The Late Bloomer


Touchdown!

Touchdown!

(2016) Romantic Comedy (Momentum) Johnny Simmons, Brittany Snow, J.K. Simmons, Maria Bello, Kumail Nanjiani, Blake Cooper, Paul Wesley, Jane Lynch, Lenora Crichlow, Joey Greer, Matt Jones, Beck Bennett, Jason Antoon, Sam Robards, Ileana Douglas, Laraine Newman, Brian Doyle-Murray, Bobby Flay, Page Tierney, Vanessa Ragland, Lauren Shaw. Directed by Kevin Pollak

 

Puberty is an uncomfortable time for all of us. Most of us remember it with a mixture of wistfulness and downright embarrassment. Most of us wish we could have a do-over for that time in our life. Imagine going through it though when you’re thirty.

For Peter Newman (Simmons), that’s exactly what he’s facing. A successful sex therapist who advocates abstinence in his proto-bestselling book From Sex to Success, he’s had few romantic relationships and *gasp* no sex. Let’s just try and put aside for a moment that a virginal sex therapist is about as useful as a basketball coach who’s never even seen a single game of basketball played before.

Speaking of basketball, while playing a pick-up game a particularly vicious shot to the family jewels sends Peter to the E.R. where he discovers something alarming; there’s a tumor on his pituitary gland. Mind you, it’s benign but its presence kept Peter from entering puberty. Once removed, Peter is going to get the whole enchilada.

Yes that includes acne, inappropriate erections, a massive urge to masturbate and a squeaky, cracking voice at the worst possible moments. Worse yet, his crush – his neighbor Michelle (Snow) who has the world’s most inattentive boyfriend (Wesley) and a dream of becoming a celebrity chef – suddenly becomes the subject of his sexual desires, jeopardizing his friendship with her.

For his friends Rich (Nanjiani) and Luke (Bennett) this becomes the source of great amusement. For his parents (Bello, Simmons) this becomes a long-awaited relief. For his boss (Lynch) it becomes horribly inconvenient just when Peter’s renown is bringing his clinic a ton of new patients and new revenue. For Peter it is sheer torture as everything in his life changes in the wink of an eye.

Believe it or not, this is based on actual events. The subject in question is former E! Network reporter Ken Baker whose book Man Made: A Memoir of My Body is what the movie is based on. Incomprehensibly, the committee of six (!) writers who are responsible for this thing chose to change professions and turn an interesting take on sexuality and puberty into a cross between a raunchy sex comedy and a clichéd rom-com.

Pollak, the same guy with successful stand-up/impressionist and acting careers (if you haven’t seen his impressions of James T. Kirk and Columbo, you’re missing something) was motivated to make a movie out of this story but something tells me that the script wasn’t exactly what he had in mind. Still, the veteran Pollak could call on friends to do him a solid which explains the really top-notch cast. Simmons and Bello shine as Peter’s hippie parents and Lynch as always is dry as a bone in her delivery but charismatic as hell onscreen.

There is certainly room for a great movie here; Baker’s story actually has a good deal of humor in it and some real insight into sexual stereotypes, growing up, and the role of sex in modern society. We really get none of that here; mostly the humor is crude and juvenile which wouldn’t be a bad thing if the jokes were a bit funnier – or to be fair, if more of them were as there are I have to admit some genuine laughs here. There just aren’t enough of them to overcome a script that is riddled with cliches and an ending that recalls the worst aspects of sitcom writing.

REASONS TO GO: A really fascinating subject for a movie.
REASONS TO STAY: Juvenile humor and bland writing-by-committee torpedo what could have been a terrific film.
FAMILY VALUES:  You’ll find plenty of sexual content (much of it of the juvenile variety), profanity and some nudity.
TRIVIAL PURSUIT:  Wesley and Snow previously starred in the short-lived television show American Dreams.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Netflix, Vudu
CRITICAL MASS: As of 12/6/16: Rotten Tomatoes: 20% positive reviews. Metacritic: 34/100.
COMPARISON SHOPPING: The Forty Year Old Virgin
FINAL RATING: 5/10
NEXT: Billy Lynn’s Long Halftime Walk

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Sleeping With Other People


Getting laid in the Big Apple is easy for these two.

Getting laid in the Big Apple is easy for these two.

(2015) Sex Comedy (IFC) Alison Brie, Jason Sudeikis, Adam Scott, Adam Brody, Natasha Lyonne, Amanda Peet, Jason Mantzoukas, Katherine Waterston, Marc Blucas, Skylar Gaertner, Andrea Savage, Anna Margaret Hollyman, Margarita Levieva, Billy Eichner, Jordan Carlos, Margaret Odette, Sawyer Shipman, Brian Berrebbi, Michael Delaney, Remy Nozik, Victoria Frings. Directed by Leslye Headland

There is that age old question of whether or not men and women can be friends with each other without being sexually attracted. According to When Harry Met Sally the answer is no, and since it’s been 26 years since that classic hit the theaters, writer-director Leslye Headland thought it was high time that question was re-explored.

Jake (Sudeikis) is a serial womanizer who just can’t keep it in his pants. It seems to be a by-product of his commitment phobia for when any woman he’s spending time with wants to get close, he does something spectacular to push her away (generally sleeping with her best friend or sister); one recently made an ex-girlfriend reacts by shoving him in front of a taxi.

&At a self-help meeting for sex addicts, he runs into Lainey (Brie), the girl who was his first back in college (he was her first as well). She’s still hung up on the gynecologist, Matthew (Scott) that she was in college, much to Jake’s amusement. Matthew has all the personality of a wet sock and he can’t for the life of him figure out what she sees in him. In any case, they decide to hang out and develop a deep friendship.

Not wanting to mess things up with sex, the two decide to remain platonic and even institute a “safe word” when they start to feel sexual attraction for each other. Needless to say, everyone around them, particularly Jake’s friends Xander (Mantzoukas) and Naomi (Savage) who are married to each other see full well what the two don’t – that they are perfect for each other. And of course they both know it too, but are too scared to take action on it. So they both take refuge in old behaviors, just like many of us do when confronted by the scary.

Headland has written a smart, modern romantic comedy that is incredibly sexy. In fact, the onscreen sex is much more graphic than most mainstream films usually show in terms of body movement and facial expressions; however, there are no genitalia on display which is a bit odd considering that at various points in the movie there are some rather graphic conversations, including one where Jake demonstrates the finer points of female masturbation to Lainey so that she can curb her urges.

Sudeikis has been knocking on the door of stardom ever since graduating from Saturday Night Live and here he does the best work of his cinematic career. This is the movie that defines his strengths in a nutshell; it doesn’t hurt that he is given some wonderful dialogue that’s both snappy and smart. At one point, he dismisses Matthew as “the Pontiac Aztek of people” which is a hoot especially if you’ve ever driven one.

Brie has also been someone who has been knocking on that door, but her career is a lot less established than that of Sudeikis. She shows here that she has the chops to be as good a comic actress as any out there, including such names as Kristen Wiig and Tina Fey. She certainly in many ways is as good as Greta Gerwig who gets more indie love. Perhaps after this movie, which was a big hit at Sundance and Tribeca, that will change.

The only issue here is that there are some situations that reek of New York indie cuteness which is a disservice to the film. I don’t expect every movie to innovate, but I would at least hope that one that is as smart as this one at least avoids some of the same cliches that other films have fallen victim to, but at least it doesn’t hurt the movie too much.

It helps that there is some fine talent in supporting roles, many of whom are literally there to be conquered sexually by either Jake or Lainey. Many critics are comparing this to When Harry Met Sally and while this is much more graphic than that film, the basic man-woman friendship vs. sexual attraction thing is still at the forefront, and like that movie, there is intelligence and depth. Does it come to the same conclusions as that iconic rom-com? I will leave it to you to find out for yourself because this movie is certainly worth the look. As for me, I’ll have what they’re having – and fortunately for me, I already am.

REASONS TO GO: Excellent dialogue. Sudeikis at his very best. Intelligently written.
REASONS TO STAY: Too many cute indie cliches. Might be too sexy for those sensitive to such things.
FAMILY VALUES: Lots of graphic sex (but no graphic nudity), sexual dialogue and some drug use.
TRIVIAL PURSUIT: Scott and Mantzoukas both appeared together in Parks and Recreation.
CRITICAL MASS: As of 10/9/15: Rotten Tomatoes: 59% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: When Harry Met Sally
FINAL RATING: 7.5/10
NEXT: Reversion

The Overnight


Peep show.

Peep show.

(2015) Sex Comedy (The Orchard) Jason Schwartzman, Adam Scott, Taylor Schilling, Judith Godreche, Max Moritt, R.J. Hermes, Kyle Field, Sarah DeVincentis. Directed by Patrick Brice

Florida Film Festival 2015

Moving to a new city can be a daunting experience, particularly when you don’t know anyone there. We all need a social outlet and finding one in a new place can be something of a priority.

That’s the situation that Alex (Scott) and Emily (Schilling) find themselves in when they relocate from Seattle to the trendy Silver Lake section of L.A. She’s the breadwinner and he works from home and watches their young son R.J. (Hermes). He needs some adult conversation. While at a party for another kid, R.J. hits it off with Max (Moritt). Max’s dad, Kurt (Schwartzman) comes on a little strong at first but he seems to think that the two of them should be friends with he and his wife Charlotte (Godreche). He invites them over for a casual pizza dinner and some playtime for the kids. Alex and Emily readily agree.

It turns out that Kurt has quite the McMansion, more or less tastefully furnished. Everything starts out pretty mellow with plenty of pizza and wine, with Kurt turning out to have a pretty natural rapport with kids. It’s after the kids go to bed that things start to get weird. Turns out that Kurt, who fancies himself something of a renaissance man, has a talent for painting anuses. No, you read that right. He’s got dozens of paintings of bungholes (mostly Charlotte’s) in his studio.

And as Emily discovers, Charlotte is quite the free spirit. She dabbles in massage, but not the kind you find in your local spa – the kind with happy endings, as Emily is shocked to discover. While Emily and Alex aren’t necessarily prudes, they’re both a little bit on the uptight side. Alex is fairly sensitive about the size of his junk, and is especially intimidated when he discovers that in addition to everything else, Kurt is also hung like a horse.

Still with enough pot and champagne swimming in their bloodstreams, Emily and Alex are able to let loose a bit. Then a bit more. And then things get really strange.

Sex comedies have a tendency these days to be focused on horny teens trying to get laid (generally for the first time) so it’s kind of refreshing to have a sex comedy aimed for adults with adult sensibilities.  Writer/director Brice does get a bit into Apatow territory when he goes the penis size route but that’s really not the bulk of the material here. There’s a fish out of water element – the newcomers in hedonistic L.A. – but mainly this is a romp between the sheets.

What works here is the chemistry between the leads. In particular, Schwartzman does some of the best work of his career as the somewhat pompous and out there Kurt who is basically a decent guy who has kind of bought into the whole L.A. thing – it’s an easy temptation, I can tell you – and is kind of a douchebag because of it, but he’s not really a douchebag deep down. That’s fairly complex, but Schwartzman pulls it off.

Scott is becoming a very reliable comic actor with big things ahead of him. I liked him a lot in A.C.O.D. and I like him a lot here as well. He is pleasant enough even when the situation around him is crazy as can be but he seems nonplussed by the insanity. He also makes a very attractive couple with Schilling, who is a versatile actress who is mainly the straight woman here but she has her comedic moments as well.

This is definitely L.A.-centric and those who delight in dissing the City of Angels will have a field day here. Those who love the city as I do will be reminded of summer nights in the City, which can be among the nicest things you can experience in life. Still, the movie is anything but laid-back.

Much of the humor comes from awkward situations which can be…awkward. Still you have to admire a movie in which characters utter the lines “giant horse cock” and “I have an abnormally small cock” in the same scene. You just can’t get that anywhere else but here.

Like most movies, this one knows that the world’s most dangerous question is “Do you find me attractive” and that there’s no answer that doesn’t end badly once it is asked. Not all of the humor works here but when it does it is big laughs. On the balance, this is a rare breed of movie that walks the tightrope that is adult sex comedies. It occasionally falls off the wire but to its credit it gets back on and starts walking forward again, and that’s worthy of respect. This is solidly entertaining, rather funny and likely to be one of those movies that people will look at when Schwartzman, Scott and Schilling become A-list stars.

REASONS TO GO: Good chemistry among four leads. Very funny when it’s funny.
REASONS TO STAY: Not all of the humor works. Definitely awkward.
FAMILY VALUES: Graphic nudity, sexual situations and foul language..
TRIVIAL PURSUIT: Filming took place over a mere 15 days, very quick for a feature film.
CRITICAL MASS: As of 4/29/15: Rotten Tomatoes: 100% positive reviews. Metacritic: 73/100.
COMPARISON SHOPPING: Who’s Afraid of Virginia Woolf?
FINAL RATING: 6/10
NEXT: Ex-Machina

Swinging with the Finkels


Just a couple of hedonists.

Just a couple of hedonists.

(2011) Sex Comedy (Freestyle) Martin Freeman, Mandy Moore, Jonathan Silverman, Melissa George, Angus Deayton, Daisy Beaumont, Paul Chowdhry, Jerry Stiller, Beverly Klein, Edward Akrout, Andi Osho, Tim Beckmann, Louie Spence, Kenneth Collard, Carolyn Tomkinson, Michael Burgess, Lorraine Hilton, Ian Midlane, Tracy Wiles. Directed by Jonathan Newman

Marriage is not the easiest undertaking. So many different elements go into making it work – financial stability (or at least a reasonable facsimile of same), sexual compatibility, child raising philosophy, shared interests – it’s a wonder that any of them actually work.

Alvin Finkel (Freeman) and his wife Ellie (Moore) have lost that spark. Months go by without any sex at all and when they do have it, there’s a kind of drudgery to it, as if it is some kind of chore. Both of them are wondering if that signals a basic incompatibility or worse yet, that their marriage is crumbling altogether. They decide what they really need is a little bit of spice.

Or perhaps to be more accurate, a whole tractor trailer full of spice. You see, they’re not alone in that predicament – their friends Peter (Silverman) and Janet (George) have been experiencing once the same thing. When some kinky self-pleasuring on the part of Ellie goes terribly, horribly wrong, she decides that the best thing for them would be to involve another couple.

But which couple? It would be too weird to do it with Peter and Janet – like having sex with your siblings. Besides, it’s novelty they seek. Out with the old, in with the new. However, that’s not as easy as it sounds as every couple they interview looking for the right one seems crazier and more unstable than the last. When at last they find a couple that looks like they might work out (Deayton, Beaumont) they make the commitment to take that step – and that’s when the fireworks really begin.

It sounds like the premise for a light and airy sex comedy but that’s not how Newman chose to go. The self-pleasuring incident I referred to earlier was Ellie using a cucumber for self-pleasuring being interrupted unexpectedly by the arrival of her parents who find their baby girl caught red handed as it were – and to make matters worse, the embarrassment causes Ellie to evacuate the cucumber from her vagina with explosive force, sending the veggie missile directly into her daddy’s crotch. Mandy Moore, fire your agent.

The humor here is so heavy-handed and sophomoric that you can only watch the movie slack-jawed, completely flabbergasted that anybody thought these jokes and gags would work. After awhile it becomes kind of a test; surely something funny must occur in this comedy but for my own personal taste in laughs, nothing ever tickled my funny bone. Perhaps you are made of sterner stuff than me.

The movie’s saving grace is Martin Freeman. Before he put on the furry hobbit feet and became one of the most stellar performers of this year’s TV season in Fargo he did this movie and I’ll give him credit it’s as game a performance as you’re likely to see. It’s not enough.

WHY RENT THIS: Martin Freakin’ Freeman.

WHY RENT SOMETHING ELSE: Dreadfully unfunny. Tries to go either to gross or too refined and ends up being neither.

FAMILY VALUES: A goodly amount of sexual content and a fair amount of foul language.

TRIVIAL PURSUIT: Newman based this on a short film, Sex with the Finkels that he had done.

NOTABLE DVD EXTRAS: The aforementioned short is included.

BOX OFFICE PERFORMANCE: Not available.

COMPARISON SHOPPING: Sex Tape

FINAL RATING: 4.5/10

NEXT: The Wicker Tree

Pool Boys


George Takei wonders how he got into this movie.

George Takei wonders how he got into this movie.

(2011) Comedy (Cinedigm) Matthew Lillard, Brett Davern, Efren Ramirez, Rachelle Lefevre, Tom Arnold, Robert Davi, Jay Thomas, Rhoda Griffis, Patricia de Leon, Sheena Lee, Simona Fusco, Darla Haun, Janine Habeck, Monica Leigh, Jennifer Walcott, Heather Marsden, Rachel Rogers, A.J. Alexander, George Takei, John Billingsley, Stephanie Honore. Directed by J.B. Rogers

College these days is an expensive proposition and an Ivy League school like Harvard is nearly impossible unless your folks happen to have a spare million or two burning a hole in their pockets. For the rest of us, even if we have the grades and test scores to get in the very prospect of paying for a Harvard education is a daunting task.

That’s what Alex Sperling (Davern) is looking forward to. Fortunately, he has a summer internship set up that will help offset the cost but when that falls through, he looks to his fast-talking cousin Roger (Lillard) for help. Roger has been bragging about his successful aqua engineering business but as it turns out, Roger is a bit of a story teller – his business turns out to be pool maintenance in Los Angeles. As you might expect, Alex isn’t just disappointed – he’s furious.

Roger doesn’t want to let his cuz down however. A chance opportunity to housesit for a wealthy Beverly Hills client gives Roger a hare-brained idea – to turn the mansion into a brothel. He could – ‘scuse the pun – clean up and give Alex more than he needs for his tuition. Roger knows he can’t lose, particularly with Hollywood star Tom Arnold (himself) on his side.

If this kind of thing sounds familiar, it was old hat 30 years ago. Lillard is one of those character actors whose face you probably know well if not the name. He can do goofy but a little of it goes a long way and he’s a bit over-the-top here. So too is Efren Ramirez as an over-sexed gardener. However, they at least have some personality – Davern shows little here.

Like any raunchy sex comedy, there’s plenty of raunch – lots of women in various states of undress, the occasional boob, and I will say that the women in this film are as good looking as any as you’ll find in a single movie of this sort. For those looking for that sort of thing, you can’t go wrong here.

Unfortunately most of the rest of us want some comedy with our sex comedies and there is little of that to be found here. Most of the jokes are tired and/or fall flat. Some of that is performer-driven but much of it is that the jokes weren’t that funny to begin with. That’s not a good sign if you’re looking to laugh.

WHY RENT THIS: Plenty of gorgeous swimsuit-clad (and nude) bodies.

WHY RENT SOMETHING ELSE: Doesn’t add anything to the raunchy sex comedy genre. Not funny enough.

FAMILY VALUES: Plenty of raunchy humor, sexual content and nudity, some bad language and a bit of drug use.

TRIVIAL PURSUIT: The Braille studs on Lillard’s cap read “1969.”

NOTABLE DVD EXTRAS: There’s a virtual lapdance sequence (I kid you not).

BOX OFFICE PERFORMANCE: $2,269 on an unreported production budget.

COMPARISON SHOPPING: Risky Business

FINAL RATING: 4/10

NEXT: Ender’s Game

Klown (Klovn: The Movie)


Klown

For Drew Carey lookalike Frank Hvam, the price is wrong.

(2010) Sex Comedy (Drafthouse) Frank Hvam, Casper Christensen, Marcuz Jess Petersen, Mia Lyhne, Iben Hjejle, Lars Hjortshoj, Tina Bilsbo, Mads Lisby, Anne Moen, Niels Weyde, Marie Mondrup, Elsebeth Steentoft, Bent Fabricius-Bjerre, Dya Josefine Hauch. Directed by Mikkel Norgaard

 

Fatherhood shouldn’t be for just anybody. Any man out there who can get a woman pregnant but not all of them are capable of being dads. Some of them are barely progressed from children on an emotional level themselves.

Frank (Hvam) is a 30-ish nebbish with  a girlfriend – Mia (Lyhne) who is far too hot for him and he knows it. He’s the kind of guy who wanders around the house in soiled “tighty whities” without a whole lot of regard for who sees him in it. He’s got a decent enough heart but has a knack for saying and doing the wrong thing. He isn’t terribly respected in his circle – the book club he belongs to run by former songwriter Bent Fabric (Fabricius-Bjerre) torments him with schnozzles.

While attending a wedding, Frank is congratulated by Mia’s gynecologist on her pregnancy. The problem is that her condition is news to him. Mia hasn’t told him because quite frankly, she’s not sure if he’s ready for fatherhood and thus not sure if she’s going to have an abortion, keep the baby and stay with Frank or keep the baby and leave Frank. Frank is devastated.

Following some pretty poor advice regarding masturbating on one’s mate (you ladies just love waking up to find your partner’s ummmm….stuff….on you, right?) that turns disastrous which winds up sending Pykker (Steentoft), his mother-in-law to the hospital Frank turns desperate. Mia looks about ready to leave him, so he does what any man would do – kidnap his 12-year-old nephew Bo (Petersen) and take him on a canoeing trip with his sex-crazed best friend Casper (Christensen) which was largely concocted as an opportunity for Casper to cheat on his wife Iben (Hjejle). The trip even has a name which Casper has bestowed on it; the Tour de P….err, we can’t say it here but it relates to a slang term for female genitalia. You get the drift.

From there things go from bad to worse. Frank’s regular attempts to get laid put Bo and Frank in a series of unsavory situations. Frank at first is more interested in trying to impress Mia but at least makes a genuine albeit misguided effort to bond with Bo, protecting him somewhat lamely from a group of bullies who humiliate Bo with observations on his genitalia which are unusually small.

Throughout his youth, my wife was fond of telling our son that “Your sins will find you out” and so it is here. Frank and Casper’s indiscretions – not to mention outrageously poor decisions regarding Bo – get back to Mia and Iben and both are not just in the doghouse but given their marching orders. Can these two misfits figure out a way to make things right?

This isn’t a typical Hollywood sex comedy by any stretch of the imagination. Norgaard (as well as Hvam and Christensen, who co-wrote the movie) seem bound and determined to take on any taboos without flinching and so they do. Things that Hollywood would certainly shy away from are fair game here. And it’s funny. Hysterically so – to the point where Da Queen very nearly fell out of her chair laughing. Which, if you’ve ever seen the chairs at the Enzian, you’ll know is no small feat (for those wondering which scene it is, it’s the finger scene – you’ll know it when you see it).

Hvam bears a striking resemblance to Drew Carey, albeit a younger and less cheerful one. Whereas Carey made a career out of an acerbic observational humor that had a kind of terminal optimism, Hvam seems to see life as a series of opportunities for humiliation. Still, he plunges forward as best he can and despite everything he does and says here we wind up liking him which is just short of miraculous.

Christensen’s character has a libido that’s constantly on overdrive. He’s a bit of a lummox and completely selfish, putting his genitalia ahead of his best friend’s relationship (which is not an un-man-like thing to do). His opinion of himself is such that you wonder that he doesn’t refer to himself in the third person although that might well be lost in translation.

For the most part the theatrical run for the movie is over although you might find it playing at an art house or two. It is shortly to be released on home video, so you may want to check your preferred means of streaming/downloading/retail outlet or order it online through the website which you may reach by clicking on the picture above.

Do be aware that this is really, really raunchy. Those who are sensitive about sexual jokes, nudity (both male and female), simulated sex acts, drug use and general carnal behavior should know that this might not be for them. The sexuality has a more easygoing, matter-of-fact European vibe which might shock us uptight Americans. For those of us who can take a joke, don’t mind sex and don’t shock easily, this is a treat we’ll want to enjoy for ourselves. Pass the Danish.

REASONS TO GO: Hysterical humor that is much more straightforward about sex than Hollywood tends to allow, yet possessed of a decent heart as well.

REASONS TO STAY: Might be offensive to the prudish. Some of the Danish references fly right over our heads.

FAMILY VALUES: There is graphic nudity and lots and lots of crude sexual humor. There’s a whole lot of bad language and a smattering of drug usage. Questions?

TRIVIAL PURSUIT: The movie is based on a successful Danish TV show in which Hvam and Christensen play largely fictional versions of themselves.

CRITICAL MASS: As of 9/23/12: Rotten Tomatoes: 79% positive reviews. Metacritic: 62/100. The reviews are pretty good.

COMPARISON SHOPPING: The Hangover

CANOE LOVERS: A good portion of the film takes place on a canoeing trip on bucolic Danish waterways.

FINAL RATING: 7/10

NEXT: Terri

Friends With Benefits


Friends With Benefits

Just a couple of couch potatoes.

(2011) Romantic Comedy (Screen Gems) Justin Timberlake, Mila Kunis, Patricia Clarkson, Jenna Elfman, Richard Jenkins, Bryan Greenberg, Woody Harrelson, Andy Samberg, Shaun White, Nolan Gould, Emma Stone, Masi Oka, Rashida Jones, Jason Segel. Directed by Will Gluck

 

Humans crave intimacy on several levels, beginning with the base physical and into the higher realms of friendship and love. We need it as surely as we need food to eat and air to breathe; without it our lives are empty and meaningless.

Jamie Rellis (Kunis) is a corporate headhunter with a history of relationship issues. Her assignment is to find an art director for GQ Magazine in New York and she thinks she’s found one. Dylan Harper (Timberlake) works as an art director for a small internet company and mainly takes the interview for the free trip to New York, especially after he breaks up with his girlfriend.

It turns out that Dylan and GQ are a match made in heaven, but Dylan is reluctant to take the job offer – he likes it in LA and isn’t particularly disposed to leaving his family and friends behind.  However, a night on the town with Jamie convinces him that New York is the place for him to be so he accepts.

Jamie helps him get settled and soon the two become friends – mainly because Dylan doesn’t know anybody else. One night when he is hanging out in her apartment watching movies with her, the two begin to talk about relationships and sex. Both are single and as it turns out, both are missing sex.

After some discussion, they both come to the agreement that sex shouldn’t need emotional connections – it should just be a completely physical act separate from love. They then agree to have sex without commitment or emotional attachment.

At first it’s a novelty and a whole lot of fun. As time goes on Jamie begins to feel less and less satisfied and realizes this isn’t what she wants at all so she decides to start dating again and lets Dylan know that the sex is coming to an end. She does date again, a man named Parker (Greenberg) and at first he seems to be what she’s looking for but after going to bed with him after the fifth date he calls it off. Furious, she tells him off, then cries about it to Dylan. He invites her to California for the Independence Day weekend and although reluctant at first, she flies west with him.

She meets his family – his father (Jenkins) who’s in the beginning stages of Alzheimer’s and his sister Annie (Elfman) who has been caring for him. Dylan and Jamie share an evening where it appears there’s a deeper connection between them – until Dylan runs his mouth to his sister afterwards, overheard by Jamie, claiming that this is just purely sex for him. Afterwards, she lets him know in no uncertain terms that she wants nothing to do with him.

The two however both realize that they have deep feelings for one another but neither knows how to navigate their way back. Is it possible to salvage anything, and make a relationship out of a purely sexual friendship?

I look at this in a lot of ways as a kind of 21st century version of When Harry Met Sally. The question about sex and friendship between men and women is one that still rages in debate. Gluck, who co-wrote the script, definitely has his ideas on the subject, although he approaches it in a different way than the previous film which asked “Can men and women who are sexually attracted to one another be friends” while this movie asks instead “Can men and women who are friends have sex without ruining their friendship” which is an entirely different ball of wax.

The movie hinges on the leads, and Timberlake and Kunis are very attractive and have some chemistry between them – the relationship doesn’t feel as contrived as it does in other romantic comedies. The problem here is that it just isn’t sure whether it’s a romantic comedy or a raunchy sex comedy – and at times that schizophrenia torpedoes the otherwise good intentions of the film.

Kunis is becoming one of my favorite actresses with stellar performances in Black Swan and Forgetting Sarah Marshall to her credit. She is sexy and sweet, able to do drama and comedy equally as adeptly. She’s come a long way since “That 70s Show” and may against the odds wind up becoming the biggest star to emerge from that show.

Timberlake is developing nicely as an actor and although this doesn’t really build up his career up acting-wise, the box office success continues to cement his reputation as a bankable leading man and to be truthful the performance doesn’t set his reputation back either. He’s still a little stiff in some ways, but he’s definitely getting better at it – he is certainly a star in the making.

I like the dialogue here. The relationship between Dylan and Jamie is acerbic at times, with the two trading snappy one-liners in the style of a screwball comedy in a good way. Maybe the movie really isn’t a raunchy sex comedy or a sweet rom-com – maybe what it really is could be termed a modern screwball comedy. The jury’s still out on it but the results are the movie doesn’t work as smoothly as I might have liked it to and maybe that led me to be harsher in my rating than it deserved because it does do a lot of things right, particularly in the case of Kunis and Timberlake. It just doesn’t add up to a cohesive whole.

WHY RENT THIS: Some decent chemistry between the leads. Snappy dialogue.

WHY RENT SOMETHING ELSE: Can’t decide whether it wants to be a raunchy sex comedy or a sweet rom-com.

FAMILY VALUES:  As you might guess, there’s a whole lot of sexual content and a fair amount of bad language, some of it sexual in nature.

TRIVIAL PURSUIT: In director Will Gluck’s last movie (Easy A) Clarkson also played the mother of the lead character (Emma Stone, who cameos here early on as Dylan’s girlfriend).  

NOTABLE DVD EXTRAS: There are about seven minutes of outtakes, mostly having to do with flubbed lines and pranks. The Blu-Ray also has a featurette on the choreography of the flash mob scene.

COMPARISON SHOPPING: No Strings Attached

BOX OFFICE PERFORMANCE: $149.5M on a $35M production budget; the movie was a big box office hit.

FINAL RATING: 4.5/10

NEXT: Marvel’s The Avengers!