Planes


The rain in Planes falls mainly o the...well, er, planes.

The rain in Planes falls mainly o the…well, er, planes.

(2013) Animated Feature (Disney) Starring the voices of Dane Cook, Brad Garrett, Teri Hatcher, Cedric the Entertainer, Julia Louis-Dreyfus, John Cleese, Carlos Alazraqui, Priyanka Chopra, Gabriel Iglesias, Stacy Keach, Brent Musburger, Val Kilmer, Anthony Edwards, Roger Craig Smith, Sinbad, Colin Cowherd, John Ratzenberger, Emerson Tenney, Kari Wahgren. Directed by Klay Hall

The latest Disney animated feature is a spin-off from the animated world of anthropomorphic Cars although it takes place above that world. Welcome to the shiny aerial world of Planes.

Dusty Crophopper (Cook) is a crop-duster, a single-engine plane who was built for the specific purpose of spreading pesticides and manure on crops (mostly corn, which is apparently the source of fuel in the world of Planes). Dusty want more out of life – “I’ve flown thousands of miles and never gone anywhere” he complains.

What he really wants is to be a racer, and the Wings Across the Globe race is the perfect outlet for him. With the support of his friends Chug (Garrett) and Dottie (Hatcher), Dusty trains relentlessly and even though he gets a lot of skepticism and negativity thrown his way, he perseveres. He gets into the race where he is befriended by Bulldog (Cleese), a obsequious Spitfire, Ishani (Chopra) a lovely Indian and the would-be ladies man El Chupicabra (Alazraqui).

Not everyone wants to succeed. Ripslinger (Smith) is gunning for his historic fourth consecutive win i the race and nothing and nobody will get in his way, particularly a crop-duster with delusions of grandeur. As it turns out, Ripslinger will go to any and all lengths to nail down that win and if it means that some planes must crash and burn, well….

Although this is based on a Pixar movie, this actually isn’t a Pixar film, even though John Lasseter co-wrote and produced it. No, it was animated by the wizards at DisneyToons, their direct-to-video arm and that was the intention for this as well. However, the stars aligned nicely for Planes – a planned King of the Elves feature shut down and somebody noticed the merchandising potential of the new characters, thus it was added to the theatrical release schedule a bit late in the game.

Quite frankly, I expected direct-to-video quality and I was somewhat surprised when I found this comparable to Pixar’s work in Cars and its sequel. There are a lot of clever little asides (such as the plane-looking rock formations near Propwash Junction where Dusty, Chug and Dottie reside. There are also air traffic controllers at Kennedy Airport who talk with JFK-esque accents, and German planes drinking fuel from beer steins.

There also isn’t much in the way of story and characterization which cobble elements from …well nearly every animated feature of the last 20 years. Skipper (Keach), a crotchety old war hero, is a dead ringer for Paul Newman’s Doc Hudson, El Chupicabra makes a nice Puss in Boots (albeit not quite as cute) and Dusty could easily be the title character from Turbo. In fact, most of the characters are pretty bland, generic characters you’ve met before in other movies. As for the plot, well, this isn’t the first movie that tells us that it’s okay to dream big because if we want something bad enough and have the support of our friends, we can accomplish anything.

I did like the overall charm of the movie and I will venture to say that if you compare this to most direct-to-video fare this is miles and miles ahead of those. Frankly, this deserved the theatrical release it got – it certainly isn’t as bad as some of the other animated features out there that were always intended to hit the theaters (I’m looking at you, Planet 51. Hop and Astro Boy).

REASONS TO GO: Maintains the goofy charm of Cars. Clever in places.

REASONS TO STAY: Runs the gamut of animated feature clichés. No really memorable characters.

FAMILY VALUES:  Suitable for everyone – there’s a bit of semi-rude humor and a couple of action scenes that might scare the kids a little but nothing I wouldn’t feel comfortable sending an 3-year-old to.

TRIVIAL PURSUIT: Bravo and Echo, two Air Force jets who Dusty runs into during his around the globe race, are voiced by Val Kilmer and Anthony Edwards who played fighter pilots in Top Gun; their flight helmets are identical to those worn by the actors in their live action roles.

CRITICAL MASS: As of 9/21/13: Rotten Tomatoes: 26% positive reviews. Metacritic: 39/100.

COMPARISON SHOPPING: The Great Race

FINAL RATING: 5/10

NEXT: Riddick

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New Releases for the Week of August 9, 2013


Elysium

ELYSIUM

(TriStar) Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, William Fichtner, Wagner Moura, Brandon Auret, Josh Blacker, Emma Tremblay. Directed by Neil Blomkamp

In the future, the haves have left the building and moved to a snazzy new space station in Earth orbit where disease, hunger and want are unknown. The have-nots i.e. us are left to make due on a resource-depleted Earth where every day is a struggle for survival and all of our earth benefits those living above. One desperate man will risk everything to make it up to Elysium; hanging in the balance is not only his life but the lives of millions.

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard, IMAX (Opens Thursday)

Genre: Science Fiction

Rating: R (for strong bloody violence and language throughout)

Chennai Express

(UTV) Shah Rukh Khan, Deepika Padukone, Rani Mukerji, Rajnikanth. A grieving young man carrying his father’s ashes to scatter on a sacred river meets a lively young girl on the train journey south. He meets her eccentric family and falls deeply in love with her despite a language barrier. They will take a romantic journey that will showcase the beauty and liveliness of the land and people of South India.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Percy Jackson: Sea of Monsters

(20th Century Fox) Logan Lerman, Alexandra Daddario, Brandon T. Jackson, Nathan Fillion. When their home and sanctuary comes under brutal attack, the only thing that can save the demigods is the legendary Golden Fleece. However, the artifact rests in the Sea of Monsters – what we humans call the Bermuda Triangle – and is guarded by some pretty tough customers.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard (opened Tuesday)

Genre: Fantasy

Rating: PG (for some rude humor and action)

Planes

(Disney) Starring the voices of Dane Cook, Teri Hatcher, John Cleese, Brad Garrett. A crop duster dreams of racing glory. Didn’t we just see this same story with a snail dreaming of winning the Indy 500? Just sayin’… 

See the trailer, a promo and a featurette here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Thursday)

Genre: Animated Feature

Rating: PG (for some mild action and rude humor) 

We’re the Millers

(New Line) Jason Sudeikis, Jennifer Aniston, Emma Roberts, Ed Helms. A mild-mannered pot dealer get into deep debt with his supplier who in turn promises to wipe out his debt if he will go to Mexico and bring in a shipment of product. Knowing he’ll never get over the boarder without being searched himself, he enlists a stripper, a street punk and a nerd from his apartment building to pose as his family, thinking nobody will give them a second glance. Turns out that it’s a lot easier said than done.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for crude sexual content, pervasive language, drug material and brief graphic nudity)

Coraline


Coraline

Not every crawlspace should be explored.

(Focus) With the voices of Dakota Fanning, Teri Hatcher, Dawn French, Ian McShane, Jennifer Saunders, Keith David, John Hodgman, Robert Bailey Jr.. Directed by Henry Selick

Do our parents ever pay as much attention to us as we want them to? We get so wrapped up in providing the necessities we forget about the most basic necessity of all.

Coraline Jones (Fanning) is one pissed off little girl. Not only have her parents moved away from everything she knows and away from all her friends, they’ve moved into an apartment building in the middle of nowhere with nothing to do and it always rains. Her mother (Hatcher) can’t cook to save her life, is irritable and always busy. Her father (Hodgman) works incessantly and has nothing resembling a backbone. The two bicker and sit hunched over computer screens, all but ignoring their daughter and not listening to a word she says.

For her part, Coraline is not exactly Pollyanna. She whines, complains and is somewhat mean to the only young man her age in the neighborhood, the awkward and ungainly Wyborne (Bailey) who hides his own loneliness with nervous chatter and prefers to be known as “Wybie”. Admonished to explore their strange, drafty old house, Coraline discovers a tiny door that has been covered with wallpaper. After coercing her mother to open the door with a skeleton key, Coraline is disappointed to find the doorway bricked over. It isn’t until darkness falls that the doorway opens into a parallel world that is strangely like her own…only better.

In this world, food tastes better, the garden is more colorful and life is just the way she wants it to be. Replacing her parents are two look-alikes who hang on her every word, give her everything they want and love her much more than her real parents ever have. There are wonderful things to do and Wybie cannot speak. This world is in every way better than the one she’s used to. The only unsettling thing is that everyone in the other world has buttons sown over their eye sockets – that and their constant wheedling for her to stay in this perfect world forever. Coraline soon learns that the most terrible trap is everything you’ve ever wanted.

Director Henry Selick is best known for directing Tim Burton’s The Nightmare Before Christmas and while the styles are similar, they aren’t quite the same. This film is based on a Neil Gaiman story and the combination of Gaiman and Selick is a winner just as Burton and Selick were. The visuals here are inventive and memorable. As with his previous film, Selick works in the medium known as stop motion animation, in which actual live objects are manipulated frame by frame to give the illusion of movement and life.

While this is a great movie to look at, it might be a little bit too intense and too frightening for the smaller kids. While this is ostensibly an animated feature that doesn’t mean it’s for kids. Parents should think twice about whether they want their younger kids to view this.

That said, one of the drawbacks to the movie is Coraline herself. She is so nasty, so petulant and so self-pitying that you can’t help but feel that she deserves to find herself in an alternate dimension in terrible peril. It’s not that Fanning does a bad job voicing her; it’s just the character as written is pretty unlikable. That makes it difficult to really care what happens to her after awhile.

Still, although the movie overdoses on the eccentricity from time to time, it’s still so visually impressive and the story so clever you can forgive the occasional excesses and even the excesses of Coraline herself. While this is more of a Grimm’s Fairy Tale in the darkest sense of the genre, it retains a certain modern edge which gives it a distinct flair.

Coraline is a beautiful, strange movie that celebrates its own uniqueness and dares you to accept it as it is. It isn’t always easy to love, but love it you will. I know I did. The Academy did as well – it is one of the five nominees for Best Animated Feature for next month’s Oscars, although it will have an uphill battle to beat Up. Still in all Coraline has all the goods, and as dark a fairy tale as it is, it’s still the kind that will bear repeated viewings.

WHY RENT THIS: Amazingly imaginative, this is a movie that rediscovers the painstaking art of stop motion animation and elevates it.

WHY RENT SOMETHING ELSE: A little quirkiness goes a long way; a lot of quirkiness doesn’t. How can I root for a character I just want to shake some sense into?

FAMILY VALUES: Some of the images may be a little too horrific for smaller kids.

TRIVIAL PURSUIT: This is the longest stop-motion movie ever made, and also the first one filmed entirely in 3D.

NOTABLE DVD EXTRAS: The Blu-Ray uses the U-Control system to integrate features, animatics and commentary into the film, allowing viewers to get in-depth information about how difficult this film was to make. There’s also a brief 6-minute interview with author Neil Gaiman discussing the differences between the book and the movie.

FINAL RATING: 7/10

TOMORROW: The White Ribbon