"What's the plot doing way over there?"
(Paramount) Tom Hanks, Ewan McGregor, Ayelet Zurer, Stellan Skarsgaard, Armin Mueller-Stahl, Pierfrancesco Favino, Nikolaj Lie Kaas, Thure Lindhardt, David Pasquesi, Victor Alfieri, Elya Basin, Rance Howard . Directed by Ron Howard.
Any institution that is around long enough is bound to acquire opponents, if not enemies. For the Roman Catholic Church, the oldest institution on the planet, those opponents are many. But, as they say, it only takes one.
The Church is mourning the sudden and unexpected death of the pope, considered a progressive and fair-minded pontiff, beloved by his flock. As the College of Cardinals gathers to elect a new leader for their church, two very disturbing events occur. The first is the theft of a small but significant amount of anti-matter, a substance manufactured in an experiment partially funded by the Church. The second is the kidnapping of four respected cardinals, all of them considered favorites for the papal election, or as they are known more commonly in the Vatican as the preferati.
The powers of the pope are invested in Patrick McKenna (McGregor), the assistant to the previous pope (or Camerlengo as the position is titled), and he is given further reason for misgiving when he receives a cryptic but menacing note, as well as a live cam feed that indicates that the missing anti-matter is somewhere in the Vatican.
To help in the investigation, Inspector Olivetti (Favino) of the Vatican Police Force recruits an unlikely ally – Robert Langdon (Hanks), the Harvard professor of symbology whose investigations in The DaVinci Code brought down the Opus Dei group and caused much embarrassment for the Church. He arrives in the Vatican along with scientist Vittoria Vetra (Zurer) who was working on the anti-matter project and whose father was gruesomely murdered during the theft. She reports that the battery-charged electronic cannister holding the anti-matter would eventually fail when the battery died; when it did, a sizable chunk of Rome would be vaporized.
Langdon determines that the note was written by the Illuminati, an ancient society of scientifically-inclined Catholics who underwent extreme persecution in the days of Galileo. Deciphering the note, he figures out that the plan is to execute the four cardinals, once every hour in four locations sacred to the Illuminati (each having to do with one of the four elements). Langdon must follow a variety of clues to discover where each cardinal is going to meet a grisly end and arrive there before said cardinals get an early opportunity to see God live and in Person.
He is opposed by Commander Richter (Skarsgaard), the head of the Swiss Guard who are kind of the secret service of the Vatican. To let you know how he feels about the situation, he growls in a voice dripping with disdain “What a relief, the symbologist is here” when Langdon arrives at the Vatican. Also conservative Cardinal Strauss (Mueller-Stahl) is suspicious of the openly non-religious Langdon.
This is a very slick-looking thriller that utilizes its Roman locations effectively (although the Vatican locations were all recreated on a set – as you might imagine, the Church refused to allow the filmmakers permission to film there). Howard is one of the best directors working today, and his skills are one of the movie’s outstanding features. The pacing is brisk and doesn’t give you time to think about all the implausibility in the script.
The script is one of the major downfalls of the film. Writers Akiva Goldsmith and David Koepp – both of whom have delivered some really well-written scripts in the past – aren’t entirely to blame for this. Dan Brown, author of the novel, is a talented writer of page turners, but sacrifices a lot of common sense for the sake of a good plot turn. Are you telling me that the combined minds of the Swiss Guard and the Vatican Police Force, who guard some of the most important people and treasures in the world, were unable to turn the note upside down to figure out that it was sent by the Illuminati?
The script is also rather talky. Hanks spends a lot of time cogitating and then delivering a pronouncement like an explanation point “Why didn’t I think of it before? The Church of San Whoever, patron saint of Earth Wind and Fire!” It’s not that Hanks does a bad job – he’s quite believable inasmuch as he can be as an academic who isn’t fazed by being shot at and have any number of murder attempts made on him. In some ways he’s more of an action hero than scholar, but Hanks makes sure the scholarly side is well-represented.
The international cast (with actors from Israel, Scotland, Germany, Sweden, Italy, China, Russia, Denmark, Austria and elsewhere) are solid. McGregor just about steals the movie as the pious Camerlengo. I like him as an actor more and more in every role I see him as. Zurer is likewise solid in a role that literally has no reason to be there – she’s eye candy, nothing more but she at least makes a credible attempt at being at least physicist-like. Skarsgaard and Mueller-Stahl, veteran character actors both, lend gravitas to their roles.
I’ve really spent a lot of time dwelling on the movie’s faults, and that’s a bit unfair. Granted, they are glaring imperfections, but quite frankly this is a solid summer thriller with plenty of mindless entertainment. The trouble is it kind of bills itself as a smart thriller which is a bit of a disservice. This is the kind of movie that if you think too much about it you’re not going to like it as much. Instead, just sit back and enjoy the ride. It’s a pretty good one.
WHY RENT THIS: A nonstop thrill ride that doesn’t pause long enough for you to catch your breath. McGregor is becoming a much more watchable actor than he was in the Star Wars prequels. Breathtaking sets, special effects (particularly one sequence in St. Peter’s Square) and use of Roman locations make this extremely watchable.
WHY RENT SOMETHING ELSE: The script is full of holes and lapses in logic that detract from the action. While it bills itself as an intellectual thriller, it works better as mindless entertainment. Some egregious factual errors, particularly as to historical context and Catholic
FAMILY VALUES: Some rather spectacular and gruesome murders occur, some of which may be too intense for children.
TRIVIAL PURSUITS: While filming in Rome, the crew and equipment were blocking the passage of a bridal party on the way to a church for their wedding. Upon hearing about the situation, Tom Hanks personally escorted the party through the filming area and prevailed upon crew to move equipment so that the party might pass. The grateful family of the bride invited Hanks and director Howard to stay for the reception but their busy filming schedule prevented it.
NOTABLE DVD EXTRAS: The Blu-Ray edition contains a feature on CERN, home of the large hadron collider and the world’s largest particle physics factory. The crew were permitted to film on the premesis (although not in sensitive areas) and the achievements of CERN are discussed in some detail.
FINAL RATING: 6/10
TOMORROW: The Soloist