(1993) Comedy (TriStar) Mike Myers, Nancy Travis, Anthony LaPaglia, Amanda Plummer, Alan Arkin, Brenda Fricker, Matt Doherty, Charles Grodin, Phil Hartman, Debi Mazar, Steven Wright, Patrick Bristow, Cintra Wilson, Luenell Campbell, Michael Richards, Michael G. Hagerty, Jessie Nelson, Bob Sarlatte, Ken Grantham, Greg Germann, Holly Lewis. Directed by Thomas Schlamme
Do we really know the person we’re closest to? After all, it’s very easy to create a facade of normalcy. We can say anything about ourselves and the person who loves us will believe us. After all, why should we lie?
Charlie McKenzie (Myers) is a San Francisco hipster who writes beat-like poetry by night and…well, we’re not quite sure what he does by day. He has been through one abortive relationship after another, each one ending with the terminally paranoid and commitment-phobic Charlie finding a reason to end things. His friend Tony Giardino (LaPaglia) urges him to loosen up but Charlie isn’t inclined to.
That is, until he meets Harriet (Travis) in a butcher shop and it’s chemistry at first sight. Things are going really well as they get to know each other and Charlie thinks at long last this might be the one. Even her little sister Rose (Plummer) is nice.
Then, Charlie is reading one of his mother’s (Fricker) Weekly World News papers (her sole source of news and information) and happens upon an article about Mrs. X, a woman whose three husbands have all disappeared under mysterious circumstances – as has she. The more Charlie reads, the more he realizes that the facts about Mrs. X happen to match up with those Harriet has let slip.
Suddenly Charlie is certain that Harriet is Mrs. X and ends things with her, not wanting to end up as the fourth husband – and victim. Tony is just as certain that his friend is a wacko who is inventing yet another excuse to avoid committing to another person, albeit the most bizarre excuse yet. Then when someone confesses to being Mrs. X in Texas (all our X’s are in Texas), Charlie realizes what a fool he’s been and at the anniversary party of his mother and father (Myers again) he proposes. Nothing but smooth sailing ahead, right?
This was Myers’ first film after the lucrative Wayne’s World established him as a movie star and it was a critical and commercial flop at the time. Over the years the opinion about this gem have been revised and now it has a bit of a cult following and I for one couldn’t be happier about it.
While Charlie is pretty damn quirky, this is Myers’ most “normal” role to date and quite frankly I wish he’d do more of them. He is really likable as Charlie and has a terrific chemistry for Travis who is one of the more underrated actresses of the last 20 years, although she’s getting a regular paycheck these days on the Tim Allen sitcom Last Man Standing. Myers also does his Scottish eccentric role to perfection as Charlie’s dad. “Heed.. Newspaper. Now!” he bellows at his other son, the poor set-upon Doherty, lobbing bon mots at the oversized noggin of his son.
There are plenty of cameos ranging from Arkin as Tony’s way-too-sensitive captain and the late great Phil Hartman as a creepy park ranger at Alcatraz to Steven Wright as a laconic pilot and Charles Grodin as an uncooperative driver whose car is commandeered. The city of San Francisco is shown off as effectively as it has been in any recent movie – watch this one and you might just want to move there.
This is as charming a movie as Myers has done. He’d go on from here to the Austin Powers franchise and the Love Guru misstep but one look at this will convince you that even with the success he’s had he could have gone much farther if he’d continued on the road of movies like this. Sadly, the box office underperformance convinced him otherwise although Austin Powers fan might be happy enough that it did. This is one of those underappreciated comic gems of the 90s that may well have fallen below your radar; it’s well worth a look if you haven’t seen it (and it has a fabulous soundtrack to boot).
WHY RENT THIS: One of Myers’ best. Underrated. Terrifically quirky and cute.
WHY RENT SOMETHING ELSE: A bit dated and relies too much on shtick.
FAMILY VALUES: There’s some bad language, a bit of nudity, some sexual situations and what they called “mock terror.”
TRIVIAL PURSUIT: The Poet’s Corner Hotel scenes were filmed at the Dunsmuir estate which is actually in the Oakland hills east of San Francisco, not North of the city as depicted in the film.
NOTABLE HOME VIDEO EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $11.6M on an unknown production budget.
COMPARISON SHOPPING: Haunted Honeymoon
FINAL RATING: 8.5/10
NEXT: Good Ol’ Freda