War Machine (2017)


War is an all-American pastime!

(2017) Dramedy (Netflix) Brad Pitt, Ben Kingsley, Tilda Swinton, Topher Grace, Anthony Michael Hall, Scoot McNairy, Lakeith Stanfield, Alan Ruck, Will Poulter, Nicholas Jones, Meg Tilly, Josh Stewart, Tim Downey, Richard Glover, Griffin Dunne, Andrew Byron, Daniel Betts, John Magaro, RJ Cyler, Emory Cohen, Rufus Wright, Sean Power, Sian Thomas, Paul Hickey, Georgina Rylance. Directed by David Michôd

 

Netflix has been producing original movies for several years but their Adam Sandler comedies aside, their first serious attempt at a blockbuster of their own was this fictionalized Brad Pitt film based on a non-fiction book about the War in Afghanistan. It is not a promising start, although they have several films that have been released since then that are far better and far bigger.

The movie is meant to be a black comedic commentary on the nature of 21st century war as practiced by the United States. It moves at a kind of snail’s pace (at roughly two hours long, it is about a half hour too much) through a bloated script full of unfunny bits. The fault here isn’t Pitt’s although this is perhaps his most deranged work yet; his General Glen McMahon is a walking tic machine, exhorting troops that “We WILL prevail” at the same time expressing frustration with the bureaucracy he has to deal with. His square-jawed expression is the epitome of every Hollywood American military commander yet his odd gait looks like he has some sort of wound in his genitals.

Despite having a cast of some of the best actors and character actors working today, there are simply too many roles and you forget who is who after about five minutes, leading to further confusion that the screenplay hasn’t already caused itself. This has all the earmarks of moviemaking by committee.

I liked the concept and thought that given the pedigree of Michôd (Animal Kingdom) that this project had promise but it pretty much falls apart of its own weightiness. I get the sense that the filmmakers were told to make a comedy, then told to make a commentary on war, then told to make a drama by the powers that be. What they ended up making was a mish-mash that is neither one nor the other but is a tedious waste of two hours. I expected much better

REASONS TO GO: Even at his most subdued, Pitt still exudes star power.
REASONS TO STAY: The film is bloated and dreadfully unfunny.
FAMILY VALUES: There is war violence and profanity.
TRIVIAL PURSUIT: The film references actual events that took place during the command of Stanley A. McChrystal between 2009 and 2010.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 3/28/18: Rotten Tomatoes: 50% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Wag the Dog
FINAL RATING: 5/10
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Suburbicon

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