New Releases for the Week of November 9, 2018


THE GRINCH

(Universal/Illumination) Starring the voices of Benedict Cumberbatch, Rashida Jones, Angela Lansbury, Kenan Thompson, Pharrell Williams. Directed by Yarrow Cheney and Scott Mosier

Based on the beloved Christmas book by Dr. Seuss, a lonely and angry creature decides to spoil life for the Whos of Whoville by stealing Christmas, their most favorite time of the year.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, RPX, XD
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for brief rude humor)

The Girl in the Spider’s Web

(Columbia) Claire Foy, Sylvia Hoeks, Lakeith Stanfield, Stephan Merchant. Once again, computer hacker and iconoclast Lisbeth Salander finds herself caught in a deadly game of government corruption, cybercriminals and betrayal

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Mystery
Now Playing: Wide Release

Rating: R (for violence, language and some sexual content/nudity)

The Last Suit

(Outsider/Strand) Miguel Angel Solá, Angela Molina, Martin Piroyanski, Natalia Verbeke. An aging Jewish tailor from Buenos Aires whose children want to put him in a nursing home decides to run away instead to Poland and find the man who saved his life from the Nazis. This is being screened as the closing film in the Central Florida Jewish Film Festival.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater (Monday only)

Rating: NR

Overlord

(Paramount) Jovan Adepo, Bokeem Woodbine, Iain De Caestecker, Wyatt Russell. A pair of American soldiers find themselves way behind enemy lines on D-Day and discover a terrifying Nazi secret.

See the trailer, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, IMAX
Genre: Horror
Now Playing: Wide Release

Rating: R (for strong bloody violence, disturbing images, language, and brief sexual content)

Prospect

(Gunpowder and Sky) Sophie Thatcher, Pedro Pascal, Jay Duplass, Sheila Vand. In the future, a prospector and his young daughter discover a fortune in gems underneath the ground of a toxic forest. However, they aren’t the only ones interested in the find.

See the trailer and interviews here
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some violence/bloody images)

Thugs of Hindostan

(Yash Raj) Amitabh Bachchan, Aamir Khan, Katrina Kaif, Fatima Sana Shaikh. The story of Ameer Ali, a thug whose gang caused the British Empire fits between 1790 and 1805.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Faberge: A Life of Its Own
Here and Now
River Runs Red
Sarkar
To Love Some Buddy
Trew Calling
Welcome to Mercy
Wildlife

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Private War
The Breadwinner
Lez Bomb
Outlaw King
Sarkar
Wildlife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

In a Relationship
River Runs Red

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Sarkar
Thunder Road

SCHEDULED FOR REVIEW:

The Girl in the Spider’s Web
Overlord

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Central Florida Jewish Film Festival, Maitland/Orlando
Miami Shorts Film Festival, Miami
Fort Lauderdale International Film Festival, Fort Lauderdale

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Blade Runner 2049


Welcome to your future – breathing is optional.

(2017) Science Fiction (Warner Brothers) Ryan Gosling, Harrison Ford, Jared Leto, Ana de Armas, Edward James Olmos, Sean Young, Dave Bautista, Robin Wright, Wood Harris, Sylvia Hoeks, Hiam Abbass, David Dastmalchian, Mark Arnold, Lennie James, Mackenzie Davis, Carla Juri, Barkhad Abdi, Ben Thompson, Suzie Kennedy, David Benson, Stephen Triffitt, Elarica Johnson. Directed by Denis Villeneuve

 

Some classic films are so perfect, so self-contained that even the idea of a sequel is ridiculous. Why mess with perfection, after all? However, sometimes even beloved classics can have sequels that are as good and maybe some might say even better than the original. It doesn’t happen very often though.

It happened here with this sequel to Ridley Scott’s dystopian sci-fi classic Blade Runner (1982). You’ll recall that the movie was concerned with Rick Deckard (Ford), a Los Angeles cop tasked with hunting down androids – called “replicants” – and killing them – called “retiring.” These sorts of cops are called blade runners for reasons never fully explained. The movie has a wonderful noir edge, terrific performances by Rutger Hauer, Darryl Hannah, Sean Young and Ford, as well as being one of those rare sci-fi films that is entertaining and thought-provoking.

The sequel is set 30 years later and the dystopian rain-soaked future has dried out and become even grimmer which 1982 audiences wouldn’t have thought possible. There are still replicants and blade runners but replicants are no longer used as slave labor since most of the tasks they performed have been fully automated. K (Gosling) is a blade runner who stumbles onto a secret that might change everything – there’s evidence that a replicant father and a human mother conceived a child. This was thought to be impossible but K has to follow the lead, find the child and kill it before its very existence throws civilization into further chaos. Yes, things can always get worse.

The chase leads K to find Deckard who disappeared decades ago. The ex-cop has been hiding out in a decrepit Las Vegas casino, abandoned to the desert sands and nostalgic memories of a bygone age that properly never really existed; however there are forces hard on K’s trail – some looking for their own answers, others looking to make sure that K never completes his mission. And K himself is beginning to have real doubts about the reality of what he’s doing.

Villeneuve who helmed last year’s brilliant and smart alien encounter film Arrival is proving himself to be one of the most truly visionary directors working today. He has delivered another brilliant and smart science fiction film, one loaded with thought-provoking subjects that have to do not only with what it means to be human – a theme thoroughly explored in the first film – but whether it is even preferable being human. There are plenty of topics the film brings up that fans and intellectuals will be arguing about for years to come.

The performances here are strong. Gosling could well get an Oscar nomination again for his performance as the haunted hunter K. He is supported by another outstanding job by Ford resurrecting a classic character he created, as well as Wright as K’s badass boss, Leto as the creepy industrialist who is the main antagonist, de Armas as K’s assistant who is just a little bit different and Hoeks as the malevolent flunky who is out to stop K by any means necessary.

What may impress you most about Blade Runner 2049 are the visuals. I can’t think of a single movie released this year that has created an environment that is so fantastic and yet seems so real and lived in. From the first frame to the last, everything you see onscreen is dazzling. This may well be a slam dunk for an effects Oscar. The only drawback to the film is that it is way too long and could have used a bit more editing.

This is likely to end up on a lot of year end top ten lists and has an outside chance at a Best Picture nomination. The fact that it came out between the summer blockbuster season and the fall and holiday Oscar season may end up hurting it on Academy nomination ballots but as it is close to being released on Streaming and DVD/Blu-Ray (January 16), those who missed it on the big screen (and shame on you – this deserves to be seen that way) have an opportunity to appreciate one of the very best movies of 2017 in their own homes. And for those who already saw it, it will mean a chance to revisit and find new wonders to talk about with movie buff friends.

REASONS TO GO: The story is intelligent and sophisticated. The visuals are absolutely amazing. This is the rare case of a sequel nearly outdoing the classic original.
REASONS TO STAY: The movie is way too long.
FAMILY VALUES: There is violence, some sexuality, brief nudity and profanity throughout.
TRIVIAL PURSUIT: The role of K was written with Gosling in mind; no other actor was considered for the part.
BEYOND THE THEATERS: Amazon, Fandango Now, Frontier, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/3/18: Rotten Tomatoes: 87% Positive Reviews. Metacritic: 81/100.
COMPARISON SHOPPING: A Dog and His Boy
FINAL RATING: 8.5/10
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American Made