(2010) Romantic Comedy (Touchstone) Kristen Bell, Josh Duhamel, Will Arnett, Dax Shepard, Jon Heder, Danny DeVito, Anjelica Huston, Alexis Dziena, Kate Micucci, Bobby Moynihan, Lee Pace, Don Johnson. Directed by Mark Steven Johnson
Love is so mysterious to most of us that it borders on magic. It appears in its own mercurial time, it disappears without warning, it transfers from one person to another and when it hits us head-on, our lives are never the same.
Beth (Bell) is a workaholic sort who has blazed her way into becoming the youngest ever curator at the Guggenheim in New York City. Nick (Duhamel) is an easy-going sportswriter. They meet at the whirlwind wedding of Beth’s sister Joan (Dziena). Beth, stressed over a big exhibition that she is curating that no work is getting done on while she is foolishly enjoying her family’s life event in the company of chip-off-the-old-block pa (Johnson).
Things go inevitably wrong complete with a vase that refuses to break, electrical mishaps and the kind of shenanigans that usually go on at movie weddings. Pay no attention to these. Instead, note that Beth is getting hammered, and as hammered women often do she goes wading into the Fountain of Love (the city fathers of Rome wisely prevented the Trevi Fountain from being associated with this in any way shape or form) and pulls five coins out of the fountain.
This is when the magic happens…so to speak. Each of the men who threw the coins in the fountain – an annoying street magician (Heder), an annoying painter (Arnett), a really annoying model/narcissist (Shepard) and a slightly less annoying sausage king (DeVito) – all fall hopelessly and unrealistically in love with Beth and follow her back to New York where they make attempts to woo her that are about as well-worn as the word “woo.”
In the meantime there is that fifth coin. Was it thrown in by Nick? And if so, does that mean the blossoming romance between Nick and Beth is all a lie, forced by the magic of a fountain which has apparently confused stalking for love. Then again, what would you expect from a hunk of concrete.
There are some elements here that would have made for an interesting movie – unlike a lot of critics, I have no beef with the concept, only the execution. Rather than trying for genuine laughs, the writers opted for weak slapstick routines and cliché comedy bits (if I hear that freaking record scratch again I swear I’ll lose it – and you hear it not once but twice in the first five minutes).
It’s a real shame because Duhamel and Bell are genuinely appealing and make a nice couple. Duhamel, in particular, shows himself to be a real pro, offering a good performance despite the obvious knowledge that he’s in a movie that has some real problems.
I have no issues with Shepard, Arnett, DeVito and Heder individually but I’ve never really connected with them consistently as actors (with the exception of DeVito, who showed in such films as The Oh in Ohio that when given a decently written role he can make something wonderful out of it) and here they seem to be allowed to mug all over the place. I get the impression occasionally that there are four of them because they could get four name actors for the roles; had one of them passed, there would have been three of them – if one more name actor had agreed to do it, five. I found it amusing that all four of the coins belonged to men- statistically, far more women throw coins into the Trevi than men – and thought the movie might have worked better if at least one of the coins belonged to a woman (I could see someone like Amy Poehler as an aggressive romantic stalker).
But then that wouldn’t have played in middle America and one gets the sense that this was a movie assembled to target a particular demographic rather than because the writers had something important to say about love and life. I know that the first instinct of a studio executive is to go with the safe and the familiar, but I think box office figures demonstrate clearly that a well-written movie with an interesting story, memorable characters and something to say about the nature of life will more often than not bring in the box office gold that Hollywood studio executives know more about chasing than they do about chasing love.
WHY RENT THIS: Duhamel is one of the most underappreciated stars in Hollywood and he has nice chemistry with Bell.
WHY RENT SOMETHING ELSE: The romance is cliché, the comedy is cliché, the script is cliché, the romance is cliché, the comedy is cliché, the script is cliché – say, do you get the strange feeling you’ve seen it all before?
FAMILY VALUES: There is some suggestion of sexuality but nothing really overt.
TRIVIAL PURSUIT: In the scene where Beth first stands in the Fountain of Love and surveys the coins, they are all in U.S. currency even though the fountain is supposedly in Rome.
NOTABLE DVD EXTRAS: There are a couple of music videos and a blooper reel here.
BOX OFFICE PERFORMANCE: $43M on an unreported production budget; the movie most likely underperformed or broke even.
FINAL RATING: 5/10