Top 10 of 2015


2015 Top 10After what I thought was kind of a down year in 2014, the overall quality of the movies I saw in 2015 went on the rebound and in general, I thought there were far better films in general than the year previous. A little more interestingly, I also thought that there were fewer movies that I’d give 10 out of 10 for this year, which is a bit of a dichotomy; better quality overall, but fewer slam dunks.

However, the films on this list were all as good as you’d find on the lists of any year previous with the top spot going to a movie that I thought was far and away the best film of the year – but oddly enough, very few people have seen it other than on streaming services. We’ll get to that in a moment, but the movies that followed were still of very high quality and are worth seeing every one.

While studio movies have tended to continue going with the traditional distribution model; a wide theatrical release followed by VOD/home video release once the movies are out of the theaters, then onto a premium cable outlet. They are still tending to avoid streaming services like Netflix, Amazon Prime and Hulu Plus, although Lionsgate and Paramount have bucked that trend. With Netflix flexing its muscles more and more with indie films, having made some pre-emptive deals even before films were screened at Sundance, something tells me that the majors may start following suit and putting their films on streaming sites or even creating their own. It may not be this year but as more and more people go with Netflix and Chill, it makes good sense for the majors to start looking at that audience more carefully.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The other information given in each entry should be self-explanatory, with box office and critics’ scores available to help you give an idea of how audiences and film critics alike responded to these films.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The 100-Year-Old Man Who Stepped Out of a Window and Disappeared, Love and Mercy, The Life and Mind of Mark DeFriest, A Brilliant Young Mind, Straight Outta Compton, My Life in China, 3 ½ Minutes, The Wrecking Crew, Bone Tomahawk, Sicario, Welcome to Leith, Mad Max: Fury Road, Me and Earl and the Dying Girl, Inside Out, The End of the Tour, Stink!, Gett: The Trial of Vivianne Amsalem, Room, Grandma, Phoenix, Harold and Lillian: A Hollywood Love Story

It Follows

10. IT FOLLOWS

(Radius) Maika Monroe, Keir Gilchrist, Lili Sepe, Olivia Luccardi, Jake Weary, Daniel Zovatto, Bailey Spry, Carolette Phillips, Loren Bass, Charles Gertner, Debbie Williams. Directed by David Robert Mitchell

Released March 23, 2015 19-year-old Jay has just graduated from high school and it is a summer of transition – soon she’ll be going away to college and it is time for one last hurrah with her friends before they scatter, each to their own place. Everything is perfect; except they are being stalked by something terrifying and supernatural. After having had sex with a seemingly nice young man, Jay has attracted a supernatural entity to her and it is coming ever closer. Her only chance is to have sex with someone else and send the entity after them, although if it kills them it comes back after her. How do you escape the inescapable?
WHY IT IS HERE: An extremely clever concept, for one. After an acclaimed run at Sundance, the movie was given a very brief limited release but the numbers were so astounding that Weinstein hurriedly arranged for a wide release. The movie went on to be one of the more acclaimed horror movies of recent years.
HIGHLIGHT SCENE: The climactic swimming pool battle.
CRITICAL MASS: Rotten Tomatoes: 97% positive reviews. Metacritic: 83/100.
BOX OFFICE RESULTS: $14.7 million domestic, $20.3M total (as of 1/19/16).
BUDGET: $2M.
GENRE: Horror
STATUS: Currently available on home video. Rent Blu-Ray/DVD on Netflix. Stream on iTunes/Amazon/Vudu/M-Go. Download on Amazon/iTunes/Vudu/M-Go/Google Play.

Star Wars The Force Awakens

9. STAR WARS: THE FORCE AWAKENS

(Disney) Daisy Ridley, Harrison Ford, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Gwendolyn Christie. Directed by JJ Abrams

Released December 18, 2016 Three decades after the events of the first trilogy, the Empire is rising again and is being faced by a small but determined Resistance. With a new and improved weapon being brought to bear on the peaceful but ineffective Republic, unlikely new heroes will combine with familiar ones to take on a villain so heinous that he rivals even Darth Vader.
WHY IT IS HERE: The anticipation for this movie was enormous and when it finally arrived, it proved to be one of those rare films that was worth the wait. Everything about this movie worked and everything about it pleased fans who went back to see it again and again and again. It is already the all-time domestic box office champion and has a shot at dethroning the all-time global champ. In short, Star Wars is back.
HIGHLIGHT SCENE: The confrontation between father and son.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $859.0 million domestic, $1.8B total (as of 1/19/16),.
BUDGET: $200M
GENRE: Science Fiction
STATUS: Still in wide release

The Hateful Eight

8. THE HATEFUL EIGHT

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth, Michael Madsen, Walton Goggins, Bruce Dern, Demián Bechir, James Parks, Dana Gourrier, Lee Horsley, Channing Tatum. Directed by Quentin Tarantino

Released December 25, 2015 A bounty hunter with a reputation for bringing in his quarry alive – to be hanged – is escorting a young woman to the Wyoming town of Red Rock but is forced to stop at a stagecoach stop high in the mountains, stranded by a blizzard. There are others there, some apparently innocently enough, others of suspicious character. By the time the snowfall ceases, there will have been a reckoning of Biblical proportions.
WHY IT IS HERE: Despite controversy over alleged racism and misogyny, this is still a well-crafted cracking story that keeps audiences on the edge of their seats throughout. Seeing it in the nearly extinct 70mm format was a rare treat but beyond all the noise surrounding it, at the end of the day this is a movie that sucked me in and kept me there.
HIGHLIGHT SCENE: Major Marquis Warren and Chris Mannix get some well-deserved payback for John Ruth.
CRITICAL MASS: Rotten Tomatoes: 75% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $49.6 million domestic (as of 1/23/15), $86.7M total.
BUDGET: $44M
GENRE: Western
STATUS: Still in wide release.

Beasts of No Nation

7. BEASTS OF NO NATION

(Netflix/Bleecker Street) Idris Elba, Abraham Attah, Ama Abebrese, Richard Pepple, Emmanuel Nii Adom Quaye, Kurt Egyiawan, Jude Akuwudike, Emmanuel Affadzi, Kobina Amissah-Sam, Fred Nii Amugi. Directed by Cary Fukunaga

Released October 16, 2015 Agu, a young boy in a civil war-torn African nation, is forced to become a child soldier for a charismatic warlord. Convinced he is going straight to hell for all the atrocities he is party to, we watch as his soul becomes more and more tainted, his eyes more and more lifeless. When hope for anything better is gone, what more is left but obedience?
WHY IT IS HERE: There is a realism here that is missing from other films that are similarly themed. It helps tremendously that both Elba as the warlord and young Abraham Attah as Agu deliver searing performances that will remain as indelible impressions for a very long time to come. I thought Elba was a sure thing for an Oscar nomination, although the Academy didn’t agree. This is one that the Academy got wrong.
HIGHLIGHT SCENE: Young Agu’s rage finally breaks free.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $90,777 domestic (as of 1/23/15), $90,777 total..
BUDGET: $6M.
GENRE: Drama
STATUS: Available exclusively on Netflix.

The Big Short

6. THE BIG SHORT

(Paramount) Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, Jeremy Strong. Directed by Adam McKay

Released December 11, 2015 In the middle of the first decade of the 21st century, a brilliant medical doctor turned hedge fund manager discovered the terrifying truth; that American banks and other financial institutions were relying heavily on securities based on mortgages, securities that had always been considered stable and rock solid but had been filled with mortgages that were almost certain to be defaulted on. Other managers discovered the same truth and while some tried to raise the alarm, others moved to profit off of the information.
WHY IT IS HERE: A sobering look at how unregulated greed damn near brought the world economy to its knees with the even more sobering warning that those running those same banks and securities firms – who were never punished for their actions which often crossed the line of securities laws – are involved in the same behaviors once again, having failed to learn their lesson the first time mainly because the American taxpayers bailed them out. Although it is admittedly hard to find heroic the actions of those who eventually profited from the human misery that came of the 2008 financial meltdown, this has become perhaps the ultimate cautionary tale to come out of the 2015 movie year.
HIGHLIGHT SCENE: The mentor of a pair of young ambitious hedge fund managers tempers their enthusiasm by explaining the real-life consequences of their success.
CRITICAL MASS: Rotten Tomatoes: 88% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $54.2 million domestic (as of 1/24/15), $72.7M total..
BUDGET: $28M.
GENRE: True Life Drama
STATUS: Still in wide release.

Brooklyn

5. BROOKLYN

(Fox Searchlight) Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Julie Walters, Jim Broadbent, Maeve McGrath. Directed by John Crowley

Released November 4, 2015 In the 1950s, a young woman in a small Irish village leaves for New York, knowing that she has no future at home. However, she is best by homesickness and finds life in the Big Apple lonely and unsatisfying, but eventually she meets an Italian man at a church dance and is slowly won over by her persistence. However, bad news from home will send her packing back for Ireland where she’ll be courted by an eligible bachelor and where she finds she is fitting in more than she ever had before, but where will her heart lead her; to stay in her native land or to return to the man she loves in America?
WHY IT IS HERE: An award-worthy performance by Ronan in the lead role for one. Crowley, working off of a script by Nick Hornby, has delivered a lyrical and moving paean both to Ireland and America. Beautifully shot, rendering the sweet Irish countryside as well as the charms of Brooklyn, well-acted throughout and buoyed by a terrific script, this remains one of the most charming and lovely movies of the year.
HIGHLIGHT SCENE: Two lovers are reunited.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 87/100.
BOX OFFICE RESULTS: $26.4 million domestic (as of 1/24/15), $34.5M worldwide.
BUDGET: $10M
GENRE: Romance
STATUS: Still in limited release.

Spotlight

4. SPOTLIGHT

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Live Schreiber, John Slattery, Brian D’Arcy James, Stanley Tucci. Directed by Tom McCarthy

Released November 6, 2015 At the Boston Globe, the Spotlight investigative journalism team begins to look into allegations of covering up for a single Catholic priest who was accused of pedophilia. As their investigation widens, they discover to their horror that the problem is widespread on a global level. In a city where the Catholic Church is an immense political and social force, they encounter resistance to their investigation but their perseverance will lead to a scandal that will shake the very foundations of one of the oldest and most powerful institutions in the world.
WHY IT IS HERE: This may be the most realistic film about print journalism ever made. The emotional impact of the story itself cannot be overestimated as we see victims recount their harrowing experiences and the devastating aftermaths. The ensemble cast is made up of some of the most accomplished actors in the business and while Keaton and Ruffalo have been getting the lion’s share of the acclaim, the truth is that the performances here are outstanding top to bottom. It is fitting that one of the best-written films of 2015 was the movie about journalism.
HIGHLIGHT SCENE: The Spotlight team begins to realize the enormity and the impact of their story.
CRITICAL MASS: Rotten Tomatoes: 96% positive reviews. Metacritic: 93/100.
BOX OFFICE RESULTS: $33.2 million domestic (as of 1/27/15), $34.5 million total.
BUDGET: $20 million.
GENRE: True Life Drama
STATUS: Still in general release.

The Martian

3. THE MARTIAN

(20th Century Fox) Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Chiwetel Ejiofor, Michael Pena, Sean Bean, Kate Mara. Directed by Ridley Scott

Released October 2, 2015 The first manned mission to Mars has to be cut short when a massive storm heads for the landing site. As the team of astronauts scurries to get their things stowed and the landing vehicle launched, one of their number is struck by flying debris and apparently killed. Reluctantly his team leaves without him but in the immortal words of Monty Python, he’s not quite dead yet.
WHY IT IS HERE: This tale of survival is certainly one of the best films of the year and is in my mind superior to other reality-based sci-fi films like Gravity for a number of different reasons. Not only is the science far more accurate than other films of this ilk, it has an Oscar-worthy performance by Damon, a terrific cast behind him and one of the most edge-of-your-seat plots you’ll see in this or any other year.
HIGHLIGHT SCENE: Matt Damon “sciences the shit” out of a problem.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 80/100.
BOX OFFICE RESULTS: $227.7 million domestic (as of 1/28/16), $598.6 million total.
BUDGET: $108 million.
GENRE: Science Fiction
STATUS: Download from Amazon/iTunes/ Vudu/M-Go/Google Play.  Stream from Amazon/iTunes/Vudu/M-Go/Google Play. Rent DVD/Blu-Ray from Netflix the week of February 7.

Ex-Machina

2. EX-MACHINA

(A24) Oscar Isaac, Domhnall Gleeson, Alice Vikander, Sonoya Mizuno, Corey Johnson, Claire Selby, Symara A. Templeton, Gana Bayarsaikhan. Directed by Alex Garland

Released April 10, 2015 A young programmer wins a company competition that spirits him to a weekend at the reclusive founder’s fortress-like mountain hideaway. There he discovers that the tech wizard is working on something game-changing; an artificial intelligence in a robotic body, taking the form of a beautiful woman. However whatever the plans are that both men have for her, she may have an agenda of her own.
WHY IT IS HERE: This speculative science fiction film made on a budget that probably didn’t cover the costs for massages and manicures on Star Wars: The Force Awakens is one of the smartest and most provocative movies to come out this year. I was completely done in by Vikander’s performance which was outstanding and kicked off an amazing year for her in which she’s been transformed into one of Hollywood’s brightest stars. Isaac and Gleeson also performed solidly, leading into a year when both of them also emerged as names to look out for.
HIGHLIGHT SCENE: Caleb and Nathan have a conversation on a glacier.
CRITICAL MASS: Rotten Tomatoes: 92% positive reviews. Metacritic: 78/100.
BOX OFFICE RESULTS: $25.4 million (as of 1/29/15), $36.9M total.
BUDGET: $15M
GENRE: Science Fiction
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/M-Go/Google Play. Stream on Amazon/iTunes/Vudu/M-Go/Google Play. Rent Blu-Ray/DVD on Netflix.

Message From Hiroshima

1. MESSAGE FROM HIROSHIMA

(Cinema Libre) George Takei (voice), Kazuo Fukushima, Akinori Ueda, Ryoga Suwa, Hisako Miyake, Kinue Nakamitsu, Chieko Fujiki. Directed by Masaki Tanabe

Released August 4, 2015 The atomic bomb that dropped on Hiroshima was a watershed moment in modern history. We read about in history books, but that really doesn’t come close to telling us what it was really like. This amazing documentary collects some of the few still-living survivors of the blast and details their stories, complimented with some excellent computer graphics that reconstruct what Hiroshima looked like before the bomb fell.
WHY IT IS HERE: There is no movie, no documentary, no television show, no book and no social interaction that will affect you as much as this movie will. It will literally change your life. Seeing a beautiful, vibrant city come to life before your eyes – and then to watch the astonishing destruction, hear the account of people who were children at the time explain what it was like to lose parents, friends, brothers and sisters – to see the emotions still raw 70 years later, is absolutely unforgettable. The movie barely got any sort of theatrical release and is mainly available on Hulu, but it’s also available on DVD. This should be required viewing for not just our political leaders, but for everyone human. Never again.
HIGHLIGHT SCENE: Basically, every one of the survivor’s stories.
CRITICAL MASS: Rotten Tomatoes: N/A. Metacritic: N/A.
BOX OFFICE RESULTS: N/A
BUDGET: N/A
GENRE: Documentary
STATUS: Currently available on home video. Stream from Hulu.

Spotlight


Michael Keaton knows he's on a roll.

Michael Keaton knows he’s on a roll.

(2015) True Life Drama (Open RoadMark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Brian D’Arcy James, Stanley Tucci, Elena Wohl, Gene Amaroso, Billy Crudup, Jamie Sheridan, Paul Guilfoyle, Len Cariou, Doug Murray, Sharon McFarlane, Neal Huff, Duane Murray, Brian Chamberlin, Laurie Heineman. Directed by Tom McCarthy

Reporters are sometimes referred to as ink-stained wretches, harkening back to the 19th century when that was literally true. They’ve traded quill and parchment for computers and the Internet, but what remains true today as it was then – few in the general public really have a sense of what goes in to writing and reporting the news.

Spotlight covers the Boston Globe investigative reporting team – also called Spotlight – and their game-changing  2001 investigation of the Roman Catholic Church and the sex abuse scandals that was being covered up by the Church. It’s an important enough story that writers McCarthy and Josh Singer felt that it needed to take precedence over the reporters who reported the story – something that journalism films rarely do. Even All the President’s Men, perhaps the most respected journalism film of all time, elevated reporters Carl Bernstein and Bob Woodward to heroic proportions.

With a new managing editor now in place, Marty Baron (Schreiber) who comes to the globe by way of the Miami Herald and other papers, Baron suggests that a long-gestating story – about Fr. John Geoghan who had been convicted of multiple counts of child abuse – and the Church’s role in covering up the scandal – get coverage by the Spotlight team.

This was no small matter. Boston was and is a very Catholic town. The Church is very much entwined in a whole lot of secular matters, including politics, business and of course, the news. Baron gets an invitation early on by affable Cardinal Law (Cariou) to meet with him so that Baron is made to understand his place in how things work in Boston. Quite frankly, it’s a chilling moment.

Spotlight editor Walter “Robbie” Robinson (Keaton) and his team of senior reporter Mike Rezendes (Ruffalo), reporter Sacha Pfeiffer (McAdams) and reporter Matt Carroll (James) are turned loose on the story. The bulldog-like Rezendes goes after court documents that lawyer Mitchell Garabedian (Tucci), who is representing several survivors against the Church, informs him have been sealed. The softer Pfeiffer interviews survivors, often seeing them dissolve into tears of shame. Robinson works the golf courses and receives troubling and veiled threats to back off.

Eventually the team begins to realize that the cover-up involves more than one priest in Boston…and eventually more than one city around the world. As the scope of what they’ve discovered begins to unfold, the team realizes that they may be in over their heads. They also realize they can’t ignore their own connections to the Church – but can they ignore the suffering of the many victims, who begin to number in the thousands?

The story is, of course, one that we’re all familiar with as the scandal involving the Church became international news a decade ago. Fortunately for us, McCarthy chose not to make the reporters the central aspect of the story. This movie isn’t about them, although they get the most screen time and they are in many ways our own avatars. No, this is about the victims and the story, which required some often tedious work to bring to print. Many journalists who have seen this have said this is the most accurate depiction of journalism in the history of film. Despite the nature of the work which involves a lot of time on the phones and on the web, McCarthy manages to keep the movie from being boring.

Part of the reason for that is because he has a cast to die for. Keaton, so marvelous in Birdman, is on a definite roll. Not only is he turning in Oscar-worthy performances but he’s doing it in Best Picture contenders, as this will surely be. As for Ruffalo, this is his finest performance yet, playing the pugnacious Rezendes like a heavyweight champion daring his sources to take their best shots. He is passionate about his job and as the scandal deepens to global levels, his frustration with the Church he grew up with and his realization that he could never go back to it now is more than memorable; it’s unforgettable.

=As this took place primarily in the fall and winter – with a notable pause to cover the attacks on the World Trade Center, for which several flights originated at Logan Airport – the screen always has a kind of cold and distant quality, ranging from autumnal rain to winter snow. There are rarely sunny days in a movie, befitting the subject. I’m sure the real reporters felt that sunny days might never come again.

This is most definitely one of the best movies of the year and a serious Oscar contender in a number of different categories. While some might recoil from the subject matter, it is handled delicately and respectfully. While some might think that this is a boring procedural, let me reassure them that it’s simply not the case. Simply put, this isn’t the easiest subject matter to tackle – but it’s done so well that you leave the theater knowing you’ve just seen something special. And it is.

REASONS TO GO: Riveting performances and story. Excellent writing. Powerful and emotional. Accurate rendition of how news is reported.
REASONS TO STAY: Drags a tiny bit in places.
FAMILY VALUES: Some fairly foul language, adult themes and sexual references.
TRIVIAL PURSUIT: Investigative reporter Ben Bradlee Jr. is the son of Benjamin Bradlee, the editor of the Washington Post who oversaw the Watergate reporting of Bob Woodward and Carl Bernstein depicted in the film All the President’s Men and who was portrayed by Jason Robards in that film. Keaton used Robards’ performance as a template for his own, mixed in with his own observations of the real Walter Robinson.
CRITICAL MASS: As of 11/30/15: Rotten Tomatoes: 97% positive reviews. Metacritic: 93/100.
COMPARISON SHOPPING: Absence of Malice
FINAL RATING: 9.5/10
NEXT: The Good Dinosaur

New Releases for the Week of November 20, 2015


The Hunger Games Mockingjay Part 2THE HUNGER GAMES: MOCKINGJAY – PART 2

(Lionsgate) Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Julianne Moore, Donald Sutherland, Philip Seymour Hoffman. Directed by Francis Lawrence

This is it, folks, the final showdown between President Snow and his goon squad of Capitol elitists and Katness Everdeen and her rebellion of the people. Panem is in full-blown civil war and President Snow is obsessed with destroying Katness. She sets out to assassinate him but will encounter a fiendish labyrinth of traps, moral dilemmas and physical punishment that rivals any she faced in her two Hunger Games. This one is for all the marbles.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of violence and action, and for some thematic material)

By the Sea

(Universal) Brat Pitt, Angelina Jolie Pitt, Melanie Laurent, Niels Arestrup. An American writer and his wife come to a tranquil French seaside resort in the 1970s and are joined there by a young newlywed couple as well as a pair of locals. The troubled marriage of the Americans soon begins to rear its ugly head and while they try to resolve their differences, their problems soon reveal issues with the others as well.

See the trailer, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong sexuality, nudity and language)

Man Up

(Saban) Simon Pegg, Olivia Williams, Lake Bell, Rory Kinnear. An American woman at Waterloo Station in London is mistaken for a British man’s blind date. Rather than explain that she is not, she impulsively decides to go for it. What begins as a lark turns into the most uncommon first date ever.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs

Rating: R (for language and sexual references)

The Night Before

(Columbia) Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Lizzie Caplan. Every Christmas Eve, three boyhood friends get together to celebrate with one of their number, whose parents died on that day years and years ago. Now however, one of their number has become too famous to be involved while another is getting ready to have kids of his own. So the three decide that this will be their last night of Christmas Eve debauchery, and they will celebrate it by going out in style – at the most debauched, depraved and notorious Christmas Eve party in New York. Assuming they can find it of course.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for drug use and language throughout, some strong sexual content and graphic nudity)

Secret In Their Eyes

(STX Entertainment) Julia Roberts, Chiwetel Ejiofor, Nicole Kidman, Alfred Molina. A tight knit investigative team are rocked to the core when the daughter of one of their number is discovered brutally and inexplicably murdered. More than a decade later, after painstakingly searching for the killer, finally one of them gets the break he needs to resolve the case and bring the killer to justice. But even he is not prepared for the secret that one of them carries, and brings him to a crossroad where he must choose between justice and vengeance which in this case may not necessarily be the same thing.

See the trailer, interviews, clips, a featurette and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG=13 (for thematic material involving disturbing violent content, language and some sexual references)

Spotlight

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber. In the mid-90s the investigative journalism team of the Boston Globe came across a story about a pedophile priest who had been shuttled from one parish to another by the Catholic Church without any warning to those in the new parish of the priest’s tendencies to abuse altar boys. As they dig deeper, they discover the scandal goes a lot deeper, covers many, many more diocese and goes to the very top of the Catholic Church. This scandal nearly took down the Roman Catholic church and would pave the way for the reformative-minded Pope Francis to take over the Vatican.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village

Rating: R (for some language including sexual references)

Pick of the Litter – November 2015


BLOCKBUSTER OF THE MONTH

Spectre

Spectre

(MGM/Columbia) Daniel Craig, Christoph Waltz, Ralph Fiennes, Monica Bellucci. With the success of Skyfall, setting the new franchise box office record, James Bond is back and stronger than ever. Here he discovers that a sinister criminal organization has ties to his own past as his search for answers leads to places that he doesn’t want to go while MI6 is undergoing tribulations of its own. Bond films are always greeting with heavy anticipation with the fans; this one has a higher bar than usual to live up to but has most of the behind-the-camera team returning to give it the opportunity to break some records of its own. November 6

INDEPENDENT PICKS

What Our Fathers Did A Nazi Legacy

What Our Fathers Did: A Nazi Legacy

(Oscilloscope Laboratories) Niklas Frank, Philippe Sands, Horst von Wachter. The children of Nazi Germany were not all Hitler Youth; some were the sons (and daughters) of men who committed terrible atrocities against humanity, or men who did nothing while those atrocities were committed. Some of these children, now old men and women, have never come to terms with the actions of their fathers, while others have become embittered. Still others have learned to accept what their fathers have done and have moved on. This moving documentary looks at the effects of these men on their children which reverberate in their lives and those around them even to this day. November 6

Shelter

Shelter

(Screen Media) Jennifer Connolly, Anthony Mackie, Amy Hargreaves, Bruce Altman. Two homeless people in New York City find each other and find love in the most extraordinary of circumstances. This, actor Paul Bettany’s first film as writer and director, couples powerful performances from Connolly and Mackie and a timeless story of the power of human will in the face of adversity to make a movie that may well be one of the most powerful films to hit theaters this month. November 13

Kilo Two Bravo

Kilo Two Bravo

(Honora) David Elliot, Mark Stanley, Scott Kyle, Benjamin O’Mahony. A British army squad, fighting in Afghanistan finds themselves literally caught in a minefield. With one of their number already down, they are trapped in a dried riverbed with no way out other than through courage and sacrifice of the sort most people will never have to face. This taut war suspense thriller was nominated for a BAFTA and is based on an incredible true story. November 13

Spotlight

Spotlight

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber. A team of investigative reporters for the Boston Globe that called themselves Spotlight became aware of a story involving Catholic priests molesting young boys and then being quietly moved from parish to parish without the knowledge of the parishioners who would entrust the care of their sons to these pedophiles. The ore they dug, to the shock of the reporters – many of them Catholic themselves – the greater the dimension of the story grew. This festival favorite which is now getting some Oscar buzz is based on the true story that shook the Roman Catholic church to its very core. November 20

Stink!

Stink!

(Area23a) Jon J. Whelan, Leonard Lance, Cal Dooley. It all began with a Christmas present; a pair of child’s pajamas with a strange odor when they were taken out of the package. A single dad decides to look into this; calls the manufacturer and is shocked to discover that some of the chemicals that go into the pajamas are “proprietary.” This takes him on a crusade to take on the trillion dollar chemical industry and find out what precisely we are putting on our bodies – and in them. November 27