Taken 3


Liam Neeson manages to keep a straight face while reassuring Forest Whitaker his beard looks okay.

Liam Neeson manages to keep a straight face while reassuring Forest Whitaker his beard looks okay.

(2015) Action (20th Century Fox) Liam Neeson, Forest Whitaker, Famke Janssen, Maggie Grace, Dougray Scott, Sam Spruell, Don Harvey, Dylan Bruno, Leland Orser, David Warshofsky, Jon Gries, Jonny Weston, Andrew Borba, Judi Beecher, Andrew Howard, Cedric Cirotteau, Catherine Dyer, Jimmy Palumbo, Nazareth Dairian, Stefanie Kleine. Directed by Olivier Megaton

Sequels essentially come in two varieties; cash grabs made to capitalize on the popularity of the original film, or story extensions which continue the story from the first. Often the second kind can be an effective money maker for the studios, while the first kind can occasionally be surprisingly resonant with audiences. Generally speaking, however, all sequels are made – without exception – because the studios or the producers believe that there is a market demand for them.

The first two Taken films were very successful. In them Bryan Mills (Neeson), a former special ops military sort, sees his daughter Kim (Grace) kidnapped in the first film by sex traffickers and goes to Paris to kill everyone who looks at him cross-eyed and rescue his daughter; the second film has the ex-wife (Janssen) kidnapped in a revenge scenario by the dad of the kidnappers in the first film which leads to much of Istanbul being depopulated.

In this one nobody gets kidnapped. Ex-wifey is murdered and Bryan framed for it. No exotic locations, no family vacations, just Bryan tearing through Los Angeles looking to find out who done it and who is going to get his ass kicked all over Southern California. With a persistent detective (Whitaker) chasing him, ex-wifey’s husband (Scott, taking over for Xander Berkeley) trying to assist him, Russian mobsters led by the sadistic Oleg Malenkov (Spruill) slithering about, his buddies Garcia (Harvey), Smith (Bruno) and Sam (Orser) lending their own particular sets of skills when needed and Kim generally getting in the way, it’s going to be a very bad day in SoCal until Bryan gets to the person responsible for all his woes.

Now, before you wonder about the size of the rating I gave this, keep in mind that you don’t go and see an action movie for deep personal insights, innovative storytelling techniques or snappy dialogue; while sometimes any or all of those occur in an action film, it’s icing on the cake when they do. Mainly what we go to see action films for is to turn off our brains, sit back with our ice cold soda and buttered popcorn and bliss out to car crashes, flying bullets and villainous asses being properly kicked. We want to cheer for the hero, boo the villain and leave the theater feeling that all is right with the world.

It’s a fairly low bar to set from a certain perspective but there is absolutely nothing wrong with forgetting your troubles for a couple of hours in the multiplex and this is the kind of tonic you’re looking for if that’s what you’re after. Neeson is the most personable action star working at the moment with perhaps the sole exception of Dwayne Johnson and he certainly gives us everything we’re looking for in an action hero in all three of the Taken movies, this one included. Bryan is kind of a sweetheart most of the time, showing up at his college-aged daughters apartment a few days before her birthday with a gigantic teddy bear in an effort to be unpredictable. His effort fails miserably but throughout the movie he seems like a genuinely affable guy you’d want to shoot pool with.

You’d also want him at your back cracking skulls with the pool cue if necessary and while Neeson is in his 60s and moves like he’s in his 60s during a foot chase early on in the movie, he gets all the other stuff dialed in perfectly. He doesn’t have the physique of an Arnold Schwarzenegger or the fighting techniques of a Jet Li or even the hangdog smartass attitude of a Bruce Willis but he sort of fits in the mold of a nice guy with skills who has been pushed where you should never push him.

The supporting cast, for the most part, is all right. Whitaker, a fine actor in his own right, is full of idiosyncrasies and tics and business that occasionally distracts from the matters at hand but he is a very smart performer who knows that he is supposed to be the Sherlock Holmes here and Whitaker would make a crackin’ Sherlock in my opinion.

What every action film has to nail are the action sequences – the car chases, the fights, the gun battles. Even if everything else doesn’t work a movie of this genre can be redeemed by its action sequences. For the most part, the sequences here are well put together, particularly the assault on the Russian mobster’s fortress-like apartment near the end of the movie. However, it also must be said that there’s nothing in the action sequences that particularly stands out.

While I admire producer/writer Luc Besson for leaving the mold of the first two movies and going in another direction, the one he took was a path too well-traveled by Hollywood. We’ve seen the hero framed for a murder he didn’t commit and then have to battle bad guys and cops alike to clear his name how many thousands of times, and frankly this doesn’t add anything to that tired old genre. However, it doesn’t disgrace itself either.

This is the weakest of the trilogy if only by a little bit but it still has enough going for it to be worth seeing if you’re into action movies and particularly the sort that Neeson tends to do. While so many of the twists here are horribly telegraphed and if you are unable to figure out who’s behind all this you really need a year or two of remedial movie watching, it still bears a bit of attention although chances are you won’t remember much of it twenty minutes after the credits start rolling.

REASONS TO GO: Nice action sequences. Neeson is a charismatic performer.
REASONS TO STAY: Very cliche story. Neeson beginning to show his age in some of the more physical aspects of the role.
FAMILY VALUES: There’s a little bit of strong language but mostly, lots of shooting, stabbing, punching, kicking and general mayhem.
TRIVIAL PURSUIT: Although Neeson uses a number of different firearms in the movie, he is a staunch advocate for gun control in real life.
CRITICAL MASS: As of 1/27/15: Rotten Tomatoes: 10% positive reviews. Metacritic: 25/100.
COMPARISON SHOPPING: Three Days to Kill
FINAL RATING: 6/10
NEXT: Oscar Gold begins!

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Four-Warned: January 2015


Still AliceEvery month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Most of the movies will never play theatrically where you live (unless you live in either New York or Los Angeles) but many of those that won’t will be available through Video-on-Demand; check with your local cable or satellite providers to find out if any specific movie is available through that medium.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. BLACKHAT (1.3)
2. TAKEN 3 (1.4)
3. MORTDECAI (1.5)
TIE. PROJECT ALMANAC (1.5)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. STILL ALICE (1.2)
2. STILL LIFE (1.3)
3. MATCH (1.4)
TIE. BLACK SEA (1.4)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

JANUARY 2, 2015

[REC] 4: APOCALYPSE (Magnet) Genre: Horror. The survivor of an outbreak of a deadly disease that turns its victims into bloodthirsty madmen awakens in a research facility that may be more sinister than the environment she escaped from. Release Strategy: Limited. RATING: 1.8 The phenomenal Spanish horror franchise in all its gory bloody goodness.
THE SEARCH FOR GENERAL TSO (Sundance Selects) Genre: Documentary. Asks the culinary question “Who is General Tso and how did his chicken become so popular?”. Release Strategy: Limited. RATING: 2.0 It is the most popular single entree in America – and you won’t find it on any menus in China.
THE WOMAN IN BLACK 2: ANGEL OF DEATH (Relativity) Genre: Horror. During World War II, a group of orphans and their caretakers move into Eel Marsh House, not realizing it’s the same place that Arthur Kipps experienced the Woman in Black 40 years before. Release Strategy: Wide. RATING: 2.3 Doesn’t look to have the same Gothic vibe that the first film had.

JANUARY 7, 2015

PERSISTENCE OF MEMORY (AMC Independent) Genre: Biographical Drama. Young Salvador Dali is expelled from art school but meets the muse he would later marry and who would inspire his greatest works. Release Strategy: New York City/Los Angeles (expanding to Limited release January 16). RATING: 2.5 I’m a Dali fan but unfortunately couldn’t find a trailer for this one.

JANUARY 9, 2015

BELOVED SISTER (Music Box) Genre: Drama. The true story of an 18th century German poet who married one sister and maintained a romantic relationship with the other in a daring flaunting of convention that would raise eyebrows even now, 250 years later. Release Strategy: New York City/Los Angeles. RATING: 2.3 A florid period piece but German filmmakers seem to excel at this sort of thing.
BLACK NOVEMBER (eOne) Genre: Thriller. Citizens of an oil-rich Nigerian community who are tired of being systematically poisoned and having their way of life destroyed rise up and take an American oil baron hostage. Release Strategy: Limited. RATING: 2.8 While this is based on actual events, the trailer felt a little bit too in-your-face power to the people; dialing it down a bit might be more effective.
DARK SUMMER (IFC Midnight) Genre: Horror. A teen on house arrest for internet stalking a high school classmate manages to piggyback his internet signal on a neighbor’s only to discover that something sinister is stalking him. Release Strategy: Limited. RATING: 1.9 Looks like a truly nifty scarefest, a real hoot.
LET’S KILL WARD’S WIFE (Well-Go/Tribeca) Genre: Comedy. Everybody hates Ward’s wife and wants her dead, Ward most of all but when an accident makes that fantasy a reality, they must scramble to get rid of the body and still make their 3pm tee time. Release Strategy: Limited. RATING: 2.2 The blackest of black comedies.
PREDESTINATION (Stage 6) Genre: Science Fiction. A temporal agent whose job is to go back in time and prevent murders from taking place seeks a final showdown with his nemesis with thousands of lives hanging in the balance. Release Strategy: Limited. RATING: 1.5 Sounds like a cross between Minority Report and Timecop.
TAKEN 3 (20th Century Fox) Genre: Action. When his wife is brutally murdered, an extraordinary special forces veteran goes after her killers to settle their grudge once and for all. Release Strategy: Limited. RATING: 1.4 The franchise that reinvented Liam Neeson as an action hero goes full circle.
THE WORLD MADE STRAIGHT (Millennium) Genre: Thriller. A rebellious young man who is on his way to a criminal life has an opportunity to take the fork in the road and make it straight but this may be his only chance. Release Strategy: Limited. RATING: 2.1 Has a kind of Winter’s Bone vibe to it but a little more mainstream than that.

JANUARY 14, 2015

HUMAN CAPITAL (Film Movement) Genre: Drama. The fate of two different families become irrevocably entwined after a cyclist is run off the road on a cold night before Christmas Eve. Release Strategy: Limited. RATING: 1.9 A class-conscious whodunit – the very best kind.
I (Aascar) Genre: Adventure. Two people appear in a variety of guises, their lives intertwining romantically and otherwise in a series of different settings. Release Strategy: Limited. RATING: 1.6 One of the most impressive-looking trailers I’ve seen for an Indian film.
MATCH (IFC) Genre: Drama. During an interview about his life, a beloved dance instructor is forced to confront painful events from his past that have a direct bearing on his present. Release Strategy: Limited. RATING: 1.4 Could well end up being one of Patrick Stewart’s signature performances.

JANUARY 16, 2015

APPROPRIATE BEHAVIOR (Gravitas) Genre: Comedy. A young woman in Brooklyn struggles to create an identity for herself as the perfect daughter, a politically correct bisexual and an urban hipster but fails miserably at her every attempt. Release Strategy: Limited. RATING: 2.6 Looks pretty good albeit loaded with indie hipster cliches.
BLACKHAT (Universal/Legendary) Genre: Thriller. When a cybercrime ring begins to take on more and more dangerous targets, a genius hacker is released from prison to help combat the threat. Release Strategy: Wide. RATING: 1.3 I like Chris Hemsworth and this is definitely a different role for him.
ESCOBAR: PARADISE LOST (Radius) Genre: Thriller. An unsuspecting American surfer falls in love and marries a beautiful young Latin woman – who happens to be the niece of drug kingpin Pablo Escobar. Release Strategy: Limited. RATING: 2.2 A very interesting concept and a very interesting cast including Javier Bardem and Josh Hutcherson.
LITTLE ACCIDENTS (Amplify!) Genre: Drama. The disappearance of a teenage boy, a mining disaster, the loveless marriage of a mining executive, a provocative affair with the sole survivor of the disaster and a young boy with a secret set a small mining community on edge. Release Strategy: Limited. RATING: 1.6 Saw this at the Sundance Across America festival last January; read my review here.
LOITERING WITH INTENT (The Orchard) Genre: Dramedy. Heading to a bucolic country retreat to concentrate on writing the script that might save their careers, a couple of out-of-work actors get caught up in a bacchanalian romp as well as the crossfire of old family wounds. Release Strategy: Limited. RATING: 2.3 Can’t complain when your cast includes Sam Rockwell and Marisa Tomei.
PADDINGTON (Weinstein) Genre: Family. When a family adopts a talking bear they found in a railway station, hi-jinks ensue. Release Strategy: Wide. RATING: 1.7 In all honesty when I first heard about this project I was unenthused but after seeing the trailers I’m definitely intrigued.
PERSISTENCE OF MEMORY (AMC Independent) Genre: Biographical Drama. The life of young Salvador Dali from his expulsion from Art School to his 1934 New York exhibition and his meeting and courting of his wife Gala, his lifelong muse. Release Strategy: Limited. RATING: 2.5 A really interesting concept but unfortunately no trailer that I could find anywhere.
SON OF A GUN (A24) Genre: Crime Drama. Befriending a veteran thug in prison, a young inmate gets ensnared in a criminal world whose allure isn’t enough to make him realize he’s in way over his head. Release Strategy: Limited. RATING: 2.0 Looks like a reasonably well-made Aussie action thriller.
SPARE PARTS (Pantelion) Genre: True Life Drama. The true story of an underprivileged high school where four Hispanic students enter a robotics competition against schools like MIT and Cal Tech and without almost any funding and zero experience but with determination and chutzpah. Release Strategy: Limited. RATING: 1.9 Might just be the movie role George Lopez has been waiting for.
STILL ALICE (Sony Classics) Genre: Drama. At the height of a brilliant career as a linguist, a woman contracts Alzheimer’s. Release Strategy: New York City/Los Angeles. RATING: 1.2 Was originally going to be released in December for Oscar consideration; I’m mystified why they didn’t follow through with that – Julianne Moore looks amazing in the trailer.
STILL LIFE (Tribeca) Genre: Drama. Believing everybody deserves a dignified exit, a London man spends time tracking down the kin of those who died alone and arranging funerals and writing eulogies for those that wouldn’t have them but when he meets the daughter of an alcoholic who abandoned her long ago, something else is kindled inside him. Release Strategy: Limited. RATING: 1.3 Beautifully shot, it looks wonderfully moving; another one I’m looking forward to eagerly.
THREE NIGHT STAND (Freestyle) Genre: Romantic Comedy. Desperate to re-energize his marriage, a video game designer decides to take his wife to the ski lodge where he had some of his most memorable weekends with his ex-girlfriend; the strategy takes a turn for the quirky when they discover his ex-girlfriend running the lodge. Release Strategy: Limited. RATING: 3.0 Looks like a fairly cliche romantic comedy which is to say, a romantic comedy.
VICE (Lionsgate) Genre: Science Fiction. In the near future, a resort is created with human-seeming androids where the very rich can act out any fantasy they wish, no matter how illegal or immoral but when one of the robots develops self-awareness then the stakes change drastically. Release Strategy: Limited. RATING: 2.2 While there are definitely hints of Westworld, the approach here looks quite different.
THE WEDDING RINGER (Screen Gems) Genre: Comedy. A desperate groom rents a best man and groomsmen, only to discover that his new best man has become his new best friend. Release Strategy: Wide. RATING: 2.4 Kevin Hart has been ridiculously hot as of late.

JANUARY 20, 2015

VERONIKA DECIDES TO DIE (eOne) Genre: Drama. After a botched suicide attempt lands her in an asylum, Veronika discovers she only has a short time to live. Release Strategy: Limited. RATING: 2.4 Almost a Latin American-style thriller; Sarah Michelle Gellar hasn’t been doing a lot of movies lately so this is a welcome return.

JANUARY 22, 2015

WE’LL NEVER HAVE PARIS (Orion) Genre: Romantic Comedy. When Quinn terminates a long-time relationship after a beautiful young girl professes her love for him, he soon realizes he made a horrible mistake and leaves for Paris where the girl of his dreams has moved to. Release Strategy: Limited. RATING: 3.1 Do we really need another brainless romantic comedy?

JANUARY 23, 2015

AGAINST THE SUN (The American Film Company) Genre: Drama. Three crewman of a U.S. Navy torpedo bomber during World War II survive a crash landing in the South Pacific, only to face near-impossible odds of getting their tiny life raft to safety. Release Strategy: Limited. RATING: 2.4 One of those true stories that might actually make for good cinema.
AMERICONS (Archstone) Genre: Thriller. A broken-down former college football star gets one last shot at redemption during the sub-prime mortgage boom. Release Strategy: Limited. RATING: 2.7 Another film about greed subverting the American Dream, but this one doesn’t look like it has anything particularly compelling or new to say about it.
ANARCHY (Lionsgate/Grindstone) Genre: Drama. Crooked cops take on an outlaw biker gang in this modern day update of Shakespeare’s Cymbaline.. Release Strategy: Limited. RATING: 2.1 With a cast that includes Ethan Hawke, Ed Harris, Milla Jojovich and Anton Yelchin, this could be intriguing.
BLACK SEA (Focus) Genre: Adventure. On the bottom of the ocean sits a Nazi submarine loaded with gold; a disgraced submarine captain with a crew of rogues and scoundrels means to claim it. Release Strategy: Limited. RATING: 1.4 Jude Law continues to take on roles that go outside his comfort zone.
THE BOY NEXT DOOR (Universal) Genre: Thriller. With her marriage seemingly over, a school teacher becomes the object of obsession for a boy next door; when her husband attempts to reconcile, the boy’s psychotic tendencies are revealed. Release Strategy: Wide. RATING: 2.8 I’m not a big Jennifer Lopez fan and given this subject matter, I’m not really looking forward to this movie.
CAKE (Cinelou) Genre: Drama. A chronic pain sufferer who lives on pain meds and alcohol, lashing out to those closest to her, becomes attached to a family that has suffered a recent loss. Release Strategy: Limited. RATING: 1.7 An unglamorous but intense performance by Jennifer Aniston makes this one something I’m really looking forward to seeing.
DARK SUMMER (IFC Midnight) Genre: Horror. While his mom is away on business, her 17-year-old son is under house arrest, trapping him in the house with an evil entity. Release Strategy: Limited. RATING: 2.0 A spookier take on Suburbia with Peter Stormare as a cop who is less-than-sympathetic.
THE DUKE OF BURGUNDY (Sundance Selects) Genre: Erotic Drama. Two women enact a daily erotic ritual until one of them begins to yearn for a more normal relationship. Release Strategy: Limited. RATING: 2.8 Not for the 50 Shades of Gray crowd but more like the crowd that are legitimately kinky.
THE HUMBLING (Millennium) Genre: Dramedy. Retiring to a bucolic farmhouse in upstate New York, a renowned stage actor gets involved with a much younger woman – who happens to be a lesbian. Release Strategy: Limited. RATING: 2.2 Would normally steer clear of films with loglines like this but when the actor happens to be Al Pacino and the lesbian Greta Gerwig I can’t help but take a look.
MANNY (Gravitas) Genre: Documentary. Manny Pacquiao grows up from extreme poverty to one of the greatest boxers in history, becoming a national hero in his native Philippines in the process. Release Strategy: Limited. RATING: 2.0 “Why do I fight?” says the 8-time champion, “Because it’s God’s will.”
MOMMY (Roadside Attractions) Genre: Drama. Regaining custody of her 15-year-old ADHD son is just the start of a feisty single mom’s problems but the help of a neighbor might just give her a ray of hope. Release Strategy: Limited. RATING: 1.9 Xavier Dolan is one of the most compelling directors in France right now.
MORTDECAI (Film Movement) Genre: Comedy. A somewhat eccentric but brilliant art dealer takes on a job for the British government that involves Russian mobsters, international terrorists, MI-5 agents, his incredibly gorgeous wife and his taciturn but loyal bodyguard. Release Strategy: Limited. RATING: 1.5 This will either be really bad or surprisingly good; I’m betting on the former but hoping for the latter.
SONG ONE (Cinedigm/Film Arcade) Genre: Musical. When her brother falls into a coma following an accident, his estranged sister turns to his music to try and piece together how his life evolved in her absence. Release Strategy: Limited. RATING: 2.2 With Anne Hathaway in the lead, the possibilities go up for this to be good.
STRANGE MAGIC (Touchstone) Genre: Animated Feature. From the Lucas Arts Animation team comes this animated feature based on Shakespeare’s A Midsummer Night’s DreamRelease Strategy: Wide. RATING: 2.6 Looks like it might be interesting but not compelling.

JANUARY 28, 2015

TIMBUKTU (Cohen Media Group) Genre: Drama. In the Malian desert outside the city of Timbuktu, a family of cattle herders live in peace while in the city the Jihadist rulers put the people through agony until an incident brings them into the crosshairs of the fundamentalist regime. Release Strategy: New York City/Los Angeles. RATING: 1.6 Stunningly photographed although the trailer doesn’t really give you any sort of idea about the story itself.

JANUARY 30, 2015

ALIEN OUTPOST (IFC Midnight) Genre: Science Fiction. Following an alien invasion that is successfully beaten back, leaving only one last outpost on Earth, the soldiers guarding it discover a second invasion is on the way. Release Strategy: Limited. RATING: 3.1 Looks a bit like a better budgeted SyFy film.
BLACK OR WHITE (Relativity) Genre: Drama. After the death of his wife, the white grandfather of a mixed race granddaughter faces a custody battle with the African-American paternal grandmother of the girl. Release Strategy: Wide. RATING: 1.9 Kevin Costner and Octavia Spencer are two actors whose movies are always at the top of my list.
COMING HOME (Sony Classics) Genre: Romance. Follows the life of a Chinese dissident from the 1920s through the 1990s. Release Strategy: Limited. RATING: 1.7 Beautiful imagery from the great Chinese director Zhang Yimou.
THE DEVIL’S VIOLINIST (Freestyle Releasing) Genre: Biographical Drama. The biography of Nicolo Paganini whom some consider one of the greatest musicians who ever lived. Release Strategy: Limited. RATING: 2.4 Paganini can be characterized as the world’s first rock star.
HARD TO BE A GOD (Kino Lorber) Genre: Science Fiction. A Terran scientist on an Earth-like planet studies the inhabitants going through their feudal stage. Release Strategy: New York City only. RATING: 2.7 Filmed in black and white, looks a little on the pretentious side.
THE LOFT (Open Road) Genre: Thriller. Five guys share a secret loft in the city where they indulge their sexual fantasies but when the body of a woman is discovered in the loft, they realize one of them must be involved in her murder. Release Strategy: Limited. RATING: 2.4 Looks like a stylish thriller with Karl Urban and James Marsden leading the way.
PROJECT ALMANAC (Paramount) Genre: Science Fiction. A brilliant high school student discovers his dad had left an unfinished time machine in the basement and goes about finishing it which leads to incredibly dangerous consequences. Release Strategy: Wide. RATING: 1.5 This found footage time travel project was originally set to debut in July of last year.
SUPREMACY (Well Go USA) Genre: Drama. When a just-paroled white supremacist and his girlfriend kills a cop and takes an African-American family hostage, a number of unforeseen forces become arrayed against him. Release Strategy: Limited. RATING: 2.6 Could be a taut suspense film if they do it right.
WILD CARD (Lionsgate) Genre: Action. On the run from the mob, a Las Vegas bodyguard with a heavy gambling problem takes one last risk and it’s all or nothing. Release Strategy: Limited. RATING: 2.9 Da Queen wouldn’t ordinarily be interested in a movie like this but it’s Jason Statham in Las Vegas.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
The Woman in Black 2: Angel of Death, Taken 3, blackhat, Paddington, The Wedding Ringer, Black Sea, Mortdecai, Strange Magic, Project Almanac

New Releases for the Week of January 9, 2015


Taken 3TAKEN 3

(20th Century Fox) Liam Neeson, Forest Whitaker, Famke Janssen, Dougray Scott, Maggie Grace, Leland Orser, Jon Gries, Al Sapienza, Judi Beecher. Directed by Olivier Megaton

Bryan Miller is a man with a particular set of skills. His work with the government had essentially put his marriage into Divorce-land and left him with an estranged wife and a daughter who adored him but for whatever reason was constantly getting into trouble. Sadly, Bryan’s reconciliation with his wife is cut tragically short by an old enemy. Framed for the crime and on the run, he is determined to protect the last person he has left while avoiding the cops, the FBI, the CIA – and the killers, who mean to kill his daughter before taking him out. Bryan Miller has other ideas, most of them involving killing them first.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Action
Now Playing: Wide Release
Rating: PG-13 (for intense sequences of violence and action, and for brief strong language)

Inherent Vice

(Warner Brothers) Joaquin Phoenix, Reese Witherspoon, Josh Brolin, Benicio del Toro. In L.A. at the tail end of the psychedelic era, a rumpled private investigator is visited by an ex-girlfriend who explained that her current beau, a billionaire, is being kidnapped and held in a loony bin by his wife and her boyfriend. It’s all a bit confusing but the private eye consents to take the case, and with a boatload of characters that could have only come from the mind of Thomas Pynchon, the game is afoot. Or a leg.

See the trailer, clips and interviews here.
For more on the movie this is the website.
Release formats: Standard
Genre: Crime
Now Playing: Wide Release
Rating: R (for drug use throughout, sexual content, graphic nudity, language and some violence)

Selma

(Paramount) David Oyelowo, Cuba Gooding Jr., Tim Roth, Tom Wilkinson. In 1965, voting rights in the South were essentially limited to whites and African-Americans were often violently discouraged from demanding the right to vote. Into this came Rev. Martin Luther King and his decision to stage a high profile march from Selma, Alabama to Montgomery, a march that would be met with violence that would shock a nation and lead to President Lyndon Johnson signing into law the Voting Rights Act which until the Supreme Court recently dismantled it, protected the rights of all voters to go to the polls.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: True Life Drama
Now Playing: Wide Release
Rating: PG-13 (for disturbing thematic material including violence, a suggestive moment and brief strong language)