The Cuban


The memories of when we were young.

(2019) Drama (Brainstorm) Louis Gossett Jr., Ana Golja, Shohreh Aghdashloo, Lauren Holly, Giacomo Gianniotti, Shiva Negar, Jonathan Keltz, Layla Alizada, Kane Mahon, Tabby Johnson, Margaret Lamarre, Gerry Mendicino, Richard Chevolleau, Emily Piggford, Mazida Soroor, Paulbaum Wildbaum, Wajma Soroor, Nadine Roden, Pazz Neglia, Olga Consorti. Directed by Sergio Navarretta

 

Our culture is remarkably cruel to the elderly. We have a tendency to shut them away in warehouses for the old, out of sight and out of mind. We sigh and tell ourselves that it is in the best interests of those whose golden years are tinged with rusted iron; in reality it is as often a convenience for ourselves.

Young Mina Ayoub (Golja) is a pre-med student starting her first day on the job in an extended care facility. One of her assignments, as passed on to her by head Nurse Baker (Holly) is to care for Luis Garcia (Gossett), a cantankerous gentleman who is in the throes of vascular dementia and in the early stages of Alzheimer’s. He refuses to eat the dietitian-prescribed food that is supposed to be good for his ailing heart. She notices a poster of Benny Moré on the wall, a legendary Cuban trumpeter. Her late father had introduced her to Cuban music so she has a bit more familiarity with it than the average Afghan immigrant.

She also lives with her Aunt Bana (Aghdashloo), who as an administrator for the facility, is watching Mina like a hawk. Bana had a career as a physician in Kabul before the violence there forced her to move to Canada but it meant giving up her career and taking care of her niece, who by then had been orphaned

Mina is oddly drawn to Luis and decides to play some Cuban jazz records to see if they would stimulate something more than the vacant stare he gives (when he’s not throwing plates in her general direction when she tries to get him to eat). She also discovers that Luis is willing to eat Cuban food that he remembers fondly, so she begins cooking some for him and bringing it in.

Gradually we discover that Luis was one of the most revered guitar players in Cuba, whose band Los Cubanos played all over the world and shared the stage with luminaries like Dizzy Gillespie. He also was deeply in love with Elena (Golja in a dual role), the band’s singer. The food and the music begin to awaken Luis and he and Mina begin to bond. She also begins a romance with Kris (Gianniotti), a teacher’s assistant at her college who is studying psychology and has some insight into Luis’ condition, as well as a guitar. Soon, it appears Luis is coming out of his shell, but that generally means that the other shoe is about to drop.

Navarretta, whose career spans 20 years although he has mostly directed short films, is a bit heavy-handed in places; for example, the flashback scenes of Luis in Havana are vibrant and colorful; the scenes in the nursing home drab and colorless. We get that Luis’ life is more vivid in his memory than in his intolerable present, but I don’t think it was necessary to make the home look like Alcatraz.

The performances here are strong with the 84-year-old Gossett showing that he won an Oscar for a reason; he imbues Luis with humanity and dignity, despite the fact that his dementia is robbing him of both. Luis is often volatile, his moods swinging wildly from violence to joy to child-like to weary, sometimes within the confines of a single conversation. Although his Cuban accent slips from time to time, his chemistry with Golja is undeniable and she brings a great deal of life to the film; she’s another veteran of the DeGrassi series that seems to have employed nearly every actor in Canada at one time or another.

Although the movie is low-key, it does show a genuine affection for Cuban music and culture, not to mention a valid point to make about how the elderly are treated in modern Western society. I could have done without the subplot of the romance between Mina and Kris; it distracts from the real story which is the relationships between Mina and Luis, and between Mina and her family, which is also an important commentary on the expectations of immigrant families which I could relate to directly. This is a movie that some might write off as a Hallmark channel type of film, but I can assure you that it is much, much more – it is a hidden gem that film buffs would do well to seek out.

REASONS TO SEE: A love letter to Cuban music as well as an indictment of how we warehouse the elderly.
REASONS TO AVOID: The romance between Mina and Kris feels unnecessary
FAMILY VALUES: There is some brief mild violence.
TRIVIAL PURSUIT: The soundtrack was written by Hilario Duran, a veteran Cuban pianist whose own life story has many similarities to that of Luis Garcia.
BEYOND THE THEATERS: Virtual Cinematic Experience
CRITICAL MASS: As of 8/4/20: Rotten Tomatoes: 60% positive reviews, Metacritic: 53/100
COMPARISON SHOPPING: Buena Vista Social Club: Adios
FINAL RATING: 6.5/10
NEXT:
Rebuilding Paradise

New Releases for the Week of April 21, 2017


UNFORGETTABLE

(Warner Brothers) Rosario Dawson, Katherine Heigl, Geoff Stults, Cheryl Ladd, Whitney Cummings, Jayson Blair, Robert Wisdom, Isabella Kai Rice. Directed by Denise Di Novi

Julia thinks she’s finally found the happiness that has eluded her when she gets engaged to David. She adores his daughter from his first marriage (he’s recently divorced) and this is the opportunity to put her own troubled past behind her. Unfortunately she didn’t plan on Tessa, the first wife, to be pathologically possessive and stop at nothing to get rid of Julia and resume her place as David’s wife and Lilly’s mother.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for sexual content, violence, some language, and brief partial nudity)

Born in China

(DisneyNature) John Krasinski (narrator). The latest in Disney’s series of nature documentaries takes us to China, one of the most beautiful and diverse landscapes on Earth. There we’ll follow a family of giant pandas, of golden snub-nosed monkeys and rare and elusive snow leopards. Some of the footage displays behaviors never before caught on film. As is customary, Disney will make a donation to a wildlife cause (in this case the World Wildlife Fund) for every ticket sold the first week of release.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Nature Documentary
Now Playing: Wide Release

Rating: G

Free Fire

(A24) Sharlto Copley, Brie Larson, Sam Riley, Cillian Murphy. An arms deal goes horribly wrong as a group of gun smugglers are selling a shipment to a gang when shots are fired. Complete pandemonium ensues as nobody seems to know who’s shooting at who and what the heck is actually going on. Surviving this night is going to be no easy task.

See the trailer, clips, promos and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence, pervasive language, sexual references and drug use)

Grow House

(Rocky Mountain) Malcolm McDowell, Snoop Dogg, DeRay Davis, Lil Duval. A couple of stoners who are deeply in debt figure out that one way to get rich quick is to sell weed to legal dispensaries. Unfortunately for them, while they are awesome at smoking the stuff, it’s a whole other thing to grow it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Stoner Comedy
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Cobb Plaza Cinema Café, Fashion Square Premiere Cinema, Regal Oviedo Mall, Regal Pointe Orlando, Regal Waterford Lakes, UA Seminole Mall

Rating: R (for drug use and language throughout, including some sexual references)

The Lost City of Z

(Bleecker Street) Charlie Hunnam, Robert Pattinson, Sienna Miller, Tom Holland. Percy Fawcett was a British military man and cartographer near the turn of the 20th century who was sent to map the Amazon region to help settle a border dispute between Bolivia and Brazil. Instead he discovered evidence of a vast advanced civilization that once dwelled there and a legendary city he called Z. Ridiculed by the scientific community, he made attempt after attempt to find the lost city until he and his son disappeared on an expedition in 1925. The movie is based on a book written on the explorer and a review for it will appear on Cinema365 tomorrow.

See the trailer, clips and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Adventure
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG-13 (for violence, disturbing images, brief strong language and some nudity)

Phoenix Forgotten

(Cinelou) Florence Hartigan, Luke Spencer Roberts, Chelsea Lopez, Justin Matthews. The incident known as the Phoenix Lights occurred on March 13, 1997 and was witnessed by thousands of residents and is often pointed to by UFO enthusiasts as proof positive of the existence of extraterrestrial life visiting this planet. This movie is based on those events.

See the trailer, featurettes and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Found Footage Sci-Fi Horror
Now Playing: Wide Release

Rating: PG-13 (for terror, peril and some language)

The Promise

(Open Road) Oscar Isaac, Charlotte Le Bon, Christian Bale, Shohreh Aghdashloo. Against the backdrop of the fall of the Ottoman Empire and the Armenian genocide, an Armenian doctor falls in love with a woman of Armenian descent who already has a boyfriend – a famous American journalist out to expose the truth of the genocide to the world.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material including war atrocities, violence and disturbing images, and for some sexuality)

Their Finest

(STX) Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston. During the Second World War the British Ministry of Information is tasked with producing films designed to lift the spirits of that war-battered nation. With most of the available men in the armed forces, the desperate ministry brings aboard a woman to add her light touch into the scripts. She becomes enamored of a producer from an entirely different social strata and soon discovers that the camaraderie behind the camera is at least as intense as that in front of it.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for some language and a scene of sexuality)

Star Trek Beyond


"Someone's sitting in my chair."

“Someone’s sitting in my chair.”

(2016) Science Fiction (Paramount) Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Karl Urban, Idris Elba, Sofia Boutella, John Cho, Anton Yelchin, Joe Taslim, Lydia Wilson, Deep Roy, Melissa Roxburgh, Anita Brown, Doug Jung, Danny Pudi, Kim Kold, Fraser Aitcheson, Matthew MacCaull, Emy Aneke, Shohreh Aghdashloo, Greg Grunberg, Fiona Vroom. Directed by Justin Lin

 

The Star Trek franchise turns 50 this year as next month marks the anniversary of the first appearance of Captain James T. Kirk and the U.S.S. Enterprise on the NBC network way back in 1966. The franchise has gone through six different television series including one animated version and a seventh set to debut in January, thirteen movies, dozens of fan-made videos and innumerable novels and fan-fic entries.

The latest film (and the first of the rebooted “alternate universe” Trek without J.J. Abrams in the director’s chair) finds the Enterprise in the middle of its five year mission and a bit of a malaise has set in among the crew, not the least of which is Captain Kirk (Pine) who is contemplating taking a promotion and a desk job. After a botched diplomatic mission left an ancient yet apparently unimportant artifact in the possession of the Federation starship, Kirk and crew pull into the gigantic Starbase Yorktown for some desperately needed R&R.

While the Enterprise is docked at the impressive space station, an unidentified ship comes from a nearby largely unexplored nebula. Its lone occupant, Kalara (Wilson) pleads for assistance, saying that her crew has been marooned on a planet inside the nebula after the ship was damaged. Kirk takes his ship into the Nebula, only to meet a foe that the pride of the Federation fleet has absolutely no defense again.

Separated on a hostile planet with much of the crew captured, the officers of the Enterprise have to figure out a way to warn the Starbase that Krall (Elba) a maniac with a serious mad on for the Federation is coming and has the might to bring the Yorktown to its knees. With the help of Jaylah (Boutella), an alien whose family was murdered by Krall, Chief Engineer Scott (Pegg), a badly wounded Spock (Quinto), his ex-girlfriend Uhura (Saldana), the irascible Dr. McCoy (Urban), plucky navigator Chekhov (Yelchin) and reliable Sulu (Cho) must utilize an ancient, outdated vessel and find a way to take down Krall before he takes down the Federation.

Justin Lin, who has directed several films in the Fast and Furious franchise, brings an action pedigree to the science fiction franchise and as you might expect, the emphasis here is more on the action. Surprisingly, however, there is a great deal of focus put on the various interpersonal relationships of the crew, particularly on the Spock-McCoy bromance which was a centerpiece of the original series but got little play in the reboot until now. Some of the best moments in the film involve the bickering between the two of them.

This is a fine-looking film and great care has been put into the sets and special effects. The Yorktown is particularly amazing, a space station that has a bit of an Escher vibe to it with amazing maglev trains and soaring skyscrapers. It’s what you’d expect from a cityscape four centuries from now. The question becomes why would something like that be built in space when there’s a perfectly good planet below it? It looks nifty as a space dock but would an entire city the size of Chicago be needed to support starships docking for repairs and resupplies?

But of course, the future is whatever you make of it and conventional logic can disappear in a flash of new technology. Speaking of technology, it’s put to good use here as the special effects are state of the art. There’s no doubt that you’ll dig that aspect of the film even if you enjoy nothing else. Quite frankly, there’s a lot more to enjoy too; the cast here is strong and getting Idris Elba as your lead villain is absolutely a coup. Elba is climbing up the ladder to what no doubt will be eventual A-list status and a slew of awards. Even unrecognizable under prosthetics and make-up, he still has the ability to command the screen in almost a Shakespearean turn here.

This isn’t the best movie in the Star Trek canon but it’s right up there. It’s good to see that someone besides J.J. Abrams and Nicholas Meyer can make a great Trek movie. Some blue blood Trekkers may grouse at the surfeit of action sequences (which has been true throughout the reboot) and even that it isn’t true Trek. I disagree. Much of the movie revolves around the concept of working together for a common goal versus waging war for the betterment of the species. It is a question we continue to struggle with even now. While this isn’t as thought-provoking as hardcore Trekkers may like, it is an extremely entertaining summer entertainment. Unfortunately, that hasn’t translated into box office dollars so it is likely that the franchise – with the next installment already greenlit and featuring the return of Chris Hemsworth as George Kirk – will take a different turn. And perhaps that’s for the best.

REASONS TO GO: The film emphasizes the interpersonal relationships of the crew. Some very cool special effects here. Idris Elba even under layers of make-up is one of the best actors today.
REASONS TO STAY: A couple of holes in logic appear here and there.
FAMILY VALUES: Plenty of violence and action, some a little bit gruesome.
TRIVIAL PURSUIT: This is the first Star Trek film or television show to be shot primarily outside of Hollywood. It was mainly shot in Vancouver and all of the interior sets were built from scratch.
CRITICAL MASS: As of 8/14/16: Rotten Tomatoes: 84% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Star Wars Episode VI: Return of the Jedi
FINAL RATING: 8/10
NEXT: The Little Prince

New Releases for the Week of July 22, 2016


Star Trek BeyondSTAR TREK BEYOND

(Paramount) Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Idris Elba, Sofia Boutella, Shohreh Aghdashloo. Directed by Justin Lin

While exploring a previously uncharted section of the quadrant, the U.S.S. Enterprise meets up with a powerful foe. Stranded on a strange planet without ship or crew, Captain James T. Kirk will need to use all his wiles and bravado to rescue his crew and escape the clutches of their captor, who means to put the values of the Federation to the test.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and violence)

Absolutely Fabulous: The Movie

(Fox Searchlight) Jennifer Saunders, Joanna Lumley, Jane Horrocks, June Whitfield. One of the more beloved British sitcoms of the 90s makes a leap to the big screen as Edina and Patsy, two ladies who love the posh life, find themselves embroiled in a scandal. Stalked by the paparazzi, they are forced to flee to the French Riviera without a sou to their name. True to their nature, they hatch a scheme that will allow their vacation to be permanent – if they can but pull it off!

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R (for language including sexual references, and some drug use)

Captain Fantastic

(Bleecker Street) Viggo Mortensen, Kathryn Hahn, Steve Zahn, Frank Langella. A counterculture sort of fellow tries to raise his kids off the grid in the Pacific Northwest, and instill in them everything they need to become extraordinary adults. However, when tragedy strikes the family, he must bring them into the world the rest of us live in and finds that not only are they shocked by what they discover, but that everything he has taught them has been called into question.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: R (for language and brief graphic nudity)

Equals

(A24) Kristen Stewart, Nicholas Hoult, Guy Pearce, Jacki Weaver. In the future, humanity will have, like the Vulcans of Star Trek eschewed emotion, preferring to lead logical, orderly lives devoid of conflict – and devoid of love. Two young people discover a means to bypass their conditioning and feel something, soon discovering what they are feeling is love for one another and begin a dangerous secret romance.

See the trailer, clips and view the full movie on Amazon here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: PG-13 (for thematic content, sensuality, partial nudity and disturbing images)

Fight Valley

(Breaking Glass) Susie Celek, Miesha Tate, Erin O’Brien, Kari J. Kramer. A young woman is found dead after entering the dangerous world of underground fighting. Her sister, vowing to find her killer and bring them to justice, begins training under a respected ex-fighter so she can enter the world that led to her sister’s death.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Ice Age: Collision Course

(20th Century Fox) Starring the voices of Ray Romano, Denis Leary, John Leguizamo, Queen Latifah. In his quest for the elusive acorn, Skrat accidentally sets off a chain of events that may end the ice age forever and wipe out the creatures living in it. In order to escape the coming devastation, Manny, Diego and their friends must journey to exotic new lands and hope they find safety.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild rude humor and some action/peril)

Lights Out

(New Line) Teresa Palmer, Gabriel Bateman, Billy Burke, Maria Bello. A young woman escapes the nightmares of her childhood and her fear of what lurks in the dark. When she discovers her little brother is displaying the same symptoms, she returns home to confront her mother and the mysterious entity that has made her life a living hell, except now that entity wants to end all their lives once and for all.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror throughout, violence including disturbing images, some thematic material and brief drug content)

New Releases for the Week of June 24, 2016


Independence Day ResurgenceINDEPENDENCE DAY: RESURGENCE

(20th Century Fox) Jeff Goldblum, Liam Hemsworth, Viveca A. Fox, Bill Pullman, Judd Hirsch, Sela Ward, Maika Monroe, Joey King, Grace Huang, Brett Spiner. Directed by Roland Emmerich

Twenty years have passed since the events of Independence Day and in twenty years, the human race has rebuilt their shattered planet, utilizing the technology left behind by the would-be invaders. We’ve spent two decades getting ready for what we’re sure is an inevitable return – only to discover that they’ve also had 20 years to prepare, and this time we might not be able to beat them.

See the trailer, interviews, promos, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and destruction, and for some language)

Free State of Jones

(STX Entertainment) Matthew McConaughey, Keri Russell, Gugu Mbatha-Raw, Mahershala Ali. During the Civil War, a Mississippi farmer – convinced he’s fighting for the wrong side of history and also convinced that the South must eventually fall – leads a rebellion at home to secede from the Confederacy – and incredibly, managed to convince slaves and ex-slaves to fight alongside him. This is based on actual events.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: Wide Release

Rating: R (for brutal battle scenes and disturbing graphic images)

The Music of Strangers

(Broad Green) Yo-Yo Ma, Kinan Azmeh, Kayhan Kalhor, Cristina Pato. Oscar-nominated documentarian Morgan Neville turned his cameras on Ma, perhaps the greatest classical cellist of all time, and the acclaimed musicians of the Silk Road Project as they rehearse for a collaborative project. They look at their philosophies of music, their cultures and how the world is changing.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Regal Winter Park Village

Rating: R (for language throughout, and some violence)

The Neon Demon

(Broad Green) Elle Fanning, Jena Malone, Christina Hendricks, Keanu Reeves. A beautiful young woman, what they call in the modeling industry “a natural,” moves to Los Angeles to start off her career. There she runs into a group of women who are obsessed with aging and beauty. They begin to devour her vitality and beauty and will let nothing stop them until they get everything that she has.

See the trailer, clips, interviews and a promo here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Most of the Larger Multiplexes in Central Florida

Rating: R (for disturbing violent content, bloody images, graphic nudity, a scene of aberrant sexuality, and language)

Raiders!: The Story of the Greatest Fan Film Ever Made

(Drafthouse) Eric Zala, Chris Strompolos, Eli Roth, John Rhys-Davies. 35 years ago, a trio of intrepid 11-year-old Mississippi boys saw Raiders of the Lost Ark and like so many of us back then, were completely dazzled, enraptured even. They decided to make a movie of their own but not just any movie – they decided to remake Raiders shot for shot. Over a seven year period, they worked on it diligently at great cost. When they ceased filming, they had the entire movie in the can – save one scene. Now, they reunite to finish what they started, not realizing the impact their film has had on the fans  everywhere out there – and on those who worked on the original movie itself.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Septembers of Shiraz

(Momentum) Salma Hayek, Adrien Brody, Shohreh Aghdashloo, Gabriella Wright. A secular Jewish family living in Iran in 1979 is caught up in the events of the 1979 revolution that brought fundamentalist Islamic clerics into power. The family is forced to fight for their lives in a home that is growing increasingly unrecognizable to them – and more dangerous by the day.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG-13 (for thematic content involving interrogation, brutality and disturbing images, and for some partial nudity and brief strong language)

The Shallows

(Columbia) Blake Lively, Oscar Jaenada, Brett Cullen, Sedona Legge. A secluded, breathtaking beach. A beautiful blonde surfer alone with the waves. Paradise, right? Sure…until the Great White Shark shows up. Cue the theme from Jaws.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for bloody images, intense sequences of peril, and brief strong language)

New Releases for the Week of November 14, 2014


Dumb and Dumber ToDUMB AND DUMBER TO

(Universal) Jim Carey, Jeff Daniels, Rob Riggle, Laurie Holden, Rachel Melvin, Kathleen Turner, Bill Murray, Paul Blackthorne, Patricia French. Directed by Bobby and Peter Farrelly

Harry and Lloyd are back. Not that anyone missed them.

See the trailer, clips, interviews B-roll video and world premiere footage here.
For more on the movie this is the website.
Release formats: Standard
Genre: Comedy
Now Playing: Wide release
Rating: PG-13 (for crude and sexual humor, partial nudity, language and some drug references)

Beyond the Lights

(Relativity) Gugu Mbatha-Raw, Nate Parker, Minnie Driver, Danny Glover. A pop superstar finds herself being overwhelmed by the pressures of stardom and decides to end it all. However, she is saved by a handsome young cop on her detail. The two fall hard for each other and although nobody around them approves of the romance, the two persevere and in the process save each other.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard
Genre: Romance
Now Playing: Wide Release
Rating: PG-13 (for sexual content including suggestive gestures, partial nudity, language and thematic elements)

Rosewater

(Open Road) Gael Garcia Bernal, Kim Bodnia, Shohreh Aghdashloo, Claire Foy. A Newsweek reporter, covering the 2009 elections in Iran, is arrested for an interview he conducted. He remains in captivity for 118 days, mostly blindfolded and only knowing his interrogator because of the scent of rosewater that he always seems to be wearing. After his release, the reporter would go on The Daily Show and discuss his ordeal with host Jon Stewart who then made a movie about it.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.
Release formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village
Rating: R (for language including some crude references, and violent content)

Percy Jackson: Sea of Monsters


Logan Lerman, wearing his hoodie, keeps a sharp eye out for George Zimmerman.

Logan Lerman, wearing his hoodie, keeps a sharp eye out for George Zimmerman.

(2013) Fantasy (20th Century Fox) Logan Lerman, Alexandra Daddario, Brandon T. Jackson, Douglas Smith, Mary Birdsong, Yvette Nicole Brown, Stanley Tucci, Nathan Fillion, Anthony Head, Leven Rambin, Jake Abel, Missi Pyle, Connor Dunn, Paloma Kwiatkowski, Ron Perlman (voice), Octavia Spencer (voice), Shohreh Aghdashloo (voice). Directed by Thor Freudenthal

When you’re a demigod (the offspring of one mortal parent and one Greek God or Goddess), life pretty much sucks. You can save the world and still end up feeling like a loser.

At least, that’s the way it is for Percy Jackson (Lerman). The son of Poseidon who saved the world from a plot to use the world’s most dangerous weapon to kickstart a war between the Gods that would have devastated the planet is kind of moping around a year later, wondering if he was indeed a one-quest wonder. Upstaged in nearly everything by Charisse (Rambin), daughter of the God of War, his friends Grover (Jackson) the satyr and Annabeth (Daddario) the daughter of the Goddess of Wisdom have his back but the headmaster at Camp Half-Blood, Dionysus (Tucci) can’t even remember Percy’s name let alone his fame.

When the camp’s defensive barrier is attacked (a magic tree), it appears that the only way to sustain it is to retrieve the legendary Golden Fleece of Jason and the Argonauts. However, that rests on an island in the Sea of Monsters (what we humans call the Bermuda Triangle) and the way there and back is perilous indeed. He will have to deal with traitorous demigods, crazed cabbies, monsters of all size and shapes and a dorky half-brother (Smith) who happens to be a Cyclops. With his friends at his side, how can he be beaten? Well, quite often actually…

The second movie in the series based on Rick Riordan’s wildly popular young adult books, like the first film, uses Greek mythology as a jumping off point. However, that film was kind of poorly written with plot points that lacked coherent explanation and suffered a bit from too close to Harry Potter for comfort. Those sins are still very much in evidence here and while the special effects are more spectacular in the sequel, the thrill factor is much less in the second film than it was in the first.

Lerman has blown hot and cold as a young leading man. His sad sack Percy doesn’t have the heroic qualities of a Harry Potter although he does find his inner hero by film’s end (that’s not much of a spoiler). Here, he doesn’t hold up well to Rambin, who is sexy and charismatic and whose character exceeds Percy in nearly every category as Rambin does Lerman here. Lerman is beginning to remind me of Shia LaBeouf in a negative way.

A movie like this needs to be exciting and thrilling and the issue is that I never felt those things even once during the movie. It’s just kind of there – I don’t really care much about the characters, the visuals can be nice but ultimately they are like seeing a single red rose in a snowy garden; the color is beautiful but it doesn’t change that the rest of the setting is bland and colorless. The series, beloved by many, deserves better movies to be made from it.

REASONS TO GO: Some spectacular effects sequences. Fillion and Tucci are fun.

REASONS TO STAY: Way too Harry Potter-esque. Lacks chemistry. Percy not nearly as heroic as Harry.

FAMILY VALUES:  Here there be monsters; also some mild foul language, fantasy action sequences and a few semi-scary images.

TRIVIAL PURSUIT: Rambin, a natural blonde, wore a wig for her role as Charisse; Daddario, a natural brunette, dyed her hair blonde to play Annabeth.

CRITICAL MASS: As of 8/22/13: Rotten Tomatoes: 38% positive reviews. Metacritic: 39/100.

COMPARISON SHOPPING: Harry Potter and the Sorcerer’s Stone

FINAL RATING: 5/10

NEXT: The Story of Us

The Odd Life of Timothy Green


The Odd Life of Timothy Green

Jennifer Garner. Alias. *sob*

(2012) Family (Disney) Jennifer Garner, Joel Edgerton, CJ Adams, Odeya Rush, Shohreh Aghdashloo, Rosemarie DeWitt, David Morse, Dianne Wiest, M. Emmett Walsh, Lois Smith, Common, Ron Livingston, James Rebhorn, Lin-Manuel Miranda. Directed by Peter Hedges

 

Raising children can be explained as an imperative drive programmed into our DNA. The urge to reproduce is part of our survival instinct – in this case, survival of the species. We are not always, however, able to reproduce in conventional ways. Sometimes we need a miracle.

Cindy (Garner) and Jim (Edgerton) Green need such a miracle. After years of trying everything to conceive a baby they’ve had to come to the hard realization that it wasn’t going to happen. This is devastating to them both as it was one thing they both desperately wanted. So they grab a bottle of wine and write down all of the components that the fruit of their cohabitation would have had – a big heart, artistic talent (Picasso with a pencil), honest to a fault, and the sort of boy who could make an old man laugh but also score the winning goal.

They take these scraps of paper and bury them in a box in their garden. Lo and behold, as such movies are wont to do, a magic storm arises and lightning strikes. From out of the garden a young boy (Adams), covered in dirt, emerges. They are, of course, aghast and at first think he’s some sort of runaway. But as he addresses them as Mom and Dad, they slowly realize that this is the perfect child they dreamed of.

Say you want about the good citizens of Stanleyville, Pencil Capital of the World, but this small town in the Heartland takes the sudden appearance of a child in their midst in stride. Amber alerts are for big city kids; why, the Greens say he’s theirs so he must be. Of course Timothy (that’s his name, after all – the only boy’s name on the Greens’ list of names – there are 53 girls names on there to give you an idea) has leaves growing out of his legs but he keeps those hidden. And he also has a tendency to turn his face to the sun and stretch, much like a plant. Me, I’d be looking for a pod somewhere.

However, Timothy isn’t there to take over the planet. In fact, it’s not quite certain what he’s there for. He apparently is there to figure out if Cindy and Jim are decent parents and they appear to be, although they tell everyone repeatedly that they make a lot of mistakes. They’re both under a lot of pressure though, particularly Jim. The pencil plant where he works, run by Franklin Crudstaff (Livingston), his father (Rebhorn) and his iceberg-cold Aunt Bernice (Wiest), is in danger of being shut down and layoffs are happening in waves.

Cindy works at the pencil museum which is run by Bernice, with whom Cindy doesn’t get along well. Take You Kid to Work day is a recipe for disaster when you have a kid who’s honest to a fault but that’s not Timothy’s doing so much.

Timothy is far more interested in wooing Joni Jerome (Rush), an outsider like himself who looks to be about five years older in the way of girls the same age. The two are both artistic, but in hidden ways and they bring out the best in each other. That lead to affection that is more than friendly. Still, Timothy has much to do and a limited time to do it in – because every bloom must one day fade to make way for the next bloom.

This was written by Ahmet Zappa, Dweezil’s younger brother. It has the quirky element his dad would have appreciated, but it’s much more mainstream than he would have liked. In fact, in a lot of ways, the story is pretty predictable which probably doesn’t matter for the younger demographic of the target audience but their parents might not appreciate it as much.

The good thing is that the movie is well cast. Edgerton and Garner play like a sincere but somewhat inept couple who are in turns overprotective and at other times wanting their son to be his own man. These aren’t perfect Ozzie and Harriet parents by any stretch of the imagination, which makes the movie far more accessible.

The story is told mostly as a flashback during an interview with an Adoption Agency official (Aghdashloo) who is determining if the Greens are ready for a child, so we know that Timothy is out of the picture in some way. Which way isn’t clear, but it won’t be hard to figure out.

The movie is frank about loss and grieving, and there are several scenes of pathos that might be a bit much for the really small children. The movie is frankly manipulative which I usually don’t mind so much but I think that they could have been a little bit less formulaic about it.

I like the Midwestern charm here; the film seems to exist in a perpetual sunny autumn, a Hollywood Indian summer that allow for beautiful rainless days and harvest sunsets. It’s beautiful to look at, and I’m a sucker for the fall anyway so my snide remarks about the seasons will remain unsaid.

This has the pitfalls and positives of the average 21st century family film. The elements of the supernatural harkens back to such Disney classics as Darby O’Gill and the Little People only with much better special effects. There’s enough schmaltz to make an atheist choke and the inherent messages of accepting those who are different and never giving up no matter what the odds pass muster for Disney kid messages. Despite the fine performances from the adults and the fine chemistry between Adams and Rush, at the end of the day the movie is merely adequate and certainly fine if you want to take the family to a non-offensive family movie that isn’t a blatant marketing ploy to sell toys and Happy Meals.

REASONS TO GO: Nice chemistry between Garner and Edgerton, and Adams and Rush. Very sweet in feeling. Doesn’t shy away from pathos.

REASONS TO STAY: Feels manipulative. Not always true to its own internal logic.

FAMILY VALUES: There are a few bad words and some of the themes here might go over the heads of the very young.

TRIVIAL PURSUIT: The house used here was the same one where Halloween II was filmed.

CRITICAL MASS: As of 8/27/12: Rotten Tomatoes: 38% positive reviews. Metacritic: 48/100. The reviews are somewhat negative but more towards the mixed side.

COMPARISON SHOPPING: Race to Witch Mountain

SOCCER LOVERS: Timothy shows off some pretty impressive moves in his moment of glory on the pitch.

FINAL RATING: 6/10

NEXT: Burke and Hare

The Adjustment Bureau


The Adjustment Bureau

Matt Damon tries to explain that the Sarah Silverman music video was a joke.

(2011) Science Fiction (Universal) Matt Damon, Emily Blunt, Anthony Mackie, Terence Stamp, John Slattery, Michael Kelly, Shohreh Aghdashloo, Anthony Ruvivar, Lauren Hodges, Jennifer Ehle. Directed by George Nolfi

There are a couple of schools of thought about how the universe works – one in which things are pre-determined, planned in advance and that we are helpless to escape our destiny. The other says things are random chance and our own free will determines our choices.

David Norris (Damon) is an ambitious politician who was the youngest man ever elected to Congress. He’s running for Senate and has a big lead in the polls until a photo from his college days sinks him. He is in a hotel bathroom, running over his concession speech when he meets Elise Sellas (Blunt) who was hiding from hotel security in a stall when he walked in. They meet, flirt, kiss…and Norris is inspired to deliver a speech that makes him an immediate frontrunner for the next election.

David goes to work for his friend and former campaign manager Charlie Traynor (Kelly), a venture capitalist. David is on his way to work when he meets, quite by chance, Elise on a bus. A man in an old-fashioned suit wearing a fedora who we later found out is named Harry Mitchell (Mackie), chases the bus, trying desperately to spill coffee on the former Congressman. He is unsuccessful and David not only gets Elise’s phone number, he gets to work on time.

There he finds things a little strange. Nobody is moving…the people are frozen in position. Strangely dressed men are holding up strange instruments to Charlie’s forehead. David takes off in a dead run to try and escape but he’s captured. He is brought to a large warehouse-like space where another man – dressed similarly to Harry in a grey suit and a fedora – named Richardson (Slattery) tells him that he’s seen behind a curtain he wasn’t supposed to know existed.

You see, life is supposed to go according to plan – a specific plan – and they’re the guys who make sure it does. David and Elise were not supposed to meet again, as it turns out – they’re not meant to be together. Richardson burns the number Elise gave him and sends him on his way with a warning never to tell anybody about the Adjustment Bureau – or else he’ll be lobotomized.

Thus begins a cat and mouse game between David and the Adjustment Bureau. David trying to get back together again with Elise…the Bureau trying to keep them apart. Eventually, a higher-up named Thompson (Stamp) is drawn into the case but how can David find the love of his life when men who can alter reality itself are arrayed against him?

George Nolfi is directing for the first time; he’s better known as a writer for such movies as Oceans 12. He shows a surprisingly deft hand at the helm – he’s got a solid future in directing if he continues to direct.

He also scripted, based on a short story by Philip K. Dick, whose works have been turned into such films as Minority Report, Total Recall and Blade Runner. Movies based on Dick’s work have varied in execution; this one, I’m happy to say, is one of the better ones. It brings up an age-old argument in a sci-fi setting and while Dick was firmly on the free will side of the discussion (as is Nolfi), he does make a credible argument for the other side as well.

Damon is one of the more appealing A-list actors; he has become a terrific everyman in the vein of Jimmy Stewart, and he continues to improve with every performance. This is another one, and he is certainly solid again, dependable and likable. He also has good chemistry with Blunt; while her character is a little bit bland, she does an admirable job filling it. Their back and forth reminds me a bit of the romantic comedies of the 50s.

There aren’t a lot of special effects; mostly the effects are optical, particularly in sequences involving doorways that transport the bureau men from one place to places far away. There’s a chase sequence involving David and the Bureau men late in the film that’s dazzling but also dizzying…it’s a little disorienting even as David goes by a variety of New York landmarks, including Yankee Stadium and the Statue of Liberty. It’s on the breathtaking side.

Mackie is emerging as a tremendous actor. An Oscar nominee for The Hurt Locker, he is very solid here as a Bureau man with a conscience. Slattery, who is one of those “you’ve seen his face but don’t know his name” kind of guys, also does real well as the bureaucrat (pun intended). Terence Stamp is, well, Terence Stamp.

While the movie is being marketed in Bourne-like fashion (Universal has worked with Damon on those films) this really isn’t. It’s a bit of a pastiche – part romantic comedy, part morality play, part sci-fi action thriller. It’s unusual and while not innovative, it fits the bill for a springtime action movie that probably would have drowned in the summer with all the more spectacular blockbusters. Still, it’s a solid and surprisingly thoughtful movie that even has a few religious overtones – you draw your own conclusions as to who the chairman is. This is the kind of movie that has good juju – it’s entertaining and smart. You can’t ask for more than that.

REASONS TO GO: An interesting concept nicely accomplished. Damon is becoming a 21st century Jimmy Stewart.

REASONS TO STAY: Some of the plot ideas are a little hard to follow and the final chase scene is disorienting.

FAMILY VALUES: There’s a little bit of sex, a little bit of violence and a little bit of strong language.

TRIVIAL PURSUIT: In the short story which the movie is based on, the lead character is an insurance salesman rather than a politician.  

HOME OR THEATER: While some of the overhead city shots benefit from the big screen, most of the rest of the movie works on the small screen just as nicely.

FINAL RATING: 6.5/10

TOMORROW: What Goes Up