Top 10 of 2015


2015 Top 10After what I thought was kind of a down year in 2014, the overall quality of the movies I saw in 2015 went on the rebound and in general, I thought there were far better films in general than the year previous. A little more interestingly, I also thought that there were fewer movies that I’d give 10 out of 10 for this year, which is a bit of a dichotomy; better quality overall, but fewer slam dunks.

However, the films on this list were all as good as you’d find on the lists of any year previous with the top spot going to a movie that I thought was far and away the best film of the year – but oddly enough, very few people have seen it other than on streaming services. We’ll get to that in a moment, but the movies that followed were still of very high quality and are worth seeing every one.

While studio movies have tended to continue going with the traditional distribution model; a wide theatrical release followed by VOD/home video release once the movies are out of the theaters, then onto a premium cable outlet. They are still tending to avoid streaming services like Netflix, Amazon Prime and Hulu Plus, although Lionsgate and Paramount have bucked that trend. With Netflix flexing its muscles more and more with indie films, having made some pre-emptive deals even before films were screened at Sundance, something tells me that the majors may start following suit and putting their films on streaming sites or even creating their own. It may not be this year but as more and more people go with Netflix and Chill, it makes good sense for the majors to start looking at that audience more carefully.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The other information given in each entry should be self-explanatory, with box office and critics’ scores available to help you give an idea of how audiences and film critics alike responded to these films.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The 100-Year-Old Man Who Stepped Out of a Window and Disappeared, Love and Mercy, The Life and Mind of Mark DeFriest, A Brilliant Young Mind, Straight Outta Compton, My Life in China, 3 ½ Minutes, The Wrecking Crew, Bone Tomahawk, Sicario, Welcome to Leith, Mad Max: Fury Road, Me and Earl and the Dying Girl, Inside Out, The End of the Tour, Stink!, Gett: The Trial of Vivianne Amsalem, Room, Grandma, Phoenix, Harold and Lillian: A Hollywood Love Story

It Follows

10. IT FOLLOWS

(Radius) Maika Monroe, Keir Gilchrist, Lili Sepe, Olivia Luccardi, Jake Weary, Daniel Zovatto, Bailey Spry, Carolette Phillips, Loren Bass, Charles Gertner, Debbie Williams. Directed by David Robert Mitchell

Released March 23, 2015 19-year-old Jay has just graduated from high school and it is a summer of transition – soon she’ll be going away to college and it is time for one last hurrah with her friends before they scatter, each to their own place. Everything is perfect; except they are being stalked by something terrifying and supernatural. After having had sex with a seemingly nice young man, Jay has attracted a supernatural entity to her and it is coming ever closer. Her only chance is to have sex with someone else and send the entity after them, although if it kills them it comes back after her. How do you escape the inescapable?
WHY IT IS HERE: An extremely clever concept, for one. After an acclaimed run at Sundance, the movie was given a very brief limited release but the numbers were so astounding that Weinstein hurriedly arranged for a wide release. The movie went on to be one of the more acclaimed horror movies of recent years.
HIGHLIGHT SCENE: The climactic swimming pool battle.
CRITICAL MASS: Rotten Tomatoes: 97% positive reviews. Metacritic: 83/100.
BOX OFFICE RESULTS: $14.7 million domestic, $20.3M total (as of 1/19/16).
BUDGET: $2M.
GENRE: Horror
STATUS: Currently available on home video. Rent Blu-Ray/DVD on Netflix. Stream on iTunes/Amazon/Vudu/M-Go. Download on Amazon/iTunes/Vudu/M-Go/Google Play.

Star Wars The Force Awakens

9. STAR WARS: THE FORCE AWAKENS

(Disney) Daisy Ridley, Harrison Ford, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Gwendolyn Christie. Directed by JJ Abrams

Released December 18, 2016 Three decades after the events of the first trilogy, the Empire is rising again and is being faced by a small but determined Resistance. With a new and improved weapon being brought to bear on the peaceful but ineffective Republic, unlikely new heroes will combine with familiar ones to take on a villain so heinous that he rivals even Darth Vader.
WHY IT IS HERE: The anticipation for this movie was enormous and when it finally arrived, it proved to be one of those rare films that was worth the wait. Everything about this movie worked and everything about it pleased fans who went back to see it again and again and again. It is already the all-time domestic box office champion and has a shot at dethroning the all-time global champ. In short, Star Wars is back.
HIGHLIGHT SCENE: The confrontation between father and son.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $859.0 million domestic, $1.8B total (as of 1/19/16),.
BUDGET: $200M
GENRE: Science Fiction
STATUS: Still in wide release

The Hateful Eight

8. THE HATEFUL EIGHT

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth, Michael Madsen, Walton Goggins, Bruce Dern, Demián Bechir, James Parks, Dana Gourrier, Lee Horsley, Channing Tatum. Directed by Quentin Tarantino

Released December 25, 2015 A bounty hunter with a reputation for bringing in his quarry alive – to be hanged – is escorting a young woman to the Wyoming town of Red Rock but is forced to stop at a stagecoach stop high in the mountains, stranded by a blizzard. There are others there, some apparently innocently enough, others of suspicious character. By the time the snowfall ceases, there will have been a reckoning of Biblical proportions.
WHY IT IS HERE: Despite controversy over alleged racism and misogyny, this is still a well-crafted cracking story that keeps audiences on the edge of their seats throughout. Seeing it in the nearly extinct 70mm format was a rare treat but beyond all the noise surrounding it, at the end of the day this is a movie that sucked me in and kept me there.
HIGHLIGHT SCENE: Major Marquis Warren and Chris Mannix get some well-deserved payback for John Ruth.
CRITICAL MASS: Rotten Tomatoes: 75% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $49.6 million domestic (as of 1/23/15), $86.7M total.
BUDGET: $44M
GENRE: Western
STATUS: Still in wide release.

Beasts of No Nation

7. BEASTS OF NO NATION

(Netflix/Bleecker Street) Idris Elba, Abraham Attah, Ama Abebrese, Richard Pepple, Emmanuel Nii Adom Quaye, Kurt Egyiawan, Jude Akuwudike, Emmanuel Affadzi, Kobina Amissah-Sam, Fred Nii Amugi. Directed by Cary Fukunaga

Released October 16, 2015 Agu, a young boy in a civil war-torn African nation, is forced to become a child soldier for a charismatic warlord. Convinced he is going straight to hell for all the atrocities he is party to, we watch as his soul becomes more and more tainted, his eyes more and more lifeless. When hope for anything better is gone, what more is left but obedience?
WHY IT IS HERE: There is a realism here that is missing from other films that are similarly themed. It helps tremendously that both Elba as the warlord and young Abraham Attah as Agu deliver searing performances that will remain as indelible impressions for a very long time to come. I thought Elba was a sure thing for an Oscar nomination, although the Academy didn’t agree. This is one that the Academy got wrong.
HIGHLIGHT SCENE: Young Agu’s rage finally breaks free.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $90,777 domestic (as of 1/23/15), $90,777 total..
BUDGET: $6M.
GENRE: Drama
STATUS: Available exclusively on Netflix.

The Big Short

6. THE BIG SHORT

(Paramount) Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, Jeremy Strong. Directed by Adam McKay

Released December 11, 2015 In the middle of the first decade of the 21st century, a brilliant medical doctor turned hedge fund manager discovered the terrifying truth; that American banks and other financial institutions were relying heavily on securities based on mortgages, securities that had always been considered stable and rock solid but had been filled with mortgages that were almost certain to be defaulted on. Other managers discovered the same truth and while some tried to raise the alarm, others moved to profit off of the information.
WHY IT IS HERE: A sobering look at how unregulated greed damn near brought the world economy to its knees with the even more sobering warning that those running those same banks and securities firms – who were never punished for their actions which often crossed the line of securities laws – are involved in the same behaviors once again, having failed to learn their lesson the first time mainly because the American taxpayers bailed them out. Although it is admittedly hard to find heroic the actions of those who eventually profited from the human misery that came of the 2008 financial meltdown, this has become perhaps the ultimate cautionary tale to come out of the 2015 movie year.
HIGHLIGHT SCENE: The mentor of a pair of young ambitious hedge fund managers tempers their enthusiasm by explaining the real-life consequences of their success.
CRITICAL MASS: Rotten Tomatoes: 88% positive reviews. Metacritic: 81/100.
BOX OFFICE RESULTS: $54.2 million domestic (as of 1/24/15), $72.7M total..
BUDGET: $28M.
GENRE: True Life Drama
STATUS: Still in wide release.

Brooklyn

5. BROOKLYN

(Fox Searchlight) Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Julie Walters, Jim Broadbent, Maeve McGrath. Directed by John Crowley

Released November 4, 2015 In the 1950s, a young woman in a small Irish village leaves for New York, knowing that she has no future at home. However, she is best by homesickness and finds life in the Big Apple lonely and unsatisfying, but eventually she meets an Italian man at a church dance and is slowly won over by her persistence. However, bad news from home will send her packing back for Ireland where she’ll be courted by an eligible bachelor and where she finds she is fitting in more than she ever had before, but where will her heart lead her; to stay in her native land or to return to the man she loves in America?
WHY IT IS HERE: An award-worthy performance by Ronan in the lead role for one. Crowley, working off of a script by Nick Hornby, has delivered a lyrical and moving paean both to Ireland and America. Beautifully shot, rendering the sweet Irish countryside as well as the charms of Brooklyn, well-acted throughout and buoyed by a terrific script, this remains one of the most charming and lovely movies of the year.
HIGHLIGHT SCENE: Two lovers are reunited.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 87/100.
BOX OFFICE RESULTS: $26.4 million domestic (as of 1/24/15), $34.5M worldwide.
BUDGET: $10M
GENRE: Romance
STATUS: Still in limited release.

Spotlight

4. SPOTLIGHT

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Live Schreiber, John Slattery, Brian D’Arcy James, Stanley Tucci. Directed by Tom McCarthy

Released November 6, 2015 At the Boston Globe, the Spotlight investigative journalism team begins to look into allegations of covering up for a single Catholic priest who was accused of pedophilia. As their investigation widens, they discover to their horror that the problem is widespread on a global level. In a city where the Catholic Church is an immense political and social force, they encounter resistance to their investigation but their perseverance will lead to a scandal that will shake the very foundations of one of the oldest and most powerful institutions in the world.
WHY IT IS HERE: This may be the most realistic film about print journalism ever made. The emotional impact of the story itself cannot be overestimated as we see victims recount their harrowing experiences and the devastating aftermaths. The ensemble cast is made up of some of the most accomplished actors in the business and while Keaton and Ruffalo have been getting the lion’s share of the acclaim, the truth is that the performances here are outstanding top to bottom. It is fitting that one of the best-written films of 2015 was the movie about journalism.
HIGHLIGHT SCENE: The Spotlight team begins to realize the enormity and the impact of their story.
CRITICAL MASS: Rotten Tomatoes: 96% positive reviews. Metacritic: 93/100.
BOX OFFICE RESULTS: $33.2 million domestic (as of 1/27/15), $34.5 million total.
BUDGET: $20 million.
GENRE: True Life Drama
STATUS: Still in general release.

The Martian

3. THE MARTIAN

(20th Century Fox) Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Chiwetel Ejiofor, Michael Pena, Sean Bean, Kate Mara. Directed by Ridley Scott

Released October 2, 2015 The first manned mission to Mars has to be cut short when a massive storm heads for the landing site. As the team of astronauts scurries to get their things stowed and the landing vehicle launched, one of their number is struck by flying debris and apparently killed. Reluctantly his team leaves without him but in the immortal words of Monty Python, he’s not quite dead yet.
WHY IT IS HERE: This tale of survival is certainly one of the best films of the year and is in my mind superior to other reality-based sci-fi films like Gravity for a number of different reasons. Not only is the science far more accurate than other films of this ilk, it has an Oscar-worthy performance by Damon, a terrific cast behind him and one of the most edge-of-your-seat plots you’ll see in this or any other year.
HIGHLIGHT SCENE: Matt Damon “sciences the shit” out of a problem.
CRITICAL MASS: Rotten Tomatoes: 93% positive reviews. Metacritic: 80/100.
BOX OFFICE RESULTS: $227.7 million domestic (as of 1/28/16), $598.6 million total.
BUDGET: $108 million.
GENRE: Science Fiction
STATUS: Download from Amazon/iTunes/ Vudu/M-Go/Google Play.  Stream from Amazon/iTunes/Vudu/M-Go/Google Play. Rent DVD/Blu-Ray from Netflix the week of February 7.

Ex-Machina

2. EX-MACHINA

(A24) Oscar Isaac, Domhnall Gleeson, Alice Vikander, Sonoya Mizuno, Corey Johnson, Claire Selby, Symara A. Templeton, Gana Bayarsaikhan. Directed by Alex Garland

Released April 10, 2015 A young programmer wins a company competition that spirits him to a weekend at the reclusive founder’s fortress-like mountain hideaway. There he discovers that the tech wizard is working on something game-changing; an artificial intelligence in a robotic body, taking the form of a beautiful woman. However whatever the plans are that both men have for her, she may have an agenda of her own.
WHY IT IS HERE: This speculative science fiction film made on a budget that probably didn’t cover the costs for massages and manicures on Star Wars: The Force Awakens is one of the smartest and most provocative movies to come out this year. I was completely done in by Vikander’s performance which was outstanding and kicked off an amazing year for her in which she’s been transformed into one of Hollywood’s brightest stars. Isaac and Gleeson also performed solidly, leading into a year when both of them also emerged as names to look out for.
HIGHLIGHT SCENE: Caleb and Nathan have a conversation on a glacier.
CRITICAL MASS: Rotten Tomatoes: 92% positive reviews. Metacritic: 78/100.
BOX OFFICE RESULTS: $25.4 million (as of 1/29/15), $36.9M total.
BUDGET: $15M
GENRE: Science Fiction
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/M-Go/Google Play. Stream on Amazon/iTunes/Vudu/M-Go/Google Play. Rent Blu-Ray/DVD on Netflix.

Message From Hiroshima

1. MESSAGE FROM HIROSHIMA

(Cinema Libre) George Takei (voice), Kazuo Fukushima, Akinori Ueda, Ryoga Suwa, Hisako Miyake, Kinue Nakamitsu, Chieko Fujiki. Directed by Masaki Tanabe

Released August 4, 2015 The atomic bomb that dropped on Hiroshima was a watershed moment in modern history. We read about in history books, but that really doesn’t come close to telling us what it was really like. This amazing documentary collects some of the few still-living survivors of the blast and details their stories, complimented with some excellent computer graphics that reconstruct what Hiroshima looked like before the bomb fell.
WHY IT IS HERE: There is no movie, no documentary, no television show, no book and no social interaction that will affect you as much as this movie will. It will literally change your life. Seeing a beautiful, vibrant city come to life before your eyes – and then to watch the astonishing destruction, hear the account of people who were children at the time explain what it was like to lose parents, friends, brothers and sisters – to see the emotions still raw 70 years later, is absolutely unforgettable. The movie barely got any sort of theatrical release and is mainly available on Hulu, but it’s also available on DVD. This should be required viewing for not just our political leaders, but for everyone human. Never again.
HIGHLIGHT SCENE: Basically, every one of the survivor’s stories.
CRITICAL MASS: Rotten Tomatoes: N/A. Metacritic: N/A.
BOX OFFICE RESULTS: N/A
BUDGET: N/A
GENRE: Documentary
STATUS: Currently available on home video. Stream from Hulu.

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The Big Short


Christian Bale is overwhelmed by script submissions.

Christian Bale is overwhelmed by script submissions.

(2015) True Life Drama (Paramount) Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, Jeremy Strong, Adepero Oduye, Jeffry Griffin, Finn Wittrock, John Magaro, Selena Gomez, Anthony Bourdain, Melissa Leo, Karen Gillan, Margot Robbie, Stanley Wong, Rajeev Jacob, Vanessa Cloke, Leslie Castay. Directed by Adam McKay

The financial meltdown of 2008 was the worst economic event since the Great Depression. Millions lost their jobs and their homes. The repercussions of that event continue to be felt, but many don’t understand how it happened – and how it could happen again.

Dr. Michael Burry (Bale) is a one-eyed manager of a small hedge fund in San Jose, California who discovers that securities based on mortgages – once thought to be nearly recession-proof as the going wisdom is that most people pay their mortgages on time – are actually filled with mortgages that are much riskier, with balloon payments that will commence in 2007 that the homeowners will never be able to pay and create an economic meltdown. He wants to essentially bet against these securities as he knows they are doomed to fail; such securities don’t exist so he goes to Wall Street to places like Goldman Sachs to have them create those securities. He is nearly laughed out of the building but they are happy to take his money – in fact, nearly all of his fund’s cash which doesn’t sit too well with some of the investors.

Mark Baum (Carell) is also a hedge fund manager based at Morgan Stanley who has an anger management issue (Baum, not Morgan Stanley). His team discovers from investment banker Jared Vennett (Gosling) – who also serves as the film’s narrator – that these securities exist and that there’s a good chance that investing in these securities will result in runaway wealth. Baum, who has a hate on for the industry he works in, after talking to a number of bankers and securities industry insiders, becomes certain that Vennett is on to something and risks a good deal of his fund’s capital to buy these securities.

Two ambitious young Colorado-based hedge fund managers – Charlie Geller (Magaro) and Jamie Shipley (Wittrock) also discover these securities through happenstance but their fund is too small and too unknown to be able to get a seat at the table to bid on securities like that. They enlist Ben Rickert (Pitt), a disillusioned former Wall Street titan who has become something of a paranoid recluse, out of the game until Geller and Shipley manage to reel him back in.

All of these players discover first-hand the venal stupidity of the banking industry whose blindness led to the near-collapse of the world economy; the corruption and absolute greed that was behind that blindness staggered even these members of the same financial industry.

Based on a nonfiction book by Michael Lewis, the film takes some real-life people involved in the market (Burry) as well as creates fictional ones – some out of whole cloth and some based on others (Baum, based on real-life hedge fund manager Steve Eisman), McKay does a credible job in taking some fairly esoteric financial market concepts like CDOs and credit default swaps.

He has gathered an eclectic but solid cast that brings to life the arrogance and testosterone-infused world of finance. It is definitely a boys club with an aggressive attitude with an absolute focus on money. Carell gives Baum a moral compass – maybe more of one than the other characters in the film – but also an angry streak that comes from a family tragedy. In many ways, Baum is the most compelling character in the movie because while all of the characters have an agenda, Baum’s is more than just making money.

I also like Bale as the real-life Dr. Burry, who prefers to be barefoot, rarely wears a suit and tie, and blasts metal in his office when he’s stressing out. His characters is a little bit more complex than the others and we don’t really get a decent grasp on him, which something tells me is true of the real guy. Pitt brings a little bit of New Age gravitas here as well.

McKay is known for his comedies and there is a kind of black humor here. His tongue is often planted firmly in cheek as he uses various celebrities in incongruous situations to explain various things in the script (like a naked Margo Robbie in a bathtub explaining the subprime mortgage market, or singer Serena Gomez in a casino talking about CDOs) and we are told that certain things actually happened but more interestingly, that some things actually didn’t as depicted in the film. You have to give him points for honesty.

I imagine your political outlook will drive how much you enjoy the film to a certain extent; those who are fairly left-wing in nature and distrustful of industry will no doubt find this film much more to their liking than those who are right-wing and who might look at this as tarring an entire industry with the same brush because of the actions of a relative few. The Big Short takes the point of view that the stupidity, shortsightedness and corruption was industry-wide and implies to a large extent that the culture of the financial industry of the bro-tastic almighty dollar have a big hand in driving that corruption.

The Big Short does a credible job of explaining a fairly complicated and often confusing situation that brought the economy to its knees, and warns that many of the same factors remain in place that may yet again take the economy down for another plunge. It reminds us that despite the blatant fraud that took place, only one person – and he relatively low on the totem pole – ever was tried and jailed for his role in an event that created so much human misery. This is an outstanding movie that may disturb some because the “heroes” of the story made enormous profits from that misery (a fact pointed out by Pitt’s Ben Rickert) and that the tone overall is somewhat snarky. I found that the tone made the events somewhat easier to bear and while I don’t condone profiting from the pain of others, I can say that at least none of the protagonists broke any laws, which is a fairly low bar for cinematic heroism but given the industry depicted here, probably about as high a bar as can be expected.

REASONS TO GO: Really explains some of the very confusing information about the 2008 crisis well. Extremely solid performances from the cast. Occasionally funny.
REASONS TO STAY: A very dry subject matter.
FAMILY VALUES: Plenty of profanity, some nudity and sexuality.
TRIVIAL PURSUIT: This is the first film directed by Adam McKay in which Will Ferrell doesn’t star.
CRITICAL MASS: As of 1/10/16: Rotten Tomatoes: 87% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Margin Call
FINAL RATING: 8.5/10
NEXT: Point Break (2015)

New Releases for the Week of December 25, 2015


ConcussionCONCUSSION

(Columbia) Will Smith, Alec Baldwin, Albert Brooks, Gugu Mbatha-Raw, David Morse, Arliss Howard, Mike O’Malley, Eddie Marsan, Luke Wilson. Directed by Peter Landesman

Dr. Bennett Omalu, a forensic Neuropathologist working in Pittsburgh, is presented with a strange situation; a favored son of the city, a former football star, dies suddenly penniless, his very personality rumored to have changed completely. As he investigates he discovers something shocking; repeated head traumas, such as those routinely suffered by football players, leads to some terrifying consequences. However in bringing his findings to the public, he finds himself in a fight with a corporation that owns a day of the week – the National Football League. However, Dr. Omalu refuses to back down and becomes maybe the greatest advocate that pro athletes have ever had.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material including some disturbing images, and language)

The Big Short

(Paramount) Ryan Gosling, Christian Bale, Steve Carell, Marisa Tomei. As the economy came to the verge of collapse in 2008, a group of financial outsiders, seeing what the big banks had done to the economy knew that they would likely not get much more than a slap on the wrist. They decided on a bold scheme to get their share, taking on some of the biggest crooks in the history of mankind – and winning.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: R (for pervasive language and some sexuality/nudity)

Daddy’s Home

(Paramount) Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Haden Church. A white bread radio executive has married a divorced woman with two kids, and is trying to be the best dad possible to them, although frankly they don’t want anything to do with him. Still, he tries and hopes for the best – until their biological father shows up, forcing him to compete with the guy for the attention of the kids. The ante gets upped again and again until the stakes become ridiculous.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, crude and suggestive content, and for language)

The Danish Girl

(Focus) Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw. Danish painter Einar Wegener was married to a fellow painter and seemingly happy with his life. However, a request from his wife, seemingly simple and innocuous, leads him to a profound change and the realization that he is a woman trapped in a man’s body. Desperate to find a solution, he takes a risk that at the time was unthinkable – but may be his only hope for happiness and peace.

See the trailer, clips, featurettes and Q&A sessions here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Springs, Regal Winter Park Village

Rating: R (for some sexuality and full nudity)

The Hateful Eight

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Bruce Dern. A bounty hunter, taking his quarry back to Red Rock, Wyoming to hang shortly after the end of the Civil War, finds himself snowed in with six other strangers in a Rocky Mountain stagecoach stop. Soon it becomes clear that not all of the men are being completely candid about who they are – and that not everyone holed up to wait out the storm is going to make it out alive. The movie will be playing in digital 70mm print approximation (few theaters across the country will have the real thing), and will be opening in wide release on January 8th in standard 35mm digital.

See the trailer, clips, interviews, a promo, a featurette, B-roll video and a Q&A session here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: AMC Disney Springs, Regal Waterford Lakes

Rating: R (for strong bloody violence, a scene of violent sexual content, language and some graphic nudity)

Joy

(20th Century Fox) Jennifer Lawrence, Bradley Cooper, Robert De Niro, Elizabeth Rohm. Coming from a working class background, nobody ever figured Joy would ever amount to much but nobody counted on her unshakable will. She goes on to found a business empire, navigating the cutthroat waters of modern business to become one of the most successful female entrepreneurs in the United States. This is the latest offering from director David O. Russell, who has become the nearest thing to a sure Oscar nominee as there’s been in the last few years.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Point Break

(Warner Brothers) Edgar Ramirez, Luke Bracey, Ray Winstone, Teresa Palmer. A young maverick FBI Agent infiltrates a group of extreme athletes who are suspected of pulling off daring robberies utilizing skills involving some of the most dangerous activities known to humans. The deeper the agent gets, the more he gets swept into their world. Eager to prove their innocence he begins to lose sight of his job and the protection of innocent lives. Can he bring these guys to justice before people die for their thrill-seeking ways – or will he ultimately prove their innocence?

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, thematic material involving perilous activity, some sexuality, language and drug material)

Youth

(Fox Searchlight) Michael Caine, Harvey Keitel, Jane Fonda, Rachel Weisz. Two lifelong friends vacation at a resort in the Swiss Alps as they contemplate oncoming retirement. Befriended by a young actor struggling to make sense of his latest role, one – a musician – is urged by his daughter not to retire just yet while the other – a screenwriter – labors to finish what may well be his last screenplay aided by his muse, who may or may not be true inspiration.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: R (for graphic nudity, some sexuality, and language)