Top 10 of 2013


Top 10 2014Those who read a lot of movie reviewers know that it is part of the job to rank the best movies of the year once that year is over. Not being one of those critics who gets to see all the big movies well in advance of their release date, I have to make do with getting out to see them as soon as I can, which leads to delays in publishing my top 10.

As with most things, any top 10 for any critic is a moment in time captured. This is how I feel these movies belong to be ranked at this moment, right now. I can guarantee you that I’ll look back on this next year and wonder how in the hell I ranked one movie ahead of another, or how I missed this movie or that one.

Here you’ll see plenty of movies that are already on a lot of year end lists, but there’s one you won’t see that is – Her. That’s not because I didn’t love the movie – in fact, I think that it would be near the top if not the top movie of 2013. However, while it did get released in New York and L.A. in 2013 for Academy consideration, most people in the country didn’t get a chance to see it until January of this year. That is why I decided to put the film in as part of my 2014 films. Normally I go by the release date of the movie to qualify it as a top ten film, but in all honesty these days we’re getting so many quality foreign films that were released in their own countries a year, two or even three years prior to their American release that I am going with a general “when did it get its widest release” in order to determine what year I rank the film with. You can bitch and moan if you want to but it’s my playground and my rules and I reserve the right to change them tomorrow.

I think that the quality for movies overall in 2013 was pretty high compared to recent years. Many of the honorable mentions would have made the top 10 lists in years past. This one was a bit harder to put together; there were several I had a hard time relegating to the purgatory of Honorable Mention but at the end of the day, this is my list and I’m sticking to it.

So this is the list as I see it. Feel free to leave your comments and opinions here on the site or elsewhere. I’m always happy to defend my choices. However, if you haven’t seen some of them, do seek them out; I’ll do my best to provide information as to how to go watch them right now, whether it be in your local multiplex, through an online streaming service, on your cable or satellite subscription service or at your local DVD store.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

Dallas Buyers Club, Aftermath, Saving Mr. Banks, Mud, Starbuck, A.C.O.D., Unfinished Song, Nebraska, The Book Thief, John Dies at the End, The World’s End, Stories We Tell, The Attack, Good Ol’ Freda, Big Star: Nothing Can Hurt Me, Sightseers, Captain Phillips, Pieta, Philomena, The History of Future Folk, About Time, I Declare War, Year of the Living Dead, Quartet

This Is Where We Live

10.  THIS IS WHERE WE LIVE

(Bluff City) Tobias Segal, Marc Menchaca, Barry Corbin, Frankie Shaw, C.K. McFarland, Ron Hayden, Katherine Willis, Marco Perella, Brent Smiga, Brian Orr, Christine Bruno, Carolyn Gilroy. Directed by Josh Barrett and Marc Menchaca

Released April 7, 2013 A Texas hill country family has a tough go of it, with the adult son having a severe form of cerebral palsy and the father in the beginning stages of dementia. The mother is also battling high blood pressure and the sister is bitter at the hand life has dealt her. Into this volatile mix comes a rough and tumble handyman who at first builds a wheelchair ramp for the front porch but eventually becomes the son’s caretaker and friend. However his shortcomings may tear the family apart.

WHY IT IS HERE: Beautifully photographed and written with sympathy and sensitivity, this is a movie for people who love movies about people and by people, I mean real people, the sort you might run into at the grocery store or sit next to in the bar. It could have easily been a manipulative Lifetime movie but instead chooses honesty over treacle. An amazing debut by the directing team.

HIGHLIGHT SCENE: Tobias Segal as August expresses his frustration at trying to communicate with a body that doesn’t co-operate with him – ever.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS: Is trying to secure distributorship for some sort of theatrical release. Until then, look for it on the Festival circuit.

Short Term 12

9. SHORT TERM 12

(Cinedigm) Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield, Frantz Turner, Stephanie Beatriz, Melora Walters. Directed by Destin Daniel Cretton

Released August 23, 2013 In an era of austerity where social service funding is under fire from the fiscal conservatives, this is a look at just what that wasteful spending is actually spent on. A young woman is the caretaker of at-risk youths in a care facility in Los Angeles in an eventful few days in the facility. A girl is admitted, one who reminds the caretaker strikingly of herself. A long-time resident prepares to get released to live on his own. And the caretaker discovers that she is pregnant, which triggers her own long-held emotional issues.

WHY IT IS HERE: As authentic a movie as was released in 2013. A warts-and-all portrayal of troubled kids and of the young people who care for them. Larson’s performance would certainly have been in the mix for the Best Actress Oscar had this been released by a major studio; suffice to say she has what it takes to get the gold somewhere down the line. Surrounded by a great young cast, Larson shines and elevates this film to the next level.

HIGHLIGHT SCENE: Larson “rescues” Dever from the home of her abusive father and in doing so the inner pain of both women comes to the surface.

BOX OFFICE RESULTS: $1 million domestic (as of 1/14/14), $1 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon.

The Wolf of Wall Street

8. THE WOLF OF WALL STREET

(Paramount) Leonardo di Caprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Favreau, Jean Dujardin, Kenneth Choi, PJ Byrne, Jon Bernthal, Joanna Lumley. Directed by Martin Scorsese

Released December 25, 2013 It seems only fitting that Scorsese would in this day and age make a film about amoral Wall Street capitalists – after all, they are the new mob of the 21st century. Still, there is a fascination to the rise and fall of Jordan Belfort from ambitious penny stock trader to criminal on an epic scale. All the drugs, all the language, the greed and the women – it’s a morality tale like none other.

WHY IT IS HERE: Di Caprio delivers one of the defining performances of his career to date and Hill proves he’s more than a one-shot wonder with an Oscar-nominated performance. While some have complained about the indulgences and the f-bombs, nonetheless there’s authenticity about what you see onscreen. If absolute power corrupts absolutely, then money corrupts inevitably. One of the critical hits of the year and judging on the box office returns this may well being one of Scorsese’s biggest hits ever.

HIGHLIGHT SCENE: Delayed-reaction Quaaludes. That’s all you need to know.

BOX OFFICE RESULTS: $82.8 million domestic (as of 1/17/14), $120.9M total.

BUDGET: $100M

STATUS: Still out in wide release.

The Hunt

7. THE HUNT (JAGTEN)

(Magnolia) Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkoop, Lasse Fogelstrom, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport, Ole Dupont, Rikke Bergmann, Allan Wilbor Christensen. Directed by Thomas Vinterberg

Released July 12, 2013 We were one of the first in the country to see this here in Orlando at the Florida Film Festival. Recently this was announced to be one of the final nominees for the Oscar for Best Foreign Film. Given it’s wrenching story about a substitute teacher who is just trying to get his life together after a bitter divorce accused of molesting a little girl, it’s hardly unsurprising but there is more to this than simply a terrific story.

WHY IT IS HERE: The storyline, as well-told as it is, is brought to life by an Oscar-worthy performance by Mikkelsen. In a year in which we’ve been treated to a wealth of fine performances, this is as good as any as you’ll witness, Only the fact that this is a mid-major distributor and a foreign film kept Mikkelsen from being in the Oscar mix. This is the kind of movie that leaves you feeling emotionally drained after seeing it.

HIGHLIGHT SCENE: The Christmas eve church confrontation.

BOX OFFICE RESULTS: $613,308 domestic (as of 1/21/14), $16.76M total..

BUDGET: $3.45M.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster/Netflix/iTunes.

Fruitvale Station

6. FRUITVALE STATION

(Weinstein) Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand, Chad Michael Murray, Ariana Neal, Ahna O’Reilly, Keenan Coogler, Trestin George, Joey Oglesby, Michael James, Marjorie Shears, Destiny Ekwueme. Directed by Ryan Coogler

Released July 12, 2013 Based on true events that happened on the last day of 2008 (and on the first day of 2009), the shooting of Oscar Grant III at an East Bay BART station galvanized the Bay Area and the nation as to the training of transit police and their use of firearms. Taking place on the last day of his life, the film shows the story of a man who’s made some terrible mistakes trying to get his life together only to lose it in a senseless confrontation

WHY IT IS HERE: Some talk about Oscar snubs to Redford and Hanks but this entire movie has gotten snubbed this entire awards season and it just isn’t right. Part of he problem was that the movie was released back in July but frankly the studio hasn’t really supported it as much as it deserves either. The movie certainly should have received Oscar nominations for Best Picture, Best Director, Best Actor (Jordan), Best Supporting Actress (Spencer) and Best Original Screenplay. Hopefully the justice will be in big boosts to the careers of Coogler and Jordan.

HIGHLIGHT SCENE: When a mother is informed that her son is dead.

BOX OFFICE RESULTS: $16.1 million domestic (as of 1/21/14), $16.7 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.

20 Feet from Stardom

5. 20 FEET FROM STARDOM

(Radius) Darlene Love, Merry Clayton, Lisa Fisher, Judith Hill, Tata Vega, Sting, Bruce Springsteen, Stevie Wonder, Mick Jagger, Bette Midler, Chris Botti, Lynn Mabry, Claudia Lennear, Sheryl Crow, Patti Austin. Directed by Morgan Neville

Released June 14, 2013 Most of us know the stars out front belting out the hits but few of us are all that aware of the back-up singers who often sing the parts of the song we sing along to. Some of them are the most talented and powerful voices in the business bar none – including the stars, who would be the first to tell you so. These are the anti-American Idols – women content to remain in the background, who sing for the love of singing rather than in pursuit of fame.

WHY IT IS HERE: This Oscar-nominated documentary shines a light on those who have shunned the spotlight, some for nearly 50 years and still going strong. This was the opening night film for the 2013 Florida Film Festival and an auspicious kick-off to that event it was, with Merry Clayton a special guest gracing opening night filmgoers with a song.

HIGHLIGHT SCENE: A deconstruction of the Rolling Stones’ classic “Gimme Shelter” with the various tracks stripped away until only Clayton’s powerful voice remains.

BOX OFFICE RESULTS: $4.8M domestic (as of 1/22/14), $5.2M worldwide.

BUDGET: Not available

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.

Gravity

4. GRAVITY

(Warner Brothers) Sandra Bullock, George Clooney, Ed Harris (voice), Phaldut Sharma (voice), Orto Ignatiussen (voice), Amy Warren (voice), Basher Savage (voice). Directed by Alfonso Cuaron

Released October 3, 2013 Perhaps the worst possible fear of an astronaut is a disaster in space, crippling their spacecraft and robbing them of a ride home. For all our well-trained, cool-as-a-cucumber-under-pressure NASA heroes, there’s no doubt that each one of them are human inside and in a situation like that would be absolutely terrified. This comes as close as we can to making that situation real for a general audience.

WHY IT IS HERE: Stunning special effects that duplicate weightlessness so perfectly, and a bravura Oscar-nominated performance by Bullock (and justifiably so). This has been getting rabid kudos from critics and audiences alike since it opened and it is no surprise that it is one of the finalists for the Best Picture Oscar.

HIGHLIGHT SCENE: The initial collision with the debris field that leaves Bullock’s character spinning out of control and headed for deep space – all against eerie silence.

BOX OFFICE RESULTS: $258.9 million domestic (as of 1/21/14), $677.7 million total.

BUDGET: $100 million.

STATUS: Still in wide release; scheduled for home video release on February 25.

The Forgotten Kingdom

3. THE FORGOTTEN KINGDOM

(Black Kettle) Zenzo Ngqobe, Nozipho Nkelemba, Jerry Mofokeng, Lebohang Ntsane, Moshoshoe Chabeli, Lillian Dube, Sam Phillips. Directed by Andrew Mudge

Released April 5, 2013 This is yet another movie on this list that I first caught at the Florida Film Festival – in this case, the best film I caught at the FFF this year. In it a South African man, living a life of drinking and womanizing, is charged with taking his father – from whom he was estranged – back to Lesotho to be buried. Along the way he rekindles an old flame, learns something about his dad and of himself – and of Africa.

WHY IT IS HERE: An amazing film that drills down father-son relationships and forces you to explore your own relationships with your parents and/or your children. Beautifully shot in gorgeous African vistas, this is a movie so compelling and beautiful that I was thinking about it for days. I’m still thinking about it now.

HIGHLIGHT SCENE: Atang’s confrontation with Dineo’s father.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS: Still appearing on the festival circuit. At this time there are no concrete plans for home video release but at some point hopefully that will change.

12 Years a Slave

2.  12 YEARS A SLAVE

(Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Brad Pitt, Paul Giamatti, Alfre Woodard. Directed by Steve McQueen

Released October 18, 2013 Solomon Northup, a free American of African descent, is betrayed, kidnapped and sold into slavery. Sent to the deep South of the plantations of Louisiana, he is taken away from his wife and children and must learn to survive in the brutal world of the cotton fields, maintaining the hope that one day he will be free once again.

WHY IT IS HERE: Just a magnificently gripping film, one which can show the depths of human depravity one moment and the heights of the strength of the human spirit the next. Ejiofor comes out as a legitimate star here while McQueen who for years has been labeled as a director of enormous promise, fulfills it here.

HIGHLIGHT SCENE: Solomon Northup sobbing as he is being carted away in a wagon as he is at last set free.

BOX OFFICE RESULTS: $43.9M (as of 1/2913), $79.0M total.

BUDGET: $20 million.

STATUS: Still in wide release. Expected to be released on home video this spring.

The Act of Killing

1. THE ACT OF KILLING

 (Drafthouse) Anwars Congo, Herman Koto, Safit Pardede, Adi Zulkadry, Haji Anif, Jusuf Kalla, Ibrahim Sinik, Syamsul Arfin. Directed by Joshua Oppenheimer

Released July 19, 2013 During the Indonesian military takeover in the mid-1960s, thousands upon thousands of Indonesians were murdered by death squad, often led by members of organized crime. In an effort to rid the country of leftists and communists, the net was expanded to include executions of ethnic Chinese and as time went on, basically anyone they wanted. Some of the more notorious death squad leaders were interviewed here and invited to re-enact their crimes in any style they wished; being to a man big fans of Hollywood movies, they would choose some fairly inventive means.

WHY IT IS HERE: I can’t say I enjoyed this movie but the experience of it really changed my perceptions on the notions of forgiveness and humanity. Anwars Congo, one of the most blood-soaked of the death squad leaders (and one of the most revered in Indonesia), is today a grandfatherly sort whose gentle onscreen demeanor is at odds with the horrors of his vicious, cruel and bloodthirsty acts. Is there redemption for men like that? Can one feel sympathy for the devil?

HIGHLIGHT SCENE: The scene on the roof when the horror of his actions catches up with Anwar and he has a violently physical reaction.

BOX OFFICE RESULTS: $469, 214 domestic (as of 1/29/13), $469,214 total.

BUDGET: $1 million.

STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Netflix.

Advertisements

New Releases for the Week of November 22, 2013


The Hunger Games-Catching Fire

THE HUNGER GAMES: CATCHING FIRE               

(Lionsgate) Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Phillip Seymour Hoffman, Donald Sutherland, Elizabeth Banks, Lenny Kravitz. Directed by Francis Lawrence

Katniss Everdeen’s victory in the 74th Hunger Games has made her not only a hero but an icon, a symbol that is becoming dangerous to the ruling class of Panem. While on her victory tour, a plan is hatched to see to it that she becomes an enemy of the people, a figure of hatred and revulsion. Katniss, however, has other ideas.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday night)

Genre: Science Fiction

Rating: PG-13 (for intense sequences of violence and action, some frightening images, thematic elements, a suggestive situation and language)

Blue is the Warmest Color

(Sundance Selects) Adele Exarchopoulos, Lea Seydoux, Jeremie Laheurte, Catherine Salee. A 15-year-old French girl is determined to find out what all the fuss is about boys and sex in particular. She means to find the right one to take her virginity. However, her plans are thrown into disarray when she meets a free-spirited blue-haired woman who raises feelings in her she has never had to handle before now. Based on a French graphic novel, this was a huge but controversial hit at Sundance earlier this year.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NC-17 (for explicit sexual content)

The Christmas Candle

(Echolight) Hans Matheson, Samantha Barks, Sylvester McCoy, John Hannah. In the tiny English town of Gladbury, there is a Christmas tradition in which an angel visits the village candlemaker each Christmas Eve and touches a single candle which grants to whomever lights it a miracle. But this is the turn of the 20th century after all and the new preacher has no time for such nonsense – in fact, it’s time to bring electricity to the church. However, the preacher – and the village – have no idea what kind of miracle is in store for them this Christmas. Based on the Max Lucado novel.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Holiday Drama

Rating: PG (for mild thematic elements) 

The Delivery Man

(DreamWorks) Vince Vaughn, Chris Pratt, Colbie Smulders, Britt Robertson. David Wozniak is a habitual slacker who is pushing 40 and still doesn’t really have a clue what he wants to do with his life. When his girlfriend gets pregnant, he looks forward to being a father but she breaks up with him instead, realizing that he  won’t ever be father material. Realizing he has a lot of work to do, he is given the perfect opportunity – a snafu at a fertility clinic to which he had donated sperm years ago had caused him to be the biological father to 533 now-grown children. Based on the Florida Film Festival hit Starbuck.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for thematic elements, sexual content, some drug material, brief violence and language)

Gori Tere Pyaar Mein

(Reliance) Kareena Kapoor, Imran Khan, Anupam Khan, Shraddha Kapoor. A young architect is more interested in spending his father’s considerable fortune than he is in designing buildings. A chance encounter leads him to the realization that there is a lot more to life than having fun.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Kill Your Darlings

(Sony Classics) Daniel Radcliffe, Dane DeHaan, Jack Huston, Elizabeth Olsen. In 1944, three young men and aspiring writers would meet at Columbia University. Their lives would be permanently entwined by their words – and also by a murder that took place that would lead to a new Beat that reverberates through American society to this day. Meet Jack Kerouac, Allen Ginsberg and William S. Burroughs.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: R (for sexual content, language, drug use and brief violence)

New Releases for the Week of April 19, 2013


Oblivion

OBLIVION

(Universal) Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea Riseborough, Nikolaj Coster-Waldau, Melissa Leo, Zoe Bell. Directed by Joseph Kosinski

Earth is recovering from an alien invasion and no, I’m not talking about migrant lettuce pickers. I’m talking about the bug-eyed outer space rectal probing sorts and these specific aliens have been driven off but at a steep cost – the planet is essentially uninhabitable now. Drones are mining the last of the planet’s resources so humanity can make a new beginning. One of the last drone repairmen is doing some routine maintenance when he stumbles onto a secret that will force him to re-evaluate everything he knows and put the fate of humanity squarely in his hands. From the director of TRON: Legacy.

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Science Fiction

Rating: PG-13 (for sci-fi action violence, brief strong language and some sensuality/nudity)

The ABCs of Death

(Magnet) Ingrid Bolso Berdal, Fraser Corbett, Hiroko Yashiki, Dallas Malloy. 26 of horror’s top young directors have directed segments involving horrific ways to die, one for each letter of the alphabet. The directors hail from all around the world and a wide variety of styles; there’s something to satisfy every one’s taste in horror. However be warned that while this is unrated, judging from what I’ve heard about the film it would have been slapped with an NC-17 had it been submitted to the ratings board.

See the trailer and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: NR  

Ek Thi Dayaan

(ALT Entertainment) Emraan Hashmi, Konkona Sen Sharma, Huma Qureshi, Kalki Koechlin. A popular stage magician is haunted by an Indian witch.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood Horror

Rating: NR  

Home Run

(Goldwyn/Provident) Scott Elrod, Dorian Brown, Vivica A. Fox, Nicole Leigh. After a DUI conviction temporarily derails a major league baseball player’s career, he is sent home to coach a youth baseball team and enter a recovery program. While there he tries to woo the girl he left behind and rediscovers not only his love for baseball but his faith in God as well.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Faith-Based Sports Drama

Rating: PG-13 (for some mature thematic material)

Lords of Salem

(Anchor Bay) Sherri Moon Zombie, Bruce Davidson, Meg Foster, Dee Wallace. A DJ living in Salem, Massachusetts – site of the infamous witch trials – gets a record in a mysterious wooden box. When she listens to the disc, she has flashbacks to the town’s violent past. She begins to doubt her own sanity, but if she isn’t insane, could there be powers acting to exact revenge on Salem from beyond the grave?

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for disturbing violent and sexual content, graphic nudity, language and some drug use) 

Lore

(Music Box) Saskia Rosendahl, Kai Malina, Nele Trebs, Ursina Lardi. At the end of World War II, the staunch Nazi parents of five children are taken into custody. The kids, led by the eldest sister at 14 years old, must undertake a perilous journey across a war-ravaged Germany to reach their grandmother in the North. This movie played the Florida Film Festival last week.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Period War Drama

Rating: NR  

Starbuck

(EntertainmentOne) Patrick Huard, Julie LeBreton, Antoine Bertrand, Dominic Philie. A slacker trying to prove to his girlfriend that he’s worthy of being a good dad to the baby she’s pregnant with discovers that due to a clerical error, the sperm he donated for money back in the day has been used to create over 500 babies. This movie also played the Florida Film Festival last week; you can read my review of it here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for sexual content, language and some drug material)

Starbuck


Here's how you'll likely feel after seeing this movie.

Here’s how you’ll likely feel after seeing this movie.

(2011) Comedy (EntertainmentOne) Patrick Huard, Julie LeBreton, Antoine Bertrand, Dominic Philie, Marc Belanger, Igor Ovadis, David Michael, Patrick Martin, David Giguere, Sarah-Jeanne Labrosse, Sebastien Beaulac, Patrick Labbe, Andre Lanthier, Patrick Caux, Catherine De Seve. Directed by Ken Scott

 Florida Film Festival 2013

Being a father is easy (and fun). It doesn’t even require a mom these days – just sperm. Being a dad however is a whole ‘nother story.

David Wozniak (Huard) is about as irresponsible as guys can get. He works for his father (Ovadis) delivering meat to various stores and restaurants around Montreal. It’s the easiest job in his dad’s business but even that David screws up. He uses the delivery van for personal business, forgets vital tasks (like picking up soccer jerseys for team picture day) and generally gets into trouble without meaning to. He’s been with his beautiful girlfriend Valerie (LeBreton) for four years and seems content to let things remain pretty much as they are.

He’s a bachelor slacker, well-liked but not respected. Then Valerie gets pregnant. HE is willing to do the right thing but SHE has taken a good hard look at David and realizes, perhaps regretfully, that he is anything but dad material. She wants to break up; he wants to prove to her that he can grow up.

But he is deeply in debt to loan sharks (who send thugs around to his apartment to laconically hold his head under water to remind him that if he doesn’t pay up soon he is going to end up floating face down in some unpleasant body of water) and nobody really takes him seriously enough to give him a chance to prove himself. To make matters worse, he is served with a summons that turns out to be quite a blast from his past.

As a younger man he had regularly donated sperm to a specific sperm bank in order to make some cash. Due to a clerical error, more than 500 of his samples have been used to impregnate different women . He is now the proud daddy of 533 kids and 152 of them are suing to get his identity revealed.

At first David is appalled and hires a friend (Bertrand) to represent him legally. That friend is also a dad, although his kids basically don’t EVER listen to him and treat him like a jungle gym more than anything else. His friend, the scruffiest barrister ever looks on this as an opportunity to argue a groundbreaking case, maybe the only one he’ll ever have.

After initial reluctance, he begins to look at the profiles of his now-adult children. He tells himself it will be just once. When that child turns out to be a superstar soccer player, David is ecstatic. It becomes like a drug, looking in on his kids and surreptitiously inserting himself into their lives as a kind of guardian angel. Gradually David grows to realize this might be the opportunity to prove himself that he can improve himself that he was looking for.

The movie has a profound charm to it and a kind of scruffy sense of humor. It is sweet at unexpected moments, sometimes tugging the heartstrings without warning. Huard is given a much more layered and complex role than at first it appears – David is certainly a slacker of epic proportions but he also has an amazing heart – his father tells him in one of the most affecting scenes in the movie “I never have to worry because everyone loves you.” In short, one of those rare dads who recognizes that there are different standard of success in life than the ones he measures himself by. It truly is one of the most difficult parts of being a parent – understanding that your definition of success may not be what your child is looking for in life.

Starbuck is one of those rare movies (although this year there seem to be more of them) that looks at what it means to be a dad – there have always seemed to be more mom movies than dad movies in Hollywood, particularly in the last 50 years. Being a dad has challenges of its own, and sometimes in our rush to exalt motherhood (and don’t get me wrong, motherhood deserves exaltation) we forget the important and vital contributions that father’s make in the nurturing of children. Parenthood isn’t a process or a science and it’s barely even an art form – it’s thinking on your feet, it’s being willing to change your own outlook before trying to force your kid to change theirs. It is frustrating, demanding, infuriating – and ultimately as rewarding an endeavor as a man can undertake.

This isn’t the ultimate fatherhood movie – there are a few too many easy-to-spot plot points for that. Still, I found myself enjoying the charm and outright manipulation the movie put me through. Huard is likable enough and the movie pulls just enough unexpected moments to drive the score as high as it winds up. If you’re looking for a case of the warm fuzzies, here’s your source.

REASONS TO GO: Heartwarming. Very funny at times. Huard does a terrific job.

REASONS TO STAY: A bit far-fetched occasionally. A tiny bit too long.

FAMILY VALUES:  There’s a good deal of sexual content, a pretty fair amount of rough language and a teeny bit of drug material.

TRIVIAL PURSUIT: The title refers not only to the character from Battlestar Galactica but more specifically to a Canadian Holstein bull that during the 1980s and 1990s fathered thousands of progeny and is considered one of the most fertile creatures ever to have lived.

CRITICAL MASS: As of 4/9/13: Rotten Tomatoes: 64% positive reviews. Metacritic: 48/100; not what you’d call an overwhelming critical endorsement.

COMPARISON SHOPPING: Daddy Day Care

FINAL RATING: 9/10

NEXT: The Painting and more 2013 Florida Film Festival coverage!!!

2013 Florida Film Festival Begins Tonight!


Florida Film Festival 2013

Tonight marks the beginning of the 2013 Florida Film Festival, one of the best in the world and an event we here at Cinema365 look forward to with great anticipation every year. This year is the biggest one yet with 170 films from 23 different countries that cover nearly the entire range of film genre, from animated to horror films to documentaries to dramas to comedies to romances and everything in between. The opening night movie at 7pm tonight (there are only standby tickets available but if you’re interested give it a shot, you never know) is Twenty Feet from Stardom, an acclaimed documentary about backup singers that reportedly had even the savvy audiences at Sundance dancing in the aisles. We’ll be publishing our review of the film sometime late tonight or tomorrow.

My own personal recommendations are The Forgotten Kingdom which might just be the best movie playing at the Festival – a South African film on the nature of the father-son bond that can transcend just about anything, as well as Starbuck which also looks at fatherhood from the perspective of a slacker who finds himself the father of over 500 kids through excessive sperm donation. Documentary lovers should keep an eye out for The Year of the Living Dead which looks at George A. Romero and his iconic film Night of the Living Dead and it’s cultural impact.

We’ll be there to cover all of those and plenty more. So many films that our coverage will extend well past the festival’s end. Each movie playing the festival this year will get the Festival logo on the review, even if the review is published after the festival is history. If you haven’t been to a film festival, this is the one to see – it’s where filmmakers, stars and fans hang out in one big fun party atmosphere.

To get you started, today’s Cinema365 review is of a movie that played at last year’s festival, Your Sister’s Sister. You can click on the link to read the review and get an idea of the kind of movie you’ll see at this year’s festival.

Well, I’m off to the Regal for the opening night festivities. Hope to see you all there or in the upcoming nine days!

UPDATE: Well, if you ever wondered why opening nights are special at film festivals, this is your answer: tonight was simply transformative. Not only was the movie, Twenty Feet from Stardom an amazing documentary that everyone who has ever been inspired by music should see, we were lucky enough to be sitting directly behind one of the subjects of the film, backing vocalist Merry Clayton (you may not know the name but you sure know the voice – she’s the female vocals in the Rolling Stones’ “Gimme Shelter”) we were treated to a performance by Ms. Clayton singing Leon Russell’s classic “A Song for You” followed by a wonderfully spirited Q&A session with her and director Morgan Neville fielding questions from the blown-away audience.

A review of the movie will follow tomorrow but I’d have to say that the 2013 Florida Film Festival is off to an amazing start. Whatever you do, find a way to make it down here because this promises to be one of the best (if not the best) festival ever!

Florida Film Festival 2013


Florida Film Festival 2013

The Florida Film Festival will be returning from April 5 through April 14. As in years past, Cinema365 is proud to cover our local film festival and this year will be bigger and better than any year before, with 173 features and short films taking up screen time. Voted one of the 50 best film festivals in the world, it’s different than the industry shmoozefests that are Sundance, Tribeca and TIFF. Those are places where filmmakers go to make a deal. FFF is where they go to mingle with the audience. There is an intimate feel that is missing from some film festivals where there is so much going on that you’re exhausted from day one. There is a more leisurely pace here but even so by the 14th you may well be reaching your limit.

The guest of honor this year is legendary Hollywood actress Tippi Hedren who will be honored with a screening of her classic film The Birds. She’ll be on hand to answer qustions, some of which hopefully will be about her new film Free Samples which will also be playing at the festival. These events always sell out so you won’t want to wait too long before getting your ticket. Also attending the festival will be renowned stuntwoman/actress Zoe Bell who will be on hand for a screening of Deathproof, the Quentin Tarantino-directed half of Grindhouse.  She’s done some of the most amazing stunts of the past decade so you won’t want to miss that either. Finally for those of a more romantic bent, the Festival will have Sunday brunch on the 14th with a screening of one of my all-time favorites The Princess Bride with star Cary Elwes in attendence. This promises to be an unforgettable event and, like the other celebrity appearances, is likely to sell out early.

But a film festival is all about, well, films and as usual there are a plethora of exciting entries at this year’s festival. While I’m not going to preview them all here, I will give you some films that I think are worth looking out for. The opening night slot is always a big deal at any film festival and the FFF is no different. This year the honor goes to Twenty Feet from Stardom, an acclaimed documentary that drew raves at Sundance earlier this year. For those who love classic rock and roll, the film focuses on the backup singers who share the stage and recording studio with some of the biggest stars and on the biggest hits of all time. It’s an amazing get up and dance kind of movie that is bound to have opening nighters boogaloo-ing in the aisles. Opening night is another event that sells out early so you’ll want to order your ticets as soon as you can.

Unfinished Song stars Terrence Stamp and Vanessa Redgrave in a film that reminds me a little bit of Young @ Heart, about a grumpy senior whose life is transformed by singing in a chorus. Lore takes place at the end of World War II in occupied Germany when a group of children whose parents were arrested as Nazis try to make their way across the country to their grandmother’s. Renoir is the story of the love triangle between the great Impressionist, his son and his model slash muse. It looks achingly beautiful. Mud stars Matthew McConaughey , Reese Witherspoon and Sam Shepard in a thriller about a couple of kids who befriend a man on the run from the law, who is haunted by the woman who may have inspired him to do wrong.

V/H/S 2 is the sequel to the hit indie horror anthology and should be packing them in at midnight showings. So too should Cockneys vs. Zombies, a East End-set zombie flick that looks to be a worthy successor to Shaun of the Dead with a wicked sense of humor that had preview audiences laughing til they screamed. Starbuck is a French-Canadian film about a man who is ready to be a father of his girlfriend’s child although she is none too certain about his paternal skills. Matters aren’t helped when it is discovered that as a repeated sperm donor back in the day he had wound up fathering over 500 children. I’m sure his tie collection will be legendary.

SOMM is a food documentary chronicling the difficult process of becoming certified as a master sommelier. In the music realm Big Star: Nothing Can Hurt Me and AKA Doc Pomus look back at legendary figures in classic rock and roll while Bad Brains: A Band in DC looks at one of the most influential punk bands of all time.

The narrative competition films have some real promising entries this year, with The Forgotten Kingdom following a young man’s journey to reconnect with his family in Leostho, Putzel which is a different kind of romantic comedy (I know a lot of rom-coms claim that but this one really looks like the real deal), The History of Future Folk which has the daft premise of an alien invasion which goes awry when the aliens decide to become folksingers, All the Light in the Sky in the meantime follows an aging actress who is watching her indie career dwindle as younger actresses nab the roles that once went to her. Nancy, Please is a terrifying thriller about the roommate from Hell who goes to extreme lengths to reclaim the book she left behind and Be Good which observes new parents adopting to their changing roles.

The documentary competition is equally impressive with Year of the Living Dead which looks back on the lasting impact of George A. Romero’s legendary Night of the Living Dead while Magical Universe explores the bizaare world of artist Al Carbee’s Barbie-centric art. Shepard and Dark explores the unique and moving friendship (mostly expressed through correspondence) between actor/playwright Sam Shepard and Johnny Dark who was at one time married to the mother of Shepard’s wife. Informant traces the path of Brandon Darby from respected activist to FBI informant while Far Out Isn’t Far Enough: The Tomi Ungerer Story traces the career of revolutionary children’s book illustrator Tomi Ungerer.

And that’s just scratching the surface. Films like 8 1/2, Sleeper, The Sting and Pulp Fiction will also be screened as well as a plethora of foreign films, short films, documentaries, narrative features, family films and animated shorts. Individual tickets will go on sale on March 17th (this Sunday) although you can still buy passes and packages of five, ten and twenty vouchers which can be redeemed for individual films right now. For more details on the festival, ticket purchase information and directions to the festival venues, click on the logo above which will take you right to the Festival website. That same logo will appear on all festival film reviews even after the festival is over.

It should be noted that nearly every year since I started attending this event my number one movie on the year-end countdown has played at the Festival. Some of the films that have played here have gone on to commercial success (The Blair Witch Project) or Oscar nominations (Winter’s Bone). While there are no guarantees, I can tell you that this is one of the best-curated festivals that I’m aware of and the overall quality of the films that play it are nothing short of spectacular.

Enzian president Henry Maldonado liked the Festival to a gathering of friends, not unlike a reunion and he’s right. The atmosphere at the Festival is like none other I’ve experienced. Part of that is due to the bucolic scenery at the Enzian itself (although the atmosphere at the neighboring Regal multiplex in Winter Park Village where many of the screenings take place is no less idyllic) but most of the credit goes to the staff, volunteers and the attendees themselves. This is the kind of thing that loses something in the translation but once experienced for yourself will hook you for life. Even if I were to move out of the Orlando area, I’d come back every year for the FFF. I hope I’ll see some of my Orlando-area readers at the Festival; those who can travel to come see it should make the effort to do so. This is no theme park but if you’re a movie buff, this is so much better.