22 Jump Street


The ladies are all smiles but for Jonah Hill and Channing Tatum it's strictly business.

The ladies are all smiles but for Jonah Hill and Channing Tatum it’s strictly business.

(2014) Crime Comedy (Columbia) Jonah Hill, Channing Tatum, Peter Stormare, Wyatt Russell, Amber Stevens, Jillian Bell, Ice Cube, The Lucas Brothers, Nick Offerman, Jimmy Tatro, Caroline Aaron, Craig Roberts, Mark Evan Jackson, Joe Chrest, Eddie J. Fernandez, Rye Rye, Johnny Pemberton, Stanley Wong, Dax Flame, Diplo, Richard Grieco, Dustin Nguyen, Kate Adair. Directed by Phil Lord and Christopher Miller

The thing about sequels is that they tend to be bigger, more expensive and more over the top of the original. The trick about them is that the filmmakers need to retain as much of the original film that audiences connected with without remaking the film verbatim, which is a certain kiss of death and franchise killer.

After their successful bust in 21 Jump Street, detectives Jenko (Tatum) and Schmidt (Hill) have moved on to other undercover operations with less success. After a botched operation causes a drug smuggler known only as The Ghost (Stormare) to escape, harried Deputy Chief Hardy (Offerman) busts them back to the Jump Street team. Except that now the Jump Street crew has moved across the street to 22 Jump Street where their success has bought them a near unlimited budget and an impressive headquarters where Captain Dickson (Cube) has an office in the center of the former Vietnamese church in a clear plastic office (which prompts Schmidt to say “His office looks like a cube…of ice!” in one of many, many instances of self-aware gags).

This time, the two detectives are sent to investigate Metro City State University – yes, the cops are going to college even though they look old enough to be professors. They are sent in as freshmen however and while their age is a source of constant japes, they nonetheless infiltrate the school with Jenko getting into a jock fraternity and becoming a football star, developing a bromance with Zook (Russell), the quarterback. This makes Schmidt a little bit jealous.

However Schmidt has made some inroads of his own, hooking up with Maya (Stevens), an art student who was close to a student who had died in a suicide after taking WhyFhy, a new party drug and the reason that Schmidt and Jenko are there. Surveillance footage implicates Zook as the supplier, which Jenko has a hard time believing. The friction between Schmidt and Jenko threatens to split up the two former BFFs, which would be disastrous considering that the unit is counting on them to solve the case (which might mean their careers if they don’t) and the real supplier behind WhyFhy is looking to take these two pesky cops out…permanently.

 

I will give the filmmakers props for making a much different movie than 21 Jump Street. This one is a bit self-referential, constantly referring to the increased budget and how important it is to follow up success by doing the exact same thing. The self-aware stuff is a hoot, but this feels more of a lark than a film. There is a parade of celebrity cameos, including Queen Latifah as Captain Dickson’s wife (who proclaims that she’s “Straight Outta Compton” while her husband is from Northridge, a reference to Ice Cube’s time in NWA) and appearances by Rob Riggle and Dave Franco from the first film although the best parts of that scene are in the trailer.

The chemistry between Hill and Tatum remains stellar; one of the best scenes of the movie has a school counselor mistaking them for a gay couple in his office for a therapy session, to which they are forced to play along to mask the fact that they were searching his office for evidence. However, there is a feeling that the writers have already kind of worn out their welcome. The end credits sequence, in which the trailers of future sequels are shown is maybe worth the price of admission all by itself.

The plot is way too cliche, the gags too hit and miss and the action too underwhelming to recommend this. I know a lot of critics have been kind to this movie but I just don’t see it; I left the theater feeling curiously unfulfilled, like eating a meal and walking away hungry. This movie may be less filling, but it sure doesn’t taste great.

 

REASONS TO GO: There are some funny moments (detailed above). Hill and Tatum have great chemistry. In-jokes up the wazoo.

REASONS TO STAY: Bigger isn’t necessarily better. Lots of gags fall flat. Too many cliches.

FAMILY VALUES:  You can expect a goodly amount of foul language, some drug content, bit of sexuality and brief nudity and finally some (mostly) comedic violence.

TRIVIAL PURSUIT: Original Jump Street television actors Richard Grieco and Dustin Nguyen make cameo appearances.

CRITICAL MASS: As of 7/26/14: Rotten Tomatoes: 85% positive reviews. Metacritic: 71/100.

COMPARISON SHOPPING: Starsky and Hutch

FINAL RATING: 5/10

NEXT: The Purge: Anarchy

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Piranha 3D


Piranha 3D

Jerry O'Connell gets a little skinnier during his dip.

(2010) Horror (Dimension) Jerry O’Connell, Elizabeth Shue, Christopher Lloyd, Steven R. McQueen. Richard Dreyfuss, Ving Rhames, Jessica Szohr, Kelly Brook, Riley Steele, Adam Scott, Ricardo Chavira, Dina Meyer, Paul Scheer. Directed by Alexandre Aja

Some movies get remade so that their story can be reinterpreted. Others, as a means of homage to the original filmmakers. Still others are plain and simple a cash grab.

This one is one of the latter. French director Alexandre Aja directed the impressive High Tension in 2003, but has been exiled to remake land since coming to Hollywood. He already has remakes of The Hills Have Eyes and Mirrors to his credit and now he takes on Joe Dante’s 1978 schlock exploitation classic of the same name, only throwing in some after-the-fact 3D conversion to pull in the crowds.

The movie is only loosely based on the 1978 original, maintaining only the broad concept of prehistoric carnivorous fish attacking a beach resort. In a kind of tribute to the era (although not necessarily the original film which I admit I haven’t seen in about 20 years and remember very little of) Aja has amped up the blood and boob quotient, throwing in lots of bare-breasted and bikini clad babes to get their bare flesh consumed in a kind of orgy of adolescent boy fantasy frenzy.

Yes, there’s a plot but does it really matter? Jerry O’Connell is a sleazebag who shoots light porn vignettes a la “Girls Gone Wild” (whose Joe Francis has taken legal action against O’Connell and the producers for what he considers slanderous depictions of him as a drug-using, exploitative meathead for which I can only say if the shoe fits). He is visiting the spring break resort at Lake Victoria just as Spring Break festivities are getting underway.

There is a plucky sheriff (Shue), a crazed marine biologist (Lloyd) and of course the heroic sheriff’s son who disobeys not only her instructions but simple common sense as well. Dreyfuss is stunt cast as a fisherman who is the first victim (he gets about three minutes of screen time) whose name alludes to his character in Jaws. Most of the target audience however not only won’t get the reference, they won’t care much.

The camp factor is off the scale; definitely you have to watch this understanding that there is a tongue planted firmly in cheek, although you’re not necessarily sure whose tongue and whose cheek. Now, don’t get me wrong. I love naked breasts and gory fish food as much as the next guy (which is a lot) but I need more. Maybe not every adolescent boy who dreams of beautiful girls in bikinis needs a plot or characters who aren’t caricatures but while I can enjoy this on a visceral level (and I do), I simply can’t recommend it for discerning audiences.

WHY RENT THIS: Revels in its B movie-ness. Plenty of gore and boobs in a throwback to films of the era when the original was made.

WHY RENT SOMETHING ELSE: A little too over-the-top with the camp. The acting varies from atrocious to forgettable.

FAMILY VALUES: A surfeit of fish violence, blood and gore as well as lots of bare breasts and sexuality. The language is a bit rough too and there’s a scene of drug use.

TRIVIAL PURSUIT: Although set on Texas’ Lake Victoria, the movie was actually filmed at Arizona’s Lake Havasu. The tequila brand used on the boat is Havasu as a kind of sly tribute to the filming location.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $83.2M on a $24M production budget; the movie was a hit.

FINAL RATING: 4/10

TOMORROW: Immortals