New Releases for the Week of June 1, 2018


ADRIFT

(STX) Shailene Woodley, Sam Claflin, Grace Palmer, Jeffrey Thomas, Elizabeth Hawthorne, Tami Ashcraft, Kael Damlamian. Directed by Baltasar Kormákur

A young couple meets over their love of sailing, bond and fall in love. When the opportunity arrives to set out on the adventure of a lifetime, they don’t realize they are sailing into the teeth of one of the most destructive hurricanes in recorded history. The damage is terrible; the young man is gravely injured and the boat damaged beyond repair. It will take the young woman all her skill and resolve to save the only man she has ever loved – not to mention saving herself.

See the trailer, video featurettes, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Adventure
Now Playing: Wide Release

Rating: PG-13 (for injury images, peril, language, brief drug use, partial nudity and thematic elements)

Action Point

(Paramount) Johnny Knoxville, Brigitte Lundy-Paine, Susan Yeagley, Dana Schick. A daredevil with a penchant for hare-brained schemes opens up a theme park with his friends. You’ve never seen a theme park anything like this..

See the trailer, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, language, drug use, teen drinking, and brief graphic nudity)

Always at the Carlyle

(Good Deed) George Clooney, Tommy Lee Jones, Jon Hamm, Jeff Goldblum. New York’s iconic Carlyle Hotel is not only a destination for jet-setters but also a favorite haunt for New York’s most trendy and iconic local celebs.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some suggestive content, drug references and brief partial nudity)

How to Talk to Girls at Parties

(A24) Elle Fanning, Nicole Kidman, Ruth Wilson, Alex Sharp. An alien on a tour of the galaxy gets separated from her group and ends up in the London suburb of Croydon during the late 70s punk revolution. This is based on a Neil Gaiman story and is directed by the estimable John Cameron Mitchell.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: AMC Universal Cineplex, Enzian Theater

Rating: R (for language throughout, sexual content, some drug use and nudity)

The Rider

(Sony Classics) Brady Jandreau, Tim Jandreau, Lily Jandreau, Cat Clifford. A young cowboy suffers a near-fatal head injury. Needing to establish an identity with much of his old self lost, he must figure out what it means to be a man in the heart of America in the age of Trump.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for language and drug use)

Social Animals

(Vertical) Josh Radnor, Carly Chaikin, Samira Wiley, Zoë Wells. Young Zoë finds her life spiraling into chaos. Her business is going under, she’s being evicted from her home and her love life is essentially a series of one-night stands going nowhere. That all changes when she meets Paul, a fellow lovable loser with whom instantly connects. She seems to have found her perfect guy; the trouble is, he’s married. However, that won’t stand in the way of her true love and her bold plan to save her business.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Universal Cineplex

Rating: R (for strong and crude sexual content, language and drug use)

Upgrade

(BH Tilt) Logan Marshall-Green, Betty Gabriel, Richard Cawthorne, Harrison Gilbertson. In the not-so-distant future, technology controls every aspect of our lives. For one man, a self-proclaimed technophobe who wants nothing of the brave new world, life goes tumbling head over heels and out of control when he is paralyzed during a mugging and the person he loves most in the world is brutally murdered. Unable to move, his only hope to get justice – or more accurately, vengeance – is to have a chip inserted into his spine that will restore his body to working order. But for all things there is a price.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for strong violence, grisly images, and language)

Veere di Wedding

(Zee Studios) Kareena Kapoor, Sonam Kapoor, Swara Bhaskar, Sumeet Vyas. Four childhood friends are reunited ten years later in Delhi where they grew up and find that while the bonds of friendship remain strong, they have each changed. Re-exploring their childhood homes, they discover how much has changed in society, in their hopes and dreams and in the culture they grew up in.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: AMC West Oaks
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Ee Maa Yove
Officer
Sanky Panky 3

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abhimanyudu
B Tech
Bye Bye Germany
Ee Maa Yove
The Gospel According to Andre
Raju Gadu
Sanky Panky 3
The Seagull

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Abhimanyudu
Officer
Raju Gadu
Sanky Panky 3

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Abhimanyudu
Borg/McEnroe
Officer
Raju Gadu
Sanky Panky 3

SCHEDULED FOR REVIEW:

Adrift
Borg/McEnroe
Upgrade

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Studio Ghibli Fest – Miami

Snowden


Edward Snowden in the military.

Edward Snowden in the military.

(2016) Biographical Drama (Open Road) Joseph Gordon-Levitt, Zachary Quinto, Melissa Leo, Shailene Woodley, Nicolas Cage, Rhys Ifans, Joely Richardson, Tom Wilkinson, Timothy Olyphant, Scott Eastwood, Ben Chaplin, Lakeith Lee Stanfield, Nicholas Rowe, Bhasker Patel, Patrick Joseph Bymes, Christy Meyer, Robert Firth, Edward Snowden. Directed by Oliver Stone

 

Edward Snowden remains one of the most controversial figures of our time. There are those who label him a hero while others loathe him as a traitor. He polarizes opinion like nobody else and there are those on both sides of the political aisle that would like to see him answer for his crimes of revealing the NSA’s program of secret surveillance of the American people.

The movie has had a bit of a checkered history; it has been delayed at least twice, once to complete some of the special effects and the other to avoid competition from the major blockbusters. Once the film was released, it got almost zero support from its distributor and came and went from the theaters with little fanfare. Did it deserve that kind of fate?

Edward Snowden (Gordon-Levitt) is an idealistic young man whose ideals are somewhat conservative. He joins the military, wanting to serve his country but a badly broken leg puts an end to his military service. Instead, he’s recruited by the CIA to write code and serve his country in a different way. His mentor at the CIA, Corbin O’Brien (Ifans) takes a healthy interest in the young man’s career.

He also meets Lindsay Mills (Woodley), a free-spirited college student who supports herself through exotic dancing. The unlikely couple form a close bond and soon have a budding relationship, even though she’s as liberal as they come and he’s a staunch rock-ribbed conservative. He ends up writing programs that help root out terrorists and keep America safe.

Then, as he switches to the more lucrative consulting position at the NSA, he begins to discover some disturbing things. For example, the phone surveillance program he wrote is now targeting everybody and is gathering so much data the NSA has to build huge facilities to store it all. So despite having a beautiful home in Hawaii, a lucrative job and a bright future, he decides to blow the whistle on all this patently illegal material.

He sets up a meet with documentary filmmaker Laura Poitras (Leo) and journalist Glenn Greenwald (Quinto) in Hong Kong. He is clearly paranoid, expecting to be grabbed by NSA agents or the local police at any moment. But once Poitras and Greenwald have a chance to examine the documents, they realize they have the story of the century on their hands. It is just a matter of convincing their editors to allow them to tell it.

How you’re going to receive this film is going to depend an awful lot on how you view Edward Snowden. If you see him as a vile traitor giving state secrets to the media, then you’ll hate this movie. If you think he’s a heroic whistleblower who tried to put the brakes on what was clearly a morally heinous policy, you’re more likely to like this movie. Know going in that Stone is clearly in the latter camp and really doesn’t offer any sort of alternative viewpoint. It seemed to me that most reviews followed the political line; conservative movie critics tended to give it lower scores, more liberal critics higher ones.

So I’m trying to be as objective as I can, but it is difficult to filter out one’s own precepts. Gordon-Levitt I think does a very credible job as Snowden, capturing the cadences of his speech nicely although in a much deeper register than the real Snowden speaks in. Snowden is in many ways not the most charismatic of men so it’s hard to fault Gordon-Levitt for being a bit dry here, but he does seem to capture Snowden’s essential personality.

The rest of the cast is pretty strong – Ifans is virtually unrecognizable – but a lot of the big names are in for what are essentially cameos. Most of the film revolves around Snowden, Lindsey and the journalists. Basically, that’s enough to keep my interest.

I can understand some questioning that the movie makes Snowden to be something of a saint. I don’t think he is and I don’t think that he himself is above questioning by the filmmaker. Poitras, whose documentary on the events here CITIZENFOUR won an Oscar, painted a much more balanced picture of Snowden and in the process, made him more relatable. The Snowden here is a little bit less so because of that and I think it does the film a disservice to go that route.

There are some pretty good moments throughout the movie – Snowden’s initial meeting with the journalists, the events of his smuggling the data out of the NSA facility (a conjectural scene since Snowden has yet to and probably never will reveal how he actually did it) and the end scene when Snowden speaks to the TED conference via satellite – and Gordon-Levitt morphs into the real Edward Snowden, who gets the last word in the film fittingly enough.

It’s a well-made film – you would imagine Stone would at least produce that – but it’s more than just that. It gives us an opportunity to reflect on the state of things, whether the price of security is too high or whether liberty trumps that price. We’ve got a lot to think about as a society, much to demand from our leaders. Snowden reminds us that sometimes, doing the right thing isn’t doing the right thing.

REASONS TO GO: Gordon-Levitt really captures the cadences of Snowden’s speech. It has the taut atmosphere of a spy thriller.
REASONS TO STAY: The film lacks any counter-argument to make it seem more fair-minded.
FAMILY VALUES: There is a bit of foul language and some sexuality.
TRIVIAL PURSUIT: This is Gordon-Levitt’s second straight film based on an Oscar-winning documentary; the first was The Walk which was the dramatic account of the documentary Man on Wire.
CRITICAL MASS: As of 10/14/16: Rotten Tomatoes: 63% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: CITIZENFOUR
FINAL RATING: 7/10
NEXT: The Magnificent Seven (2016)

New Releases for the Week of September 16, 2016


blair-witchBLAIR WITCH

(Lionsgate) James Allen McCune, Callie Hernandez, Corbin Reid, Brandon Scott, Wes Robinson, Valorie Curry. Directed by Adam Wingard

A group of college student filmmakers go into the Black Hills woods of Maryland  – and we all know that nothing good ever comes of student filmmakers going into the woods – to seek out information about the disappearance of the sister of one of their number. Accompanied by a couple of local guides, the group sets out to camp out in the forest. When night falls, however, they discover a local legend may be all too real – and that the Blair Witch may be far more powerful and evil than they could have possibly imagined.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for language, terror and some disturbing images)

Bridget Jones’s Baby

(Universal) Renee Zellweger, Colin Firth, Patrick Dempsey, Jim Broadbent. The indefatigable Bridget Jones returns, a little bit older perhaps but no wiser. She has broken up with Mark Darcy and at 40-something finds herself single again. After a wild night of ex sex, she hooks up with a spirited American who may be just the tonic that she needs. However, she also finds herself pregnant and the father could be her new beau – or her ex.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: R (for language, sex references and some nudity)

The Good Neighbor

(Vertical) James Caan, Logan Miller, Keir Gilchrist, Laura Innes. In a quiet neighborhood, a couple of high school students who fancy themselves practical jokers decide to take on the curmudgeonly neighbor across the street. They rig up his house so that it appears to be haunted, install some closed circuit cameras and wait for the hilarity to ensue. Suffice to say that their neighbor doesn’t take kindly to these events and things don’t go the way the funny guys think it’s going to.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Mr. Church

(Cinelou) Eddie Murphy, Britt Robertson, Natascha McElhone, Xavier Samuel. A single mom battling breast cancer and her precocious daughter receive an unusual visitor – a man claiming to have been paid to be their cook for the next six months. Six months become much longer as what had been always planned to be a temporary arrangement becomes a lifelong friendship.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs

Rating: PG-13 (for thematic elements)

Nick Cave: One More Time with Feeling

(Picturehouse) Nick Cave, Warren Ellis, The Bad Seeds. The creative process of one of the most acclaimed and highly regarded cult performers in rock and roll, Nick Cave and the Bad Seeds, comes to light as the band records their latest album – The Skeleton Tree – in the wake of an unthinkable personal tragedy for Cave.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard (one showing only: Monday 9/19 at 9:30pm)
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

The People vs. Fritz Bauer

(Cohen Media Group) Burghart Klauẞner, Ronald Zehrfeld, Michael Schenk, Sebastian Blomberg.  The account of the capture and execution of Nazi war criminal Adolph Eichmann has always been the story of the Israeli Mossad, but it came to light recently that a West German attorney general by the name of Fritz Bauer had much more to do with it than previously known. Bauer, frustrated at his government’s reluctance to pursue people like Eichmann and at the roadblocks thrown up by Nazi sympathizers in powerful government positions, eventually supplied the whereabouts of Eichmann to Mossad. The review of this film will be up shortly.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for mature thematic material, some disturbing images and brief strong language)

Snowden

(Open Road) Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto. Edward Snowden is a whistle-blower who brought to the attention of the world the surveillance tactics of the NSA on American citizens who were accused of no crime. There are many who think he’s a hero but just as many if not more who think he’s a traitor. Currently living in exile in Russia, Snowden’s tale is a controversial one and who better to bring it to the big screen than Oliver Stone, no stranger to controversy himself?

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for language and some sexuality/nudity)

A Tale of Love and Darkness

(Focus World) Natalie Portman, Amir Tessler, Shira Haas, Makram Khoury. Israeli writer Amos Oz recalls his youth and his relationship with his mother in the early years of the state of Israel. The stories he tells become the stories he lives. Portman also directed the film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Oviedo Mall

Rating: PG-13 (for thematic content and some disturbing violent images)

New Releases for the Week of March 18, 2016


The Divergent Series: AllegiantTHE DIVERGENT SERIES: ALLEGIANT

(Summit) Shailene Woodley, Theo James, Naomi Watts, Octavia Spencer, Jeff Daniels, Zoë Kravitz, Ansel Elgort, Miles Teller, Daniel Dae Kim. Directed by Robert Schwentke

With Chicago embroiled in chaos following the events of the previous film, Tris, Four and the others decide to leave the city and pass beyond the wall for the first time. What they find out there is shocking; the wasteland has a habitation far advanced of their own and the world they thought they knew is suddenly turned upside down forever. They’d hoped to find a peaceful solution but now they realize that their city and everyone they know and love is in mortal danger. They must quickly discover who they can trust and fight the most overwhelming odds they have ever faced if they are to survive. This is the penultimate chapter in the successful young adult film franchise.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, Large-Screen
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for intense violence and action, thematic elements, and some partial nudity)

The Bronze

(Sony Classics) Melissa Rauch, Gary Cole, Thomas Middleditch, Sebastian Stan. Once upon a time, a gymnast from a small Ohio town captured America’s heart with a gutsy performance on a ruptured Achilles tendon that netted her a bronze medal at the Olympics. Since then, she really hasn’t moved on, her gymnastics career ended prematurely. Living in her dad’s basement, she exists on the memories of a faded past and the well-wishes of a town that still continue to treat her like America’s sweetheart. However, there is a new presence – a gymnast with the sort of talent that might exceed her own accomplishments. And that doesn’t sit well with her at all.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for strong sexual content, graphic nudity, language throughout and some drug use)

Hello, My Name is Doris

(Roadside Attractions) Sally Field, Max Greenfield, Beth Behrs, Tyne Daly. Doris, whose life has for too long revolved around her ailing mother, finds herself adrift when her mother finally passes. She falls for an attractive younger man at her job and urged on by her same-aged friend and her friend’s 13-year-old granddaughter, Doris determines to put some life back into her life. These changes might end up alienating the friends she has as she takes a long look at who she’s become. Cinema365 will be publishing a review of this tomorrow, Friday March 18.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Regal Winter Park Village

Rating: R (for language)

The Divergent Series: Insurgent


In the future there will be no chairs.

In the future there will be no chairs.

(2015) Science Fiction (Summit) Kate Winslet, Shailene Woodley, Theo James, Miles Teller, Ansel Elgort, Jai Courtney, Mekhi Phifer, Octavia Spencer, Ashley Judd, Tony Goldwyn, Ray Stevenson, Naomi Watts, Jonny Weston, Daniel Dae Kim, Maggie Q, Suki Waterhouse, Rosa Salazar, Zoe Kravitz, Janet McTeer, Lyndsi LaRose. Directed by Robert Schwentke

These days, dystopian futures seem to be all the rage. No longer does one need to wear shades when viewing the future; we can look forward to darkness, pain, despair and hopelessness. I suppose how we see the future tells us a lot about how we view the present.

For those who don’t remember Divergent or the book series it was based on, the world has been beset by some sort of apocalyptic event and the population has been herded into Chicago and divided into factions according to their gifts – Erudite (intelligence), Amity (peace), Candor (truth), Dauntless (military) and Abignation (service), the latter of which was essentially wiped out at the end of the last movie. There are those who display none of the five qualities; those are called Factionless and live in abject poverty on the edge of society. There are also those who contain two or more qualities – they are called Divergents. Our heroine is one of these.

Speaking of our heroine, now that Tris (Woodley) and her lover Four (James) have foiled the plans of Jeanine (Winslet), the power-mad evil leader of the Erudite faction, they have taken refuge with the pastoral Amity along with Tris’ none-too-brave brother Caleb (Elgort) and the snarky Peter (Teller) who seems to live to push buttons. As for Amity, their leader Johanna (Spencer) is providing them shelter although she’s not entirely happy about it. Jeanine wants to round up the last of the rebellious Dauntless group that has split from the main group that is now commanded by the evil Eric (Courtney) but she seems far more obsessed with a metal box found in the wreckage of the home of Tris’ parents Andrew (Goldwyn) and Natalie (Judd) who both bit the big one in the first film.

That box contains symbols for all five of the factions and seems sealed with even the technology of Erudite unable to penetrate its secrets. Jeanine believes that the box contains a message from the Founders, one which will confirm her campaign to eliminate the Divergents although, ironically enough, it seems that only a Divergent can open the box by passing the simulations of all five of the factions. Naturally Four and Tris are pretty certain that Jeanine must not find out what’s in the box. In the meantime, Jeanine is having Eric and his Dauntless minions shoot nasty little tracking devices that can also allow Jeanine to control the subjects to the point of forcing them to commit suicide.

The odds against Tris and her remaining allies are formidable although she receives an unexpected ally in Factionless who are now being led by, of all people, Four’s mother Evelyn (Watts) who everyone belied was dead and had in fact faked her own death for reasons that are unbelievably flimsy. However, in order to save the Divergents who are being hunted down and forced to undergo the ordeal of the simulations which is killing them off in short order, Tris will have to go to the heart of the beast and face down Jeanine herself.

Somewhat ironically, Insurgent apparently diverges from Victoria Roth’s source novel fairly radically. Being as I’m not familiar with the books, I can’t say whether that’s necessarily a bad thing or not but I can say that the illogical world of the Divergent book series is so full of lapses and plot holes that it’s hard to believe that anyone buys any of this. Any rudimentary student of human nature knows that we are not just one thing; we are many, and to think that keeping all people with a common trait in a society is not a sure way to eliminate conflict. If anything, people with like ways of thinking tend to get in a lot more conflict

The action sequences are pretty good and the special effects are even better, particularly in the sim sequences. There’s definitely plenty of eye candy, particularly for young pre-teen and teen girls who will find young hunks James, Elgort, Teller, Courtney and Phifer making their hearts beat faster than the adrenaline-fueled action scenes.

Unfortunately, one of the movie’s main drawbacks is Woodley. She’s a fine actress as she’s shown in The Descendents but here…I don’t know. She’s supposed to be a strong female role model but she’s stubborn, makes really illogical and foolish choices that put those she’s close to in danger, she wallows in self-pity and she is known to panic occasionally. There are some that will defend her character as being admirable for overcoming her own human frailties and I have to acknowledge that as a salient point, but even so I never really admire Tris so much as feel dismayed by her. Woodley isn’t responsible for the way the character is written but she comes off as shrill here, which is not how Jennifer Lawrence comes off as Katness Everdeen, a female role model who is beset by self-doubt and fear just as much as Tris.

While some of the supporting characters have some depth to them – particularly Spencer and Kim as the leaders of their respective factions Amity and Candor, and Courtney as the deliciously evil Eric – the acting here tends to the scene chewing sort. I can live with that though ahead of the movie’s two most egregious sins; first, that in order for audiences to make sense of this movie you need to either be familiar with the first film or the book series. Those who aren’t are going to have a very hard time following this, so it doesn’t stand on its own very well. Secondly and perhaps more damning is that the movie follows the young adult franchise formula to the “T” – a plucky heroine of strong will is reluctantly put into a heroic role while deeply in love with hunky hero who steps aside to be second banana to his girlfriend who saves the day with her self-sacrifice and love for her man, not to mention wicked fighting skills.

Yeah, you’ve seen it all before and done better than this. This is definitely a step backwards from the more entertaining first film. I really can’t recommend it other than to those who really liked the first movie and are eager to see the franchise played out to its conclusion which, true to recent young adult book series form, will see the final book in the trilogy split into two movies. After this debacle, I’m not sure I want to see either of them.

REASONS TO GO: Some very intense action sequences. Some decent supporting performances by Courtney, Spencer and Kim.
REASONS TO STAY: A lot of over-acting. Requires that you either are familiar with the books or saw the first movie. Too much like other young adult franchises.
FAMILY VALUES: Plenty of action violence, some foul language and thematic elements and brief sensuality.
TRIVIAL PURSUIT: While the first movie was filmed mostly in Chicago (where the action is set), the sequel was mostly filmed in Atlanta.
CRITICAL MASS: As of 3/30/15: Rotten Tomatoes: 31% positive reviews. Metacritic: 42/100.
COMPARISON SHOPPING: The Host (2013)
FINAL RATING: 5/10
NEXT: People Like Us

New Releases for the Week of March 20, 2015


The Divergent Series InsurgentTHE DIVERGENT SERIES: INSURGENT

(Summit) Shailene Woodley, Kate Winslet, Theo James, Miles Teller, Ansel Elgort, Jai Courtney, Mekhi Phifer, Daniel Dae Kim, Octavia Spencer. Directed by Robert Schwentke

Tris and Four are on the run, outlaws being chased by the power-mad Erudite faction. Seeking to discover what Tris’ family died to protect, the future of Chicago and maybe the world beyond depends on them finding answers, answers that Jeanine will do anything to keep them from.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for intense violence and action throughout, some sensuality, thematic elements and brief language)

Do You Believe?

(Pure Flix) Sean Astin, Mira Sorvino, Lee Majors, Alexa PenaVega. A suburban pastor is shaken to his core by the obvious faith of an old street corner preacher. Knowing that true faith demands action, he commits to a response that will touch the lives of complete strangers in ways that could only come from the divine. From the creators of God’s Not Dead and certain to be popular with the evangelical audience.

See the trailer, clips and interviews here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: Selected Theaters
Rating: PG-13 (for thematic elements, an accident sequence and some violence)

The Gunman

(Open Road) Sean Penn, Javier Bardem, Idris Elba, Ray Winstone. An assassin with a particular set of skills is betrayed for the secret organization he works for. With the only woman he cares about in the hands of his enemies and no place left to turn, he embarks on a deadly game of cat and mouse across Europe, knowing only his skills can save the woman he loves – and himself.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard (Opens Thursday)
Genre: Action Thriller
Now Playing: Wide Release
Rating: R (for strong violence, language and some sexuality)

Tracers

(Lionsgate) Taylor Lautner, Marie Avgeropoulos, Adam Rayner, Rafi Gavron. A bike messenger deeply in debt to a violent crime gang crashes his bike into a young woman one day and everything changes. Turns out she’s part of a gang herself, one that uses their parkour skills for heists. Knowing this might be his ticket out of debt, he joins the gang whose heists grow increasingly more daring and dangerous. He’ll need all of his skills, especially with gang enforcers right on his tail.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex
Rating: PG-13 (for some intense violence, perilous action, sexual content and language)

The Wrecking Crew

(Magnolia) Cher, Brian Wilson, Mickey Dolenz, Nancy Sinatra. The most famous band you’ve never heard of is the Wrecking Crew. They were the studio band that created the music for some of the greatest bands in rock and pop music in the 1960s and 1970s. They backed such bands as Sonny and Cher, The Beach Boys, Nancy Sinatra, the Monkees, the Byrds, Nat “King” Cole, Dean Martin and the Association, winning six Grammys in a row for Record of the Year, a feat that no other group of musicians has accomplished in history.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater
Rating: PG (for language, thematic elements and smoking images)

Wyrmwood

(IFC Midnight) Jay Gallagher, Bianca Bradley, Leon Burchill, Luke McKenzie. When the zombie apocalypse hits New Zealand, an unassuming family man and brilliant auto mechanic soups up his car for a perilous journey to rescue his sister from a mad doctor with a penchant for disco. With clever homemade weapons on oodles of gory goodness, this is destined to become the next cult classic.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror Comedy
Now Playing: Enzian Theater
Rating: NR

The Fault in Our Stars


In order to make an omelet...

In order to make an omelet…

(2014) Drama (20th Century Fox/Fox 2000) Shailene Woodley, Ansel Elgort, Nat Wolff, Willem Dafoe, Laura Dern, Sam Trammell, Mike Birbiglia, Emily Peachey, Lotte Verbeek, Ana Dela Cruz, Randy Kovitz, Toni Saladna, David Whalen, Milica Govich, Allegra Carpenter, Emily Bach, Tim Hartman, Bethany Leo, Alexis Hodges, Jean Bressard, Carly Otte, Elyse Alberts. Directed by Josh Boone

Life in general is rarely fair, but for teenagers who must deal with a deadly disease it is particularly unfair. Watching their lives ebb away, knowing that in the end their stay in this life will end prematurely, they try to find some meaning in their brief lives. It is hard to find much drama in the ins and outs of teen angst when you know your death is just around the corner.

Hazel Grace Lancaster (Woodley) has thyroid cancer that has spread to her lungs. She is unable to breathe without the aid of an oxygen tank. At age 13, she very nearly died, her tearful mother (Dern) whispering that it is okay to let go but that’s not in Hazel’s DNA. She’s a fighter and she survives, managing to stabilize her deteriorating situation by undergoing an experimental treatment that she refers to as her miracle.

She is withdrawn and reads the same book incessantly – An Imperial Affliction by Peter van Houten, a reclusive American author who has exiled himself to Amsterdam. The book intrigues her because she can relate to the cancer-stricken heroine but also because it ends mid-sentence, indicating that the heroine has died. She wants to know what happens to the supporting characters after the lead character has expired but van Houten has consistently refused to answer questions of that nature despite many entreaties by fans of the book to do so.

She reluctantly attends a support group that meets at a local church with a well-meaning youth pastor (Hartman) who rolls out a giant rug with a portrait of Jesus and abjures his group of cancer-stricken kids that they are literally meeting “in the heart of Jesus.” Hazel isn’t really looking to reach out and make friends – what’s the point – but she attracts the attention of Augustus Waters (Elgort), a free-spirited survivor who was there to support his friend Isaac (Wolff) who is soon to have surgery that will render him permanently blind. Isaac at least has the comfort of a girlfriend (Peachey) who asserts that she’ll love him “always” but is eventually freaked out by the reality of his situation and dumps him.

Augustus had bone cancer which eventually cost him the use of one leg. Before the amputation, he had been a star basketball player in basketball-mad Indiana. An unlit cigarette dangles rakishly from his lips to symbolize that he is embracing his cancer but not giving it power over him. Not the most realistic of symbols, but he’s a teenager and entitled to do things that in the long run don’t accomplish the desired effect.

She attempts to keep the irrepressible Augustus at arm’s length but we all know (including Hazel Grace herself) that eventually he will win her over. Her mom and dad (Trammell) are both overjoyed that Hazel has connected to someone else. The two grow closer but the real kicker comes when Augustus uses his wish with a Make-a-Wish type group to take Hazel to Amsterdam to meet van Houten (Dafoe). Hazel would have used hers but at 13 she had used it instead to go to Disney World. Priorities, after all.

While the meeting with van Houten doesn’t go exactly as planned, it still ends up being a memorable trip although it concludes with devastating news – Augustus’ cancer, which had been in remission, has reappeared and it has spread everywhere. They both know that Augustus has been given a death sentence but they are determined that now that they are comfortable with being in love with each other that they will make the most of the time they both have left.

This is a movie that I am conflicted about in many ways. As most of you know, the movie is based on the bestselling novel by John Green that in turn was based on his experiences working with support groups of the sort Hazel made fun of early on in the film (and Hazel herself is based on a real person, Esther Earl, who died of thyroid cancer at the age of 16. Green, who was very involved in the production of the movie, pulled no punches in the book although for time constraints some of the suffering  at the hands of the disease that the protagonists had to deal with had to be left out – but then again, the movie isn’t about their suffering per se.

Shailene Woodley is one of the best young actresses working today and already has an Oscar nomination under her belt. She may well get another one here although Academy voters are not known for remembering good work from summer films. She captures the many dimensions of Hazel and keeps her real. A role like this could easily lose its humanity with actors trying to play her too heroically or not heroic enough. Hazel is an ordinary hero, a young girl living with lungs that don’t work properly and the prospects of a short life. She does tend to push people away but as it turns out there’s nothing wrong with her heart in the least.

Elgort is a handsome guy with an engaging grin, but the part is rife with cliches – the free-spirited dying kid who is full of life. Not that there aren’t kids like that running around, but there are a disproportionate number of them in Hollywood. Hazel narrates that she’d like to say that Augustus kept his sense of humor (after the cancer returned) but that wouldn’t be true, but then the writers go ahead and make it true. Don’t say that a character changes without having them change. It’s dishonest. None of that is Elgort’s fault by the way – and I don’t doubt he has a fine career ahead of him.

You need to keep a couple of things in mind when seeing this movie. First of all, it’s manipulative. Holy Christ is it manipulative! How could it not be, considering the subject matter? Brave kids facing a painful death? And yes, you will be anywhere from misty-eyed to outright sobbing when the end credits roll. Expect it and deal with it.

Secondly, this is a movie aimed very squarely at young teen and pre-teen girls. Augustus fits into the young female fantasy of a sensitive, caring boy who happens to be breathtakingly hot and free-spirited, willing to accept the love of his life as she is and wait for her when she’s not certain. He’s loyal, loving, affectionate, funny…if he pulled out a guitar and played a love song he wrote for every girl in the audience he couldn’t have been more perfect. And of course Hazel herself is brave, beautiful, and of course in mortal jeopardy but never backs down for a moment, fighting for her life with dignity and grace.

There are those who sniff that this movie isn’t about cancer, but that’s disingenuous. No, the movie isn’t about cancer – you’re not going to learn the ins and outs of the disease from watching this film – but cancer informs this movie. There’s no movie (or book) without it. This movie isn’t about cancer in the same way The Godfather isn’t about the Mafia.

There are some beautiful truths here to be had here but you have to plough through some fairly predictable elements to get to them. I would have liked to see the characters be less perfect and more human. I would have loved to see Augustus scream at the faulty stars at the raw deal he’s getting. I would have liked to see Hazel lash out more than she does. I would have liked to see the movie pander less to the target audience and respect them more. However, that doesn’t mean this movie won’t satisfy their needs and strike a powerful chord in their hearts, and who am I to dismiss a movie that can accomplish that as well as this one does?

REASONS TO GO: Woodley shows off her Oscar-nominated form. Not a typical teen romance.

REASONS TO STAY: Manipulative and maudlin and unnecessarily so.

FAMILY VALUES: Some sexuality, occasionally salty language and mature thematic content.

TRIVIAL PURSUIT: The film’s title is a reference to a famous quote from Shakespeare’s Julius Caesar; “The fault dear Brutus lies not in our stars but in ourselves.”

CRITICAL MASS: As of 6/17/14: Rotten Tomatoes: 82% positive reviews. Metacritic: 68/100.

COMPARISON SHOPPING: 50/50

FINAL RATING: 6/10

NEXT: Miss Bala