Griff the Invisible


Even a superhero needs an occasional break.

Even a superhero needs an occasional break.

(2010) Comedy (Indomina) Ryan Kwanten, Maeve Darmody, Patrick Brammall, Toby Schmitz, Marshall Napier, Heather Mitchell, David Webb, Anthony Phelan, Kelly Paterniti, Kate Mulvany, Angela Bauer, Patricia Rogan, Leon Dobrinski, Joe June, Paul Mawhinney, Kyle Beattie, Ben Borgia, Luke Hobbins, May Lloyd, Ray Carter, Sarah Becker. Directed by Leon Ford

What is real and what is in our imagination is simply a matter of our own personal perceptions. For some of us, the line between the two is thinner than others; that fine line and the ability to recognize where it is can be the difference between genius and madness.

Griff (Kwanten) is a cubicle cowboy in Australia; a sad sack nobody who is constantly bullied by Tony (Schmitz). Griff longs to be a caped crusader, a crime fighting superhero who dispenses justice along with an occasional bon mot. His brother Tim (Brammall) is very worried about Griff who seems to be losing his grip on reality. Tim’s girlfriend Melody (Darmody) on the other hand thinks Griff is more than all right; in fact, she thinks she has the potential ability to walk through walls. When Tim receives a super suit in a mysterious package that allows him to turn invisible, the evildoers of Sydney need to be on their toes!

With a zealous policeman (Phelan) on his tail, Griff seems to be drifting further and further away from reality. He is caught on surveillance video sneaking around his office in his supposedly invisible super suit and as a result loses his job. This turns into a wake-up call for Griff who at last seems to be finally turning his back on his delusions and getting back in touch with reality, but this might cost him his relationship with Melody whom Griff has fallen in love with and whose affections are definitely returned. Is the new, more responsible Griff the same person she fell in love with? Or is that just an illusion as well?

There has been a rash of “ordinary superhero” movies perhaps inspired partially by the success of the Batman movies but certainly by such movies as Kick-Ass and Defendor as well. It examines our own needs to be important, respected and in control but also our fascination with superheroes and what they represent in our society.

Kwanten, best known for his work in the HBO hit series True Blood shows promise that he could go the next step into cinematic leading man territory. He is appealing in both his sad sack Griff persona as well as his heroic crime fighter role as well. With the success of DC and Marvel Comics, it stands to reason that more and newer superhero roles are coming down the pike and it wouldn’t surprise me if Kwanten doesn’t get at least considered for some of them.

His chemistry with Darmody is also strong. She’s less known here in the States having made more of an impression on Aussie TV roles but she definitely has some appeal and could very well one day get the kind of success as her fellow Aussies Nicole Kidman and Naomi Watts currently enjoy.

The problem is that Griff and Melody are both a little bit too out to left field. I kind of get the director’s stance that when we lose our imagination we lose something of our soul, but the way that Griff and Melody both behave I can’t see them surviving in the real world without someone having them both committed to a care facility for their own protection. Certainly the actions they take in the movie put them both in mortal danger which of course works in the movies but I couldn’t help but wonder “Isn’t there someone keeping an eye on these two people?” You still end up liking them but you fear for not only their sanity but for their well-being as well.

WHY RENT THIS: Charming. Kwanten and Darmody are both appealing leads.

WHY RENT SOMETHING ELSE: Griff and Melody are maybe too out there to be believable. Doesn’t hold up well with other movies with a similar theme.

FAMILY VALUES: There’s a little bit of bad language and a little bit of violence.

TRIVIAL PURSUIT: The movie was inspired by writer/director Ford observing a small child playing while sitting in a cafe one day.

NOTABLE HOME VIDEO EXTRAS: There is a director’s video log in which first-time director Ford talks about some of the pitfalls of being a rookie.

BOX OFFICE PERFORMANCE: Not available.

COMPARISON SHOPPING: Super

FINAL RATING: 5.5/10

NEXT: Change of Plans

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Super


Super

Rainn Wilson is getting tired of all the Dwight Schrute cracks.

(2010) Comedy (IFC) Rainn Wilson, Ellen Page, Kevin Bacon, Liv Tyler, Michael Rooker, Andre Royo, Sean Gunn, Stephan Blackehart, Don Mac, Linda Cardellini, Nathan Fillion, Gregg Henry, Rob Zombie (voice), Zach Gilford, Mikaela Hoover. Directed by James Gunn

Sometimes we all feel powerless against the forces conspiring to make our lives miserable. All of us wish at one time or another, for the power to right wrongs, to punish the wicked and maybe even protect the weak. It is what inspires comic books and daydreams.

Frank D’Arbo (Wilson) has more reason than most to feel downtrodden. The product of a strict (some would say abusive) religious upbringing, he works as a line cook in a big metropolitan area. His sad sack looks and somewhat dorky demeanor have made him the target for ridicule.

He does have a wife, Sarah (Tyler) that he damn near worships. She’s a recovering drug addict and his marriage to her is one of the two happiest moments of his life (the other is the day he pointed a cop in the direction a purse snatcher ran).

However there is rain on his horizon. His wife has fallen off the wagon and is on heroin, thanks to the drug dealer Jacques (Bacon) that she is now living with. Frank is disconsolate. He can’t sleep, he is moody and irritable and when he discovers what Jacques is he gets beaten up for his troubles.

Apparently Frank has had visions all his life and he has one now; one in which his skull is peeled off and his brain is touched by the finger of God (voiced by Rob Zombie – perhaps the coolest thing in the movie you don’t know you’re experiencing). In that vision, a cable access low-rate Christian superhero named the Holy Avenger (Fillion) tells Frank he has a destiny. Frank believes that destiny is to be a superhero.

Of course, it’s tough to be a superhero without a power but that never stopped Batman or the Green Arrow, so Frank settles on a pipe wrench. He pieces together a costume for himself and voila the Crimson Bolt is born. He hangs out in alleys, waiting for crime to happen (which apparently is a long wait), but when crime happens, he swings into action with his wrench. At first, he goes after obvious criminals but soon his image of absolute justice begins to blur a bit as he attacks line jumpers and car keyers.

He also reluctantly takes on a sidekick – the nerdy geeky clerk at a comic book store, Libby (Page). She’s enthusiastic and a little socially awkward but she quickly figures out what’s going on, especially after Frank gets shot after an abortive attempt on rescuing Sarah. Libby takes on the guise of Boltie and it becomes real evident real fast that she’s very attracted to Frank, particularly in his Crimson Bolt persona – but he still believes he’s very married, although Libby is far too horny to pay attention to such niceties.

Deciding to arm themselves better, Frank gets another vision that brings him to believe that ready or not, they must rescue Sarah now, which turns out to be true since Jacques’ deal with Mr. Range (Mac) apparently includes the sexual favors of the drugged Sarah. Storming the fortress-like ranch of Jacques with well-armed and trained thugs, can the Crimson Bolt and Boltie hope to prevail?

This looks like a superhero spoof on the surface, but it’s far darker than the average spoof. Gunn has created a very realistic look at what superheroes would look like in the real world; there is plenty of blood and viscera here. That might put off the squeamish or the easily offended.

There is something here to offend everybody in that sense, whether it’s the excessive and realistic-looking gore of the wrench assaults, to the somewhat squishy rape of Frank to a vision in vomit. The movie is unrated and probably would have gotten an NC-17 had it been submitted for one although I might have given it an R myself.

Frank is a character not unlike the one Wilson plays on “The Office.” Like Dwight Schrute, Frank isn’t the brightest bulb in the chandelier, and he doesn’t quite get that he is the joke. He’s uptight and a little bit on the humorless side, but Frank is a little nicer than Dwight deep down I think.

Page is awesome as the ADHD Libby who turns out to be even more psychotic than Frank. She looks awfully good in her Boltie duds, and she captures the character’s frenetic energy and also her deep-seated need to be somebody, squealing “I always knew I’d be on television” when a police sketch of her and Frank appear on the local news. She can laugh maniacally when she kills a bad guy, but she also seems to have insecurities that Frank feeds into but also bolsters her from in a weird way. It’s a far more complicated role than it looks.

Bacon is great fun as the oily but ultimately evil Jacques. He is smarmy to the point of being a used car salesman, but at the same time he takes delicious fun at testing his new product on his girlfriend. He’s in the great tradition of comic book baddies – he knows he’s bad but he just doesn’t care.

Part of the joke of the movie is that EVERYBODY in it is psychotic or neurotic to one degree or another – except for Sarah, the junkie and even she is an addict. The line between good and bad is blurred to the point that it’s extinct and if we can’t see it, how can a schlub like the Crimson Bolt even hope to figure out where it is?

The reaction I’ve seen to the movie has been polarizing. Some get the joke and laugh loudly while others are simply offended by it. I tended towards the former. Once the Crimson Bolt and Boltie go off to rescue Sarah, the movie goes completely dark and the humor which had been peppering it for most of the film takes a back seat, despite the homage to the comic books a la the old “Batman” TV show with cartoonish BAMs and POWs accenting the violence.

There are religious overtones that some may find offensive, there are fight sequences that some might find offensive, there’s sex and rape that some might find offensive. Those with thick skins however might actually find this cooler than Jesus – literally, since Jesus makes a cameo sitting on a wall during one of Frank’s visions. The point is, if you approach this seriously (as many critics did), then you’re missing the point. Super may lampoon some of the baser elements of superhero conceits, but this isn’t a spoof. No, indeed like Frank himself, this is far more than what it appears to be on the surface.

REASONS TO GO: Darkly funny with lots of laugh out loud moments. Unrepentantly gross.

REASONS TO STAY: May be too ultraviolent for some. Could have used a few more laughs in the final reel.

FAMILY VALUES: Some extreme violence, lots of foul language, some fairly graphic sexuality and nudity and a goodly amount of drug use, among other things, make this so very not for the kids.

TRIVIAL PURSUIT: Gunn was formerly married to Jenna Fischer, Wilson’s co-star from “The Office” who recommended him for the role.

HOME OR THEATER: Would fit right in on an old battered television set.

FINAL RATING: 7/10

TOMORROW: Charlotte’s Web (2006)