The Other Woman


 

The Other Woman

Lisa Kudrow teaches the art of the fake smile.

(2009) Drama (IFC) Natalie Portman, Scott Cohen, Lisa Kudrow, Charlie Tahan, Lauren Ambrose, Michael Cristofer, Debra Monk, Mona Lerche, Anthony Rapp, Kendra Kassebaum, Elizabeth Marvel, Mary Joy, Maria Dizzia, Ira Hawkins. Directed by Don Roos

 

By its nature marital infidelity is a terrible and unforgivable thing. This is true of the married party who cheats on their partner but it is also true of the one they’re cheating with, especially when they know full well that they’re having an affair with a married person.

Emilia Greenleaf (Portman) is a Harvard grad who works in the law office of Jack (Cohen), a married partner in the firm. She knows of his marital status but she thinks he’s cute and attractive and that attraction only grows the longer she works there. One thing leads to another and soon the two are carrying on an affair.

When Emilia gets pregnant, Jack decides that he would rather be with her than with Carolyn (Kudrow), the driven but successful obstetrician. The two divorce with Jack unaccountably given custody of William (Tahan), their young son.

The baby is delivered and it’s a girl. A few days after coming home, tragically, the baby dies of Sudden Infant Death Syndrome (SIDS) leaving her parents disconsolate. Emilia particularly has a hard time dealing with the baby’s death, growing more distant and irritable. Her relationship with William has become a war, each side practicing little cruelties upon the other (she encourages the lactose-intolerant William to eat an ice cream sundae; he proposes she sell all the infant furniture and clothes on eBay). Carolyn in the meantime has instituted proceedings to take back custody of William. She has become shrewish and confrontational. Emilia’s parents (Cristofer and Monk), long-divorced after her father cheated on her mother as a result of a sex addiction, are trying to patch things up although Emilia has been unable to forgive him for abandoning her.

Emilia’s life is falling apart and so is she. Everything she touches seems to turn to ash; her close friend Mindy (Ambrose) and Simon (Rapp) are slowly being alienated and her marriage is close to over. Could this be karma finally catching up with the other woman?

Portman is showcased here in this film by veteran indie director Roos (The Opposite of Sex), based on the book Love and Other Impossible Pursuits by Ayelet Waldman. This is a bit different than we’re used to from Roos who specializes in clever and light relationship comedies. The cinematography is strong here which makes for beautiful pictures telling a bleak story. That story is told mostly in flashback which requires a deft hand. It’s not a new method of storytelling but it is often botched, leaving the viewers confused and frustrated. That doesn’t happen here.

Portman is a gifted actress and she makes good use of her talents here. Emilia is far from being a saint – after all, she did initiate a relationship with a man that was already taken. She also shows a streak of arrogance and insensitivity, as well as a bit of temperamental cruelty that particularly surfaces after the baby’s death. This isn’t a character that invites audience identification and yet we wind up doing just that; Emilia’s deeds aren’t likable but Portman makes Emilia herself so.

Kudrow, who has appeared in several of Roos’ films, is usually a bit of a charming ditz in most of her roles but here she’s capable, a little cold and VERY pissed off. She’s justifiably angry too but as in the case of a fairly significant percentage of women whose husbands left them for the women they cheated with, saves her vitriol for the woman and not so much for her husband. One thinks Carolyn blames the entire affair on Emilia, even though it takes two to tango and Jack is quite the willing dance partner.

In fact, Cohen’s Jack seems a likable fellow and we don’t get any sense of why he felt compelled to cheat on his wife other than that the woman coming onto him is Natalie Portman, one of the most beautiful and desirable women in Hollywood today. The movie never really examines too closely Jack’s culpability which I suppose is fitting since the title is The Other Woman, not The Cheating Husband.

I guess in a way the subject matter is a bit of a soap opera by nature, but it certainly feels as such in execution. There are some pretty adult subjects here, given the infidelity and the baby’s death and subsequent grieving of the mother but the handling is a bit heavy-handed whereas a more sensitive touch would have been appreciated.

This can be recommended for the performances of the lead women, although Tahan also turns in a good job. His byplay with Portman feels authentic and the strain between them is palpable. Those aspects of the movie work. What doesn’t is the apparent blameless nature of the man and the daytime drama approach of the screenplay, but it’s still worth seeing thanks to Portman and Kudrow.

WHY RENT THIS: Fine performances by Kudrow and Portman.   

WHY RENT SOMETHING ELSE: Somewhat soap opera-esque. Sensitive subject matter handled with an iron fist.

FAMILY VALUES: The subject matter is fairly adult with a good deal of sexual content and a bit of bad language.

TRIVIAL PURSUIT: The movie was shelved for nearly two years during which time Portman won her Best Actress Oscar.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $452,191 on an unreported production budget. The movie might have broken even but I suspect that’s quite unlikely.

COMPARISON SHOPPING: Stepmom

FINAL RATING: 6/10

NEXT: The League of Extraordinary Gentlemen

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