(2012) Animated Feature (GKIDS) Starring the voices of Forest Whitaker, Mackenzie Foy, Lauren Bacall, Paul Giamatti, William H. Macy, Megan Mullally, Nick Offerman, Jeffrey Wright, David Boat, Ethan DiSalvio, Delphina Belle, Gary Littman, Maggie Villard, Joe Ochman, Ashley Brooke, Marsha Clark, Ashley Earnest, Cameron Dickson. Directed by Stephane Aubier, Vincent Patar and Benjamin Renner
Childhood was a magical time. It was a time of perfect summer days, running around outdoors in the fresh air and finding places where there were meadows, greenery, fresh water or a lovely beach – places we would find we could play in and let our imaginations run wild. It was a time of cold winter nights, tucked into our warm beds after a cup of hot cocoa and a story. It’s not like that anymore.
These days it is a time of video games and day care, a time when overworked parents working harder and longer hours just to make ends not quite meet spend less and less time with their kids. It’s a time of fear and paranoia, of worrying about all the lunatics out there who want to hurt our children. It’s also a time of plopping the kids in front of the TV, computer screen or videogame console just to get them out of our hair for an hour or two.
Ernest & Celestine, a French animated feature based on a series of classic children’s books by Belgian author Gabrielle Vincent, is a welcome return to that feeling of warm comfort that only comes in childhood. There is a hand-drawn feel that is simple but not in the way of the excremental Cartoon Network crap that passes for animation these days – there’s a pastel watercolor beauty to the film that shows why animation is art first and foremost. That it was nominated for a Best Animated Feature Oscar at the most recent Academy Awards is no accident.
In an underground city of mice, Celestine (Foy) is an orphan who is obliged to go out in the above-ground city of bears to steal discarded teeth so that the school of orthodontics can practice (apparently all mice want to be dentists) as well as scraps of food so that they can, you know, eat. The mice orphans are regaled with tales of the Big Bad Bear who will eat misbehaving mice by The Grey One (Bacall) at the orphanage. It is definitely the bedtime story from Hell.
One night a mishap occurs while Celestine is trying to steal teeth and she is obliged to spend the night in a trashcan in the Bear Town. Ernest (Whitaker), a down on his luck bear, has just awakened from his winter hibernation and man, is he starved! With nothing in the house, he busks around the town square as a one man band, getting hassled by the police. Desperate, he starts foraging in trash cans and finds the sleeping form of Celestine. About to eat her, the quick-witted mouse manages to convince him not to and shows him a way to get into the candy store. Delighted with this turn of luck, Ernest gorges himself on candy until he is discovered. Celestine hides him in the Mouse city and soon, a friendship of necessity is born as both mouse and bear become wanted as fugitives.
This is a simple tale of friendship and of getting past preconceptions, although it must be said that children are much better at it than adults are to begin with. Still, as this is most certainly geared towards younger children, it is a lesson that bears reinforcement.
I’m told that the original French version is superior to this (and it was originally shown in the U.S. in that form) but I have to say – Forest Whitaker was born to be a bear. He captures the essence of bruin vocally, gruff and growly but with a big heart. The look of Ernest is just perfect too, rumpled and disreputable – a bear whose every move should be accompanied by the sound of a mournful oboe. It is also nice to hear Bacall’s distinctive voice once again.
This is a fairly short film so it won’t tax the attention span of the very young. While the attitude and vibe is very French, American kids will love this – it’s as charming as can be and waaaay better than the stuff they see on cable and the humor is kind of Looney Tunes style so adults will get a kick out of it too. As far as this adult is concerned however, the best part was feeling that warm fuzzy feeling of being cared for that one gets as a child – that’s a priceless commodity these days that makes the effort of seeking this out worth every bit of it.
REASONS TO GO: Beautiful animation. Heartwarming and not boring for adults. Whitaker was born to be a bear. Perfect for toddlers and very young children.
REASONS TO STAY: Older kids may find this unpalatable.
FAMILY VALUES: Perfectly suitable for all family members.
TRIVIAL PURSUIT: The first animated movie to win Best Film at the Magritte Awards, the Belgian equivalent of the Oscars.
CRITICAL MASS: As of 4/7/14: Rotten Tomatoes: 97% positive reviews. Metacritic: 87/100.
COMPARISON SHOPPING: Charlotte’s Web
FINAL RATING: 7.5/10
NEXT: Druid Peak