Charlie Says (2018)


Charlie says “kill the rich.”

(2018) True Life Drama (IFC) Hannah Murray, Suki Waterhouse, Sosie Bacon, Marianne Rendón, Matt Smith, Grace Van Dien, Merritt Wever, Annabeth Gish, Chace Crawford, Bridger Zadina, Lindsay Farris, Kimmy Shields, Kayli Carter, India Ennenga, Matt Riedy, Tracy Perez, Sol Rodriguez, Dayle McLeod, Julia Schlaepfer, Bryan Adrian, Cameron Gellman, James Trevena-Brown, Jackie Joyner. Directed by Mary Harron

 

Perhaps one of the most notorious crimes in American history is the Tate-LaBianca murders committed by the Manson family cult in August, 1969. It was all the more horrifying because several of the perpetrators were young women who by all accounts sweet-natured, good-hearted girls before they met Manson. How they journeyed from that background to become vicious mass murderers has always been a subject of speculation.

Director Mary Harron (American Psycho) takes on the task of looking at three of the most notorious women – Leslie “Lulu” Van Houten (Murray), Patricia “Katie” Krenwinkle (Bacon) and Susan “Sadie” Atkins (Rendón) – three years after the crimes were committed and after they’d been sentenced to death, a sentence which was commuted to life imprisonment after California abolished the death penalty in 1972.

Mostly we see this through Van Houten’s eyes; how she was brought over to the cult by her friends Krenwinkle and Bobby Beausoleil (Gellman) and how she eventually fell under the spell of the charismatic wannabe rock star Charlie Manson (Smith). Charlie gave them purpose and in the era of free love, all the love they wanted. In return, he told them what to think, how to act and who to have sex with. He often exhorted them to “kill their egos,” erasing their sense of self. Under his tutelage, they became blank slates willing to love him, screw him, die for him and kill for him.

While in prison graduate student Karlene Faith (Wever) is assigned to teach the girls while they are being held separate from the rest of the general population at the California Correctional Institute for Women. Karlene is disturbed by the extent the women have been brainwashed (they still believe that Manson was an absolute God three years into their prison sentence) and hopes to bring them out of his control by using feminist theory. Of course, once that is accomplished the ladies will have to deal with the horror of what they have done.

The film doesn’t really cover any ground we haven’t been over before – anyone who saw the landmark television miniseries Helter Skelter will be more than familiar with the story. However, this is the first time we’ve seen the story through the eyes of the Manson women. Van Houten of the three makes a memorable impression but then that was the primary subject of Faith’s book on which the movie is partially based (several other sources were also used). It helps that Murray captures the innocence, longing and naivete of Van Houten; she becomes a sympathetic character, a victim of Manson before the murders even occurred.

Matt Smith, the former Doctor Who, is magnificent as Manson. In what I believe to be the best portrayal of the late cult leader since Steve Railsback in the Helter Skelter miniseries in 1971. Smith shows a man becoming more paranoid and vicious as his delusions become more pronounced. The hippie movement was meant to be one of peace and love; Manson was the dark distorted reflection of that ethic. It served to terrify middle America and cast a pall on what the young people of the time were trying to accomplish. I lived in the San Fernando Valley in 1969 not all that far from Spahn Ranch where the Manson Family was headquartered; I remember the era well.

While the murders aren’t the centerpiece of the film, they are shown in some graphic detail. This may be off-putting for those who are sensitive or squeamish. The movie is creepy from the beginning but the longer it goes, the creepier it gets. It does show how even decent, ordinary human beings can be changed into homicidal monsters. It is not comforting to know that it could happen to any one of us given the wrong circumstances.

There are some great period songs on the soundtrack and a nice recreation of Spahn Ranch (the real one burned to the ground in 1975 and is part of a state park now with nary a sign the Family was ever there). I don’t know that the world needed another movie about the Manson family – and apparently the murders play an important role in Quentin Tarantino’s forthcoming Once Upon a Time in Hollywood – but certainly it is interesting to see things from the viewpoint of the women who were in on crimes that were so mindblowingly awful that most of us couldn’t possibly conceive of them, let alone carry them out. This is truly a chilling film.

REASONS TO SEE: The longer it goes, the creepier it gets. Smith makes the best Manson since Steve Railsback. The soundtrack is terrific.
REASONS TO AVOID: Might be a little too lurid for some.
FAMILY VALUES: There is plenty of profanity, drug use, violence, sex and graphic nudity.
TRIVIAL PURSUIT: The songs performed by Smith as Charles Manson in the film were actually written by Manson himself.
CRITICAL MASS: As of 5/11/19: Rotten Tomatoes: 47% positive reviews: Metacritic: 58/100.
COMPARISON SHOPPING: Helter Skelter
FINAL RATING: 8/10
NEXT:
All is True

Advertisements

New Releases for the Week of May 10, 2019


POKEMON DETECTIVE PIKACHU

(Warner Brothers) Ryan Reynolds (voice), Justice Smith, Ken Watanabe, Kathryn Newton, Bill Nighy, Suki Waterhouse. Directed by Rob Letterman

When Detective Harry Goodman mysteriously disappears, his 21-year-old son Tim goes on the hunt to find his Dad, acquiring along the way Dad’s Pokémon partner, Pikachu. Tim turns out to be a gifted but unrealized Pokémon trainer, allowing him to communicate with Pikachu in a way nobody else has. The two of them come face to face with a monstrous conspiracy that threatens to unravel the entire Pokémon universe.

See the trailer, video featurettes, a clip and an interview here
For more on the movie this is the website
Genre: Fantasy
Now Playing: Wide Release
Rating: PG (for action/peril, some rude and suggestive humor, and thematic elements)

Her Smell

(Gunpowder and Sky) Elisabeth Moss, Cara Delevingne, Dan Stevens, Eric Stoltz. A femme punk icon from the 90s is having a tough go of it now. Relegated to smaller venues, their front woman has become a disaster of drug abuse and alcohol, Hollywood-crazy cults and lost inspiration. Having messed up a recording session and a national tour, she is forced to turn her life around or lose everything. In all honesty, I saw this at the Florida Film Festival and walked out after an hour, not being able to take the constant whining and unpleasantness of the lead character. I have friends who think this is one of the best movies of the year; I have other friends who think the film is absolute trash. I won’t try to make your mind up for you but be aware going in this is a very acquired taste.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Drama
Now Playing: Enzian Theater
Rating: R (for language throughout and some drug use)

The Hustle

(MGM) Anne Hathaway, Rebel Wilson, Tim Blake-Nelson, Alex Sharp. An elegant, sophisticated con artist takes a rough and crude Aussie under her wing as they attempt to fleece the visitors to a resort town on the French Riviera. Loosely based on the hit Dirty Rotten Scoundrels.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release
Rating: PG-13 (for crude sexual content and language)

Poms

(STX) Diane Keaton, Jacki Weaver, Pam Grier, Rhea Perlman. A woman moves into a retirement community and tired of not fulfilling the things she wants most out of life, starts a cheerleading squad. Joined by fellow seniors, they discover in their journey that it’s never too late to follow your dreams.

See the trailer and clips here
em>For more on the movie this is the website  
Genre: Dramedy
Now Playing: Wide Release
Rating: PG-13 (for some language/sexual references)

Shadow

(Well Go USA) Chao Deng, Li Sun, Ryan Zheng, Qianyuan Wang. A general, severely wounded by an opponent who has captured an important city in his kingdom, is not who he seems to be in this lush and gorgeous production by master director Yimou Zhang. It has previously played both the Miami and Florida Film Festivals prior to beginning this short run at the Enzian. A link to a review for the Miami Film Festival appears below.

See the trailer here
For more on the movie this is the website  
Genre: Martial Arts
Now Playing: Enzian Theater
Rating: NR

Student of the Year 2

(Fox STAR) Tiger Shroff, Tara Sutaria, Ananya Panday, Aditya Seal. The sequel to the 2012 Bollywood hit.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC West Oaks, Touchstar Southchase
Rating: NR

Tolkien

(Fox Searchlight) Nicholas Hoult, Lily Collins, Colm Meaney, Derek Jacobi. The story of the man who would go on to create Middle Earth and entrance billions of readers for almost 75 years with the tales of brave hobbits and noble kings.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG-13 (for some sequences of war violence)

Wild Nights with Emily

(Greenwich) Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman. We’ve always pictured Emily Dickinson as an austere, passionless spinster but recent unearthed letters have revealed that the Poet Laureate of Amherst was far from that. This film takes a revisionist look at one of the greatest American poets to have ever lived.

See the trailer here
For more on the movie this is the website  
Genre: Biography
Now Playing: Regal Winter Park
Rating: PG-13 (for sexual content)

ALSO OPENING IN ORLANDO/DAYTONA:

Casi Fiel (Almost Faithful)
Charlie Says
General Magic
Mahafrshi
The Man Who Killed Don Quixote
Uyare

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Casa Fiel (Almost Faithful)
Charlie Says
Iyengar: The Man, Yoga and the Student’s Journey
Maharshi
The White Crow
Wine Country

ALSO OPENING IN TAMPA/ST. PETERSBURG:

100
Kee
Maharshi
The Professor and the Madman

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Maharshi
Uyare

SCHEDULED FOR REVIEW:

Charlie Says
The Hustle
The Man Who Killed Don Quixote
Pokémon Detective Pikachu
Shadow
Tolkien

Jonathan


You’re never alone when you’re a schizophrenic.

(2018) Science Fiction (Well Go USA) Ansel Elgort, Suki Waterhouse, Patricia Clarkson, Matt Bomer, Douglas Hodge, Souleymane Sy Savane, Shunori Ramanathan, Joe Egender, Ian Unterman, Alok Tewari, Jeff Kim, Alaska M. McFadden, Ramses Torres, Teo Rapp-Olsson, Julie Mickelson.  Directed by Bill Oliver

 

Most people have facets to their personalities. They aren’t just one thing; not just a party animal, not just a career person, not just a mama’s boy (or girl). We are most of us several different people whose varied personalities make up our one personality. What would it be like if the different personality traits turned out to be different and separate consciousnesses, battling one another for control?

That is the situation Jonathan (Elgort) is in. By day he is a ramrod-straight, obsessive draftsman for an architectural firm where he is just on the cusp of breaking into an important role. By night, he is a laid-back physical guy who drinks, hangs out with friends and is messy. Essentially, Jonathan and his other self John are twin brothers inhabiting the same body. They have been cared for nearly all their lives by the wise and maternal Dr. Mina Nariman (Clarkson) who often acts as a kind of mediator between the two brothers.

There are rules they must follow, mainly because they don’t want their secret discovered although to be honest I was never clear as to why they couldn’t let anybody know what they were going through. The boys each dictate a video diary which the other one reads when they “wake up” before recording their own diary when they go “to sleep.” That way, both brothers are prepared for the reactions neighbors and acquaintances might have for them.

The problems begin when John falls for a pretty barmaid/cocktail waitress named Elena (Waterhouse) and doesn’t tell Jonathan about it. When Jonathan finds clues that there’s something that may be going on, he hires a private investigator (Bomer) to figure out what’s going on. When he discovers the truth, he is furious and insists that John end the relationship. John refuses and so Jonathan takes it upon himself to do it for him by telling her the truth. She naturally thinks John is schizophrenic and breaks things up, which causes a rift between the brothers, a rift that only deepens when Jonathan finds himself falling in love with Elena himself.

The brothers’ 12 hour control “shifts” (John gets 7pm through 7am to be conscious, Jonathan from 7am to 7pm) is regulated by a doohickey which is where the science fiction element comes in. While this is set in a recognizable present day, the cold and sterile environs of the office Jonathan works in, the apartment he lives in, and the doctor’s office he visits weekly give an almost dystopian THX-1138 feel to the movie. In fact, the visuals are so antiseptic at times the movie feels nearly colorless and emotion-free. That’s a reflection of Jonathan’s cold and calculating personality, and it is through his eyes we primarily see the events of the movie.

Elgort has mainly been cast in teen heartthrob roles although from time to time he has shown glimpses of raw talent. This is his best performance – or performances – to date. The two twins are definitely separate personalities and Elgort looks comfortable and believable in both of them. Waterhouse has to react to both halves of the Jonathan whole and she does so admirably although fairly colorlessly. She isn’t given much personality to work with and mainly exists in the film as a fulcrum to spark the dissension between the two personalities.

For the most part the script is smart, refusing to take shortcuts and in fact nicely mapping out the rules of the world Jonathan exists in. Yes, there may be a sci-fi doohickey involved but it’s more of a MacGuffin than a focal point. That keeps the tech from getting too distracting.

This is definitely aimed at those who prefer thought-provoking science fiction over space operas. Critic Warren Cantrell of The Playlist even discusses the Freudian implications of the two separate Johns (you can read his analysis here) which is a fascinating interpretation and not wrong at all. As things start to break down for Jonathan, the color palate for the film grows more diverse – more food for thought.

In short (too late), this is a well-developed well-considered movie of the type we don’t get enough of these days. It’s a solid feature debut for Oliver and while some may find the sterility of Jonathan a bit off-putting, those who like to exercise their grey matter may find this film a decent workout.

REASONS TO GO: Elgort pulls off a difficult task. The script is intelligent and well-thought out.
REASONS TO STAY: Some may find this too sterile and intellectual.
FAMILY VALUES: There is a brief picture of blisters that may be a bit disturbing for the squeamish.
TRIVIAL PURSUIT:  This is the third time Elgort and Waterhouse have appeared together – they were also both in Insurgent and Billionaire Boys Club.
BEYOND THE THEATER: Amazon, Fandango Now, Fios, Google Play, iTunes, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 11/19/18: Rotten Tomatoes: 65% positive reviews. Metacritic: 62/100.
COMPARISON SHOPPING: Daniel
FINAL RATING: 7/10
NEXT:
See Know Evil

New Releases for the Week of September 21, 2018


THE HOUSE WITH A CLOCK IN ITS WALLS

(Universal) Jack Black, Cate Blanchett, Owen Vaccaro, Kyle McLaughlin, Colleen Camp, Renée Elise Goldsberry, Sunny Suljic, Lorenza Izzo. Directed by Eli Roth

Horror auteur Roth goes the Spielberg route with this young adult book-adaption.  A young orphan goes to live with his eccentric uncle who lives in a creepy old house in a sleepy old town. When the orphan accidentally wakes the dead, he, his uncle (who turns out to be a warlock) and a kindly neighbor (who is also a witch) race to stop a clock hidden inside the house from counting down to zero which will bring about the end of everything

See the trailer and trailer commentary here
For more on the movie this is the website

Release Formats: Standard, D-Box, Dolby, IMAX, RPX, XD
Genre: Young Adult Fantasy
Now Playing: Wide Release

Rating: PG (for thematic elements including sorcery, some action, scary images, rude humor and language)

Assassination Nation

(Neon) Suki Waterhouse, Anika Noni Rose, Joel McHale, Bill Skarsgård. A quartet of high school girls and BFFs in a small town live like most girls their age do – through social media, texts, selfies and gossip. When an anonymous hacker starts posting intimate details of the lives of people in their town, things start to go more than a little crazy and soon there’s a 50-50 chance the girls will live through the night but what nobody gets is these aren’t girls you want to mess with.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for disturbing bloody violence, strong sexual material including menace, pervasive language, and for drug and alcohol abuse – all involving teens)

Bad Reputation

(Magnolia) Joan Jett, Michael J. Fox, Deborah Harry, Kenny Laguna. Ever since founding the Runaways, Joan Jett has been an inspiration for women rockers everywhere. Over the years she has managed to become a feminist icon as well. This is the story of a woman who decided to play by her own rules.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Wednesday only)

Rating: R (for language, sexual references, some drug use and brief nudity)

Fahrenheit 11/9

(Briarcliff) Michael Moore, David Hogg, Alexandria Ocasio-Cortez, Donald Trump. Gadfly and agent provocateur Moore is back and once again looking at our society and asking the tough questions. How did we elect someone who plainly is not fit for the job and how do we get out of the situation we’re in?

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Wide Release

Rating: R (for language and some disturbing material/images)

Life Itself

(Amazon) Oscar Isaac, Olivia Wilde, Annette Bening, Mandy Patinkin. When a young couple get pregnant, the reverberations sent by the happy event go through their extended family and across the country.

See the trailer, video featurettes and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language including sexual references, some violent images and brief drug use)

Lizzie

(Saban/Roadside Attractions) Chloë Sevigny, Kristen Stewart, Kim Dickens, Jamie Sheridan. This is an unusual take on the Lizzie Borden mystery which more than a century later remains unsolved.

See the trailer, clips, video featurettes and an interview here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Mystery
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village

Rating: R (for violence and grisly images, nudity, a scene of sexuality and some language)

Love, Gilda

(Magnolia) Gilda Radner, Gene Wilder, Melissa McCarthy, Chevy Chase. Radner was one of the stars of the original Saturday Night Live and her characters continue to live on in popular culture more than 40 years later. She remains a major influence on comics – especially those of the fairer sex – to this day.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Documentary
Now Playing: Enzian Theater

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

American Dresser
Batti Gul Meter Chalu
Beyond the Sky
The Cakemaker
The Children Act
Little Italy
Miss Granny
Nannu Dochukunduvate
Saamy Square

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Batti Gul Meter Chalu
Bel Canto
Bye Bye Brazil
The Children Act
I Think We’re Alone Now
Mandy
Nannu Dochukunduvate
Pick of the Litter
Saamy Square
The Song of Sway Lake

ALSO OPENING IN TAMPA/ST. PETERSBURG:

American Dresser
The Children Act
Little Italy
Nannu Dochukunduvate
The Pagan King
Saamy Square

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Custody
Miss Granny
Nannu Dochukunduvate
Saamy Square

SCHEDULED FOR REVIEW:

American Dresser
Assassination Nation
Bad Reputation
Bel Canto
The Cakemaker
Fahrenheit 11/9
The House With a Clock In Its Walls
Life Itself
Love, Gilda

New Releases for the Week of July 21, 2017


DUNKIRK

(Warner Brothers) Fionn Whitehead, Mark Rylance, Tom Hardy, Kenneth Branagh, James D’Arcy, Cillian Murphy, Harry Styles, Barry Keoghan. Directed by Christopher Nolan

The war was going badly. British forces in Europe had been driven by the Nazi war machine back to the English Channel. The Germans prepared to deal a death blow to the British military and consolidate their power in Europe. With their backs to the sea and enemy forces closing in, hundreds of thousands of British troops prayed for a miracle within sight of home in a place called Dunkirk.

See the trailer, a featurette and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: War
Now Playing: Wide Release

Rating: PG-13 (for intense war experience and some language)

The Bad Batch

(Neon) Suki Waterhouse, Jason Momoa, Keanu Reeves, Jim Carrey. A young woman is unceremoniously dumped into a Texas wasteland infested with cannibals. It won’t be a matter of good or evil – it will be a matter of survival. The latest from director Ana Lily Amirpour is very different than her breakout hit A Girl Walks Home Alone at Night.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Horror
Now Playing: Enzian Theater

Rating: R (for violence, language, some drug content and brief nudity)

Girls Trip

(Universal) Regina Hall, Queen Latifah, Jada Pinkett Smith, Tiffany Haddish. Four lifelong friends who are starting to feel their youth slipping away decide to take a girls-only road trip to New Orleans for the Essence Festival. The ladies are determined to cut loose in an epic weekend of partying, dancing, drinking, brawling and debauchery. Either they’ll find their groove or go to jail; maybe both.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude and sexual content throughout, pervasive language, brief graphic nudity,  and drug material)

Valerian and the City of a Thousand Planets

(EuropaCorp/STX) Dane DeHaan, Cara Delevingne, Clive Owen, Ethan Hawke. Visionary director Luc Besson (The Fifth Element) adapts the acclaimed French graphic novel into a live-action visual masterpiece. Valerian and Laureline are a team of agents charged with maintaining order in a sprawling Galactic federation. They are summoned to Alpha, a vast city where the various species of the universe co-exist, sharing knowledge and culture. Someone is threatening Alpha with annihilation which could plunge the Galaxy into a crippling civil war and it is up to Valerian and Laureline to save it.

See the trailer, interviews, featurettes, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sci-fi violence and action, suggestive material and brief language)

OPENING IN ORLANDO/DAYTONA:

Bloody Crayons
Fidaa
The Journey
Munna Michael

ALSO OPENING IN MIAMI:

Endless Poetry
Family Life
Fidaa
First Kill
Good Fortune: The Story of John Paul DeJoria
Letters from Baghdad
Marie Curie
Meow
The Midwife
Munna Michael

ALSO OPENING IN TAMPA:

Fidaa
The Gracefield Incident
Maudie
Ninnu Kori
Scales: Mermaids are Real

ALSO OPENING IN JACKSONVILLE:

Fidaa
Past Life

The Divergent Series: Insurgent


In the future there will be no chairs.

In the future there will be no chairs.

(2015) Science Fiction (Summit) Kate Winslet, Shailene Woodley, Theo James, Miles Teller, Ansel Elgort, Jai Courtney, Mekhi Phifer, Octavia Spencer, Ashley Judd, Tony Goldwyn, Ray Stevenson, Naomi Watts, Jonny Weston, Daniel Dae Kim, Maggie Q, Suki Waterhouse, Rosa Salazar, Zoe Kravitz, Janet McTeer, Lyndsi LaRose. Directed by Robert Schwentke

These days, dystopian futures seem to be all the rage. No longer does one need to wear shades when viewing the future; we can look forward to darkness, pain, despair and hopelessness. I suppose how we see the future tells us a lot about how we view the present.

For those who don’t remember Divergent or the book series it was based on, the world has been beset by some sort of apocalyptic event and the population has been herded into Chicago and divided into factions according to their gifts – Erudite (intelligence), Amity (peace), Candor (truth), Dauntless (military) and Abignation (service), the latter of which was essentially wiped out at the end of the last movie. There are those who display none of the five qualities; those are called Factionless and live in abject poverty on the edge of society. There are also those who contain two or more qualities – they are called Divergents. Our heroine is one of these.

Speaking of our heroine, now that Tris (Woodley) and her lover Four (James) have foiled the plans of Jeanine (Winslet), the power-mad evil leader of the Erudite faction, they have taken refuge with the pastoral Amity along with Tris’ none-too-brave brother Caleb (Elgort) and the snarky Peter (Teller) who seems to live to push buttons. As for Amity, their leader Johanna (Spencer) is providing them shelter although she’s not entirely happy about it. Jeanine wants to round up the last of the rebellious Dauntless group that has split from the main group that is now commanded by the evil Eric (Courtney) but she seems far more obsessed with a metal box found in the wreckage of the home of Tris’ parents Andrew (Goldwyn) and Natalie (Judd) who both bit the big one in the first film.

That box contains symbols for all five of the factions and seems sealed with even the technology of Erudite unable to penetrate its secrets. Jeanine believes that the box contains a message from the Founders, one which will confirm her campaign to eliminate the Divergents although, ironically enough, it seems that only a Divergent can open the box by passing the simulations of all five of the factions. Naturally Four and Tris are pretty certain that Jeanine must not find out what’s in the box. In the meantime, Jeanine is having Eric and his Dauntless minions shoot nasty little tracking devices that can also allow Jeanine to control the subjects to the point of forcing them to commit suicide.

The odds against Tris and her remaining allies are formidable although she receives an unexpected ally in Factionless who are now being led by, of all people, Four’s mother Evelyn (Watts) who everyone belied was dead and had in fact faked her own death for reasons that are unbelievably flimsy. However, in order to save the Divergents who are being hunted down and forced to undergo the ordeal of the simulations which is killing them off in short order, Tris will have to go to the heart of the beast and face down Jeanine herself.

Somewhat ironically, Insurgent apparently diverges from Victoria Roth’s source novel fairly radically. Being as I’m not familiar with the books, I can’t say whether that’s necessarily a bad thing or not but I can say that the illogical world of the Divergent book series is so full of lapses and plot holes that it’s hard to believe that anyone buys any of this. Any rudimentary student of human nature knows that we are not just one thing; we are many, and to think that keeping all people with a common trait in a society is not a sure way to eliminate conflict. If anything, people with like ways of thinking tend to get in a lot more conflict

The action sequences are pretty good and the special effects are even better, particularly in the sim sequences. There’s definitely plenty of eye candy, particularly for young pre-teen and teen girls who will find young hunks James, Elgort, Teller, Courtney and Phifer making their hearts beat faster than the adrenaline-fueled action scenes.

Unfortunately, one of the movie’s main drawbacks is Woodley. She’s a fine actress as she’s shown in The Descendents but here…I don’t know. She’s supposed to be a strong female role model but she’s stubborn, makes really illogical and foolish choices that put those she’s close to in danger, she wallows in self-pity and she is known to panic occasionally. There are some that will defend her character as being admirable for overcoming her own human frailties and I have to acknowledge that as a salient point, but even so I never really admire Tris so much as feel dismayed by her. Woodley isn’t responsible for the way the character is written but she comes off as shrill here, which is not how Jennifer Lawrence comes off as Katness Everdeen, a female role model who is beset by self-doubt and fear just as much as Tris.

While some of the supporting characters have some depth to them – particularly Spencer and Kim as the leaders of their respective factions Amity and Candor, and Courtney as the deliciously evil Eric – the acting here tends to the scene chewing sort. I can live with that though ahead of the movie’s two most egregious sins; first, that in order for audiences to make sense of this movie you need to either be familiar with the first film or the book series. Those who aren’t are going to have a very hard time following this, so it doesn’t stand on its own very well. Secondly and perhaps more damning is that the movie follows the young adult franchise formula to the “T” – a plucky heroine of strong will is reluctantly put into a heroic role while deeply in love with hunky hero who steps aside to be second banana to his girlfriend who saves the day with her self-sacrifice and love for her man, not to mention wicked fighting skills.

Yeah, you’ve seen it all before and done better than this. This is definitely a step backwards from the more entertaining first film. I really can’t recommend it other than to those who really liked the first movie and are eager to see the franchise played out to its conclusion which, true to recent young adult book series form, will see the final book in the trilogy split into two movies. After this debacle, I’m not sure I want to see either of them.

REASONS TO GO: Some very intense action sequences. Some decent supporting performances by Courtney, Spencer and Kim.
REASONS TO STAY: A lot of over-acting. Requires that you either are familiar with the books or saw the first movie. Too much like other young adult franchises.
FAMILY VALUES: Plenty of action violence, some foul language and thematic elements and brief sensuality.
TRIVIAL PURSUIT: While the first movie was filmed mostly in Chicago (where the action is set), the sequel was mostly filmed in Atlanta.
CRITICAL MASS: As of 3/30/15: Rotten Tomatoes: 31% positive reviews. Metacritic: 42/100.
COMPARISON SHOPPING: The Host (2013)
FINAL RATING: 5/10
NEXT: People Like Us

New Releases for the Week of February 6, 2015


Jupiter AscendingJUPITER ASCENDING

(Warner Brothers) Mila Kunis, Channing Tatum, Sean Bean, Eddie Redmayne, James D’Arcy, Tuppence Middleton, Doona Bae, Tim Piggott-Smith. Directed by Andy and Lana Wachowski

A pretty young housecleaner who has grand dreams but has been hit with a series of tough breaks wonders where life is going to take her. As it turns out, it’s the cosmos – her genetic make-up marks her as royalty which puts her smack into a cosmic game the steaks of which are unfathomably high for the human race.

See the trailer, clips, interviews, a promo and a featurette here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D (opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for some violence, sequences of sci-fi action, some suggestive content and partial nudity)

Love, Rosie

(The Film Arcade) Lily Collins, Sam Claflin, Tamsin Egerton, Suki Waterhouse. Having been best friends since the age of 5, Rosie and Alex can’t imagine not having the other in their lives. However, as far as love is concerned, there might be something there – but it always seems to appear at inconvenient times. Are they really the best friends they think they are, or is there something more deep down?

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Loew’s Universal Cineplex
Rating: R (for language and for some sexual content)

Old Fashioned

(Freestyle) Rik Schwartzwelder, Elizabeth Ann Roberts, LeJon Woods, Tyler Hollinger. An antique store owner with a checkered past and somewhat lofty and overblown theories of love and romance finds his life and his philosophy on l’amour thrown into a tizzy when a free-spirited young woman moves into the apartment above his shop.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall
Rating: PG-13 (for some thematic material)

Seventh Son

(Universal/Legendary) Jeff Bridges, Ben Barnes, Julianne Moore, Olivia Williams. When an evil witch holds a medieval kingdom in thrall, the last knight of a mystical order goes in search of the last Seventh Son of a Seventh Son, who prophecy claims has enormous potential to battle evil. Finding his would-be hero on a farm, the knight must train him quickly in order to survive the coming battle.

See the trailer, interviews, a clip, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX (opens Thursday)
Genre: Fantasy
Now Playing: Wide Release
Rating: PG-13 (for intense fantasy violence and action throughout, frightening images and brief strong language)

Shamitabh

(Eros International) Amitabh Bachchan, Dhanush, Akshara, Rekha. Two men with dreams of becoming Bollywood superstars – one a deaf-mute with matinee idol looks, the other an aging alcoholic with an amazing voice – join forces to create one complete personality. However, the two have a very hard time getting along.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Bollywood
Now Playing: AMC West Oaks
Rating: NR

The Spongebob Movie: A Sponge Out of Water

(Paramount/Nickelodeon) Antonio Banderas, Tom Kenny (voice), Clancy Brown (voice), Slash. When the super-secret, double hidden, cross your heart and hope to die, promise not to tell recipe for Crabby Patties is stolen, Spongebob and his band of merry misfits must come to our world and get it back. Who lives in a pineapple under the sea? Paramount is hoping a ton of cash.

See the trailer, interviews, clips, premiere footage and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Family (Live Action/CGI)
Now Playing: Wide Release
Rating: PG (for mild action and rude humor)

Still Alice

(Sony Classics) Julianne Moore, Alec Baldwin, Kristen Stewart, Kate Bosworth. A brilliant linguist who is at the top of her profession begins to display a worrying habit of forgetting words and having difficulty remembering things. When she is diagnosed with Early Onset Alzheimer’s Disease, she and her family find that the binds that connect them come under a great deal of pressure. As she struggles to remain connected to who she is – which is rapidly becoming who she used to be – she begins to learn what is really important and what is worth fighting for.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for mature thematic material, and brief language including a sexual reference)