(2012) Science Fiction (FIlmDistrict) Guy Pearce, Maggie Grace, Peter Stormare, Lennie James, Vincent Regan, Joseph Gilgun, Jacky Ido, Tim Plester, Mark Tankersley, Anne-Solenne Hatte, Peter Hudson, Nick Hardin, Dan Savier. Directed by James Mather and Stephen St. Leger
When the President’s daughter is stranded on a space station full of psychotic criminals, that can just ruin your whole day, especially when you’re a top government agent falsely accused of espionage and murder. Or at least, so goes the popular thinking.
That’s the kind of day Snow (Pearce) is having. No first name by the way – just Snow. He’s got a briefcase that the CIA wants badly, particularly director Langral (Stormare). He’d watched Snow murder a friend and fellow agent with his own eyes and take a briefcase of secrets away for sale to the…well, whoever the Americans are battling with in 2079.
He manages to get it in the hands of Mace (Plester) before getting arrested. He gets a nice beating from a thug named Rupert before finding out he’s got a one-way ticket to MS-One, the maximum security low Earth orbit prison where prisoners are kept in cryogenic sleep for the duration of their sentences.
Now, the President’s daughter Emilie Warnock (Grace) happens to be on MS-One at that very moment on a fact-finding mission to determine the validity of rumors that prisoners are being abused which when you think about it is kind of bizarre – how do you abuse someone who’s frozen?
As it turns out, a somewhat overeager Secret Service agent (Ido) disobeys prison rules and brings a gun into an interview with a prisoner who’s been awakened just for the purpose and of course he manages to secure it from the agent and get free, setting loose all the other prisoners in the process.
Alex (Regan), a Jeffrey Dean Morgan look-alike, is the leader of the little revolt (his little brother Hydell (Gilgun) is the scumbag who set the others free) and he doesn’t realize that he has the president’s daughter at first being a little bit out of touch with the political landscape. Cryonic suspension will do that to you. That’s an advantage the powers-that-be know won’t last forever. They need to send someone up there to fetch her – but the prison is well-defended. An army couldn’t get in there without killing everyone in it – but one man…one man…
Guess who that one man is? Just call me Snake…I mean, Snow. Yeah, remember him from three paragraphs ago? That guy. His boss Shaw (James) doesn’t believe a word of the whole espionage and murder thing, thinks that the only guy for the job is Snake…I mean Snow. So why not send him in there? Of course, he’s got a prison full of psychotic rapists, murderers and psychopaths but that’s not unlike a session of Congress no? Anyway, he agrees to go when he discovers Mace has been caught and sent to MS-One…sounds like Microsoft app doesn’t it? Anyway, Snake…I mean Snow has another reason to head up there other than to rescue the progeny of the man who is sending him to jail. Well, figuratively.
This is the latest from producer Luc Besson (whose The Lady which he directed is in limited release even as we speak) and more along the lines which he’s traditionally associated with – taut action films with genre leanings. This is on the sci-fi lines. Besson came up with the idea and turned it over to St. Leger and Mather who make the most of it.
One of the brightest ideas was to cast Pearce. He is clearly having fun with his role as the wise-cracking Snow, delivering quips as easily as a sci-fi James Bond. Snow is more of a Snake Plissken type – that just keeps coming up doesn’t it – he’s not nearly as suave as the British superspy, but he makes up for it with easygoing self-confidence. This could easily be a franchise character, although the box office numbers don’t really justify it to date. However, since the movie was so inexpensive to produce (only $40 million at the box office gets it to profitability and it hasn’t been released in many overseas territories yet) being shot as it mostly was in Serbia, well, could still turn out okay.
The movie borrows liberally from a number of sources, including the aforementioned (well afore-referred to) Escape from New York as well as dozens of other prison break movies and sci-fi actioners. There is even a clever underhanded reference to Escape director John Carpenter’s early cult film Dark Star (kudos if you get what it is) near the end of the film, making this a semi-homage to Carpenter; if Michael Myers had popped up in a mask among the prisoners it might have made for a perfect Carpenterama.
That’s all forgivable. IF you’re going to steal, steal from the best I always say. However the plot makes some pretty laughable leaps in logic, defying physics and common sense (who would have a gunfight in a space station? one stray bullet can really suck). The infuriating thing is that with a little imagination, the writer/directors could have easily stuck to their internal logic and made for a more exciting movie – or even a movie that made more sense.
Don’t get me wrong though – the reason to see this movie is because it’s fun and action packed and this one is those things. It has a terrific lead – who knew that Guy Pearce could be a great action hero? – and an attractive Maggie Grace in the heroine role. It won’t make any top ten lists and it might not even stick to your memory for more than an hour or two, but you’ll have fun while you’re watching it and that’s really all you can ask for from a movie like this.
REASONS TO GO: Pierce has great fun with what could easily have been a cliché role. Fun and entertaining.
REASONS TO STAY: Some terribly long leaps in logic. Borrows a little too heavily from other films.
FAMILY VALUES: There is quite a lot of violence and a fair share of bad language. There are a few sexual references but nothing sexual per se.
TRIVIAL PURSUIT: The brothers are named Alex and Hydell. Lee Harvey Oswald used the alias Alek Hidell at one time.
CRITICAL MASS: As of 4/23/12: Rotten Tomatoes: 35% positive reviews. Metacritic: 48/100. The reviews are pretty poor.
COMPARISON SHOPPING: Fortress
INTERNATIONAL SPACE STATION LOVERS: The Space Station gets its own cameo appearance in the film which may cause a bit of consternation.
FINAL RATING: 6/10
NEXT: The Salt of Life