The Angry Birds Movie


Flipping the bird.

Flipping the bird.

(2016) Animated Feature (Columbia) Starring the voices of Jason Sudeikis, Josh Gad, Danny McBride, Bill Hader, Maya Rudolph, Peter Dinklage, Sean Penn, Keegan-Michael Key, Kate McKinnon, Tony Hale, Hannibal Buress, Ike Barinholtz, Tituss Burgess, Ian Hecox, Anthony Padilla, Billy Eichner, Danielle Brooks, Blake Shelton, Jillian Bell, Charli XCX. Directed by Fergal Reilly and Clay Kaytis

 

When does a movie become a marketing tool? In the case of The Angry Birds Movie, right now. It’s based on the stupid popular Rovio Games smartphone app Angry Birds which has spawned a crapload of sequel games, a cartoon series and enough merchandise to fill in the Grand Canyon.

Bird Island is a kind of idyllic place where hugs are for sale (but the first one is always free). The birds here all have special abilities but for Red (Sudeikis) that ability seems to be losing his temper. Orphaned before he hatched, he simply grew up with a chip on his shoulder…err, wing. Working as a clown for kid’s parties was probably the wrong career choice for him. After encountering a client who irritated him, he gets into trouble with the law.

Once he gets into court, the Judge (Key) sentences him to anger management classes. The classes are conducted by Matilda (Rudolph) who has her hands full with Red’s classmates. Chuck (Gad) is a mile-a-minute talker who is the Angry Bird counterpart to Speedy Gonzalez. He doesn’t do well with authority figures and has a bit of an attitude problem. Bomb (McBride) is a bit nicer but he has a habit of exploding (literally) whenever he gets angry. Finally there’s Terence (Penn) who’s huge and intimidating (and looks like he could be Red’s father) but only communicates in a series of grunts and snorts.

Into this idyllic paradise comes a huge ship that crashes right into Red’s house (typical). It is manned by a bunch of green pigs, led by King Leonard (Hader) who sounds like a Southern football coach but is all ham. He is bringing all sorts of entertainment and fun for the island, in return his people get to enjoy the benefits of visiting as tourists. The leadership of Bird Island is all for it but Red is much more suspicious. He can’t believe that these guys can’t be up to no good. And he’s right.

They’re after the eggs of the Birds – the unborn children. And when they take the eggs back to their own island with the intention of eating them, it means war. But who will lead the birds in their hour of need? Need you even ask?

The animation is a little more sophisticated than what you get in the game, but lovers of the game will appreciate that lots of the game play elements can be found in the movie, some of which are disguised in sneaky ways. Even casual players will get a kick out of it and I’ll admit that these little insides work well overall in the movie.

Now full disclosure – I saw this movie in France and in French and so I can’t comment on the voice performances of the American version. I can say that the movie was a lot funnier than I expected – quite frankly my expectations were pretty low, but there are some sequences that are pretty Loony Tune-ish to the max. There is no higher compliment can I think of for an animated feature than that, by the way.

On the flip side, the plot is essentially an explanation as to why the birds are so angry and quite frankly, it’s a bit weak. Parents may also want to consider that this is a movie that promotes violence as a solution which may not necessarily be a lesson they want to pass on to their kids. Then again, the old Looney Tunes did the same thing and it didn’t do my generation any harm…what, almost 15 years of unceasing war? Never mind.

REASONS TO GO: Incorporates elements of the game in clever ways. A lot funnier than I thought it was going to be.
REASONS TO STAY: Kind of a weak plot. Mean-spirited.
FAMILY VALUES: Some rude humor and a little animated action.
TRIVIAL PURSUIT: Terrence doesn’t say a single line of dialogue during the movie, other than an occasional grunt (voiced by Penn). However, he does sing (not Penn).
CRITICAL MASS: As of 6/14/16: Rotten Tomatoes: 42% positive reviews. Metacritic: 43/100.
COMPARISON SHOPPING: A Bug’s Life
FINAL RATING: 6.5/10
NEXT: Alice Through the Looking Glass

Advertisements

Top 10 of 2014


Top 10 of 2014For most of the year, I asserted that this was kind of a down year for movies in terms of quality and to a lesser degree, of box office as well. Although there have been some really good movies that would be contenders for the best movie of the year in any year, I still think that overall there were fewer movies that had the slam dunk quality overall of years past.

Still, the movies on this top 10 list were all of very high quality and you won’t go wrong in watching any of them. I was pleased to see that there were a number of indie movies that really stepped up the game; in fact, I think it’s a safe bet to call this the Year of the Indie. While some of these are indies in name only, distributed by major studios who have developed distribution arm for foreign films and smaller scale American films produced outside of the studios (i.e. Fox Searchlight, Sony Classics and Paramount Vantage), plenty are true indies with no financing or distribution from a major.

We continue to see a migration of traditional distribution in which movies received a theatrical release, followed about six months later by a home video release and ending up with a premium cable release about a year after the initial theatrical release. That is no longer the case as people are more and more watching films at home rather than in theaters. Some of the major indie distributors like Magnolia and IFC are releasing their films in On-Demand format concurrently with their theatrical release (and often ahead of it) which makes good fiscal sense for them. Mid-majors like Weinstein and Lionsgate have begun to follow suit. Universal even decided to release the acclaimed Joe Carnahan film Stretch into on-demand without a theatrical release which is a bit disturbing but sensible as well. We might see marginal studio films going that route more often in the future.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The information given should be self-explanatory. This year we’re also adding the top 10 films’ Rotten Tomatoes and Metacritic scores as of the date I write the blurbs.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The Grand Budapest Hotel, The Wind Rises, The Babadook, Before I Disappear, Ida, The Trip to Italy, Doomsdays, Tim’s Vermeer, Copenhagen, Chef, Bad Words, The Final Member, The Zero Theorem, The Devil’s Knot, The Railway Man, Cold in July, Blue Ruin, The Fluffy Movie, The Hundred-Foot Journey, Interstellar, The Boxtrolls, The Good Lie, Birdman, Foxchaser, Wild, Slingshot, Ernest and Celestine, The Lunchbox, Jodorowsky’s Dune, The LEGO Movie, Locke, Force Majeure, Life Itself.

Captain America: The Winter Soldier10. CAPTAIN AMERICA: THE WINTER SOLDIER

(Disney/Marvel) Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Anthony Mackie, Toby Jones, Cobie Smulders, Frank Grillo, Hayley Atwell. Directed by Anthony Russo and Joe Russo

Released April 3, 2014 Steve Rogers, a.k.a. Captain America fresh from saving New York City from an alien invasion is an integral part of SHIELD, protecting the world and particularly the United States, from threats too powerful for local law enforcement to handle. But something is attacking SHIELD from within and Rogers, who knows nobody from this era after having been frozen in the Arctic for nearly half a century, doesn’t know who to trust or what to believe. He’s a black and white kind of guy in a shades of grey world.
WHY IT IS HERE: Hearkens back to the political thrillers of the 1970s coupled with a modern special effects-laden action film. Was the box office champion for much of 2014 until a Marvel mate came to take the crown from Cap. But more importantly, people began to see that Marvel movies could be a lot more than superhero films.
HIGHLIGHT SCENE: Cap takes out an elevator full of would-be assassins.
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 70/100.
BOX OFFICE RESULTS: $259.8 million domestic, $714.1M total (as of 1/13/15).
BUDGET: $170 million
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Stream on Vudu/iTunes. Rent DVD/Blu-Ray on Netflix.

Whiplash9. WHIPLASH

(Sony Classics) Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell, Nate Lang, Chris Mulkey, Damon Gupton, Suanne Spoke, Max Kasch, Charlie Ian, Jayson Blair, Kofi Siriboe, Kavita Patil. Directed by Damien Chazelle

Released October 10, 2014 A driven young jazz drummer attending a prestigious music conservatory in New York City yearns to be the best, and in order to do that will have to make sacrifices. Taken under the wing of a stern taskmaster of an instructor, the two strong wills meet head on as Chazelle asks us to consider at what point the price of greatness becomes too dear.
WHY IT IS HERE: Newcomer Chazelle has delivered a taut, engaging movie in which two performances take front and center. Teller proves that he can be a compelling lead actor, while veteran character actor Simmons delivers the performance of his career for which he has already won a Golden Globe and is the odds-on favorite for the Best Supporting Actor Oscar next month.
HIGHLIGHT SCENE: Andrew’s drum solo in a situation in which he had been set up to fail, yet ends up triumphing despite the adversity.
CRITICAL MASS: Rotten Tomatoes: 95% positive reviews. Metacritic: 88/100.
BOX OFFICE RESULTS: $6.2 million domestic, $7.1M total (as of 1/13/15),.
BUDGET: $3.3 million
STATUS: Scheduled for home video release on February 24. Digital download pre-order available on Vudu.

Gone Girl8. GONE GIRL

(20th Century Fox) Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Patrick Fugit, Carrie Coon, David Clennon, Lisa Barnes, Missi Pyle, Emily Ratajkowski, Casey Wilson, Lola Kirke, Boyd Holbrook, Sela Ward. Directed by David Fincher

Released October 2, 2014 When his wife disappears, Nick Dunne fears the worst – maybe she’s been kidnapped or possibly, given the blood at the scene of the crime – murdered. But when signs point to Nick being the killer, suddenly the sympathy he’d been receiving turns to something else. Almost nobody believes him. However, even Nick doesn’t suspect what’s going on and who’s behind it.
WHY IT IS HERE: One of the big box office hits of 2014 took a lot of people by surprise. Fox did a masterful job of marketing the film without revealing its twists and turns. Fincher directs it masterfully, making sure that everything that happens onscreen has a reason for it. Pike got a Golden Globe nomination for her star-making performance and may well net an Oscar nom as well.
HIGHLIGHT SCENE: I can’t reveal too much about the scene without spoiling the surprises but let’s just call it “NPH gets lucky…or does he?”
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $167.2 million domestic (as of 1/14/15), $365.4M total.
BUDGET: $61 million
STATUS: Currently available on home video. Download from iTunes/Amazon/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Vudu/iTunes/Target Ticket.

The Imitation Game7. THE IMITATION GAME

(Weinstein) Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Alan Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote, Tom Goodman-Hill, Steven Waddington, Ilan Goodman, Jack Tarlton. Directed by Morten Tyldum

Released November 28, 2014 The story of Alan Turing wasn’t a particularly happy one. A brilliant mathematician with a lifelong passion for cyphers, he was enlisted by the British Army during the Second World War to crack what was then thought to be an unbreakable code – Enigma. The Germans used it for all their communication and the Allies were losing the war largely because of it. The socially awkward Alan has a secret of his own – and that secret might just lose the war for the Allies altogether.
WHY IT IS HERE: Well-acted throughout, with an Oscar-worthy performance by Cumberbatch in the lead role, with Knightley giving some fine support. The movie is told as something of a wartime thriller, but it’s so much more. The agonizing decisions that Turing had to make in order to make his machine work and then on keeping their progress hidden from the Germans is truly heart-wrenching.
HIGHLIGHT SCENE: An a-ha moment that leads to a breakthrough.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $41.0 million domestic (as of 1/14/15), $81.9M total..
BUDGET: $14 million.
STATUS: Still in wide release.

Mission Congo6. MISSION CONGO

(C-Colony) Pat Robertson, Robert Hinkle, Jessie Pott. Directed by David Turner and Laura Zizic

Released April 5, 2014 A compelling documentary that looks at televangelist Pat Robertson and his humanitarian aid program Operation Blessing. Ostensibly sending medical supplies and personnel to the Democratic Republic of the Congo (then known as Zaire) to help aid the hundreds of thousands of refugees from Rwanda which was then in the throes of a civil war and genocide, the filmmakers contend that Robertson’s prime focus was mining diamonds and not saving lives.
WHY IT IS HERE: While decidedly one-sided (Robertson was invited to be interviewed but declined – he’s steadfastly denied the charges) the evidence is presented in an organized and thoughtful manner. Using tax returns, archival footage and eyewitness accounts, the filmmakers put together a pretty damning case against the preacher.
HIGHLIGHT SCENE: The footage showing the real places supposedly helped by Operation Blessing and how the reality differs greatly from how Operation Blessing portrays things.
CRITICAL MASS: Rotten Tomatoes: No score yet. Metacritic: No score yet.
BOX OFFICE RESULTS: No information available.
BUDGET: Not available.
STATUS: Not available. May still be playing the festival circuit.

The Kill Team5. THE KILL TEAM

(Oscilloscope Laboratories) Adam Winfield, Jeremy Morlock, Justin Stoner, Andrew Holmes, Chris Winfield, Emma Winfield, Eric Montalvo. Directed by Dan Krauss

Released April 6, 2014 Some may remember a few years back a squadron of soldiers that was brought up on charges of unjustifiably murdering Afghan civilians and keeping human remains as souvenirs of their misdeeds. This is a documentary about the men in that squadron, how they were hung out to dry by the Army who denied the atrocities that they were later to have proven that they committed had actually happened.
WHY IT IS HERE: A very gripping look at one of the less savory incidents of the war. We focus mainly on Winfield, who tried to blow the whistle on what was happening but instead ended up in prison. This illustrates how officers are treated differently than enlisted men, how CYA is a military code in and of itself and how innocents get caught in the middle. The very best documentary of 2014, a year in which great documentaries were the norm and a Florida Film Festival favorite.
HIGHLIGHT SCENE: The aftermath of the sentencing of Adam Winfield.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $18,983 domestic (as of 1/16/14), $18,983 worldwide.
BUDGET: Not available
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Rent DVD from Netflix. Stream from iTunes/Vudu/Amazon.

Guardians of the Galaxy4, GUARDIANS OF THE GALAXY

(Disney/Marvel) Chris Pratt, Zoe Saldana, Lee Pace, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Glenn Close, John C. Reilly, Djimon Hounsou, Michael Rooker, Benicio del Toro, Karen Gillan, Josh Brolin. Directed by James Gunn

Released August 1, 2014 A group of misfits, criminals and genetic mistakes are all that stands between the universe and a power-mad fanatic who has hold of one of the most powerful artifacts in reality. Led by the displaced human Peter Quill – who prefers to be called Star Lord – the beautiful and deadly assassin Gamora, the sentient tree Groot, the genetically enhanced Rocket Raccoon and the vengeful strong man Drax the Destroyer, these five will stand against Ronan the Accuser and the machinations of the evil Thanos – and the Infinity Gem.
WHY IT IS HERE: Spectacle, action, comedy, pathos – this film has it all. The box office champion of 2014 (although that will have likely changed by the time this is published, or at least shortly thereafter), this proves that Marvel can take some of their most obscure properties and make huge box office hits out of them. Some have said this will end up being the Star Wars for this generation. Okay, well, that was me that said it. In any case, Da Queen would kill me if this didn’t at least make my Top 5.
HIGHLIGHT SCENE: One of the Guardians mourns a fallen comrade.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100.
BOX OFFICE RESULTS: $333.2 million domestic (as of 1/20/15), $772.8 million total.
BUDGET: $170 million.
STATUS: Available on home video. Download from Amazon/iTunes/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Target Ticket.

Her3, HER

(Warner Brothers) Joaquin Phoenix, Amy Adams, Scarlett Johansson (voice), Olivia Wilde, Chris Pratt, Rooney Mara, Kristen Wiig (voice), Bill Hader (voice). Directed by Spike Jonze

Released January 10, 2014 In the near future, we rely on computers more than ever and it takes a powerful operating system to keep up with demand. When a new OS with the capacity for learning debuts, it hits some people like a ton of bricks. For Theodore Twombly is in love – with his operating system.
WHY IT IS HERE: Although it came out for an Oscar qualifying run in December 2013, most of the country didn’t get to see it until January. Shaply funny in places with a wit and an eye for our modern social media obsessed culture. This would have ended up on last year’s even harder to crack top 10 if we’d had the opportunity to see it in December.
HIGHLIGHT SCENE: Theo and Samantha have a steamy bedtime conversation.
CRITICAL MASS: Rotten Tomatoes: 94% positive reviews. Metacritic: 90/100.
BOX OFFICE RESULTS: $25.6 million domestic (as of 1/20/15), $47.4 million total.
BUDGET: $23 million.
STATUS: Available on home video and on HBO. Download from Amazon/iTunes/Flixster/Vudu. Stream from iTunes. Rent DVD/Blu-Ray from Netflix.

The Double2. THE DOUBLE

(Magnolia) Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Yasmin Paige, Noah Taylor, James Fox, Cathy Moriarty, J. Mascis. Directed by Richard Ayoade

Released May 9, 2014 Simon is a mousy but hard-working office drone has an existence of invisibility; people forget that he’s worked there for seven years and the girl of his dreams won’t even give him a second glance. All that changes when James starts working in the office. James is everything that  Simon is not – self-confident, charismatic and irresistible to women. However, James is also everything that Simon is – an exact physical double. And, to Simon’s despair, he is taking over Simon’s life.
WHY IT IS HERE: Yeah, I know that the retro-futurist look is nothing new but few movies take advantage of it as well as this one, and none since Brazil in an office environment. Eisenberg delivers the kind of performance that serves notice that he’s not a nebbish-y kid anymore. This was the best narrative film from this year’s Florida Film Festival and my favorite overall.
HIGHLIGHT SCENE: Some cops talk to Simon about the chances he’ll commit suicide.
CRITICAL MASS: Rotten Tomatoes: 82% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $200,406 (as of 1/21/15), $1.7 million total.
BUDGET: Not available.
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/Target Ticket. Stream on Netflix/Amazon/iTunes/Vudu/Target Ticket. Rent Blu-Ray/DVD on Netflix.

Boyhood1. BOYHOOD

(IFC) Ethan Hawke, Patricia Arquette, Ellar Coltrane, Lorelei Linklater, Steven Prince, Bonnie Cross, Marco Perella, Libby Villari. Directed by Richard Linklater

Released July 11, 2014 We capture the life of a young boy growing into a young man over a 12-year period. Young Mason, his single mom, his sister Samantha and his dad cope with the vagaries of being a divorced family, through abusive stepdads, periods of acting out, attempts to find himself as he goes through high school and prepares for college. Filmed over a period of 12 years with the same cast and much of the same crew makes the aging process natural and believable.
WHY IT IS HERE: If Roger Ebert and Gene Siskel were still alive, I believe they’d both likely vote this the film of the decade or at least one of them. This is the ultimate slice of life film and Linklater deserves all the accolades he’s received for this movie. There are no mysteries, no explosions, no contrived romances – but nonetheless this movie pulls you in and affects you deeply, thanks to some wonderful performances and Coltrane’s natural abilities. Sometimes the universe lines up in such a way that everything works the way you hope it would – this is one such instance.
HIGHLIGHT SCENE: There are several but there’s a conversation between Mason and his dad at a graduation party which is priceless.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 100/100.
BOX OFFICE RESULTS: $24.6 million domestic (as of 1/21/15), $43.8M total.
BUDGET: $4 million.
STATUS: Currently available on home video. Download from Amazon/iTunes/Vudu/Flixster. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Flixster.

SlingShot


Who knew that the inventor of the Segway was such a badass?!

Who knew that the inventor of the Segway was such a badass?!

(2014) Documentary (Moon Avenue) Dean Kamen, Muhtar Kent. Directed by Paul Lazarus

Florida Film Festival 2014

The problems of the world sometimes look so insurmountable that we feel helpless to do anything to remedy them. The truth is however that very often some of the biggest problems are resolved by a single person with the will, the drive and the expertise deciding to take that problem on and solve it.

Dean Kamen isn’t a household name but he should be. He is best known as the inventor of the Segway, the two-wheeled device that is sometimes used in place of walking tours. It is somewhat ironic that the device, which never caught on in the way he had hoped, is what has been up to now his legacy – he has since worked quite tirelessly in the medical field with among other things a portable dialysis device to his credit.

But Kamen isn’t satisfied with helping just a few people – he wants his legacy to be something more notable. As he correctly points out, half of the world’s illnesses are the result of water borne pathogens. If he could figure out a way to clean up the world’s water supply, he could empty half of the world’s hospital beds in a single stroke. Not a bad legacy to leave behind.

To successfully do this, he would need to develop a device that is easy to maintain, requires a minimal amount of power and is reasonably compact. All of these are matters of engineering and he and his team at his engineering think tank Deka Technology are very good engineers. So to make a long story short, he succeeded. The device exists. Testing it out in Ghana and Central America, the device proved to be successful.

The issue is getting them to where they’re needed and it is here that he hit his biggest roadblocks. Government agencies were unhelpful as were agencies like the United Nations and the Red Cross. Kamen’s frustration was palpable. What he needed was a distribution system.

Also the founder of the FIRST program and robotics competition which had outgrown its venue, Kamen had sought out a new venue for his competition and struck a deal with Phillips Arena in Atlanta. When he arrived in the Georgia city, he was struck by all the Coca-Cola signs around the arena and the city and was struck by inspiration – what product can be found in virtually every village in the world no matter how remote?

Coke wasn’t just a beverage he realized but also a delivery system. He contacted Muhtar Kent, the CEO of Coke who was intrigued with the idea. A bargain was soon struck – if Kamen could produced a certain number of devices, the Company would agree to underwrite the distribution of the devices and transport advisors who would teach the locals how to maintain it. In return, Kamen would invent for them a new soda fountain to replace the one they’d been using for more than half a century. Kamen came up with the Freestyle Coke dispensers, now in use at places like Burger King, Five Guys, AMC Theaters and Pei Wei.

The story is inspiring and it’s hard to believe that we are on the cusp of overcoming this problem – in a few short years the worlds water supply could well be completely cleansed. But equally inspiring is Kamen himself – he is an engaging personality, thoughtful and loquacious. By the film’s end you may well want to go invent something yourself. He also has a puckish sense of humor – he really took to the clapper which filmmakers use to sync the sound and film in the editing process. Throughout the film he claps his hands expertly to start the scene, which became kind of a theme among platinum passholders at the Festival who often “clapped” like Kamen just before a film screened.

While the movie drags a little bit in the middle as Kamen himself is bogged down in the bureaucratic red tape trying to get his invention out to where it is needed, this is a very good documentary that not only explains a major problem the world faces but also its solution which is somewhat rare for a documentary. It isn’t just the story of that problem that is engaging however, but also Kamen himself who keeps the interest of the viewer. That makes this one double threat of a documentary.

REASONS TO GO: Inspirational. Kamen is extremely articulate and likable.

REASONS TO STAY: Drags a little bit in places.

FAMILY VALUES:  Suitable for all ages.

TRIVIAL PURSUIT: The second film in Florida Film Festival history to take home both the Jury and Audience awards in a single category.

CRITICAL MASS: As of 4/16/14: Rotten Tomatoes: no score yet. Metacritic: no score yet.

COMPARISON SHOPPING: If You Build It

FINAL RATING: 7.5/10

NEXT: The Kill Team