A Private War


War is actually hell.

(2018) Biographical Drama (Aviron) Rosamund Pike, Jamie Dornan, Stanley Tucci, Tom Hollander, Nikki Amuka-Bird, Jérémie Laheurte, Alexandra Moen, Amada Drew, Corey Johnson, Hilton McRae, Greg Wise, Mo’ath Sharif, Raad Rawi, Diana Mohammad, Pano Masti, Ahmad Yassin, Maha Al-Tamar, Rami Delshad, Bassam Hanna Touma, Fady Elsayed, Natasha Jayetileke.  Directed by Matthew Heineman

 

Marie Colvin was, in every sense of the word, a hero. She brought to light the atrocities of war, putting her life at risk by going to some of the most hellish places on Earth – Kosovo, Lebanon, Iraq, Syria – until it finally caught up with her.

Colvin (Pike) didn’t go unscathed by what she saw; she suffered from nightmares and PTSD and relied on binge drinking and chain-smoking to dull the pain. She lost an eye covering the Tamil Tigers but gained a trademark – the distinctive eye patch she wore for the rest of her life. The incident is shown early on in the film.

Pike delivers here; her intensity is palpable as is her despair. This is not an iron-jawed war correspondent who is after the scoop more than speaking for the voiceless; this is a fragile, sometimes caustic woman who paid the price for her daring, eventually paying the ultimate price in Homs, Syria in 2012.

Heineman, who previously directed the Florida Film Festival entry Cartel Land, delivers footage that looks authentic; many of the locations may as well have been on the moon, so desolate are they. These feel like war zones, or at least how you’d imagine a war zone to be like. On the flip side, he also shows Colvin as a woman coping as best she can with the things she’s seen and not always succeeding. At an awards banquet, Colvin is dressed to the nines in a cocktail dress and heels but still she stomps through the venue like she’s marching through Fallujah. It is a telling moment.

I’m not sure that this is the definitive biography of Colvin. There is a bit too much attention paid to her sexual liaisons for my taste, which I found to be unnecessary. Nevertheless, this is a powerful film that gives you at least the spirit of Colvin, although you might want to check out the documentaries on her to get to know her public persona better.

REASONS TO SEE: Pike gives an intense portrayal as Colvin. Gritty and realistic depictions of war.
REASONS TO AVOID: There’s a little bit too much prurient material for my liking.
FAMILY VALUES: There are violent images, some sexuality and brief nudity, as well as profanity throughout.
TRIVIAL PURSUIT: Taron Egerton was originally scheduled to play Paul Conroy, but dropped out of the production. Jamie Dornan was hired to replace him.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 2/25/20: Rotten Tomatoes: 88% positive reviews; Metacritic: 75/100.
COMPARISON SHOPPING: Under the Wire
FINAL RATING: 7.5/10
NEXT:
Standing Up, Falling Down

The Children Act


Move over, Judge Judy – here comes Judge Emma Thompson.

(2017) Drama (A24Emma Thompson, Fionn Whitehead, Stanley Tucci, Jason Watkins, Ben Chaplin, Nikki Amuka-Bird, Rupert Vansittart, Rosie Cavaliero, Anthony Calf, Nicholas Jones, Andrew Havill, Angela Holmes, Micah Balfour, Chris Wilson, Anjana Vasan, Paul Jesson, Eileen Walsh, Hilel Patel, Daniel Eghan, Michele Austin, Paul Bigley, Deborah Rock. Directed by Richard Eyre

 

.The things that make a judge a wise and diligent arbiter are the same things that destroy a marriage. The cost of making the right call weighs heavily on the bench.

That’s the message in this 2017 adaptation of a 2014 Ian McEwan novel. Oscar winner Emma Thompson stars as Fiona Maye, a justice in the High Court presiding over cases involving children. Fresh off of giving a hospital the right to separate conjoined twins that will result in the death of one of them, she is given the task of a boy just shy of his 18th birthday who is refusing a blood transfusion that would save his life. He was brought up as a Jehovah’s Witness who believes that the blood is where the soul resides and that the mixing of blood is blasphemy. Even though refusing the treatment would kill him, the boy – Adam (Whitehead) – holds that his religious beliefs are more important.

At the same time, her academic husband Jack (Tucci) has become fed up with the lack of intimacy in their marriage and, frankly, the lack of presence by his wife. He wants to have an affair, even though he professes to still love his wife. Fiona is having none of it. Jack leaves.

Fiona throws herself into the case as a way of keeping the demons at bay. She elects to take the highly unusual step of meeting with Adam in his hospital bed and finds him to be charming and articulate. The two even end up singing a duet together of a folk song based on a Yeats poem. But Fiona has a difficult decision to make; does the boy’s religious beliefs supersede medical facts? The children’s act, which places the welfare of the child as the paramount factor in any judicial decision in England, holds the key.

Thompson has long been one of my favorite actresses and even though this is one of the least approachable characters she has ever played, Thompson still imbues Fiona with humanity and intelligence. Her relationship with her husband is less symptomatic of her personality than her relationship with her clerk Nigel (Watkins). His obsequious nature is at odds with her blunt personality, and yet his devotion to her is absolute.

At the center of the film is the relationship between Fiona and Adam and that’s where the movie slips a little. Whitehead makes Adam almost too good to be true; it is only after Adam begins to feel more strongly towards the judge that Fiona begins to shy away which leads to an ending that is frankly a little maudlin which is definitely at odds with the rest of the film. Eyre and screenwriter McEwan (who adapted his own novel) have the courage to take on some thorny issues and handle them with equal attention to both sides of the coin. That’s a rarity in films today.

Even though the movie slips into preposterous mode near the end, it is still a smart, well-written drama that utilizes the talents of its star rather nicely. You don’t have to be familiar with the intricacies of British law in order to enjoy this one.

REASONS TO SEE: Emma Thompson is a force of nature here. Tackles some real thorny issues equitably.
REASONS TO AVOID: Loses steam near the end. The Adam-Fiona relationship seemed a bit forced.
FAMILY VALUES: There is a single sexual reference and some adult thematic material.
TRIVIAL PURSUIT: Whitehead starred with Thompson’s ex-husband Kenneth Branagh in Dunkirk.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, GuideDoc, Hoopla, Kanopy, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 1/28/20: Rotten Tomatoes: 82% positive reviews, Metacritic: 62/100.
COMPARISON SHOPPING: Most John Grisham adaptations.
FINAL RATING: 6.5/10
NEXT:
Goosebumps 2: Haunted Halloween

New Releases for the Week of November 16, 2018


FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD

(Warner Brothers) Eddie Redmayne, Johnny Depp, Jude Law, Katherine Waterston, Ezra Miller, Dan Fogler, Zoë Kravitz, Carmen Ejogo. Directed by David Yates

When outlaw wizard Grindelwald escapes custody, he plans to create an army of wizards to make war on the world of Muggles. Standing in his way are Newt Scamander, No-Mag Jacob Kowalsky, Tina Goldstein and an instructor at Hogwart’s by the name of Albus Dumbledore.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, RPX, RPX 3D, XD
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for some sequences of fantasy action)

A Private War

(Aviron) Rosamund Pike, Tom Hollander, Jamie Dornan, Stanley Tucci. This is the story of Marie Colvin, one of the most respected and admired war correspondents of the 21st century thus far, a woman whose compassion and passion entwined to tell the story of those most affected by war – those caught in the middle. Colvin would go to places few other journalists would dare to tread, including a Syrian town called Homs where she would find a story that would eventually define her.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for disturbing images, language throughout, and brief sexuality/nudity)

Boy Erased

(Focus) Lucas Hedges, Nicole Kidman, Russell Crowe, Madelyn Cline. After a Baptist pastor’s son is outed, the community leader in a small conservative town feels that the boy’s only hope of salvation is conversion therapy. Based on a gripping true story, the young man fights to establish his own identity in an environment where he’s told that being the person that he is becoming is a sin.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Springs, Cinemark Artegon Marketplace, Cobb Plaza Cinema Café, Regal Winter Springs Village, Rialto Spanish Springs Square

Rating: R (for sexual content including an assault, some language and brief drug use)

Instant Family

(Paramount) Mark Wahlberg, Rose Byrne, Octavia Spencer, Margo Martindale. A couple, exploring foster care adoption, discovers three siblings that they decide to take on. Going from no children to three without any parenting experience is a daunting task at best but throw in a rebellious 15-year-old girl into the mix and they are in over their heads. This is based on writer-director Sean Anders’ own experiences.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, sexual material, language and some drug references)

The Public Image is Rotten

(Abramorama) John Lydon, Jah Wobble, Martin Atkins, Lu Edmonds. Johnny Rotten was once the face of punk rock until his band, the Sex Pistols, imploded. Lawsuits and legal chicanery kept him from moving on with his stage name so he adopted the name he was born with and founded Public Image Ltd., a band decidedly different than the one he left. Forty years later it is still a band. This was recently reviewed here on Cinema365 (see link below) and may be the best music documentary you attend this year.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Widows

(20th Century Fox) Viola Davis, Liam Neeson, Michelle Rodriguez, Elizabeth Debicki. When their criminal husbands are killed during a job, their widows are left with the debt their late spouses incurred with people you really don’t want to owe money to. Resolved to get out of the situation, they decide to pull off the heist their husbands couldn’t. This is Oscar winning director Steve McQueen’s first film since his masterwork 12 Years a Slave.

See the trailer, clips, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Crime Drama
Now Playing: Wide Release

Rating: R (for violence, language throughout, and some sexual content/nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Amar Akbar Anthony
The Clovehitch Killer
Speed Kills
Taxiwaala

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Sniper’s War
Amar Akbar Anthony
El Angel
The Front Runner
Green Book
Taxiwaala

ALSO OPENING IN TAMPA/ST. PETERSBURG:

55 Steps
Amar Akbar Anthony
The Children Act
Johny Johny Yes Appa
Sarkar
Taxiwaala

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amar Akbar Anthony
Taxiwaala

SCHEDULED FOR REVIEW:

The Children Act
Fantastic Beasts: The Crimes of Grindlewald
The Front Runner
Green Book
Instant Family
The Public Image is Rotten
Widows

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale

New Releases for the Week of March 9, 2018


A WRINKLE IN TIME

(Disney) Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Storm Reid, Chris Pine, Gugu Mbatha-Raw, Zach Galifianakis, Michael Peña, David Oyelowo. Directed by Ava DuVernay

Meg Murry was devastated when her scientist father disappeared without a trace. Although others around her began to move on, Meg couldn’t. A brilliant girl herself, her studies began to suffer. Then, she is visited by three peculiar beings who inform her that her father is alive but in terrible danger – the whole universe is and only Meg can save the day. With her brother and a stalwart friend beside her, she goes on the adventure of a lifetime through space and time to find her father and save the universe. This is based on the beloved Madeline L’Engle young adult novel.

See the trailer, clips, interviews, video featurettes and promos here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, DBOX 3D, Dolby Atmos, IMAX, RPX, RPX 3D, XD, XD-3D
Genre: Young Adult Fantasy
Now Playing: Wide Release

Rating: PG (for thematic elements and some peril)

Before We Vanish

(Neon/Super Ltd) Masami Nagasawa, Ryûhei Matsuda, Hiroki Hasegawa, Kazuya Kojima. Three alien beings, acting as reconnaissance for an upcoming mass invasion of Earth, take over the bodies of three Japanese young people. From them they take every bit of their humanity – their emotions, their passions, everything that makes them human, leaving only hollow shells that are virtually unrecognizable to family and friends. This is a rare sci-fi film that has all the action you can imagine but at the same time is extremely profound, examining what the human spirit means – and how it is in the end our most devastating weapon.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Regal Winter Park Village

Rating: NR

Gringo

(STX/Amazon) Joel Edgerton, Charlize Theron, David Oyelowo, Thandie Newton. An American businessman heads into cartel-infested Mexico to pick up the formula for pill-form marijuana to bring back to his pharmaceutical company. However, double-crosses, betrayals and backstabbing turn his simple business trip into chaos. Can he survive the trip when there’s nobody he can trust?

See the trailer, video featurettes and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Crime Comedy
Now Playing: Wide Release

Rating: R (for language throughout, violence and sexual content)

The Hurricane Heist

(Entertainment Studios) Toby Kebbell, Maggie Grace, Ryan Kwanten, Ralph Ineson. A group of bank robbers sense opportunity when a hurricane closes in on a US Mint facility. Even when the storm turns into a Category 5 – the worst of the worst – they still make their play. $600 million can buy a whole lot of band-aids after all. However they discover the code they need to get into the vault is known by only one Treasury Agent who has acquired an unlikely ally; the meteorologist brother of one of their hostages. His knowledge of how hurricanes work sets apart this adrenaline-fueled thrill ride.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for sequences of gun violence, action, destruction, language and some suggestive material)

The Party

(Roadside Attractions) Timothy Spall, Kristin Scott Thomas, Patricia Clarkson, Bruno Ganz. A woman hosts a celebration at her London home after her political ascension. As the guests arrive, some with news of their own, the dynamic slowly changes and when her husband drops a bombshell of his own, the party becomes less of a celebration and more of a psychological experiment.

See the trailer, clips and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for language and drug use)

The Strangers: Prey at Night

(Aviron) Christina Hendricks, Bailee Madison, Martin Henderson, Emma Bellomy. A family on a road trip pulls into a mobile home park to visit relatives but find the park oddly deserted. Three masked psychopaths soon begin stalking them, terrorizing them and forcing them to go beyond their limits in order to survive.

See the trailer, interviews, a video featurette and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence and terror throughout, and for language)

Submission

(Great Point) Stanley Tucci, Addison Timlin, Kyra Sedgwick, Janeane Garofalo. A former bestselling author now toils in a boring job as a creative writing professor at a small Vermont college. When he discovers a student with real talent, he takes notice. When her erotically-charged writing seems to be about her having a crush on him, he is aroused. But when she begins to manipulate him into foolish acts, he risks his career and family. This was reviewed last weekend by Cinema365; to read it, follow the link below under Scheduled For Review.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for language and some sexual references)

Thoroughbreds

(Focus) Olivia Cooke, Anna Taylor-Joy, Anton Yelchin, Kaili Vernoff. Two high school graduates, reuniting after some time apart, are bonding over their differences and their mutual contempt for the overbearing stepfather of one of them. As the summer goes on, they goad each other onto a dark path that leads them to plan the removal of the stepfather. They contact a young hustler who claims he can help them with their problem, but if they are to straighten out their lives they will need to take matters into their own hands.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for disturbing behavior, bloody images, language, sexual references, and some drug content)

ALSO OPENING IN ORLANDO/DAYTONA:

In Between

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Leisure Seeker
Let Yourself Go
Loveless
Oh Lucy!
Sheep and Wolves
Ye Mantram Vesave

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Bent
Happy End
Ye Mantram Vesave

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ye Mantram Vesave

SCHEDULED FOR REVIEW:

A Wrinkle in Time
Gringo
The Hurricane Heist
The Leisure Seeker
Oh Lucy!
Submission

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami Film Festival

Submission


Stanley Tucci clearly has a position of power over Addison Timlin…or does he?

(2017) Drama (Great Point Media) Stanley Tucci, Addison Timlin, Kyra Sedgwick, Janeane Garofalo, Peter Gallagher, Jessica Hecht, Ritchie Coster, Colby Minifie, Alison Bartlett, David Pittu, Henry Stram, Juan Castano, Matt Ballard, Ashley Trawinski, Stephanie Berry, Devin Norik, Kenneth De Abrew, S.J. Son, Nicole Orth-Palavicini, Malika Samuel, Deaven Brooks, Barbara Spiegel. Directed by Richard Levine

 

In an era which has seen the #MeToo movement grow into a national tidal wave of women standing up to name those who have raped, harassed or committed sexual misconduct against them, movies like this one stand out as a bit of a dinosaur.

Ted Swenson (Tucci) toils at a bucolic college campus in Vermont teaching creative writing courses which mainly consist of students reading their works aloud in class and the other students criticizing them, generally with banal cruelty. Ted is married to Sherrie (Sedgwick) who as a medical doctor is likely responsible for their beautiful split level home, although Ted had a bestselling novel years ago based on his own experiences growing up with a radical father who self-immolated in protest of the Vietnam war.

The follow-up however has yet to surface and his agent (Gallagher) has more or less given up on him, so Ted lives in this kind of literary hell in which he listens to badly written purple prose week after week without any let-up. The, one of his students – Angela Argo (Timlin) who has been one of the most vocal and vicious critics – finally after some liberal ego massage gets Ted to read the first chapter of her novel Eggs and he realizes at once he is looking at genuine talent.

Her novel is insightful and extremely erotic, a tale of a student who has become sexually obsessed with her teacher. Of course, Ted surmises that the teacher character is based on him and the student on her – Angela makes it perfectly clear that it is the case. However, Ted makes some ill-advised decisions after Angela continues to shamelessly manipulate him and puts everything at risk – his job, his reputation, and his family.

I guess in a way we can see this film as a way the patriarchy thinks about these sexual misconduct cases. We’re supposed to be sympathetic to Ted and yet he puts himself in a position where he can be seduced and doesn’t seem to realize that the whole thing is being orchestrated by Angela as a means of getting Ted to submit her novel to his agent. She seems sweet at first but sweet turns into demanding turns into seduction turns into accusatory. Angela is supposed to be the villain here but quite frankly, cases like this are far more rare than male authority figures using their power to manipulate vulnerable women into situations where they feel forced to have sexual relationships they don’t want.

The movie is based on a novel written back in 2000 by Francine Prose called The Blue Angel which in turn is loosely based on the Marlene Dietrich film of the same name which Angela is watching during the course of this film in a charming meta move. Movies of this sort are not uncommon – anyone remember the Demi Moore/Michael Douglas film Disclosure? – in which women are shown to have the upper hand in sexual politics although clearly that isn’t the case. It is the type of attitude that allowed the Harvey Weinsteins of the world to flourish.

While the subject is accidentally topical, the plot is predictable and cliché. The movie is saved by Tucci who gives his usual strong performance, although his voiceover narration particularly in the beginning of the film is particularly grating. The collegiate setting particularly in the beautiful countryside of New England is somehow comforting and gorgeous at the same time. That’s the college I’d want to have tenure at.

Watchable mainly because of the strong cast, Submission fails on a number of levels. From a political correctness standpoint, it comes off as somewhat of an anachronism in an age when we are beginning to stand up and take notice of the treatment that women have had to endure in relative silence for decades. Moreover, the way the story is told is rife with clichés and worse yet doesn’t particularly add anything to the narrative. I’m not against the idea of a story about an amoral seductress manipulating a naïve professional for her own ambition but this is the wrong time for that kind of story to be told. I’d much rather see movies that illustrate the reality of what women in the workplace have endured and continue to endure even today.

REASONS TO GO: Tucci is always a treat to watch. As it turns out the plot is very topical. The collegiate vistas are oddly comforting.
REASONS TO STAY: Viewers may get the sense that they’ve seen this all before. Cliches abound throughout the film. The narration is a bit grating.
FAMILY VALUES: There is some strong sexual content, nudity and plenty of profanity.
TRIVIAL PURSUIT: Angela watches the classic Marlene Dietrich film The Blue Angel which gave the source novel its title.
CRITICAL MASS: As of 3/4/18: Rotten Tomatoes: 67% positive reviews. Metacritic: 49/100
COMPARISON SHOPPING: Elegy
FINAL RATING: 6/10
NEXT:
Chasing Great

Transformers: The Last Knight


Mark Wahlberg reacts to news that Michael Bay plans to blow even more shit up.

(2017) Science Fiction (Paramount) Mark Wahlberg, Anthony Hopkins, Josh Duhamel, Laura Haddock, Santiago Cabrera, Isabela Moner, Jerrod Carmichael, Stanley Tucci, Liam Garrigan, John Turturro, Glenn Morshower, Gemma Chan, Peter Cullen (voice), Frank Welker (voice), John Goodman (voice), Steve Buscemi (voice), Omar Sy (voice), Ken Watanabe (voice), Jim Carter (voice) Sara Stewart. Directed by Michael Bay

 

Michael Bay sure loves to blow shit up. In his latest installment of the Transformers series, he does a whole lot of blowing shit up; so much of it, in fact, that there’s almost no room for a coherent story.

See if you can make any sense of this; the world is in chaos with Optimus Prime (Cullen) having fled the planet to go seek Cybertron, the home world of the Transformers. There is no leadership and the Transformers are being hunted down by the TRF, a government strike force headed by Colonel William Lennox (Duhamel) who implores in vain his field chief Santos (Cabrera) that there are differences between the Autobots and the Decepticons. As far as Santos is concerned, the only good robot is a dead robot.

Izzy (Moner), a 14-year-old girl living in the rubble of old Chicago in a zone off-limits to humans due to Transformer infestation is discovered by the TRF but rescued at the last moment by Cade Yeager (Wahlberg), one of the most-wanted people on Earth due to his association with Bumblebee and the other remaining Autobots. Yeager is given a strange talisman by a dying Transformer who appears to be much older than the rest of them. In the meantime, Yeager takes Izzy to South Dakota and his junkyard where the last remaining Autobots are hiding.

Sadly, the TRF track them there too but Yeager is rescued by Cogman (Carter), a kind of C-3PO type of Butler. Cogman flies Yeager and Bumblebee to Jolly Olde England where Sir Edmond Burton (Hopkins) informs Yeager that the Transformers have been on Earth much longer than anybody knew and that he has been charged with protecting the history of the Transformers by keeping it hidden. He is also protecting the Staff of Merlin (Tucci) which is in reality a high-tech weapon. Quintessa (Chan), the Mad Goddess-Creator of Cybertron, wants that weapon so that her dead world can live again – only it would rob the Earth of its magnetic core which would kill our world. Yikes.

So Cybertron is on its way to Earth, Megatron (Welker) is doing the bidding of Quintessa and Optimus has surprisingly switched sides under the Mad Goddess’ influence. Everyone is after the Staff but only one human can wield it – Vivian Wembley (Haddock), a comely Oxford professor of history who specializes in Arthurian legends and who happens to be, unbeknownst to her, the last living direct descendant of Merlin. Got all that?

I really don’t know where to begin. At more than 2 ½ hours long, this is a bloated mess that outstays its welcome early on. There’s only so much falling masonry the puny humans can dodge before it starts to get old and it gets old fast. The trouble with a franchise like this is that in order to sustain it, you have to get bigger and badder with each succeeding movie and I can see Bay is trying his damndest to do just that. The novelty of having giant robots battle each other is wearing thin; not only are we seeing that kind of thing from the Transformers franchise but also from such movies as Pacific Rim and Colossal. There is a certain segment of the population – mainly adolescent boys or men with the maturity of adolescent boys – for whom that is all that is necessary for an entertaining movie. The rest of us need a bit more.

The turgid dialogue may be the most cringe-inducing of the entire series and that’s quite an accomplishment, albeit one that shouldn’t be an object of pride. The fact that they got Sir Anthony Hopkins, one of the greatest living actors, to appear in the movie is something of a minor miracle although I sure hope they paid him a dump truck full of money.

I give Wahlberg props for at least trying to make a go of it in the film but in the end he is reduced to mostly ducking for cover, sliding down embankments and bickering with Vivian. Wahlberg is an extremely likable actor but most of his charm is wasted here in lieu of spectacle and make no mistake – it’s spectacle without spirit.

The destruction is so constant and unrelenting that after awhile it becomes senses-numbing and actually quite boring. I will admit to never having been a fan of the animated show in the first place but I thought it to be at least better than most of the similarly natured kidtoons of the era but this is worse than even those. While the CGI is generally pretty detailed at times there are moments where it looked like they completed the CGI in a hurry and it shows.

The movie jumps the shark early and never stops jumping it. For example late in the movie, the 14-year-old girl stows away on a military aircraft on a do or die mission to save the world. I mean, really? The only reason she is on there is to save the day for the adults so that the tween audience can be pandered to. Quite frankly I felt the movie was aimed at the lowest common denominator throughout. That’s not a good feeling.

I probably would rank this lower if I thought about it long enough but there are some pretty impressive effects and Wahlberg deserves something for his efforts. I think Bay went for sheer spectacle and found that he was so focused on the sizzle that he neglected to put on the steak. That makes for a pretty empty and unsatisfying summer barbecue.

REASONS TO GO: Lots of shit gets blown up. Wahlberg makes a vain but valiant attempt to elevate this.
REASONS TO STAY: The movie is wayyyy too long and boring. It’s a bloated, mind-numbing mess.
FAMILY VALUES: There is plenty of sci-fi violence and robotic mayhem, a smattering of profanity and a brief scene of sexual innuendo.
TRIVIAL PURSUIT: This is the most expensive Transformers movie to date with a shooting budget of $260 million.
CRITICAL MASS: As of 6/23/17: Rotten Tomatoes: 16% positive reviews. Metacritic: 27/100.
COMPARISON SHOPPING: Nothing compares to this.
FINAL RATING: 5/10
NEXT: Beatriz at Dinner

New Releases for the Week of June 23, 2017


Transformers The Last KnightTRANSFORMERS: THE LAST KNIGHT

(Paramount) Mark Wahlberg, Anthony Hopkins, Josh Duhamel, Laura Haddock, Isabella Moner, Stanley Tucci, John Turturro, Glenn Morshower, Gemma Chan. Directed by Michael Bay

The world is in chaos and Optimus Prime has gone walkabout, headed back to Cybertron to demand answers of his maker – the mad goddess Quintessa. Left holding the bag is Cade Yeager, doing his best to hide and protect the remaining Autobots from a vicious government agency. Unbeknownst to the humans Optimus has succeeded in reaching his homeworld and now it is on its way to Earth – to rob it of life itself so that it may live once again. Only an eccentric English nobleman with knowledge of the Transformers legacy on Earth can save the human race from complete annihilation.

See the trailer, clips, promos and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for violence and intense sequences of sci-fi action, language, and some innuendo)

Band Aid

(IFC) Zoe Lister-Jones, Adam Pally, Fred Armisen, Brooklyn Decker. The marriage of Ben and Anna is on its last legs; the couple can’t seem to stop fighting. Facing the inevitable, the two make a last-ditch effort to save their relationship – they start a band and turn their fights into songs. To their surprise, their pain connects with audiences and their unorthodox solution might just work – but can they maintain the momentum if they stop fighting?

See the trailer, a clip and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: NR

Beatriz at Dinner

(Roadside Attractions) Salma Hayek, Chloë Sevigny, John Lithgow, Connie Britton. Beatriz is a healer. Forced to leave her small, idyllic Mexican village by a greedy developer who separated her from her family, she came to the United States hoping to put her skills to good use and thus far she has. However, when her car breaks down at the home of a wealthy client, she is invited to stay for a small dinner party celebrating the conclusion of a big development deal. One percent, meet the Dreamers.

See the trailer, clips, an interview and a promo here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal The Loop, Regal Winter Park Village

Rating: R (for language and a scene of violence)

ALSO OPENING IN ORLANDO/DAYTONA

Can We Still Be Friends?
DJ Duvvada Jagannadham
The Survivalist
Tubelight
 

ALSO OPENING IN MIAMI:

Alien Arrival
The Bad Batch
El Techo
Glory (2017)
The Hero
It’s For Your Own Good
Moka
One Week and a Day
Past Life
The Student

ALSO OPENING IN TAMPA:

Wakefield

ALSO OPENING IN JACKSONVILLE:

None