Robin Hood (2018)


(2018) Adventure (SummitTaron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Jamie Dornan, Tim Minchin, Paul Anderson, F. Murray Abraham, Ian Peck, Cornelius Booth, Kane Headley-Cummings, Scott Greenan, Lara Rossi, Kevin Griffiths, Catriona Temple, Bjorn Bengtsson, Nicholas Whitman, Nick Wittman, Yasen Atour, Josh Herdman, Amélina Limousin. Directed by Otto Bathurst

 

One of the things that I absolutely hate in a movie are anachronisms; you know, like having cheering throngs of medieval peasants singing Queen’s “We Will Rock You” at a joust, or a Victorian character shrugging “It is what it is” when painfully it certainly isn’t. So along comes this monstrosity and you know that I’m going to give it a wide berth, which is why it isn’t getting reviewed until two years after the fact.

Robin of Loxley (Egerton) is sent home from the Crusades in disgrace after refusing to murder a young Moorish boy in cold blood. The boy is executed anyway and his father Yahya (Foxx) stows away on the boat in gratitude, meaning to protect Robin who tried to protect his son. Robin finds the England he comes home not the same one he left. For one thing, the dastardly Sheriff of Nottingham (Mendelsohn) has seized his home, explaining to his long-time girlfriend Marian (Hewson) that Robin had been killed in action two years prior. Now she has taken up with Will (Dornan), an Irish labor leader.

It becomes clear that the Sheriff is in bed with the greedy and rapacious Cardinal (Abraham) who conspires with the Sheriff to keep the peasants down and taxed into starvation. Robin, seeing the injustice in this, is determined to liberate the downtrodden by a little redistribution of wealth. No doubt the Republican party thinks him an evil socialist.

The production design is fairly complex and a mish mash of styles, but I found it intriguing. Bathurst, a veteran of such streaming binge-worthy shows as Peaky Blinders and Black Mirror knows his way around an action sequence. And that, ladies and germs, is about the extent of what the movie has going for it. Oh, and Jamie Foxx has the decency to look embarrassed that an actor of his caliber is involved in this mess.

Egerton has had at best a checkered career. He does okay in the Kingsmen films but then he pulls out groaners like this one. He’s flailing around like a drowning man and to his credit he at least tries; the script does him no favors and Bathurst’s curious directorial choices sink the ship for good. This was clearly meant to be a franchise for Lionsgate/Summit, but fortunately it doesn’t appear that it’s going to happen. The critical scores here are no accident folks; this is one to avoid.

REASONS TO SEE: Nice production design.
REASONS TO AVOID: Egerton’s performance is less than scintillating. 15 yards for unnecessary anachronisms.
FAMILY VALUES: There is a fair amount of action and violence as well as some sexually suggestive situations.
TRIVIAL PURSUIT: The first film to feature the character of Robin Hood was a silent film called Robin Hood and His Merry Men filmed in 1908, 110 years before this one.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/5/20: Rotten Tomatoes: 15% positive reviews, Metacritic: 32/100
COMPARISON SHOPPING: Robin Hood, Prince of Thieves
FINAL RATING: 4/10
NEXT:
The Other Lamb

New Releases for the Week of May 31, 2019


GODZILLA: KING OF THE MONSTERS

(Warner Brothers) Vera Farmiga, Ken Watanabe, Sally Hawkins, Kyle Chandler, Millie Bobby Brown, Bradley Whitford, Ziyi Zhang, Charles Dance. Directed by Michael Dougherty

As mankind tries to figure out what to do with Godzilla, other titans begin to rise from the mists of legend and vie for world supremacy. It’s the Big G facing off against Rodan, Mothra and the nastiest of them all, King Ghidorah with the fate of humankind hanging in the balance.

See the trailer, video featurettes, a clip and an interview here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for scenes of monster action violence and destruction, and for some language)

Hail, Satan?

(Magnolia) Lucien Greaves, Jex Blackmore, Nicholas Crowe, Malcolm Jarry. This big Florida Film Festival favorite makes a limited run at the Enzian this week. It’s the story of the Satanic Temple and their quixotic efforts to keep Church and State separate and stave off the Christian right’s attempt to create a modern theocracy here in the United States.

See the trailer and a video featurette here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for graphic nudity and some violence)

Ma

(BlumHouse/Universal) Octavia Spencer, Juliette Lewis, Diana Silvers, McKaley Miller. When a new teen in town asks a woman in a small Ohio town to buy her and her friends some beer, the door is opened to an unusual friendship. At first she provides a basement where the party never stops but as the friendship becomes obsession suddenly the party may be permanently over for the teens.

See the trailer, interviews, video featurettes, clips and B-roll video here
For more on the movie this is the website  
Genre: Horror/Thriller
Now Playing: Wide Release
Rating: R (for violent disturbing material, language throughout, sexual content, and for teen drug and alcohol use)

Rocketman

(Paramount) Taron Egerton, Jamie Bell, Gemma Jones, Bryce Dallas Howard. Hitmaker Elton John, one of the most iconic names in rock and roll, has his story told in this biofilm although in true Elton John fashion there is a whole lot of fantasy and imagination in the mix.

See the trailer, interviews, clips and video featurettes here
For more on the movie this is the website  
Genre: Musical Biography
Now Playing: Wide Release
Rating: R (for language throughout, some drug use and sexual content)

ALSO OPENING IN ORLANDO/DAYTONA:

Domino
Falaknuma Das
NGK

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Always Be My Maybe
Artifishal
Diamantino
Falaknuma Das
NGK

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Falaknuma Das
NGK
Rich Boy, Rich Girl

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

NGK

SCHEDULED FOR REVIEW:

Diamantino
Godzilla: King of the Monsters
Hail, Satan?
Ma
Rocketman

New Releases for the Week of November 23, 2018


RALPH BREAKS THE INTERNET

(Disney) Starring the voices of John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson, Jack McBrayer, Jane Lynch, Alan Tudyk, Alfred Molina. Directed by Phil Johnston and Rich Moore

Ralph and his new friend Princess Vanellope discover a Wi-Fi router in the arcade which turns out to be a portal to a much larger world where, of course, they immediately get into trouble.

See the trailer, clips, promos, interviews, video featurettes, a music video and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, RPX, XD
Genre: Animated Feature
Now Playing: Wide Release (opened Wednesday)

Rating: PG (for some action and rude humor)

Bodied

(NEON) Calum Worthy, Jackie Long, Rory Uphold, Jonathan “Dumboundead” Park. A Berkeley grad student writing his thesis on the use of a certain racial slut in battle rap becomes enmeshed in that underground world. This has already been reviewed by Cinema365 and a link to that review can be found below.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: R (for strong language and sexual content throughout, some drug use and brief nudity)

Creed II

(MGM/New Line) Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad. Adonis Creed tries to balance his personal and family obligations with his preparations for the biggest fight of his career – against the son of the man who killed his father in the ring.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: Sports Drama
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for sports action violence, language and a scene of sensuality)

The Front Runner

(Columbia) Hugh Jackman, Vera Farmiga, J.K. Simmons, Molly Ephraim. Gary Hart was a Senator with a promising political career ahead of him launching his first Presidential campaign and is the odds-on favorite to grab the nomination and possibly even the presidency. His career though is derailed by a scandalous love affair.

See the trailer, clips and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for language including some sexual references)

Green Book

(DreamWorks) Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco. A working class Italian-American is hired to drive a concert pianist from New York for a concert tour in the Deep South of the 1960s. Because his passenger is an African-American, the Green Book for the Negro Motorist must be used to find places that he can go safely. The two end up forging an unlikely friendship.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for thematic content, language including racial epithets, smoking, some violence and suggestive material)

The House That Jack Built

(IFC) Matt Dillon, Bruno Ganz, Uma Thurman, Siobhan Fallon Hogan. The twelve year career of failed architect turned serial killer Jack, who looked as his murders as works of art – while a more dispassionate view turns the art into madness. This is the latest from director Lars von Trier which means you will love it or loathe it but you won’t forget it.

See the trailer, clips, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater (Wednesday 11/28 only)

Rating: R (for strong disturbing violence/sadistic behavior, grisly images, language, and nudity)

Robin Hood

(Summit) Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson. An English knight, hardened by battle, returns to England to find it in turmoil, with corrupt nobles exploiting the people in the absence of their King. Accompanied by his Moorish commander and aided by a group of rebels, he mounts a revolt against the would-be tyrants while romancing the stunning Maid Marian.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for extended sequences of violence and action, and for some suggestive references)

ALSO OPENING IN ORLANDO/DAYTONA:

Searching for Ingmar Bergman
Sinatra in Palm Springs

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Burning
Lila’s Book
Maria by Callas
Weightless

ALSO OPENING IN TAMPA/ST. PETERSBURG:

24 Kisses

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

Bodied
Creed II
The Front Runner
Green Book
Ralph Breaks the Internet
Robin Hood

Kingsman: The Golden Circle


Being a superspy can go right to your head.

(2017) Spy Action (20th Century Fox) Taron Egerton, Julianne Moore, Mark Strong, Channing Tatum, Colin Firth, Michael Gambon, Jeff Bridges, Halle Berry, Thomas Turgoose, Sophie Cookson, Elton John, Pedro Pascal, Poppy Delevingne, Bruce Greenwood, Emily Watson, Hanna Alström, Edward Holcroft, Keith Allen, Tom Benedict Knight, Samantha Coughlan. Directed by Mathew Vaughn

 

The first film in this nascent franchise, Kingsman: The Secret Service was a thinly veiled satire on spy film tropes and class warfare that included some fairly spectacular action set pieces and a notorious denouement in which a beautiful Swedish princess rewards the hero for saving her life by consenting to butt sex.

Critics of course took great umbrage to the latter and labeled it crass (which it was) and sexist (which it clearly wasn’t; women should be allowed to enjoy sex – even in the posterior – without it being some sort of political statement). There were some issues  revolving around an overabundance of gadgets and gimmicks but it was a solidly entertaining film that left the viewer anticipating a sequel.

So here it is; now that Vaughn has gone to the trouble of setting up his world of gentlemen spies, he decides to tear it all down by having the Kingsmen wiped out in the first act, leaving surviving hero Eggsy (Egerton) and gadget guru Merlin (Strong) asking the American counterpart – the Statesmen – for help (read into that what you want, politically inclined viewer). The agency works out of a Kentucky bourbon distillery and has agents with names like Whiskey (Pascal) who has a way with a whip, Champagne (Bridges) who is the agency head, and Tequila (Tatum) who has suspicions about the Brits. There’s also Merlin’s counterpart Ginger Ale (Berry) who suspects not all is morning in America.

They are up against a vicious, ruthless drug lord with a lavish jungle base. Now, you might have a vision in your head of a Latin hacienda but what Vaughn came up with is Poppy (Moore) who has a fixation on Happy Days-era America and has a bit of an inferiority complex. Lonely and bored in her jungle Main Street lair, she fills her days with vicious robotic dogs and Elton John (playing himself) whom she kidnapped to put on nightly concerts exclusively for her.

Vaughn has always excelled at action set pieces and he does so again here, but the camera work is highly kinetic and as a result many of the sequences are vertigo inducing and may work better for viewers susceptible to such things on the small screen. Still, he has no compunction about going way over the top and so he does here.

In my review of The Secret Service I maintained that the journey was out on Egerton who was lost among the gadgets a bit and here that is not so much the case. He comes off as smarmy and a bit superficial, a change from his cockney street kid turned gentleman spy in the first. It is not, I should say, a welcome change. Here Eggsy is trying to balance his relationship with the Swedish princess with his job as suave superspy. We rarely get a glimpse of his good heart that made him more palatable in the first film. This is what I would call a mistake in direction.

Moore is a talented actress but even she can’t elevate this role above the cookie cutter villain that Poppy turns out to be; all gimmick and no growl. She has her own plan for taking over the world and it’s a fairly clever one but it’s been done before both in Bond and in other imitations. While she has some fun interactions with the most venal President (Greenwood) ever, at the end of the day she lacks the spice to make her a truly interesting villain.

Most of the fun here comes from the supporting performances; Strong makes Merlin the heart of the Kingsmen and he gives the role more nuances than it probably deserves. Berry also shines as Merlin’s counterpart. I loved Elton John here as a kind of venomous caricature of himself, turning out to have some surprising ninja skills in the climactic fight. Never underestimate a gay pop star who has spent a career fighting for the lives of his fellow gay men during the AIDS crisis.

This simply isn’t as good as the first movie. While there are plans for a third film in the franchise and possibly a Statesmen spin-off film, I’m not looking forward to them as eagerly as I did this one. Once bitten twice shy when it comes to movie franchises and I suspect a lot of you out there feel the same way.

REASONS TO GO: Elton John is terrific in an extended cameo and Strong is equally so as Merlin. The fight scenes are hyperkinetic.
REASONS TO STAY: This is really not as good as the first movie. Egerton is too smarmy and Moore too generic.
FAMILY VALUES: There is a lot of violence, some drug use, a bit of sexuality and plenty of profanity.
TRIVIAL PURSUIT: There are five Oscar winners in front of the camera: Moore, Firth, Bridges, Berry and Elton John, who won for Best Song.
BEYOND THE THEATERS: Amazon, Fandango Now, Fios, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/2/18: Rotten Tomatoes: 52% positive reviews. Metacritic: 44/100.
COMPARISON SHOPPING: Austin Powers in Goldmember
FINAL RATING: 6/10
NEXT:
Blade Runner 2049

Sing


Ta-da!

Ta-da!

(2016) Animated Feature (Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, Taron Egerton, John C. Reilly, Tori Kelly, Jennifer Saunders, Jennifer Hudson, Garth Jennings, Nick Kroll, Peter Serafinowicz, Beck Bennett, Jay Pharoah, Nick Offerman, Leslie Jones, Rhea Perlman, Laraine Newman. Directed by Garth Jennings

 

It is said by some, not without justification, that this is the golden age of animation. Studios like Pixar, Ghibli and Laika consistently turn out features that enchant, illuminate, entertain and excite. They don’t dumb down their movies to basic levels because these studios have more respect for kids than that; they create stories that address things that matter, create unforgettable characters and transport us to worlds that elicit wonder.

And then there’s Illumination. The studio, which has a long term deal with Universal, hit their first pitch out of the park with Despicable Me but their output since then has left a lot to be desired. Their world building has been haphazard and their stories basic, utilizing cliché over imagination and marketing opportunities over characters. It is, in every sense of the word, corporate animation.

Sing is meant to appeal to those who find American Idol and America’s Got Talent to be supreme entertainment. It sends a message that anyone, no matter how large or small, can achieve their dreams if only…if only…well, if only someone markets a singing contest, which Buster Moon (McConaughey), a koala with a somewhat slippery moral compass, organizes in order to save his theater which is overrun by creditors and about to be seized by the bank. However, his ditzy assistant accidentally ups the amount of the prize from $1,000 to $100,000. Oops.

And so all sorts of animals inhabiting Anthropomorphic San Diego come crawling out of the woodwork to audition, including put-upon piggy mom Rosita (Witherspoon) who is in a perpetual state of exhaustion from taking care of 25 piglets and a seemingly uncaring husband (Kroll) who takes her for granted like a boss; Mike (MacFarlane), an arrogant mouse who cons his way through life and croons like one of the rat pack. Then there’s Ash (Johansson), a punk rock porcupine determined to emerge from the shadow of her boyfriend, and Meena (Kelly) an elephant with a case of stage fright as big as…an elephant. Finally there’s Johnny (Egerton – who has the best voice in the movie) who is the scion of a gorilla criminal and has the leather jacket to prove it, although just because this is a kid’s movie, Johnny has absolutely no criminal intent whatsoever. Get that kids? Crime doesn’t pay!

There are something like 85 songs (mostly snippets) that have at least some vague familiarity and are mostly from the last five years or so. In fairness, most of them are sung well or at least competently but it points out another depressing flaw in modern culture; we have become all about the singer and give absolutely no thought about the song. Apparently dreams should be about becoming stars, not becoming artists. Make money, not a lasting contribution to our culture is the message here.

Egerton is an amazing singer and McConaughey’s voice is virtually unrecognizable but it is still a fine vocal performance. To be fair the movie picks up steam in the second half and the finale is pretty nice, if predictable. While most of the animation is fairly rote it is at least entertaining to the undiscerning and some of the images are cute.

And it is this last adjective that really drives the movie; they’re not going for great, they’re going for cute. They want to see these characters on action figures, video games, fast food meals and whatever cross-promotional activity they can think up. You’ll walk out of the theater remembering none of the characters who were in it, nor will you be affected by the story in any way. What you will remember are the songs and if that’s all you’re after, that’s fine but what this amounts to is a 90 minute karaoke contest that really isn’t going to inspire repeated viewings unless you are six years old or the parent of one. Unless you have a child who absolutely insists on seeing this, there is far better movies that deserve your attention.

REASONS TO GO: Some of the animation is engaging and some of the performances are cute.
REASONS TO STAY: This is more of a marketing opportunity than a complete movie, with little thought given to characters other than how they’ll do as toys and absolutely no thought to story.
FAMILY VALUES: There is some rude humor but nothing most parents would be offended by.
TRIVIAL PURSUIT: This marks the first occasion that Illumination has released two films in the same year. It is also the longest movie to date that Illumination has produced.
CRITICAL MASS: As of 1/13/17: Rotten Tomatoes: 70% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: American Idol
FINAL RATING: 5/10
NEXT: La La Land

New Releases for the Week of December 23, 2016


SingSING

(Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton. Directed by Garth Jennings

A once-grand theater is dying and the owner, one Buster Moon, has an idea to save it; hold a massive American Idol-like singing contest. True to his predictions, the contest captures the imagination of the whole town as ordinary people with extraordinary dreams compete for fame, fortune and opportunity.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release (Opened Wednesday)

Rating: PG (for some rude humor and mild peril)

Assassin’s Creed

(20th Century Fox) Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson. Based on the hit videogame, a convicted criminal is executed…and brought back to life for the sole purpose of utilizing his genetic memories. Sent back as part of the Assassin’s Guild (to which his family has belonged for generations), he and the Assassin’s fight the mysterious and malevolent Templars in both the past and present.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action/Adventure
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for intense sequences of violence and action, thematic elements and brief strong language)

Dangal

(UTV) Aamir Khan, Sakshi Tanwar, Fatima Sana Shaikh, Sanya Malhotra. The true story of wrestler Mahavir Singh Phogat, a champion Indian wrestler. He was unable to win a gold medal at the Commonwealth Games and vowed that since he failed, his son would do what he could not. The universe having a perverse sense of humor delivers four children to Mahavir – all daughters. At first devastated, he observes that two of them have the tools to become champions themselves – and he swallows his pride and trains them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

Fences

(Paramount) Denzel Washington, Viola Davis, Jovan Adepo, Mykelti Williamson. Directed by Washington and based on the play by Pulitzer Prize-winning playwright August Wilson who also penned the screenplay, this is the story of a proud African-American man trying to raise his family in the 1950s. Bitterly disappointed by life, he turns his back on his son who wants nothing more than to please him while the father seethes, knowing that his son could go much farther in life than he ever did.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release (opens on Sunday)

Rating: PG-13 (for thematic elements, language and some suggestive material)

Lion

(Weinstein) Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. A young boy found wandering in the streets of Kolkata is adopted by a kindly Australian couple. Years later as a grown man he begins to experience some childhood memories and knows he must return to India to find his mother and siblings. However, all he knows is that he somehow was mistakenly put on a train and left on it for two days; his home and family could be nearly anywhere in the country. Undeterred, he sets out to find his past so he can help define his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for thematic material and some sensuality)

Passengers

(Columbia) Jennifer Lawrence, Chris Pratt, Laurence Fishburne, Michael Sheen. On a spaceship headed on a 120-year voyage to colonize a planet outside the solar system, the colonists are in pods that keep them asleep for most of the journey. When a man and a woman find themselves awake 90 years too early with no way to get back to sleep, they are devastated at first but soon they discover that their early wake-up call was the beginning of even more catastrophic malfunctions aboard the ship.

See the trailer, clips and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release (Opened on Wednesday)

Rating: PG-13 (for sexuality, nudity and action/peril)

Why Him?

(20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mulally.  Stephanie is a great young woman and the apple of her daddy’s eye. Her new boyfriend could be the one, but when mom and dad meet him, it turns out that he’s a Silicon Valley tech billionaire. Quite the catch, no? No. He’s socially awkward but tech-savvy in ways dear old dad could never be. The two enter a one-upmanship contest – advantage, boyfriend – and soon Dad realizes that he could lose his daughter forever…to someone who has no filter whatsoever.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release (Opened on Wednesday)

Rating: R (for strong language and sexual material throughout)

Eddie the Eagle


The thrill of victory.

The thrill of victory.

(2016) Sports Biography (20th Century Fox) Taron Egerton, Hugh Jackman, Jo Hartley, Keith Allen, Tim McInnerny, Edvin Endre, Iris Berben, Mads Sjøgárd Pettersen, Rune Temte, Mark Benton, Daniel Ings, Christopher Walken, Ania Sowinski, Graham Fletcher-Cook, Paul Reynolds, Jim Broadbent, Matt Rippy. Directed by Dexter Fletcher

Sometimes the whole of something can be greater than the sum of its parts. Movies definitely fit within that realm. Sometimes you watch a movie and realize that the individual elements you’re seeing aren’t particularly noteworthy, but when the movie’s over you realize that you enjoyed it a lot more than you thought you would.

Michael “Eddie” Edwards (Egerton) has dreamed of being an Olympian ever since he was a boy. Not terribly gifted athletically, he trained as hard as he could but was usually sniggered at and told to give up by anyone who had a mouth – which is a lot of people in Britain. Determined to achieve his dream much to the exasperation of his dad (Allen) who is a good-hearted soul who can’t understand his son’s crazy obsession, he decides that because there were no British ski jumpers that if he could master that skill, he could make the Olympic team that way.

There’s just one little roadblock; Eddie has never ski jumped before. That’s not a problem though; he heads to Austria to train and while there meets Bronson Peary (Jackman), a champion American ski jumper who was himself once an Olympian but had messed up a promising career much to the disgust of Warren Sharp (Walken), the legendary coach who was Peary’s mentor and to whom Peary was his greatest disappointment.

Now having crawled inside a bottle, Peary is at first uninterested and downright hostile about the idea of coaching Eddie but his goofy charm and sheer determination to risk everything for this one dream eventually wins Peary over. And the obstacles set in front of Eddie at near-impossible, even though early on he sets the British record for a 70m jump.

However, he has no choice but to make it on his own since nobody is going to help him and against all odds, he must scratch and claw his way to Calgary for the 1988 games. He knows it will be his one shot at Olympic glory, even if not everyone has quite the same definition of what glory might be.

On paper, there is no way I should be liking this movie. Every sports underdog movie cliché is here, from the bromance to the lead character apparently giving up, to the triumph of the final moment. Everything is here almost to a T without a whole lot of variation. These are usually the kinds of movies I can’t stand, for heaven’s sake. And yet, I found myself reeled in by its offbeat charm.

Egerton, who hadn’t really impressed me much in Kingsman: The Secret Service, is far more powerful here. It’s a difficult job because Edwards is such a hero in Britain and his look and mannerisms are well known there; here in the States, not so much. I get the sense we get the spirit of Eddie Edwards much more than the actual person here.

Which leads me to the most serious issue here; almost all of the information here about Eddie Edwards is untrue. Portrayed here as a complete novice, he actually had been skiing for some time and had been the last person eliminated from the men’s downhill team; he saw ski jumping as an alternate way to make the team. There was no Bronson Peary, no Warren Sharp and the unorthodox training that is portrayed here is a far cry from the way Edwards actually trained. His life story has been so filtered and fictionalized that they might as well have made it a fictional character; it must be somewhat demeaning to find out that you are not interesting enough to have your real life story told in your biography.

And yet I still ended up enjoying the movie. This isn’t the Eddie Edwards story, no – but it is a story that appeals to all of us, those of us who think that by wanting something badly enough and by being willing to work hard, overcome every obstacle and always stay true to your own dream that you can accomplish anything. That part of the Eddie Edwards story they got right.

REASONS TO GO: Hits all the right notes. Egerton and Jackman both have charisma and charm.
REASONS TO STAY: Fudges with the facts way too much. Carries every cliché in the book.
FAMILY VALUES: Some partial nudity, a bit of sexually suggestive material and a fair amount of smoking.
TRIVIAL PURSUIT: Edwards failed to qualify for the 1994 and 1998 Olympics once the BOA raised the standards of qualification for the event; those standards were nicknamed the “Eddie the Eagle Rule” by the committee that instituted them.
CRITICAL MASS: As of 3/14/16: Rotten Tomatoes: 76% positive reviews. Metacritic: 53/100.
COMPARISON SHOPPING: Invincible
FINAL RATING: 6/10
NEXT: The Wave

New Releases for the Week of February 26, 2016


Eddie the EagleEDDIE THE EAGLE

(20th Century Fox) Taron Egerton, Hugh Jackman, Christopher Walken, Jo Hartley, Tim McInnerny, Edvin Endre, Ania Sowinski, Rune Temte, Anastasia Harrold. Directed by Dexter Fletcher

=Michael “Eddie” Edwards is a bit of a folk hero in England. From a young age he dreamed of being an Olympic champion. He never let the fact that he was a crappy athlete get in his way. Inspired to become a ski jumper (since there were essentially no ski jumpers in England), he has to claw and fight and scratch his way to the 1988 Calgary Winter Olympics where he will jump into the ages.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: Wide Release

Rating: PG-13 (for some suggestive material, partial nudity and smoking)

Gods of Egypt

(Summit) Gerard Butler, Nikolaj Coster-Waldau, Brenton Thwaites, Elodie Yung. When the gods make war amongst themselves, their human followers suffer. The great god Set has taken over Egypt, running it with an iron hand. Only the courageous hero Bek can save the day with the aid of the god Horus, but the two will have to overcome mighty odds.

See the trailer, clips, interviews and a promo here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D
Genre: Fantasy
Now Playing: Wide Release
Rating: PG-13 (for sexual material, some language and smoking)

Neerja

(Fox Star) Sonam Kapoor, Shabana Azmi, Ali Baldiwala, Alex Kozyrev. The 1986 hijacking of Pan-Am flight 73 in India by terrorists is one of those unforgettable stories that could have been a lot worse. The courage of flight attendant Neerja Bhanot is credited with saving lives aboard that flight; she is a national hero in India and her story is told for the first time on the big screen here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

Son of Saul

(Sony Classics) Géza Röhrig, Levente Molnár, Urs Rechn, Todd Charmont. Near the end of the Second World War, an Auschwitz inmate charged with burying the bodies of the dead discovers a corpse that he takes to be his son. Not wanting his son’s body to be burned with the others, he must find a rabbi willing to deliver the funeral rites and help him give the body a proper burial. This is the odds-on favorite to win the Best Foreign Language Film Oscar at Sunday’s award ceremony.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R  (for disturbing violent content, and some graphic nudity)

Triple 9

(Open Road) Kate Winslet, Casey Affleck, Chiwetel Ejiofor, Woody Harrelson. A group of dirty cops are blackmailed into pulling off a nearly impossible heist. The only way they can make it work is to call in a code 999, officer down – which would involve killing a fellow police officer. But will they be able to pull it off – and what happens if they can’t?

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence and language throughout, drug use and some nudity)

New Releases for the Week of July 10, 2015


MinionsMINIONS

(Universal) Starring the voices of Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney, Steve Coogan, Jennifer Saunders, Steve Carell, Geoffrey Rush. Directed by Kyle Balda and Pierre Coffin

Before Gru, the world’s greatest criminal mastermind, there were Minions and those Minions have been a merchandising bonanza for Universal. It was only inevitable that the cute little yellow pill-shaped creatures would get a movie of their own and here it is. Here we discover the story of the Minions, a race of creatures existing only to serve the greatest criminals of all time. However, in 1960s New York City, they discover that this could end up being a much more dangerous undertaking than ever before – and could mean the end of Minionkind forever.

See the trailer, clips, an interview and a featurette here.
For more on the movie this is the website .
Release Formats: Standard, 3D (opens Thursday)
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action and rude humor)

Amy

(A24) Amy Winehouse, Tony Bennett, Blake Fielder-Civil, Mitch Winehouse. Singer Amy Winehouse had the world by the tail. A Grammy winner with million-selling albums, she was bringing back jazz singing almost singlehandedly. She had an unusual honesty, confronting her own issues in song. And she had plenty of issues, including an unhealthy lifestyle and troubled relationships with people who didn’t have her best interests at heart, leading to a tragic end for what might have been a bright future.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village
Rating: R (for language and drug material)

The Gallows

(New Line) Reese Mishler, Pfeifer Brown, Ryan Shoos, Cassidy Gifford. Students at a small high school decide to honor a tragedy 20 years earlier in which the lead actor was killed during the performance of a play by re-enacting the play. Of course, they do it at night without any adult supervision which is dangerous enough but worse still, their “tribute” stirs up restless spirits they’d have been better off not disturbing.

See the trailer, clips and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Horror
Now Playing: Wide Release
Rating: R (for some disturbing violent content and terror)

Self/Less

(Gramercy) Ryan Reynolds, Ben Kingsley, Natalie Martinez, Matthew Goode. When a billionaire discovers he has inoperable cancer, his prospects look grim. However, a radical new procedure allows him to transfer his consciousness into the body of a younger man who is brain-dead but otherwise healthy. Grasping at straws, he doesn’t ask too many questions until after the procedure is completed. Then he discovers that the origin of the body is not what he was told and that those who made this miracle happen will stop at nothing to keep their sinister plans from going public.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: R (for sequences of violence, some sexuality and language)

Testament of Youth

(Sony Classics) Alicia Vikander, Kit Harrington, Taron Egerton, Emily Watson. A woman, who sees her brother go marching off to World War I, decides to volunteer herself as a nurse thus beginning a journey into the horrors of war. Based on the memoirs of actual nurse Vera Brittain, this powerful indictment of war has been quietly flying under the critical radar thus far this year.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for thematic material including bloody and disturbing war images)

Kingsman: The Secret Service


Accessories are important for the true gentleman.

Accessories are important for the true gentleman.

(2015) Spy Action (20th Century Fox) Colin Firth, Samuel L. Jackson, Michael Caine, Taron Egerton, Mark Strong, Sophie Cookson, Sofia Boutella, Mark Hamill, Jack Davenport, Geoff Bell, Samantha Womack, Jordan Long, Tobi Bakare, Nicholas Banks, Edward Holcroft, Morgan Watkins, Jack Cutmore-Scott, Hanna Alstrom, Fiona Hampton, Lily Travers. Directed by Matthew Vaughn

The spy movies of the late 60s and onward have a certain place in the cultural psyche. They represent a particular era, sure, but they also represent the fight between good and evil, our fascination with technology and a certain sense of humor about life in the modern age. Our attitudes towards women, patriotism, freedom and what constitutes a gentleman have been largely shaped by these films.

Gary “Eggsy” Unwin (Egerton) is growing up aimlessly in a working class London neighborhood. His dad died when he was a baby and his mom (Womack) has taken up with a local thug (Bell) named Dean. Dean abuses his mom but Gary isn’t strong enough to stand up for her or for himself. Dean despises him and ridicules him for it.

But Eggsy has a good heart to go along with his Cockney accent and when he gets arrested for stealing the car of one of Dean’s underlings and leading the police on a merry chase, he knows he can’t call home. Therefore, he calls the number on the back of an amulet once given to his mother by a gentlemen who came to inform her of the death of Eggsy’s father, remembering that if he called that number and read a certain phrase, help of whatever nature was needed would be forthcoming.

It comes in the form of Harry Hart (Firth), a debonair and well-dressed gentleman who tells Eggsy that in fact, his father once saved Harry’s life and that Harry wanted to repay that debt by offering his son the opportunity to try out for a position in the same super secret organization that his father served in and that Harry in fact serves in now – the Kingsmen. No, not the “Louie, Louie” bunch.

The Kingsmen are a secret, non-government affiliated group of highly trained, highly skilled gentlemen. They aren’t spies particularly; what they do is prevent bad things from happening. They have a seemingly unlimited budget and there are only a set number of them; when one dies they are replaced. This is the group that Eggsy is about to join – if he can survive the process of selecting the winning applicant, that is and it is a brutal one, focusing on teamwork, thinking on one’s feet and assessing dangerous situations. Most of the applicants are upper class snobs, although Eggsy befriends Roxy (Cookson), a female applicant (who gets her share of grief from the snobs, as does Eggsy) and Merlin (Strong), the tech wizard of the Kingsmen and the right hand of Arthur (Caine), head of the organization.

In the meantime, a tech billionaire named Valentine has big, bad plans. See, he’s a little bit concerned about climate change. Okay, he’s a lot concerned about climate change. He’s given up on the government doing anything about it and has decided that to make humankind’s carbon footprint smaller he needs to make the population smaller. His plan is to use a special cell phone signal through special SIM cards in free cell phones he’s given away to nearly everyone trigger a violent, murderous rage in those who hear it. Only those wealthy, beautiful few who he’s personally approached and implanted a microchip that cancels out the signal in their heads will be immune to the carnage, especially after they all are safely ensconced in bunkers around the world.

It’s a mad plan, certainly but Valentine is deadly serious about it. He’s even hired himself a mercenary army and constructed a lair within a mountain. You know he’s got to be a villain with a mountain lair. In any case, with Valentine’s powerful connections, getting to him won’t be easy and preventing an anarchic Armageddon even less so but that’s what the Kingsmen are there for, after all – to save the day.

Vaughn has made films based on Mark Millar comic series before (as this film is) and the collaborations between the two have been fruitful, producing the fine superhero film Kick-Ass for example. Vaughn has become one of my favorite directors of late with some excellent genre films to his credit. He knows how to make a film visually spectacular and hit all the right buttons in the fanboy psyche while not taking the movies so seriously that they become ponderous. His movies are almost always deeply entertaining.

And this one is no exception. Colin Firth as an action hero seems like a pretty unlikely casting, but it works here. Firth actually performed a surprising amount of his own stunts, but handles the role well, keeping a Bond-like facade of cool while kicking the butts of a group of Dean’s thugs, or some of Valentine’s flunkies, or a church full of homicidal fundamentalists.

Samuel L. Jackson makes a fine villain. Given several personality quirks (he gets violently ill at the sight of blood for example) by the writers, Jackson gives the character a lisp that makes him all the more memorable which is in the grand tradition of Bond villains. While the lisp does occasionally fall off, Jackson gives the character the right amount of menace to make for a formidable foe but enough goofiness to give the film a lighter tone. He also gets a nifty assassin in Gazelle (Boutella), who has no legs but on her Pistorius-like artificial limbs is fast, graceful and deadly as she is able to unfold sword blades from those artificial legs while in mid-air. Tres cool.

There are a lot of asides to the spy movies and television series of history; a reference to the Get Smart! shoe phone for example, or the glasses worn by super-spy Harry Palmer in films like The Billion Dollar Baby and The Ipcress Files. Clearly there are several Bond references although many are turned on their ear; Valentine at one point has a speech in which he says “This is the part where I reveal to you all my plans, and then come up with a slow and convoluted way for you to die, and you come up with a convoluted way to escape and stop me. Except this isn’t that kind of movie” at which point he shoots his nemesis in the head, much like Indiana Jones once shot a swordsman making fancy moves before he could attack.

Egerton shows a lot of potential, although I can’t say he’s a slam-dunk future star. He’s got charisma but he wasn’t really asked to carry this movie (as well he shouldn’t have been) and so I’m not certain he can rise above the gimmicks and gadgets, of which there are plenty here. The jury is out on him for me, although I can see him eventually ascending to a leading man status.

The humor here is mostly dry although there are some broad physical jokes here from time to time. Those who find the English wit not to their liking may consider this not their cup of tea, although I enjoyed this a great deal. In fact, this is the most entertaining movie I’ve seen thus far this year (which isn’t saying much) and one of the most entertaining I’ve seen in the first quarter of any year (which is saying a lot) ever. For those looking for a fun time at the movies, this is your best bet at least until some of the more anticipated movies of the spring start appearing next month. I certainly wouldn’t complain if this became the start of a new Fox franchise.

REASONS TO GO: Highly entertaining. Great action sequences. Strong performances throughout.
REASONS TO STAY: Relies a bit on gimmickry and gadgetry. May be too droll for some.
FAMILY VALUES: Plenty of violence and mayhem, some pretty crude language and some sexuality and brief nudity.
TRIVIAL PURSUIT: The menswear shop on Savile Row which is the entrance to the Kingsman headquarters is based on Huntsman, a real store in the area. Because shooting in the actual shop would have been impractical, a set was built copying many of the characteristics of the original although production designer Paul Kirby added his own touches to give the set its own personality.
CRITICAL MASS: As of 2/22/15: Rotten Tomatoes: 73% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: This Means War
FINAL RATING: 7/10
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