The Mule (2018)


The look you get when everything you’ve spent a lifetime building falls apart.

 (2018) Drama (Warner BrothersClint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Alison Eastwood, Taissa Farmiga, Andy Garcia, Ignacio Serricchio, Loren Dean, Diego Cataño, Daniel Moncada, Victor Rasuk, Ashani Roberts, Lobo Sebstian, Devon Ogden, Cesar De Léon, Richard Herd, Clifton Collins Jr., Jackie Prucha. Directed by Clint Eastwood

 

Clint Eastwood is something of a folk hero, and has made a career playing other folk heroes. His latest is Earl Stone, a man driven to the wall when his business fails and he falls into a job delivering coke for the cartel. It’s the perfect front; on the surface, he appears to be a harmless geriatric and that’s pretty much what he is. But it’s a dangerous game he’s playing, with a magnanimous cartel boss (Garcia) overseeing suspicious and ambitious underlings (Serricchio) and a driven DEA agent (Cooper) all on the hunt after Earl.

Eastwood was pushing 90 when he made this film (he’ll become a nonagenarian on May 31st of this year) but still retains the gruff charm that has carried him through the late stages of his career. While his character is not so admirable – he essentially has alienated his entire family, choosing work over ,loved ones at every turn, is a serial womanizer and a not-so-subtle racist – but Eastwood has always made guys like these seem not-quite-so-bad. He’s also still a skilled director who builds up a strong tension throughout the film; will he get caught? Will that police dog find the drugs? Stay tuned.

Currently on iMDB Eastwood has no projects lined up either as a director as an actor; this is very likely his swan song in front of the camera (although we have learned to never say never in that regards – 2008’s Gran Torino was supposed to be his last acting role but he has appeared in several films since then) as last year’s Richard Jewell is likely his final film as a director. While this film isn’t a disgrace to his legacy, neither does it enhance it much. It’s reasonably entertaining, elevated by the presence of one of the last authentic stars of Hollywood.

REASONS TO SEE: Eastwood is always watchable. A “so bizarre it has to be true” story.
REASONS TO AVOID: Some of the racist remarks Earl says made me a little uncomfortable.
FAMILY VALUES: There is plenty of profanity and some sexuality.
TRIVIAL PURSUIT: The Earl Stone character is based on Leo “Tata” Sharp who was also a horticulturist who became a drug mule for the Sinaloa cartel from 2001-2011.
BEYOND THE THEATER: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 5/14//20: Rotten Tomatoes: 70% positive reviews. Metacritic:  58/100
COMPARISON SHOPPING: The Old Man & the Gun
FINAL RATING: 7/10
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Bombshells and Dollies