Radioflash


The production went underwater quickly.

(2019) Suspense (IFC Midnight) Brighton Sharbino, Dominic Monaghan, Will Patton, Fionnula Flanagan, Miles Anderson, Michael Filipowich, Kyle Collin, Sean Cook, Arden Myrin, Max Adler, Lance Valentine Butler, Juli Erickson, CJ Legare, Shawn Law, Jerry Basham, Amir Abdullah, Ryan Shrime, Eryn Rea. Directed by Ben McPherson

 

There’s no doubt that our society functions on technology. It is both a blessing and a curse; it has allowed us to lead lives more comfortable than any of our predecessors but at the same time, what would become of society if all our technology suddenly was no longer available to us?

Nothing good, posits this film. Reese (Sharbino) is a bright teenage girl with superior problem-solving skills. She lives with her dad (Monaghan): both are still grieving the death of Reese’s mom from cancer a year earlier. When the power flickers out, it’s no big whoop at first. After all, power outages are a function of life as our devices suck more and more juice from the grid.

But the power doesn’t come back on and soon it becomes apparent that it won’t anytime soon. Reese’s survivalist grandpa (Patton) has been preparing for this all his life and he urges Reese and her pa to gather up as much gas as they can get hold of and head out to his place in the mountains before things turn to anarchy back in the city. They are just shy of too late.

At that point, the movie goes off the rails as Reese is kidnapped by Maw (Flanagan) and her brutish son Bill (Filipowich) and grandson Quinn (Collin) and the film takes a wide left into The Hills Have Eyes territory. The movie seemed really promising at first, with Reese being set up as a modern heroine who is smart, savvy and strong but she is essentially reduced to a typical damsel in distressed, trussed up in a burlap sack or locked in a basement. Her problem-solving skills we see early on are nowhere to be found.

Faring slightly better is Monaghan who plays the dad well; we’ve seen him as a irresponsible hobbit and a drug-addled rock star but he excels here as a devoted but sad-eyed dad. The film is bolstered by some beautiful Northwestern vistas, often mist-shrouded but McPherson is unable to generate a whole lot of excitement or suspense, leaving audiences indifferent to the fate of the characters. Considering the introduction he gave Reese, it’s a damn shame; I would have liked to have seen her less in peril and more in charge. Patton, a veteran character actor, is given little to do, showing up in brief moments to show concern and worry, for the most part.

This is one of those frustrating films where you see that if the filmmakers had just taken a certain direction that the movie had tons of potential to be something more than it turned out to be. While there are some worthwhile elements here, overall it ends up being a mediocre thriller that doesn’t quite do the job it’s supposed to do.

REASONS TO SEE: Monaghan does a crackerjack job in a type of role he’s not known for.
REASONS TO AVOID: Doesn’t really generate a lot of excitement.
FAMILY VALUES: There is profanity and violence herein.
TRIVIAL PURSUIT: McPherson has partnered with the Conservative View and Glenn Beck on short film projects, and co-writer Matt Redhawk is the founder of a survivalist supply company.
BEYOND THE THEATER: Amazon, Google Play, Vudu, YouTube
CRITICAL MASS: As of 11/20/19: Rotten Tomatoes: 0% positive reviews: Metacritic: 34/100.
COMPARISON SHOPPING: Walking Out
FINAL RATING: 5/10
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Synonyms

A Quiet Place


Splish splash I was taking a bath.

(2018) Horror (Paramount) John Krasinski, Emily Blunt, Millicent Simmonds, Noah Jupe, Cade Woodward, Leon Russom, Rhonda Pell. Directed by John Krasinski

 

Who doesn’t love a little peace and quiet from time to time? Here is a movie that gives you plenty of the latter but not a whole lot of the former.

The premise is fiendishly simple; the Earth has been invaded by insect-like alien creatures who, blind, hunt exclusively by hearing. The slightest noise will bring the down on you and your end will not be pleasant. The Abbott family – papa Lee (Krasinski), mama Evelyn (Blunt), daughter and eldest child Regan (Simmonds) – who in a bit of intentional irony is deaf – middle son Marcus (Jupe) and youngest son beau (Woodward) try to survive in a world where noise is death, a point driven home in the opening scene in a visceral and shocking manner.

Evelyn, to make things worse, is pregnant and her due date rapidly approaches. As any woman will tell you there is nothing quiet about childbirth and certainly nothing quiet about babies. Papa Lee however isn’t willing to say die and has things pretty much figured out – except that almost nothing goes the way he plans it.

The creatures in this movie are terrific; they make logical sense and in fact this is a horror movie that creates its own universe and the rules therein and sticks to them. This is essentially a silent movie although there is ambient noise but it isn’t always quiet. In this space, nobody had better hear you scream.

The performances here are really, really good from Krasinski as the embattled father butting heads with his headstrong daughter and his wife who thinks he’s being too hard on her and Simmonds – so good in Wonderstruck – proves that performance wasn’t a fluke. It is Blunt however who is the most memorable here. Blunt is so emotionally expressive; she acts mainly with body language and facial expression without dialogue to aid her, she communicates directly with her audience without needing subtitles. While I’m not sure Oscar will take notice, she should at least be considered for a Best Actress nod.

Krasinski as a director is promising enough; while he hasn’t broken through to the A-List quite yet as an actor, he once again shows he has the talent to get there eventually. It may turn out that his future lies in directing, which isn’t an easy path to take. Krasinski shows he is more than capable enough to follow that path. Still, it’s hard to dismiss his acting skills, particularly in light of a poignant scene near the end of the movie in which a father’s love shines brightest in the darkness.

This is an outstanding horror movie that is going to end up as one of the year’s best chillers. It’s a shame if you didn’t already catch it on the big screen which is where this would be much more effective; however if you didn’t you at least have the opportunity to see it on your own home video setup. Don’t make the same mistake twice; even if you’re not fond of genre movies you should see this one. Even film buffs are raving about it.

REASONS TO GO: Krasinski the director keeps the tension high throughout and Krasinski the actor once again shows star quality. The monster in this film is outstanding.
REASONS TO STAY: The opening scene may be too shocking and disturbing for some.
FAMILY VALUES: There is a fair amount of violence and bloody images, alongside some children in peril.
TRIVIAL PURSUIT: In the entire film not a single door is opened or closd.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Paramount Movies, Vudu, YouTube
CRITICAL MASS: As of 8/13/18: Rotten Tomatoes: 95% positive reviews: Metacritic: 82/100.
COMPARISON SHOPPING: See No Evil
FINAL RATING: 7.5/10
NEXT:
Across the River