(2008) Fantasy (Disney) Adam Sandler, Guy Pearce, Keri Russell, Richard Griffiths, Courtney Cox, Lucy Lawless, Teresa Palmer, Russell Brand, Aisha Tyler, Jonathan Pryce, Jonathan Morgan Heit, Laura Ann Kesling, Carmen Electra, Paul Dooley, Rob Schneider. Directed by Adam Shankman
There is something comforting about a good old fashioned bedtime story. They transport us to faraway places and show us fantastic sights with strange and magical beings. This is part of the comforts of our childhood, as well as the joys of our parenthood.
Skeeter (Sandler) had a vivid imagination and loved to tell stories almost as much as he loved his dad’s (Pryce) hotel in downtown Los Angeles. Times were hard and his dad wound up having to sell the hotel to Barry Nottingham (Griffiths), owner of a chain of hotels – the understanding being that Skeeter would one day run the hotel.
Years later, Skeeter was still working at the hotel as a handyman but the days of the hotel were numbered; Nottingham had plans to build a new hotel, the flagship of his chain. Unctuous manager Kendall (Pearce) has the inside track for the position, as well as for Violet (Palmer), the tabloid bad girl who seems to always have a cloud of paparazzi following her.
Skeeter’s sister Wendy (Cox), the principal of an eco-friendly school, is having to look for new work in Phoenix when her school is abruptly closed, the land sold to a hotel magnate (you can guess who that is). She needs someone to watch her kids, daughter Bobbi (Kesling) and son Patrick (Heit) and Skeeter is essentially her only resort since her best friend Jill (Russell) must work. She doesn’t trust Skeeter – in fact, she hasn’t spoken to him in four years and he can barely remember the names of her children. Family is family though, so he does the best he can.
Turns out they can’t fall asleep without a bedtime story. He has them suggest one to him and he tells it to them, incorporating elements of his own life into the story. When the kids change the ending to include a rainstorm of gumballs, he doesn’t think much of it…until the sky opens up the next day and gumballs rain down.
Skeeter realizes that the kids have the ability to make their bedtime stories come true and he tries to manipulate their stories so that he gets what he wants in life. However, try controlling a couple of kids with vivid imaginations and as this is a Disney movie, you can bet that things are gonna get complicated.
Sandler can be an engaging and charming guy and there’s no doubt that he can appeal to the younger set, but this is actually his first family movie and in a lot of ways it feels kind of vanilla – more so than a family film would demand ordinarily. Not that Sandler has to be blue to be successful, but he feels very toned down, scaled back and watered down. I get the feeling that was more the doing of studio execs at the Mouse House more than anything but still the effect is the same.
There are several story segments, ranging from Ancient Rome to the Old West to Outer Space and beyond. Some of them are imaginative, others less so but they mostly hold your attention at least. So too (but for all the wrong reasons) does the guinea pig with saucer-like eyes that is used as a running joke in the movie. It’s CGI and not particularly good CGI; it’s a tiresome one-joke bit that is used way too often.
The cast is pretty impressive and for the most part, the acting is solid enough but again, nothing really stands up and makes you take notice. Russell is one of my favorite actresses and she lights up the screen when she’s on, but never really generates much chemistry with Sandler. Pearce, in a moustache-twirling villain role, seems a bit out of his element.
There really doesn’t seem to be much of a message here, which would be refreshing if there was something else concrete to take its place, like sly wit or humor. I felt rather indifferent after seeing this and that’s not where you want your movie to be. I would have liked there to be more edge here, but unfortunately it can be filed away with Tooth Fairy, The Pacifier and other family films of that ilk that have a bit of magic to them, but only a bit.
WHY RENT THIS: Some of the story segments are cute and imaginative. Sandler is likable in a kind of oafish way.
WHY RENT SOMETHING ELSE: Sandler goes family-friendly but it comes off a bit bland.
FAMILY VALUES: Disney knows family friendly and this is it. A few bad words and some poo-poo jokes but otherwise easily family-friendly.
TRIVIAL PURSUIT: On the driving range, one of the golf balls that goes whizzing by bears the Happy Madison logo, a reference to the production company logo.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $212.9M on an $80M production budget; the movie made money.
FINAL RATING: 4/10
TOMORROW: The Art of the Steal