hadn’t seen much of (if anything) prior to this film but she nails the role. You feel like you as a viewer are walking on eggshells every time Caroline is onscreen; she can be sweetness and light but can explode into a volcanic eruption of rage without warning or cause. Her self-loathing is palpable as is her need for her father’s acknowledgment, something she can never get – the way she wants, in any case. You never really understand the motives, but then you can’t really understand crazy unless you are a lunatic yourself.

Pearce and Otto are two of the most dependable actors working today and as the parents their grief and worry consume them, sometimes leading to conflict between their characters. They are both sympathetic but imperfect adding a touch of realism to the film. It isn’t always easy to watch them, but it never feels anything but genuine.

Speaking of realism and genuine, the murder scene is quite horrific and very tough to watch. It doesn’t pull any punches and there’s nothing about it that is clean or easy. I very much suggest that those who are easily upset by those sorts of things to think twice before viewing.

This is definitely a flawed film but it is still quite good nevertheless. North excels at keeping a sense of tension even when it is obvious what is about to occur or what has already occurred. For those of us in America who are mostly unfamiliar with the case (it was front page news in Oz so Aussie readers may be far more familiar with the events in the film than us Yanks) there is an element of suspense that is well-appreciated. Like the Barbers, North doesn’t always do the right thing here but she does her best and even if she makes mistakes they are at least honest ones. She has a good deal of talent and I look forward to seeing what the future has in store for her.

WHY RENT THIS: Extremely well-acted. Tense and suspenseful, even though it is pretty obvious even to those unfamiliar with the case how it’s going to end up. 

WHY RENT SOMETHING ELSE: Time jumping confuses the viewer unnecessarily. Tries too hard in places.

FAMILY VALUES: The movie is intense in places and the murder scene might be too much for the sensitive. There’s also a few instances of foul language.

TRIVIAL PURSUIT: Bell and Chittenden, girlfriend and boyfriend in the film, also played girlfriend and boyfriend in the Australian TV series “Blue Water High.”

NOTABLE HOME VIDEO EXTRAS: There are some cast interviews that get highly emotional.

BOX OFFICE PERFORMANCE: Data not available.

COMPARISON SHOPPING: Taking Lives

FINAL RATING: 7/10

NEXT: Instinct