Eden Lake


Eden Lake

Kelly Reilly gets a different kind of facial.

(2008) Horror (Third Rail) Kelly Reilly, Michael Fassbender, Tara Ellis, Jack O’Connell, Finn Atkins, Jumayne Hunter, Thomas Turgoose, James Burrows, Thomas Gill, Lorraine Bruce, Shaun Dooley, James Ghandhi, Bronson Webb. Directed by James Watkins

We are trained from birth to jump at things that go bump in the night. We give form to our fears in all sorts of monsters from Godzilla to Dracula. The true horror however lies in the human heart.

Jenny (Reilly) and Steve (Fassbender) are a couple who are taking a weekend trip to an idyllic lake in rural England, a place Steve has happy memories of from his childhood. However when they get there, they discover that an impending development has closed off the lake. Disregarding the “Keep Out” signs, Steve drives into the park-like setting.

The lake doesn’t disappoint – it’s beautiful and placid. However, the couple’s peace and quiet is shattered by a group of teen hoodlums. Led by Brett (O’Connell), they’re mostly obnoxious and a bit intimidating. Rather than moving elsewhere, Steve decides to stay because “they were there first.” Not very mature and not very smart.

Things begin to escalate. The kids steal their car and their things. There are confrontations. They get physical. Brett’s beloved dog is accidentally killed. Things are about to get seriously ugly, and it will be up to Jenny to save them after Steve is seriously injured. Between her is a pack of rabid dogs in kid’s bodies that are baying for her blood.

Watkins makes a film that is a worthy successor to Straw Dogs and other 70s survival movies. Once things get rolling, you will be cringing in your seat and almost begging for the couple to make it. Steve and Jenny are extremely likable and the kids so utterly horrid that there is an easy rooting interest.

Fassbender has come on in recent years to be poised on the edge of stardom, but this movie was made before his higher profile roles of late. His role here is much more of a supporting part; for most of the second half of the movie he is essentially immobile and has few lines. Still, he has an innate likability and it shows onscreen here.

Reilly is really the star of the movie. Jenny is really put through the wringer here – dragged through the mud, burned, stabbed, beaten and betrayed – she is pushed to the limit and beyond. Reilly plays her as a fragile woman who has an inner strength that comes roaring out when cornered. She’s a likable heroine who can also be fierce, pushed to do things that are she must in order to survive.

O’Connell makes for a vicious and brutal gang leader, one of the nastiest to ever be seen on screen. When things get violent, he gets out of control, savaging his own gang members when he doesn’t get his way. O’Connell doesn’t make him sympathetic but he does make him human and not just a cartoon character. The brutality may be extreme but it comes from a realistic place.

This may be an extreme case but there have been reports of incidents of people being set upon by youth gangs in Britain. As things escalate to their conclusion, we can view this as a morality tale that leaves us with a few lessons. First, never underestimate the danger that comes from a pack of people; no matter how young they are. Second, it is a bad idea to stay somewhere when there are clearly dangerous people around, no matter how much it wounds your macho pride. Finally, never come between a boy and his dog. It can only end badly.

WHY RENT THIS: An excellent thriller that keeps you on the edge of your seat throughout. The leads are attractive.

WHY RENT SOMETHING ELSE: The brutality can be off-putting.

FAMILY VALUES: There is a great deal of brutal violence, some nudity and sexuality, a whole lot of foul language and a brief bit of drug use.

TRIVIAL PURSUIT: Turgoose first gained critical notice for the movie This is England.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $4M on an unreported production budget; I’m thinking this probably made a little bit of money.

FINAL RATING: 6/10

TOMORROW: The Other Man