Top 10 of 2015


2015 Top 10After what I thought was kind of a down year in 2014, the overall quality of the movies I saw in 2015 went on the rebound and in general, I thought there were far better films in general than the year previous. A little more interestingly, I also thought that there were fewer movies that I’d give 10 out of 10 for this year, which is a bit of a dichotomy; better quality overall, but fewer slam dunks.

However, the films on this list were all as good as you’d find on the lists of any year previous with the top spot going to a movie that I thought was far and away the best film of the year – but oddly enough, very few people have seen it other than on streaming services. We’ll get to that in a moment, but the movies that followed were still of very high quality and are worth seeing every one.

While studio movies have tended to continue going with the traditional distribution model; a wide theatrical release followed by VOD/home video release once the movies are out of the theaters, then onto a premium cable outlet. They are still tending to avoid streaming services like Netflix, Amazon Prime and Hulu Plus, although Lionsgate and Paramount have bucked that trend. With Netflix flexing its muscles more and more with indie films, having made some pre-emptive deals even before films were screened at Sundance, something tells me that the majors may start following suit and putting their films on streaming sites or even creating their own. It may not be this year but as more and more people go with Netflix and Chill, it makes good sense for the majors to start looking at that audience more carefully.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The other information given in each entry should be self-explanatory, with box office and critics’ scores available to help you give an idea of how audiences and film critics alike responded to these films.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The 100-Year-Old Man Who Stepped Out of a Window and Disappeared, Love and Mercy, The Life and Mind of Mark DeFriest, A Brilliant Young Mind, Straight Outta Compton, My Life in China, 3 ½ Minutes, The Wrecking Crew, Bone Tomahawk, Sicario, Welcome to Leith, Mad Max: Fury Road, Me and Earl and the Dying Girl, Inside Out, The End of the Tour, Stink!, Gett: The Trial of Vivianne Amsalem, Room, Grandma, Phoenix, Harold and Lillian: A Hollywood Love Story

It Follows

10. IT FOLLOWS

(Radius) Maika Monroe, Keir Gilchrist, Lili Sepe, Olivia Luccardi, Jake Weary, Daniel Zovatto, Bailey Spry, Carolette Phillips, Loren Bass, Charles Gertner, Debbie Williams. Directed by David Robert Mitchell

Released March 23, 2015 19-year-old Jay has just graduated from high school and it is a summer of transition – soon she’ll be going away to college and it is time for one last hurrah with her friends before they scatter, each to their own place. Everything is perfect; except they are being stalked by something terrifying and supernatural. After having had sex with a seemingly nice young man, Jay has attracted a supernatural entity to her and it is coming ever closer. Her only chance is to have sex with someone else and send the entity after them, although if it kills them it comes back after her. How do you escape the inescapable?
WHY IT IS HERE: An extremely clever concept, for one. After an acclaimed run at Sundance, the movie was given a very brief limited release but the numbers were so astounding that Weinstein hurriedly arranged for a wide release. The movie went on to be one of the more acclaimed horror movies of recent years.
HIGHLIGHT SCENE: The climactic swimming pool battle.
CRITICAL MASS: Rotten Tomatoes: 97% positive reviews. Metacritic: 83/100.
BOX OFFICE RESULTS: $14.7 million domestic, $20.3M total (as of 1/19/16).
BUDGET: $2M.
GENRE: Horror
STATUS: Currently available on home video. Rent Blu-Ray/DVD on Netflix. Stream on iTunes/Amazon/Vudu/M-Go. Download on Amazon/iTunes/Vudu/M-Go/Google Play.

Star Wars The Force Awakens

9. STAR WARS: THE FORCE AWAKENS

(Disney) Daisy Ridley, Harrison Ford, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Gwendolyn Christie. Directed by JJ Abrams

Released December 18, 2016 Three decades after the events of the first trilogy, the Empire is rising again and is being faced by a small but determined Resistance. With a new and improved weapon being brought to bear on the peaceful but ineffective Republic, unlikely new heroes will combine with familiar ones to take on a villain so heinous that he rivals even Darth Vader.
WHY IT IS HERE: The anticipation for this movie was enormous and when it finally arrived, it proved to be one of those rare films that was worth the wait. Everything about this movie worked and everything about it pleased fans who went back to see it again and again and again. It is already the all-time domestic box office champion and has a shot at dethroning the all-time global champ. In short, Star Wars is back.
HIGHLIGHT SCENE: The confrontation between father and son.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $859.0 million domestic, $1.8B total (as of 1/19/16),.
BUDGET: $200M
GENRE: Science Fiction
STATUS: Still in wide release

The Hateful Eight

8. THE HATEFUL EIGHT

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth, Michael Madsen, Walton Goggins, Bruce Dern, Demián Bechir, James Parks, Dana Gourrier, Lee Horsley, Channing Tatum. Directed by Quentin Tarantino

Released December 25, 2015 A bounty hunter with a reputation for bringing in his quarry alive – to be hanged – is escorting a young woman to the Wyoming town of Red Rock but is forced to stop at a stagecoach stop high in the mountains, stranded by a blizzard. There are others there, some apparently innocently enough, others of suspicious character. By the time the snowfall ceases, there will have been a reckoning of Biblical proportions.
WHY IT IS HERE: Despite controversy over alleged racism and misogyny, this is still a well-crafted cracking story that keeps audiences on the edge of their seats throughout. Seeing it in the nearly extinct 70mm format was a rare treat but beyond all the noise surrounding it, at the end of the day this is a movie that sucked me in and kept me there.
HIGHLIGHT SCENE: Major Marquis Warren and Chris Mannix get some well-deserved payback for John Ruth.
CRITICAL MASS: Rotten Tomatoes: 75% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $49.6 million domestic (as of 1/23/15), $86.7M total.
BUDGET: $44M
GENRE: Western
STATUS: Still in wide release.

Beasts of No Nation

7. BEASTS OF NO NATION

(Netflix/Bleecker Street) Idris Elba, Abraham Attah, Ama Abebrese, Richard Pepple, Emmanuel Nii Adom Quaye, Kurt Egyiawan, Jude Akuwudike, Emmanuel Affadzi, Kobina Amissah-Sam, Fred Nii Amugi. Directed by Cary Fukunaga

Released October 16, 2015 Agu, a young boy in a civil war-torn African nation, is forced to become a child soldier for a charismatic warlord. Convinced he is going straight to hell for all the atrocities he is party to, we watch as his soul becomes more and more tainted, his eyes more and more lifeless. When hope for anything better is gone, what more is left but obedience?
WHY IT IS HERE: There is a realism here that is missing from other films that are similarly themed. It helps tremendously that both Elba as the warlord and young Abraham Attah as Agu deliver searing performances that will remain as indelible impressions for a very long time to come. I thought Elba was a sure thing for an Oscar nomination, although the Academy didn’t agree. This is one that the Academy got wrong.
HIGHLIGHT SCENE: Young Agu’s rage finally breaks free.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $90,777 domestic (as of 1/23/15), $90,777 total..
BUDGET: $6M.
GENRE: Drama
STATUS: Available exclusively on Netflix.

The Big Short

6. THE BIG SHORT

(Paramount) Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, Jeremy Strong. Directed by Adam McKay

Released December 11, 2015 In the middle of the first decade of the 21st century, a brilliant medical doctor turned hedge fund manager discovered the terrifying truth; that American banks and other financial institutions were relying heavily on securities based on mortgages, securities that had always been considered stable and rock solid but had been filled with mortgages that were almost certain to be defaulted on. Other managers discovered the same truth and while some tried to raise the alarm, others moved to profit off of the information.
WHY IT IS HERE: A sobering look at how unregulated greed damn near brought the world economy to its knees with the even more sobering warning that those running those same banks and securities firms – who were never punished for their actions which often crossed the line of securities laws – are involved in the same behaviors once again, having failed to learn their lesson the first time mainly because the American taxpayers bailed them out. Although it is admittedly hard to find heroic the actions of those who eventually profited from the human misery that came of the 2008 financial meltdown, this has become perhaps the ultimate cautionary tale to come out of the 2015 movie year.
HIGHLIGHT SCENE: The mentor of a pair of young ambitious hedge fund managers tempers their enthusiasm by explaining the real-life consequences of their success.
CRITICAL MASS: Rotten Tomatoes: 88% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $54.2 million domestic (as of 1/24/15), $72.7M total..
BUDGET: $28M.
GENRE: True Life Drama
STATUS: Still in wide release.

Brooklyn

5. BROOKLYN

(Fox Searchlight) Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Julie Walters, Jim Broadbent, Maeve McGrath. Directed by John Crowley

Released November 4, 2015 In the 1950s, a young woman in a small Irish village leaves for New York, knowing that she has no future at home. However, she is best by homesickness and finds life in the Big Apple lonely and unsatisfying, but eventually she meets an Italian man at a church dance and is slowly won over by her persistence. However, bad news from home will send her packing back for Ireland where she’ll be courted by an eligible bachelor and where she finds she is fitting in more than she ever had before, but where will her heart lead her; to stay in her native land or to return to the man she loves in America?
WHY IT IS HERE: An award-worthy performance by Ronan in the lead role for one. Crowley, working off of a script by Nick Hornby, has delivered a lyrical and moving paean both to Ireland and America. Beautifully shot, rendering the sweet Irish countryside as well as the charms of Brooklyn, well-acted throughout and buoyed by a terrific script, this remains one of the most charming and lovely movies of the year.
HIGHLIGHT SCENE: Two lovers are reunited.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 87/100.
BOX OFFICE RESULTS: $26.4 million domestic (as of 1/24/15), $34.5M worldwide.
BUDGET: $10M
GENRE: Romance
STATUS: Still in limited release.

Spotlight

4. SPOTLIGHT

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Live Schreiber, John Slattery, Brian D’Arcy James, Stanley Tucci. Directed by Tom McCarthy

Released November 6, 2015 At the Boston Globe, the Spotlight investigative journalism team begins to look into allegations of covering up for a single Catholic priest who was accused of pedophilia. As their investigation widens, they discover to their horror that the problem is widespread on a global level. In a city where the Catholic Church is an immense political and social force, they encounter resistance to their investigation but their perseverance will lead to a scandal that will shake the very foundations of one of the oldest and most powerful institutions in the world.
WHY IT IS HERE: This may be the most realistic film about print journalism ever made. The emotional impact of the story itself cannot be overestimated as we see victims recount their harrowing experiences and the devastating aftermaths. The ensemble cast is made up of some of the most accomplished actors in the business and while Keaton and Ruffalo have been getting the lion’s share of the acclaim, the truth is that the performances here are outstanding top to bottom. It is fitting that one of the best-written films of 2015 was the movie about journalism.
HIGHLIGHT SCENE: The Spotlight team begins to realize the enormity and the impact of their story.
CRITICAL MASS: Rotten Tomatoes: 96% positive reviews. Metacritic: 93/100.
BOX OFFICE RESULTS: $33.2 million domestic (as of 1/27/15), $34.5 million total.
BUDGET: $20 million.
GENRE: True Life Drama
STATUS: Still in general release.

The Martian

3. THE MARTIAN

(20th Century Fox) Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Chiwetel Ejiofor, Michael Pena, Sean Bean, Kate Mara. Directed by Ridley Scott

Released October 2, 2015 The first manned mission to Mars has to be cut short when a massive storm heads for the landing site. As the team of astronauts scurries to get their things stowed and the landing vehicle launched, one of their number is struck by flying debris and apparently killed. Reluctantly his team leaves without him but in the immortal words of Monty Python, he’s not quite dead yet.
WHY IT IS HERE: This tale of survival is certainly one of the best films of the year and is in my mind superior to other reality-based sci-fi films like Gravity for a number of different reasons. Not only is the science far more accurate than other films of this ilk, it has an Oscar-worthy performance by Damon, a terrific cast behind him and one of the most edge-of-your-seat plots you’ll see in this or any other year.
HIGHLIGHT SCENE: Matt Damon “sciences the shit” out of a problem.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 80/100.
BOX OFFICE RESULTS: $227.7 million domestic (as of 1/28/16), $598.6 million total.
BUDGET: $108 million.
GENRE: Science Fiction
STATUS: Download from Amazon/iTunes/ Vudu/M-Go/Google Play.  Stream from Amazon/iTunes/Vudu/M-Go/Google Play. Rent DVD/Blu-Ray from Netflix the week of February 7.

Ex-Machina

2. EX-MACHINA

(A24) Oscar Isaac, Domhnall Gleeson, Alice Vikander, Sonoya Mizuno, Corey Johnson, Claire Selby, Symara A. Templeton, Gana Bayarsaikhan. Directed by Alex Garland

Released April 10, 2015 A young programmer wins a company competition that spirits him to a weekend at the reclusive founder’s fortress-like mountain hideaway. There he discovers that the tech wizard is working on something game-changing; an artificial intelligence in a robotic body, taking the form of a beautiful woman. However whatever the plans are that both men have for her, she may have an agenda of her own.
WHY IT IS HERE: This speculative science fiction film made on a budget that probably didn’t cover the costs for massages and manicures on Star Wars: The Force Awakens is one of the smartest and most provocative movies to come out this year. I was completely done in by Vikander’s performance which was outstanding and kicked off an amazing year for her in which she’s been transformed into one of Hollywood’s brightest stars. Isaac and Gleeson also performed solidly, leading into a year when both of them also emerged as names to look out for.
HIGHLIGHT SCENE: Caleb and Nathan have a conversation on a glacier.
CRITICAL MASS: Rotten Tomatoes: 92% positive reviews. Metacritic: 78/100.
BOX OFFICE RESULTS: $25.4 million (as of 1/29/15), $36.9M total.
BUDGET: $15M
GENRE: Science Fiction
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/M-Go/Google Play. Stream on Amazon/iTunes/Vudu/M-Go/Google Play. Rent Blu-Ray/DVD on Netflix.

Message From Hiroshima

1. MESSAGE FROM HIROSHIMA

(Cinema Libre) George Takei (voice), Kazuo Fukushima, Akinori Ueda, Ryoga Suwa, Hisako Miyake, Kinue Nakamitsu, Chieko Fujiki. Directed by Masaki Tanabe

Released August 4, 2015 The atomic bomb that dropped on Hiroshima was a watershed moment in modern history. We read about in history books, but that really doesn’t come close to telling us what it was really like. This amazing documentary collects some of the few still-living survivors of the blast and details their stories, complimented with some excellent computer graphics that reconstruct what Hiroshima looked like before the bomb fell.
WHY IT IS HERE: There is no movie, no documentary, no television show, no book and no social interaction that will affect you as much as this movie will. It will literally change your life. Seeing a beautiful, vibrant city come to life before your eyes – and then to watch the astonishing destruction, hear the account of people who were children at the time explain what it was like to lose parents, friends, brothers and sisters – to see the emotions still raw 70 years later, is absolutely unforgettable. The movie barely got any sort of theatrical release and is mainly available on Hulu, but it’s also available on DVD. This should be required viewing for not just our political leaders, but for everyone human. Never again.
HIGHLIGHT SCENE: Basically, every one of the survivor’s stories.
CRITICAL MASS: Rotten Tomatoes: N/A. Metacritic: N/A.
BOX OFFICE RESULTS: N/A
BUDGET: N/A
GENRE: Documentary
STATUS: Currently available on home video. Stream from Hulu.

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Stink!


Jon J. Whelan works the phones.

Jon J. Whelan works the phones.

(2015) Documentary (Area23a) Jon J. Whelan, Jeffrey Hollander, Dr. Leonardo Trasande, Andy Igrejas, Cal Dooley, Leonard Lance, Jan Schakowsky, Karuna Jaggar, Brandon Silk, Rosa Silk, Jane Houlihan, Dr. Richard Denison, Dr. Jennifer Sass, Christophe Laudamie, Dr. Arlene Blum, Steve Herman, Jack Corley, Gretchen Lee Salter, Stacy Malkan. Directed by Jon J. Whelan

documented

As consumers, we feel confident that the products on store shelves or in Internet-based shopping company warehouses are safe for consumption. We rely on watchdog government agencies like the Food and Drug Administration (FDA) or Environmental Protection Agency (EPA) to regulate which chemicals can be used and which can’t, and to know what is in the products that we buy. It might come as a shock to you that they don’t.

It came as a shock to single father Jon J. Whelan as well. Jon, whose wife Heather passed away a few years ago from breast cancer, had bought pajamas for his two tween daughters for Christmas from the tween lifestyle store Justice, whose products drove his daughters absolutely giddy with delight. However when the pajamas were taken out of their packaging, he noticed a very powerful odor that smelled “chemical” to him.

His late wife had always tried to be aware of what ingredients were in the things they consumed and used, and hyper-concerned due to his wife’s recent passing, he tried to call Justice and get a sense of what chemicals were being used for the pajamas. To his surprise, they didn’t know. He started making calls to the corporate office, to corporate officers, to Michael Rayden, the CEO of Justice – he even called the manufacturing plant in China.

He was met with a stone wall. Either the people he spoke with didn’t know, or told him that the ingredients were “proprietary trade secrets.” Looking into the laws that governed these things, he discovered that the Toxic Substances Control Act of 1976, instead of protecting Americans from the use of unknown chemicals that may or may not be carcinogenic, gave corporations loopholes in terms of labeling when it came to fragrances and flame-retardant compounds in that those items could be labeled proprietary and the companies were not liable to list the ingredients therein. In fact, after having the pajamas analyzed by a lab, he made the disturbing discovery that several of the chemicals found in the pajamas were carcinogenic – including one that had been banned by the FDA.

Contacting advocacy groups, he discovered further chilling facts – such as the incidence of breast cancer in the United States went from 1 in 20 in the 60s to 1 in 8 today, and that the amount of chemicals in the bloodstream of newborn babies numbered in the hundreds – chemicals that weren’t supposed to be there. He also discovered that consumer protection laws that regulate toxic chemical use were far stricter in the European Union than here. Even the laws in China were more strict. America had somehow become a third world country when it comes to consumer protection.

Interviews with corrupt lawmakers, corporate shills and lobbyists who not only obscured the truth but blatantly lied to legislative bodies make this akin to a Michael Moore ambush-style documentary, and in an era when distrust of corporate entities is at an all-time high, an effective method. Many advocacy groups are calling for a strengthening of the Toxic Substances Control Act of 1976, or at least an updating of it, something that industry is fighting tooth and nail.

Whelan utilizes graphics and animations that have a bit of a 60s vibe to them, colorful and cartoonish. While occasion the tech-speak can be intimidating and the presentation a bit scattershot, this is clearly the labor of love for a father still grieving for his wife, who appears in home movies interspersed throughout, along with video of his cute and bubbly daughters.

Whelan, like many of the advocacy groups whose representatives he interviews during the film, advocates for stronger regulatory powers for the EPA and the FDA, tougher restrictions on the use of chemicals, and transparency in labeling. All of these seem pretty reasonable, although when he interviews opposing viewpoints, they tend to prevaricate to almost nonsensical levels; they pay lip service to consumer protection but their actions prove the only protecting they are doing is of corporate profits. As Whelan puts it, if everything in these products is safe, then why is the chemical industry working so hard to prevent us from knowing what is in the products we buy every day?

The information presented here is sobering; there is literally almost no way to protect yourself from the use of toxic chemicals in nearly every product we use in the home. Anything that has a fragrance in it is likely to have man-made petrochemicals in it because they are far cheaper than organic chemicals. The long-term effects of repeated exposure to these chemicals is unknown; as one physician says, “We are quietly becoming genetically modified by toxic chemicals. We aren’t test subjects; we’re guinea pigs.”

REASONS TO GO: Effectively connects the dots. Clearly a labor of love. Chilling info.
REASONS TO STAY: A bit scattershot.
FAMILY VALUES: Some adult themes.
TRIVIAL PURSUIT: The movie took three years to film.
CRITICAL MASS: As of 11/28/15: Rotten Tomatoes: 86% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: Gasland
FINAL RATING: 8.5/10
NEXT: The 33

Pick of the Litter – November 2015


BLOCKBUSTER OF THE MONTH

Spectre

Spectre

(MGM/Columbia) Daniel Craig, Christoph Waltz, Ralph Fiennes, Monica Bellucci. With the success of Skyfall, setting the new franchise box office record, James Bond is back and stronger than ever. Here he discovers that a sinister criminal organization has ties to his own past as his search for answers leads to places that he doesn’t want to go while MI6 is undergoing tribulations of its own. Bond films are always greeting with heavy anticipation with the fans; this one has a higher bar than usual to live up to but has most of the behind-the-camera team returning to give it the opportunity to break some records of its own. November 6

INDEPENDENT PICKS

What Our Fathers Did A Nazi Legacy

What Our Fathers Did: A Nazi Legacy

(Oscilloscope Laboratories) Niklas Frank, Philippe Sands, Horst von Wachter. The children of Nazi Germany were not all Hitler Youth; some were the sons (and daughters) of men who committed terrible atrocities against humanity, or men who did nothing while those atrocities were committed. Some of these children, now old men and women, have never come to terms with the actions of their fathers, while others have become embittered. Still others have learned to accept what their fathers have done and have moved on. This moving documentary looks at the effects of these men on their children which reverberate in their lives and those around them even to this day. November 6

Shelter

Shelter

(Screen Media) Jennifer Connolly, Anthony Mackie, Amy Hargreaves, Bruce Altman. Two homeless people in New York City find each other and find love in the most extraordinary of circumstances. This, actor Paul Bettany’s first film as writer and director, couples powerful performances from Connolly and Mackie and a timeless story of the power of human will in the face of adversity to make a movie that may well be one of the most powerful films to hit theaters this month. November 13

Kilo Two Bravo

Kilo Two Bravo

(Honora) David Elliot, Mark Stanley, Scott Kyle, Benjamin O’Mahony. A British army squad, fighting in Afghanistan finds themselves literally caught in a minefield. With one of their number already down, they are trapped in a dried riverbed with no way out other than through courage and sacrifice of the sort most people will never have to face. This taut war suspense thriller was nominated for a BAFTA and is based on an incredible true story. November 13

Spotlight

Spotlight

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber. A team of investigative reporters for the Boston Globe that called themselves Spotlight became aware of a story involving Catholic priests molesting young boys and then being quietly moved from parish to parish without the knowledge of the parishioners who would entrust the care of their sons to these pedophiles. The ore they dug, to the shock of the reporters – many of them Catholic themselves – the greater the dimension of the story grew. This festival favorite which is now getting some Oscar buzz is based on the true story that shook the Roman Catholic church to its very core. November 20

Stink!

Stink!

(Area23a) Jon J. Whelan, Leonard Lance, Cal Dooley. It all began with a Christmas present; a pair of child’s pajamas with a strange odor when they were taken out of the package. A single dad decides to look into this; calls the manufacturer and is shocked to discover that some of the chemicals that go into the pajamas are “proprietary.” This takes him on a crusade to take on the trillion dollar chemical industry and find out what precisely we are putting on our bodies – and in them. November 27