(1999) Adventure (Touchstone) Antonio Banderas, Diane Venora, Omar Sharif, Vladimir Kulich, Clive Russell, Richard Bremmer, Dennis Storhoi, Daniel Southern, Neil Maffin, John Desantis, Mischa Hausserman, Asbjorn Riis, Tony Curran, Albie Woodington, Erick Avari, Sven Wolter, Anders T. Andersen, Bjorn Ole Pedersen, Sven-Ole Thorsen, Maria Bonnevie, Kaaren de Zilva, Layla Alizada. Directed by John McTiernan
The late Michael Crichton’s books have had an uneven history on the screen, ranging from the classic (Jurassic Park, The Andromeda Strain) to the mediocre (Sphere, The Terminal Man) to the downright awful (Congo).
The 13th Warrior, directed by John McTiernan and based on Crichton’s Eaters of the Dead, isn’t a classic. But the movie, which tanked at the box office when it was released in 1999, is a surprisingly good adventure flick and well worth some viewing time.
Ahmed Ibn Fahdlan (Banderas) is a poet living in 12th Century Baghdad who runs afoul of the local caliph when he has an eye-to-eye dalliance with another man’s wife. For his indiscretion, the impetuous Ahmed is sentenced to be ambassador to the barbarous Norsemen. Accompanied by his old friend Melchisidek (Sharif), he arrives in the encampment of the Norse king – just in time to witness the old king’s funeral.
The brooding new king Buliwyf (Kulich) accepts the new emissary into his camp albeit begrudgingly. However, all is upset by the arrival of a courier who brings a call for help from a neighboring king whose people are being slaughtered by mysterious, seemingly demonic killers. Buliwyf consults a seer, who tells him that only 13 warriors must go. Quickly, 13 strapping warriors, led by their king, volunteer for the quest; but the seer admonishes that the 13th warrior must not be from the Northlands.
So, Ahmed is volunteered. Along the way to the embattled kingdom, Ahmed goes from being the butt of the band’s jokes to being a respected member of the cadre; he even manages to learn their language by a means that is delivered to the screen in a particularly imaginative way.
Once they arrive at the beset city, they are confronted by seemingly bear-like creatures who turn out to be a tribe of men – bear cultists. The heroic band of fighters bond amongst themselves, fight their implacable foes and the political intrigue of the kingdom they have traveled to, and sow courage, sacrifice and honor – qualities rarely seen in the movies these days.
The scenery here is gorgeous; the mists and shadows of the North make for compelling cinematography. The acting is solid; the Vikings are hearty and likable much in the way they are stereotyped in our culture. Banderas’ Ahmed is cultured and debonair, but is also brave and lethal. He is referred to by his mates as “little brother” and he is indeed brother to the honest and open Norse. His strength isn’t just in his muscles but in his heart, which his commander recognizes is the place where strength counts the most.
Banderas, post-Zorro, was looking to settle into an action hero role but the movie’s box office failure scuttled that career for him essentially – while he has continued to do action roles off and on since then, he’s tended to do more dramas and romantic comedies than anything else which was a bit of a shame – I thought he had great potential to help revitalize the moribund action hero role. Sharif made a rare but welcome appearance in the film – it’s a crime that Hollywood never really utilized this marvelous and charismatic actor more often after the 60s.
The 13th Warrior is a throwback film in many ways. It honors virtues that moviegoers since the antihero days of the 1970s have tended to disdain. We look for our heroes to be flawed so we can relate to them, rather than role models who inspire us to be something better. Ahmed is the kind of hero worth aspiring to – not to mention a rare portrayal of an Arabic character that is positive and strong. Now that’s something I’m all for.
WHY RENT THIS: Throwback adventure film. Nice sets and costumes. Omar Sharif.
WHY RENT SOMETHING ELSE: Somewhat muddled in places. Sluggish and slow-paced.
FAMILY MATTERS: Plenty of battle scene carnage, and a few disturbing images.
TRIVIAL PURSUITS: During test screenings of the film, the scores were so low that the film was deemed unwatchable; Crichton took over directing reshoots which nearly doubled the budget and delayed the movie by more than a year.
NOTABLE HOME VIDEO FEATURES: None listed.
BOX OFFICE PERFORMANCE: $61.7M on a $160M production budget.
FINAL RATING: 7/10